Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1CD: Bach: Christmas Oratorio (Parts I-III)
2CD: Bach: Christmas Oratorio (Parts IV-VI)
3CD: Bach: St. Matthew Passion (Parts I & II beg.)
4CD: Bach: St. Matthew Passion (Part II cont.)
5CD: Bach: St. John Passion (Parts I & II beg.)
6CD: Bach: St. John Passion (Part II cont.)
7CD: Bach: Mass in B minor (Kyrie - Gloria)
8CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22CD: Beethoven: Symphonies nos. 1 & 2
23CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25CD: Beethoven: Symphonies nos. 7 & 8
26CD: Beethoven: Symphony no. 9 “Choral”
27CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28CD: Beethoven: Piano Concertos nos. 3 & 4
29CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31CD: Beethoven: Violin Concerto
32CD: Beethoven: Missa solemnis
33CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36CD: Interviews with John Eliot Gardiner
37CD: Britten: War Requiem
38CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39CD: Bruckner: Mass no. 1 / 5 Motets
40CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44CD: Handel: Acis and Galatea (Act I)
45CD: Handel: Acis and Galatea (Act II)
46CD: Handel: Hercules (Acts I & II beg.)
47CD: Handel: Hercules (Acts II cont. & III)
48CD: Haydn: The Creation (Parts I & II beg.)
49CD: Haydn: The Creation (Parts II cont. & III)
50CD: Haydn: The Seasons (Spring - Summer)
51CD: Haydn: The Seasons (Autumn - Winter)
52CD: Grainger: The Warriors / Holst: The Planets
53CD: Lehár: Die lustige Witwe
54CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59CD: Monteverdi: L'Orfeo (Acts III-V)
60CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62CD: Monteverdi: L'incoronazione di Poppea (Act III)
63CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65CD: Mozart: Piano Concertos nos. 11, 12 & 13
66CD: Mozart: Piano Concertos nos. 14, 15 & 18
67CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69CD: Mozart: Piano Concertos nos. 22 & 23
70CD: Mozart: Piano Concertos nos. 24 & 25
71CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72CD: Mozart: Idomeneo (Acts I & II beg.)
73CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74CD: Mozart: Idomeneo (Act III cont.)
75CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79CD: Mozart: Le nozze di Figaro (Act IV)
80CD: Mozart: Don Giovanni (Act I beg.)
81CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82CD: Mozart: Don Giovanni (Act II cont.)
83CD: Mozart: Così fan tutte (Act I beg.)
84CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85CD: Mozart: Così fan tutte (Act II cont.)
86CD: Mozart: La clemenza di Tito (Act I)
87CD: Mozart: La clemenza di Tito (Act II)
88CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89CD: Mozart: Die Zauberflöte (Act II cont.)
90CD: Purcell: The Fairy Queen (Acts I-III)
91CD: Purcell: The Fairy Queen (Acts IV & V)
92CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96CD: Schumann: Symphonies nos. 4 (original version) & 2
97CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99CD: Schumann: Das Paradies und die Peri (Parts II & III)
100CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
#TitleArtistRatingLength
1The Rake's Progress: Act Two, Scene 3. Aria: “As I was saying” (Baba, Rakewell) / Baba's Song: “Come, sweet, come” (Baba, Rakewell) / Aria: “Scorned! Abused!” (Baba)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
mezzo-soprano vocals [Baba the Turk]:
Anne Sofie von Otter (mezzo-soprano) (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act II, Scene III. "As I Was Saying" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky3:33
2The Rake's Progress: Act Two, Scene 3. Recitative: “My heart is cold, I cannot weep” (Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Two, Scene 3. Recitative: “My heart is cold” (Rakewell) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky0:21
3The Rake's Progress: Act Two, Scene 3. Pantomime: “Fa la la” (Shadow)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Two, Scene 3. Pantomime: “Fa la la” (Shadow) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky1:04
4The Rake's Progress: Act Two, Scene 3. Recitative - Arioso - Recitative: “Oh, I wish, is were true” (Rakewell, Shadow)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Two, Scene 3. Recitative – Arioso – Recitative: “O, I wish it were true” (Rakewell, Shadow) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
Igor Stravinsky1:44
5The Rake's Progress: Act Two, Scene 3. Duet: “Thanks to this excellent device” (Rakewell, Shadow)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Two, Scene 3. Duet: “Thanks to this excellent device” (Rakewell, Shadow) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky1:39
