Jazz Deluxe

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Disc 3 track 9 misspelled as "My Heart Belong To Daddy".
Relesed with same EAN code also in Brazil and Mexico.

Annotazione modificata l'ultima volta il 2015-03-07 11:50 UTC.

Elenco tracce

1▶CD: The Greatest Voices
2▶CD: Groovin´ Without Words
3▼CD: The Cole Porter Songbook
#TitoloArtistaValutazioneDurata
1I’ve Got You Under My Skin
tecnico:
Val Valentin (il 1956-02-09)
produttore:
Norman Granz
batteria :
Alvin Stoller (il 1956-02-09)
chitarra :
Barney Kessel (il 1956-02-09)
contrabbasso :
Joe Mondragon (il 1956-02-09)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-02-09)
trombone :
Milt Bernhart (il 1956-02-09), Joe Howard (american trombone player) (il 1956-02-09) e Lloyd Ulyate (American trombonist (1927-2004)) (il 1956-02-09)
trombone basso :
George Roberts (american bass trombone) (il 1956-02-09)
voce principale:
Ella Fitzgerald (American jazz singer) (il 1956-02-09)
direttore d'orchestra:
Buddy Bregman (il 1956-02-09)
arrangiatore:
Buddy Bregman
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-02-09)
registrazione cover di:
I’ve Got You Under My Skin (il 1956-02-09)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Ella Fitzgerald2.352:43
2I Concentrate on You
registrazione dal vivo di:
I Concentrate on You (il 1981-01-17)
paroliere e compositore:
Cole Porter (composer) (nel 1939)
editore:
Chappell & Co., Inc. (USA)
Carmen McRae4:20
3Night and Day
registrazione cover di:
Night and Day (Cole Porter; from “The Gay Divorce”)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
Lena Horne2:35
4Easy to Love
Steve Grossman5:25
5Love for Sale
Sidney Bechet3:19
6Let’s Do It
batteria :
Kenny Clarke (il 1941-03-21)
chitarra :
John Collins (US jazz guitarist) (il 1941-03-21)
contrabbasso :
Ted Sturgis (il 1941-03-21)
pianoforte :
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (il 1941-03-21)
sassofono contralto :
Eddie Barefield (il 1941-03-21) e Leslie Johnakins (il 1941-03-21)
sassofono tenore :
Lester Young (saxophonist) (il 1941-03-21)
tromba :
Shad Collins (il 1941-03-21)
voce:
Billie Holiday (il 1941-03-21)
registrazione di:
Let’s Do It (Let’s Fall in Love) (Paris musical) (il 1941-03-21)
paroliere e compositore:
Cole Porter (composer) (nel 1928)
parte di:
Can‐Can (1960 musical film)
parte di:
Paris (1928 musical)
Billie Holiday2:57
7All of You
registrazione cover di:
All of You (Silk Stockings musical)
paroliere e compositore:
Cole Porter (composer) (nel 1954)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Chappell Music (UK)
parte di:
Silk Stockings (1957 musical film)
Miles Davis15:32
8(You’d Be) So Nice to Come Home To
registrata a:
New York, New York, Stati Uniti (il 1955-07-29)
batteria :
Kenny Clarke (il 1955-07-29)
contrabbasso :
Paul Chambers (US jazz bassist) (il 1955-07-29)
cornetta :
Nat Adderley (il 1955-07-29)
flauto e sassofono tenore :
Jerome Richardson (il 1955-07-29)
pianoforte :
John Williams (American jazz pianist) (il 1955-07-29)
sassofono baritono :
Cecil Payne (il 1955-07-29)
sassofono contralto :
Julian “Cannonball” Adderley (il 1955-07-29)
trombone :
J. Johnson (jazz/bop trombonist/session leader) (il 1955-07-29)
arrangiatore:
Quincy Jones
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1955), HHO Licensing (nel 2005, nel 2008) e Xelon Productions (nel 2010)
registrazione strumentale cover di:
You’d Be So Nice to Come Home To (il 1955-07-29)
paroliere e compositore:
Cole Porter (composer) (nel 1943)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
registrazione strumentale di:
You’d Be So Nice to Come Home To (il 1955-07-29)
paroliere e compositore:
Cole Porter (composer) (nel 1943)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
registrazione di:
You’d Be So Nice to Come Home To
paroliere e compositore:
Cole Porter (composer) (nel 1943)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
Cannonball Adderley3:43
9My Heart Belong to Daddy
ance :
Garvin Bushell (il 1939-02-17) e Hilton Jefferson (il 1939-02-17)
batteria :
Chick Webb (il 1939-02-17)
chitarra :
Bobby Johnson (US guitarist) (il 1939-02-17)
contrabbasso :
Beverly Peer (il 1939-02-17)
legni :
Wayman Carver (il 1939-02-17)
pianoforte :
Tommy Fulford (il 1939-02-17)
sassofono tenore :
Teddy McRae (il 1939-02-17)
tromba :
Taft Jordan (il 1939-02-17), Bobby Stark (il 1939-02-17) e Dick Vance (US jazz trumpeter and arranger) (il 1939-02-17)
trombone :
George Matthews (trombone) (il 1939-02-17), Nat Story (il 1939-02-17) e Sandy Williams (American jazz trombonist) (il 1939-02-17)
voce:
Ella Fitzgerald (American jazz singer) (il 1939-02-17)
registrazione di:
My Heart Belongs to Daddy (il 1939-02-17)
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (company that specialized in library and production music), Chappell & Co. e Chappell Music Ltd.
registrazione cover di:
My Heart Belongs to Daddy
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (company that specialized in library and production music), Chappell & Co. e Chappell Music Ltd.
Ella Fitzgerald43:05
10I Love You
tecnico di registrazione:
Rudy van Gelder (il 1957-08-16)
batteria :
Art Taylor (il 1957-08-16)
contrabbasso [bass] :
Earl May (il 1957-08-16)
sassofono tenore :
John Coltrane (il 1957-08-16)
registrata presso:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Stati Uniti (il 1957-08-16)
registrazione strumentale cover di:
I Love You (Mexican Hayride musical) (il 1957-08-16)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
John Coltrane Trio5:30
11Everytime We Say Goodbye
Sonny Rollins3:18
12Begin the Beguine
registrazione di:
Begin the Beguine (il 1945-11-27)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
Stan Kenton2:38
13Let’s Be Buddies
Les Brown3:05
14What Is This Thing Called Love?
registrazione cover di:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
Sarah Vaughan1:47