Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1▶CD: Bach: Christmas Oratorio (Parts I-III)
2▶CD: Bach: Christmas Oratorio (Parts IV-VI)
3▶CD: Bach: St. Matthew Passion (Parts I & II beg.)
4▶CD: Bach: St. Matthew Passion (Part II cont.)
5▶CD: Bach: St. John Passion (Parts I & II beg.)
6▶CD: Bach: St. John Passion (Part II cont.)
7▶CD: Bach: Mass in B minor (Kyrie - Gloria)
8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11▼CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
#TitleArtistRatingLength
1“Christen, ätzet diesen Tag”, BWV 63: 1. Chorus:“Christen, ätzet diesen Tag in Metall und Marmorsteine”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach4:55
2“Christen, ätzet diesen Tag”, BWV 63: 2. Recitative (alto): “O selger Tag! o ungemeines Heute”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Sara Mingardo (contralto) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach3:18
3“Christen, ätzet diesen Tag”, BWV 63: 3. Duet (soprano, bass): “Gott, du hast es wofl gefüget”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Stephan Loges (bass-baritone) (in 1998-12)
soprano vocals:
Ann Monoyios (soprano) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 (appendix) "Christen, ätzet diesen Tag": III(alt). Duet (Soprano & Bass) "Gott, du hast es wohl gefüget" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget"
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:49
4“Christen, ätzet diesen Tag”, BWV 63: 4. Recitative (tenor): “So kehret sich nun heut das bange Leid”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
Rufus Müller (tenor) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:45
5“Christen, ätzet diesen Tag”, BWV 63: 5. Duet (alto, tenor): “Ruft und fleht den Himmel an”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Sara Mingardo (contralto) (in 1998-12)
tenor vocals:
Rufus Müller (tenor) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach3:19
6“Christen, ätzet diesen Tag”, BWV 63: 6. Recitative (bass): “Verdoppelt euch demnach, ihr heißen Andachtsflammen”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Stephan Loges (bass-baritone) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:53
7“Christen, ätzet diesen Tag”, BWV 63: 7. Chorus: “Höchster, schau in Gnaden an”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:37
8“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 1. Chorus: “Sehet, welch eine Liebe hat uns der Vater erzeiget”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": I. Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach2:33
9“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 2. Chorale: “Das hat er alles uns getan”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": II. Choral "Das hat er alles uns getan" (in 1998-12)
composer:
Martin Luther (German theologian of the Reformation) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 108)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:43
10“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 3. Recitative (alto): “Geh, Welt! behalte nur das Deine”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Sara Mingardo (contralto) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt! behalte nur das Deine" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:43
11“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 4. Chorale: “Was frag ich nach der Welt”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": IV. Choral "Was frag ich nach der Welt" (in 1998-12)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 280)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:55
12“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 5. Aria (soprano): “Was die Welt in sich hält”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Ann Monoyios (soprano) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach5:36
13“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 6. Recitative (bass): “Der Himmel bleibet mir gewiss”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Stephan Loges (bass-baritone) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VI. Recitativo (Basso) "Der Himmel bleibet mir gewiß" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:00
14“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 7. Aria (alto): “Von der Welt verlang ich nichts”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Sara Mingardo (contralto) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach5:33
15“Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64: 8. Chorale: “Gute Nacht, o Wesen”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht, o Wesen" (in 1998-12)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 200)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:11
16“Christum wir sollen loben schon”, BWV 121: 1. Chorale: “Christum wir sollen loben schon”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach2:40
17“Christum wir sollen loben schon”, BWV 121: 2. Aria (tenor): “O du von Gott erhöhte Kreatur”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
Rufus Müller (tenor) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach4:39
18“Christum wir sollen loben schon”, BWV 121: 3. Recitative (alto): “Der Gnade unermesslichs Wesen”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
alto vocals:
Sara Mingardo (contralto) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:03
19“Christum wir sollen loben schon”, BWV 121: 4. Aria (bass): “Johannis freudenvolles Springen”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Stephan Loges (bass-baritone) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach7:27