6The Rake's Progress: Act Two, Scene 3. Recitative: “Forgive me, master” (Shadow, Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Two, Scene 3. Recitative: “Forgive me, master, for intruding” (Shadow, Rakewell) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act II
Igor Stravinsky2:27
7The Rake's Progress: Act Three, Scene 1. “Ruin, Disaster, Shame” (chorus, Anne, Sellem)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
tenor vocals [Sellem, an auctioneer]:
Peter Bronder (British tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Three, Scene 1. “Ruin. Disaster. Shame” (Crowd, Anne, Sellem) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky3:03
8The Rake's Progress: Act Three, Scene 1. Recitative: “Ladies, both fair and gracious” (Sellem)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
tenor vocals [Sellem, an auctioneer]:
Peter Bronder (British tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Three, Scene 1. Recitative: “Ladies both fair and gracious” (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky1:28
9The Rake's Progress: Act Three, Scene 1. Aria: “Who hears me, knows me” (Sellem, chorus) / Bidding Scene: “Seven - eleven” (chorus, Sellem) / Aria: “Behold it, Roman, moral” (Sellem, chorus) / Bidding Scene: “Fifteen - and a half” (chorus, Sellem) / Recitative: “Wonderful” (Sellem) / Aria (cont.): “An unknown object draws us” (Sellem, chorus) / Final Bidding Scene: “Fifty - fifty-five” (chorus, Sellem, Baba)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1997-06)
mezzo-soprano vocals [Baba the Turk]:
Anne Sofie von Otter (mezzo-soprano) (in 1997-06)
tenor vocals [Sellem, an auctioneer]:
Peter Bronder (British tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Three, Scene 1. Aria: “Who hears me, knows me” (Sellem; Crowd) / Bidding Scene: “Seven — eleven” (Crowd, Sellem) / Aria: “Behold it, Roman, moral” (Sellem; Crowd) / Bidding Scene: “Fifteen — and a half” (Crowd, Sellem) / Recitative: “Wonderful” (Sellem) / Aria (continued): “An unknown object draws us” (Sellem; Crowd) / “Fifty — fifty‐five” (Crowd, Sellem, Baba) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky3:31
10The Rake's Progress: Act Three, Scene 1. Aria: “Sold! Annoyed!” (Baba, chorus, Rakewell, Shadow) / Recitative: “Now what was that!” (chorus, Baba, Anne, Sellem)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1997-06)
mezzo-soprano vocals [Baba the Turk]:
Anne Sofie von Otter (mezzo-soprano) (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
tenor vocals:
Peter Bronder (British tenor) (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act III, Scene I. "Sold! Annoyed! I've Caught You! Thieving!" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky2:12
11The Rake's Progress: Act Three, Scene 1. Duet: “You love him” (Baba, Anne, chorus, Sellem) / Ballad Tune: “If boys had wings” (Rakewell, Shadow, Anne, Baba, Sellem, chorus)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1997-06)
mezzo-soprano vocals [Baba the Turk]:
Anne Sofie von Otter (mezzo-soprano) (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
tenor vocals [Sellem, an auctioneer]:
Peter Bronder (British tenor) (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Three, Scene 1. Duet: “You love him” (Baba, Anne, Crowd, Sellem) / Ballad Tune: “If boys had wings” (Rakewell, Shadow, Anne, Baba, Sellem, Crowd) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky4:02
12The Rake's Progress: Act Three, Scene 1. Stretto-Finale: “I go to him” (Anne, Baba, Sellem, chorus) / Ballad Tune (reprise): “Who cares a fig” (Rakewell, Shadow, Baba, chorus)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1997-06)
mezzo-soprano vocals [Baba the Turk]:
Anne Sofie von Otter (mezzo-soprano) (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
tenor vocals [Sellem, an auctioneer]:
Peter Bronder (British tenor) (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act I, Scene III. "I Go to Him" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake's Progress: Act I
Igor Stravinsky1:53
13The Rake's Progress: Act Three, Scene 2. Prelude
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act III, Scene II. Prelude (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky2:06
14The Rake's Progress: Act Three, Scene 2. Duet: “How dark and dreadful is this place” (Rakewell, Shadow)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act III, Scene II. "How Dark and Dreadful Is This Place" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky4:14
15The Rake's Progress: Act Three, Scene 2. Recitative: “Very well, then, my dear and good Tom” (Shadow, Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act III, Scene II. "Very Well, Then, My Dear" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky1:05
16The Rake's Progress: Act Three, Scene 2. Duet: “Well, then” - “My heart is wild with fear” (Shadow, Rakewell, Anne)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act III, Scene II. "Very Well, Then, My Dear" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky6:35
