Farewell, Mr. Blackpool (stereo)

~ Release by Reginald Dixon (see all versions of this release, 1 available)

Tracklist

112" Vinyl
#TitleRatingLength
A1I Do Like To Be Beside The Seaside
engineer:
Stuart Eltham (engineer)
producer:
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
organ:
Reginald Dixon
recording of:
I Do Like to Be Beside the Seaside
lyricist and composer:
John A. Glover-Kind
?:??
A2Pigalle
engineer:
Stuart Eltham (engineer)
producer:
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
organ:
Reginald Dixon
recording of:
Pigalle
lyricist:
Géo Koger (composer, author) and Georges Ulmer
composer:
Georges Ulmer
?:??
A3Lullaby Of Broadway / Carolina Moon / Toot Toot Tootsie (Goo'bye)
engineer:
Stuart Eltham (engineer)
producer:
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
organ:
Reginald Dixon
medley including a instrumental recording of:
Carolina Moon (1928 song)
lyricist:
Benny Davis (US vaudeville performer and songwriter)
composer:
Joe Burke (American composer)
publisher:
Burton Way Music Ltd., Cromwell Music, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Fred Ahlert Mus. Corp., Lawrence Wright Music Co., Ltd., Memory Lane Music (publishing company) and Redwood Music
medley including a instrumental recording of:
Lullaby of Broadway (from “Gold Diggers of 1935”)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist) (in 1935)
publisher:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 winner)
part of:
42nd Street (full musical)
medley including a instrumental recording of:
Toot, Toot, Tootsie (Goo’ Bye)
writer:
Ernie Erdman (Songwriter/composer and pianist), Gus Kahn and Dan Russo (1920s–30s violinist, songwriter, and big band leader)
publisher:
Salabert
?:??
A4Dream Of Olwen
engineer:
Stuart Eltham (engineer)
producer:
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
organ:
Reginald Dixon
recording of:
The Dream of Olwen
lyricist:
Winifred May
composer:
Charles Williams (UK film music composer & conductor)
part of:
While I Live
?:??
A5South Of The Border (Down Mexico Way) / The Stein Song
engineer:
Stuart Eltham (engineer)
producer:
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
organ:
Reginald Dixon
medley including a instrumental recording of:
South of the Border (Down Mexico Way)
writer:
Michael Carr (songwriter) and Jimmy Kennedy (Irish songwriter)
publisher:
Shapiro, Bernstein & Co., Inc. and Peter Maurice Music Co. Ltd. (on 1939-03-30)
medley including a instrumental recording of:
The Stein Song
writer:
Lincoln Colcord and E. A. Fenstad
?:??
A6The Wistful Waltz
engineer:
Stuart Eltham (engineer)
producer:
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
organ:
Reginald Dixon
recording of:
The Wistful Waltz
writer:
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt) and Edrich Siebert
?:??
A7The Storm At Sea: A Life On The Ocean Wave / Jack's The Lad / Drunken Sailor / Anchors Aweigh / Skye Boat Song / Overture: Fingal's Cave / Crimond
engineer:
Stuart Eltham (engineer)
producer:
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
organ:
Reginald Dixon
medley including a instrumental recording of:
A Life on the Ocean Wave
lyricist:
Epes Sargent (in 1838)
composer:
Henry Russell (composer)
medley including a instrumental recording of:
Anchors Aweigh
lyricist:
Alfred Hart Miles (in 1906)
composer:
Charles A. Zimmerman (in 1906)
recording of:
Crimond (hymn tune)
composer:
David Grant (hymn harmoniser)
part of:
Caneuon Ffydd: Tonau (number: 53)
medley including a instrumental recording of:
Die Hebriden, op. 26 (The Hebrides, op. 26 “Fingal’s Cave”, Fingal's Cave)
premiered in:
London (Greater London), England, United Kingdom (on 1832-05-14)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Works of Felix Mendelssohn by opus number (number: op. 26) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 7)
medley including a instrumental recording of:
Skye Boat Song (Speed, bonnie boat)
lyricist:
Harold Boulton
composer:
[traditional] (special purpose artist)
version of:
Cuchag nan craobh
medley including a instrumental recording of:
The Sailor’s Hornpipe (traditional hornpipe melody)
composer:
