Farewell, Mr. Blackpool (stereo)

~ Veröffentlichung von Reginald Dixon (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
A1I Do Like To Be Beside The Seaside
Techniker(in):
Stuart Eltham (engineer)
Produzent(in):
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
Orgel:
Reginald Dixon
recording of:
I Do Like to Be Beside the Seaside
Texter und Komponist(in):
John A. Glover-Kind
?:??
A2Pigalle
Techniker(in):
Stuart Eltham (engineer)
Produzent(in):
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
Orgel:
Reginald Dixon
recording of:
Pigalle
Texter:
Géo Koger (composer, author) und Georges Ulmer
Komponist(in):
Georges Ulmer
?:??
A3Lullaby Of Broadway / Carolina Moon / Toot Toot Tootsie (Goo'bye)
Techniker(in):
Stuart Eltham (engineer)
Produzent(in):
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
Orgel:
Reginald Dixon
medley including a instrumental recording of:
Carolina Moon (1928 song)
Texter:
Benny Davis (US vaudeville performer and songwriter)
Komponist(in):
Joe Burke (American composer)
publisher:
Burton Way Music Ltd., Cromwell Music, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Fred Ahlert Mus. Corp., Lawrence Wright Music Co., Ltd., Memory Lane Music (publishing company) und Redwood Music
medley including a instrumental recording of:
Lullaby of Broadway (from “Gold Diggers of 1935”)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist) (in 1935)
publisher:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 winner)
Teil von:
42nd Street (full musical)
medley including a instrumental recording of:
Toot, Toot, Tootsie (Goo’ Bye)
Verfasser(in):
Ernie Erdman (Songwriter/composer and pianist), Gus Kahn und Dan Russo (1920s–30s violinist, songwriter, and big band leader)
publisher:
Salabert
?:??
A4Dream Of Olwen
Techniker(in):
Stuart Eltham (engineer)
Produzent(in):
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
Orgel:
Reginald Dixon
recording of:
The Dream of Olwen
Texter:
Winifred May
Komponist(in):
Charles Williams (UK film music composer & conductor)
Teil von:
While I Live
?:??
A5South Of The Border (Down Mexico Way) / The Stein Song
Techniker(in):
Stuart Eltham (engineer)
Produzent(in):
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
Orgel:
Reginald Dixon
medley including a instrumental recording of:
South of the Border (Down Mexico Way)
Verfasser(in):
Michael Carr (songwriter) und Jimmy Kennedy (Irish songwriter)
publisher:
Shapiro, Bernstein & Co., Inc. und Peter Maurice Music Co. Ltd. (am 1939-03-30)
medley including a instrumental recording of:
The Stein Song
Verfasser(in):
Lincoln Colcord und E. A. Fenstad
?:??
A6The Wistful Waltz
Techniker(in):
Stuart Eltham (engineer)
Produzent(in):
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
Orgel:
Reginald Dixon
recording of:
The Wistful Waltz
Verfasser(in):
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt) und Edrich Siebert
?:??
A7The Storm At Sea: A Life On The Ocean Wave / Jack's The Lad / Drunken Sailor / Anchors Aweigh / Skye Boat Song / Overture: Fingal's Cave / Crimond
Techniker(in):
Stuart Eltham (engineer)
Produzent(in):
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
Orgel:
Reginald Dixon
medley including a instrumental recording of:
A Life on the Ocean Wave
Texter:
Epes Sargent (in 1838)
Komponist(in):
Henry Russell (composer)
medley including a instrumental recording of:
Anchors Aweigh
Texter:
Alfred Hart Miles (in 1906)
Komponist(in):
Charles A. Zimmerman (in 1906)
recording of:
Crimond (hymn tune)
Komponist(in):
David Grant (hymn harmoniser)
Teil von:
Caneuon Ffydd: Tonau (Nummer: 53)
medley including a instrumental recording of:
Die Hebriden, op. 26 (The Hebrides, op. 26 “Fingal’s Cave”, Fingal's Cave)
Premiere in:
London (Greater London), England, Vereinigtes Königreich (am 1832-05-14)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1830)
Teil von:
Works of Felix Mendelssohn by opus number (Nummer: op. 26) und Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (Nummer: MWV P 7)
medley including a instrumental recording of:
Skye Boat Song (Speed, bonnie boat)
Texter:
Harold Boulton
Komponist(in):
[traditional] (special purpose artist)
Version von:
Cuchag nan craobh
medley including a instrumental recording of:
The Sailor’s Hornpipe (traditional hornpipe melody)
Komponist(in):