17The Rake's Progress: Act Three, Scene 2. “I burn! I burn! I freeze!” (Shadow)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act III, Scene II. “I Burn! I Freeze!” (Shadow) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky2:17
18The Rake's Progress: Act Three, Scene 2. “With roses crowned” (Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Three, Scene 2. “With roses crowned” (Rakewell) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky1:23
19The Rake's Progress: Act Three, Scene 3. Arioso: “Prepare yourselves, heroic shades” (Rakewell) / Dialogue: “Madmen's words are all untrue” (chorus, Rakewell) / Chorus - Minuet: “Leave all love and hope behind”
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act III, Scene III. "Prepare Yourselves, Heroic Shades" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky3:22
20The Rake's Progress: Act Three, Scene 3. Recitative: “There he is. Have no fear” (Keeper, Anne, Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass vocals [Keeper of the Madhouse]:
Julian Clarkson (baritone) (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act III, Scene III. "There He Is. Have No Fear" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky0:56
21The Rake's Progress: Act Three, Scene 3. Arioso: “I have waited” (Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Three, Scene 3. Arioso: “I have waited” (Rakewell) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky1:01
22The Rake's Progress: Act Three, Scene 3. Duet: “In a foolish dream” (Rakewell, Anne)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Three, Scene 3. Duet: “In a foolish dream” (Rakewell, Anne) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky2:36
23The Rake's Progress: Act Three, Scene 3. Recitative: “I am exceedingly weary” (Rakewell)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Three, Scene 3. Recitative: “I am exceeding weary” (Rakewell) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky0:57
24The Rake's Progress: Act Three, Scene 3. Lullaby: “Gently, little boat” (Anne, chorus)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act III, Scene III. "Gently, Little Boat" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky3:00
25The Rake's Progress: Act Three, Scene 3. Recitative: “Anne, my dear, the tale is ended now” (Trulove, Anne)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass vocals [Trulove, Anne's father]:
Martin Robson (UK bass-baritone vocalist, violinist, composer) (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Three, Scene 3. Recitative: “Anne, my dear” (Trulove, Anne) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky0:50
26The Rake's Progress: Act Three, Scene 3. Duettino: “Every wearied body” (Anne, Trulove)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass vocals [Trulove, Anne's father]:
Martin Robson (UK bass-baritone vocalist, violinist, composer) (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Three, Scene 3. Duettino: “Every wearied body” (Anne, Trulove) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky1:38
27The Rake's Progress: Act Three, Scene 3. Finale - Recitative: “Where art thou, Venus?” (Rakewell, chorus)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act III, Scene III. "Where Art Thou, Venus?" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky2:51
28The Rake's Progress: Act Three, Scene 3. Mourning Chorus: “Mourn for Adonis”
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake’s Progress: Act Three, Finale. Mourning Chorus: “Mourn for Adonis” (Chorus) (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky1:39
29The Rake's Progress: Act Three, Epilogue. “Good people, just a moment” (Anne, Baba, Rakewell, Shadow, Trulove)
executive producer:
Karsten Witt (producer)
producer:
Nicholas Parker (classical violinist, producer, engineer)
harpsichord:
Anthony Legge (in 1997-06)
bass vocals [Trulove, Anne's father]:
Martin Robson (UK bass-baritone vocalist, violinist, composer) (in 1997-06)
bass-baritone vocals [Nick Shadow]:
Bryn Terfel (bass‐baritone opera singer) (in 1997-06)
mezzo-soprano vocals [Baba the Turk]:
Anne Sofie von Otter (mezzo-soprano) (in 1997-06)
soprano vocals [Anne Trulove]:
Deborah York (in 1997-06)
tenor vocals [Tom Rakewell]:
Ian Bostridge (tenor) (in 1997-06)
orchestra:
London Symphony Orchestra (in 1997-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1997-06)
balance engineer:
Rainer Maillard
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997-06)
recording of:
The Rake's Progress: Act III, Scene III. Epilogue "Good People, Just a Moment" (in 1997-06)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
The Rake’s Progress: Act III
Igor Stravinsky2:29
103CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]