[traditional] (special purpose artist)
part of:
Tubular Bells, Part Two
medley including a instrumental recording of:
What Shall We Do With a Drunken Sailor? (sea shanty)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
Lugan Music
part of:
Roud Folk Song Index (number: 322)
?:??
B1March: Imperial Chorus
engineer:
Stuart Eltham (engineer)
producer:
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
organ:
Reginald Dixon
recording of:
Imperial Chorus
composer:
Arnold Safroni
?:??
B9Whispering / Beer Barrel Polka
engineer:
Stuart Eltham (engineer)
producer:
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
organ:
Reginald Dixon
medley including a instrumental recording of:
Beer Barrel Polka
composer:
Jaromír Vejvoda (in 1927)
arranger:
Eduard Ingriš (from 1927 until 1934)
translator:
Lew Brown (in 1939) and Wladimir A. Timm (Wladimir Timm) (in 1939)
part of:
Roud Folk Song Index (number: 25648)
translated version of:
Škoda lásky (Wasted Love, see also "Rosamunde" and "Beer Barrel Polka")
medley including a instrumental recording of:
Whispering
lyricist:
Richard Coburn (in 1920) and Malvin Schönberger (Malvin Schonberger) (in 1920)
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader) (in 1920) and John Schoenberger (John Schonberger) (in 1920)
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., Fisher Music Corp., Redwood Music Ltd. (Carlin) and Sherman, Clay & Co. (in 1920)
?:??
B3Charmaine
engineer:
Stuart Eltham (engineer)
producer:
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
organ:
Reginald Dixon
recording of:
Charmaine
lyricist:
Louis Leazer
composer:
Ernö Rapée
arranger:
Roy Campbell (trumpeter)
publisher:
Lew Pollack Music, Miller Music Corp., Rapee Music Corp. and Belwin, Inc. (on 1926-12-31)
?:??
B4The Harry Lime Theme
engineer:
Stuart Eltham (engineer)
producer:
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
organ:
Reginald Dixon
recording of:
Harry Lime Theme (The Third Man Theme)
composer:
Anton Karas
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music, Inc.
?:??
B5Minuet
engineer:
Stuart Eltham (engineer)
producer:
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
organ:
Reginald Dixon
?:??
B6The Darktown Strutters' Ball / Anniversary Waltz / Macnamara's Band
engineer:
Stuart Eltham (engineer)
producer:
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
organ:
Reginald Dixon
medley including a instrumental recording of:
Anniversary Waltz
lyricist:
Al Dubin
composer:
Dave Franklin (Tin Pan Alley songwriter)
medley including a instrumental recording of:
Darktown Strutters’ Ball
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
J. Albert & Son Pty. Ltd. and Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
medley including a instrumental recording of:
MacNamara’s Band
lyricist:
John J Stamford (songwriter) (in 1889)
composer:
Shamus O'Connor (songwriter) (in 1889)
?:??
B7I Kiss Your Hand Madame
engineer:
Stuart Eltham (engineer)
producer:
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
organ:
Reginald Dixon
recording of:
I Kiss Your Hand Madame (From the eponymous film)
lyricist:
Fritz Rotter (Austrian composer and lyricist)
composer:
Ralph Erwin
translator:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
is based on:
Ich küsse Ihre Hand, Madame
?:??
B8Happy Days Are Here Again / When The Saints Go Marching In / I Do Like To Be Beside The Seaside
engineer:
Stuart Eltham (engineer)
producer:
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
organ:
Reginald Dixon
medley including a instrumental recording of:
Happy Days Are Here Again
lyricist:
Jack Yellen
composer:
Milton Ager
part of:
Going Hollywood (1933 film)
medley including a instrumental recording of:
I Do Like to Be Beside the Seaside
lyricist and composer:
John A. Glover-Kind
medley including a instrumental recording of:
When the Saints Go Marching In
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
version of:
When the Saints Go Marching In
?:??

Credits

Release

liner notes:Reginald Dixon
printed by:Garrod & Lofthouse (printer and manufacturer of sleeves for the recording industry)
Discogs:https://www.discogs.com/release/3835446 [info]