[traditional] (special purpose artist)
Teil von:
Tubular Bells, Part Two
medley including a instrumental recording of:
What Shall We Do With a Drunken Sailor? (sea shanty)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Lugan Music
Teil von:
Roud Folk Song Index (Nummer: 322)
?:??
B1March: Imperial Chorus
Techniker(in):
Stuart Eltham (engineer)
Produzent(in):
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
Orgel:
Reginald Dixon
recording of:
Imperial Chorus
Komponist(in):
Arnold Safroni
?:??
B9Whispering / Beer Barrel Polka
Techniker(in):
Stuart Eltham (engineer)
Produzent(in):
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
Orgel:
Reginald Dixon
medley including a instrumental recording of:
Beer Barrel Polka
Komponist(in):
Jaromír Vejvoda (in 1927)
arranger:
Eduard Ingriš (von 1927 bis 1934)
Übersetzer:
Lew Brown (in 1939) und Wladimir A. Timm (Wladimir Timm) (in 1939)
Teil von:
Roud Folk Song Index (Nummer: 25648)
übersetzte Version von:
Škoda lásky (Schade um die Liebe, see also "Rosamunde" and "Beer Barrel Polka")
medley including a instrumental recording of:
Whispering
Texter:
Richard Coburn (in 1920) und Malvin Schönberger (Malvin Schonberger) (in 1920)
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader) (in 1920) und John Schoenberger (John Schonberger) (in 1920)
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., Fisher Music Corp., Redwood Music Ltd. (Carlin) und Sherman, Clay & Co. (in 1920)
?:??
B3Charmaine
Techniker(in):
Stuart Eltham (engineer)
Produzent(in):
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
Orgel:
Reginald Dixon
recording of:
Charmaine
Texter:
Louis Leazer
Komponist(in):
Ernö Rapée
arranger:
Roy Campbell (trumpeter)
publisher:
Lew Pollack Music, Miller Music Corp., Rapee Music Corp. und Belwin, Inc. (am 1926-12-31)
?:??
B4The Harry Lime Theme
Techniker(in):
Stuart Eltham (engineer)
Produzent(in):
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
Orgel:
Reginald Dixon
recording of:
Harry Lime Theme (The Third Man Theme)
Komponist(in):
Anton Karas
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music, Inc.
?:??
B5Minuet
Techniker(in):
Stuart Eltham (engineer)
Produzent(in):
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
Orgel:
Reginald Dixon
?:??
B6The Darktown Strutters' Ball / Anniversary Waltz / Macnamara's Band
Techniker(in):
Stuart Eltham (engineer)
Produzent(in):
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
Orgel:
Reginald Dixon
medley including a instrumental recording of:
Anniversary Waltz
Texter:
Al Dubin
Komponist(in):
Dave Franklin (Tin Pan Alley songwriter)
medley including a instrumental recording of:
Darktown Strutters’ Ball
Texter und Komponist(in):
Shelton Brooks (in 1917)
publisher:
J. Albert & Son Pty. Ltd. und Leo Feist, Inc.
Teil von:
For Me and My Gal (1942 movie)
medley including a instrumental recording of:
MacNamara’s Band
Texter:
John J Stamford (songwriter) (in 1889)
Komponist(in):
Shamus O'Connor (songwriter) (in 1889)
?:??
B7I Kiss Your Hand Madame
Techniker(in):
Stuart Eltham (engineer)
Produzent(in):
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
Orgel:
Reginald Dixon
recording of:
I Kiss Your Hand Madame (From the eponymous film)
Texter:
Fritz Rotter (Austrian composer and lyricist)
Komponist(in):
Ralph Erwin
Übersetzer:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
basiert auf:
Ich küsse Ihre Hand, Madame
?:??
B8Happy Days Are Here Again / When The Saints Go Marching In / I Do Like To Be Beside The Seaside
Techniker(in):
Stuart Eltham (engineer)
Produzent(in):
Bob Barratt (Denis Barratt, songwriter & producer Denis Mervyn Barratt)
Orgel:
Reginald Dixon
medley including a instrumental recording of:
Happy Days Are Here Again
Texter:
Jack Yellen
Komponist(in):
Milton Ager
Teil von:
Going Hollywood (1933 film)
medley including a instrumental recording of:
I Do Like to Be Beside the Seaside
Texter und Komponist(in):
John A. Glover-Kind
medley including a instrumental recording of:
When the Saints Go Marching In
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13983)
Version von:
When the Saints Go Marching In
?:??

Nennungen

Veröffentlichung

liner notes:Reginald Dixon
gedruckt von:Garrod & Lofthouse (printer and manufacturer of sleeves for the recording industry)
Discogs:https://www.discogs.com/release/3835446 [Info]