Jazz Deluxe

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Disc 3 track 9 misspelled as "My Heart Belong To Daddy".
Relesed with same EAN code also in Brazil and Mexico.

Anmerkung zuletzt geändert am 2015-03-07 11:50 UTC.

Titelliste

1▶CD: The Greatest Voices
2▶CD: Groovin´ Without Words
3▼CD: The Cole Porter Songbook
Nr.TitelKünstlerBewertungLänge
1I’ve Got You Under My Skin
Techniker(in):
Val Valentin (am 1956-02-09)
Produzent(in):
Norman Granz
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-09)
Gitarre:
Barney Kessel (am 1956-02-09)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass:
Joe Mondragon (am 1956-02-09)
Posaune:
Milt Bernhart (am 1956-02-09), Joe Howard (american trombone player) (am 1956-02-09) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-09)
Schlagzeug:
Alvin Stoller (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-09)
conductor:
Buddy Bregman (am 1956-02-09)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
I’ve Got You Under My Skin (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Ella Fitzgerald2.352:43
2I Concentrate on You
live recording of:
I Concentrate on You (am 1981-01-17)
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
Carmen McRae4:20
3Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Lena Horne2:35
4Easy to Love
Steve Grossman5:25
5Love for Sale
Sidney Bechet3:19
6Let’s Do It
alto saxophone:
Eddie Barefield (am 1941-03-21) und Leslie Johnakins (am 1941-03-21)
Gitarre:
John Collins (US jazz guitarist) (am 1941-03-21)
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1941-03-21)
Kontrabass:
Ted Sturgis (am 1941-03-21)
Schlagzeug:
Kenny Clarke (am 1941-03-21)
Tenorsaxophon:
Lester Young (saxophonist) (am 1941-03-21)
Trompete:
Shad Collins (am 1941-03-21)
vocals:
Billie Holiday (am 1941-03-21)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (am 1941-03-21)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
Billie Holiday2:57
7All of You
cover recording of:
All of You (Silk Stockings musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
Miles Davis15:32
8(You’d Be) So Nice to Come Home To
recorded in:
New York, New York, Vereinigte Staaten (am 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (am 1955-07-29)
baritone saxophone:
Cecil Payne (am 1955-07-29)
flute und Tenorsaxophon:
Jerome Richardson (am 1955-07-29)
Klavier:
John Williams (American jazz pianist) (am 1955-07-29)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1955-07-29)
Kornett:
Nat Adderley (am 1955-07-29)
Posaune:
J. Johnson (jazz/bop trombonist/session leader) (am 1955-07-29)
Schlagzeug:
Kenny Clarke (am 1955-07-29)
arranger:
Quincy Jones
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) und Xelon Productions (in 2010)
instrumental cover recording of:
You’d Be So Nice to Come Home To (am 1955-07-29)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
instrumental recording of:
You’d Be So Nice to Come Home To (am 1955-07-29)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Cannonball Adderley3:43
9My Heart Belong to Daddy
Gitarre:
Bobby Johnson (US guitarist) (am 1939-02-17)
Holzblasinstrumente:
Wayman Carver (am 1939-02-17)
Klavier:
Tommy Fulford (am 1939-02-17)
Kontrabass:
Beverly Peer (am 1939-02-17)
Posaune:
George Matthews (trombone) (am 1939-02-17), Nat Story (am 1939-02-17) und Sandy Williams (American jazz trombonist) (am 1939-02-17)
Rohrblattinstrumente:
Garvin Bushell (am 1939-02-17) und Hilton Jefferson (am 1939-02-17)
Schlagzeug:
Chick Webb (am 1939-02-17)
Tenorsaxophon:
Teddy McRae (am 1939-02-17)
Trompete:
Taft Jordan (am 1939-02-17), Bobby Stark (am 1939-02-17) und Dick Vance (US jazz trumpeter and arranger) (am 1939-02-17)
vocals:
Ella Fitzgerald (American jazz singer) (am 1939-02-17)
recording of:
My Heart Belongs to Daddy (am 1939-02-17)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
cover recording of:
My Heart Belongs to Daddy
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
Ella Fitzgerald43:05
10I Love You
recording engineer:
Rudy van Gelder (am 1957-08-16)
Kontrabass [bass]:
Earl May (am 1957-08-16)
Schlagzeug:
Art Taylor (am 1957-08-16)
Tenorsaxophon:
John Coltrane (am 1957-08-16)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1957-08-16)
instrumental cover recording of:
I Love You (Mexican Hayride musical) (am 1957-08-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
John Coltrane Trio5:30
11Everytime We Say Goodbye
Sonny Rollins3:18
12Begin the Beguine
recording of:
Begin the Beguine (am 1945-11-27)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Stan Kenton2:38
13Let’s Be Buddies
Les Brown3:05
14What Is This Thing Called Love?
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
Sarah Vaughan1:47