20“Christum wir sollen loben schon”, BWV 121: 5. Recitative (soprano): “Doch wie erblickt es dich in deiner Krippe?”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Ann Monoyios (soprano) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach0:50
21“Christum wir sollen loben schon”, BWV 121: 6. Chorale: “Lob, Ehr und Dank sei dir gesagt”
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (in 1998-12)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:04
22“Ich freue mich in dir”, BWV 133: 1. Chorale: “Ich freue mich in dir”
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:11
23“Ich freue mich in dir”, BWV 133: 2. Aria (alto): “Getrost! es fasst ein heilger Leib”
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
countertenor vocals [alto]:
Derek Lee Ragin (countertenor) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": II. Aria (Alt) "Getrost! es faßt ein heilger Leib" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:06
24“Ich freue mich in dir”, BWV 133: 3. Recitative (tenor): “Ein Adam mag sich voller Schrecken”
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
tenor vocals:
Julian Podger (English tenor vocalist & choral conductor) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": III. Recitativo (Tenor) "Ein Adam mag sich voller Schrecken" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:59
25“Ich freue mich in dir”, BWV 133: 4. Aria (soprano): “Wie lieblich klingt es in den Ohren”
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
soprano vocals:
Katherine Fuge (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": IV. Aria (Sopran) "Wie lieblich klingt es in den Ohren" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach7:25
26“Ich freue mich in dir”, BWV 133: 5. Recitative (bass): “Wohlan, des Todes Furcht und Schmerz”
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
bass vocals:
Gotthold Schwarz (bass-baritone/conductor) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": V. Recitativo (Bass) "Wohlan, des Todes Furcht und Schmerz" (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:58
27“Ich freue mich in dir”, BWV 133: 6. Chorale: “Wohlan, so will ich mich”
recording engineer:
Jürgen Bulgrin (sound engineer)
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing (engineer, producer) and Dr. Isabella de Sabata
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": VI. Choral "Wohlan, so will ich mich" (in 1998-12)
lyricist:
Caspar Ziegler (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 181)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach1:05
12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15▶CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16▶CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17▶CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22▶CD: Beethoven: Symphonies nos. 1 & 2
23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25▶CD: Beethoven: Symphonies nos. 7 & 8
26▶CD: Beethoven: Symphony no. 9 “Choral”
27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28▶CD: Beethoven: Piano Concertos nos. 3 & 4
29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31▶CD: Beethoven: Violin Concerto
32▶CD: Beethoven: Missa solemnis
33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36▶CD: Interviews with John Eliot Gardiner
37▶CD: Britten: War Requiem
38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39▶CD: Bruckner: Mass no. 1 / 5 Motets
40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44▶CD: Handel: Acis and Galatea (Act I)
45▶CD: Handel: Acis and Galatea (Act II)
46▶CD: Handel: Hercules (Acts I & II beg.)
47▶CD: Handel: Hercules (Acts II cont. & III)
48▶CD: Haydn: The Creation (Parts I & II beg.)
49▶CD: Haydn: The Creation (Parts II cont. & III)
50▶CD: Haydn: The Seasons (Spring - Summer)
51▶CD: Haydn: The Seasons (Autumn - Winter)
52▶CD: Grainger: The Warriors / Holst: The Planets
53▶CD: Lehár: Die lustige Witwe
54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59▶CD: Monteverdi: L'Orfeo (Acts III-V)
60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61▶CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)
63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13
66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18
67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69▶CD: Mozart: Piano Concertos nos. 22 & 23
70▶CD: Mozart: Piano Concertos nos. 24 & 25
71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72▶CD: Mozart: Idomeneo (Acts I & II beg.)
73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74▶CD: Mozart: Idomeneo (Act III cont.)
75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79▶CD: Mozart: Le nozze di Figaro (Act IV)
80▶CD: Mozart: Don Giovanni (Act I beg.)
81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82▶CD: Mozart: Don Giovanni (Act II cont.)
83▶CD: Mozart: Così fan tutte (Act I beg.)
84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85▶CD: Mozart: Così fan tutte (Act II cont.)
86▶CD: Mozart: La clemenza di Tito (Act I)
87▶CD: Mozart: La clemenza di Tito (Act II)
88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89▶CD: Mozart: Die Zauberflöte (Act II cont.)
90▶CD: Purcell: The Fairy Queen (Acts I-III)
91▶CD: Purcell: The Fairy Queen (Acts IV & V)
92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96▶CD: Schumann: Symphonies nos. 4 (original version) & 2
97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99▶CD: Schumann: Das Paradies und die Peri (Parts II & III)
100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103▶CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105▶CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]