Night and Day: The Cole Porter Songbook

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I’ve Got You Under My Skin
vocals:
Dinah Washington (in 1954)
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Dinah Washington5:30
2Love for Sale
Shirley Horn3:53
3Let’s Do It (Let’s Fall in Love)
Techniker(in):
Val Valentin (am 1957-10-14)
Produzent(in):
Norman Granz (in 1957)
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-10-14)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-10-14)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-10-14)
Schlagzeug:
Louie Bellson (am 1957-10-14)
Trompete:
Louis Armstrong (am 1957-10-14)
vocals:
Louis Armstrong (am 1957-10-14)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (am 1957-10-14)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
Louis Armstrong8:44
4Anything Goes
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-08) und Bud Shank (am 1956-02-08)
baritone saxophone:
Chuck Gentry (am 1956-02-08)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-08)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-02-08) und Edgar Lustgarten (am 1956-02-08)
Gitarre:
Barney Kessel (am 1956-02-08)
Harfe:
Corky Hale (am 1956-02-08)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-08)
Kontrabass:
Joe Mondragon (am 1956-02-08)
Posaune:
Milt Bernhart (am 1956-02-08), Joe Howard (american trombone player) (am 1956-02-08) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-08)
Schlagzeug:
Alvin Stoller (am 1956-02-08)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-08) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-08)
Trompete:
Pete Candoli (am 1956-02-08), Harry “Sweets” Edison (am 1956-02-08), Maynard Ferguson (am 1956-02-08) und Conrad Gozzo (am 1956-02-08)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-08)
conductor:
Buddy Bregman (am 1956-02-08)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-08)
cover recording of:
Anything Goes (am 1956-02-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
Teil von:
Anything Goes
Ella Fitzgerald43:23
5What Is This Thing Called Love
Mel Tormé2:58
6You’d Be So Nice to Come Home To
Produzent(in):
Quincy Jones
baritone saxophone und Bassklarinette:
Danny Bank (reeds) (am 1954-12-22)
Bass:
Milt Hinton (am 1954-12-22)
Gitarre:
Barry Galbraith (am 1954-12-22)
Instrumente:
Osie Johnson (am 1954-12-22)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1954-12-22)
Trompete:
Clifford Brown (trumpet) (am 1954-12-22)
Sologesang:
Helen Merrill (am 1954-12-22)
conductor:
Quincy Jones
arranger:
Quincy Jones
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1954-12-22)
cover recording of:
You’d Be So Nice to Come Home To (am 1954-12-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Helen Merrill4:20
7At Long Last Love
Techniker(in):
Val Valentin
Produzent(in):
Jim Davis (jazz producer)
recording of:
At Long Last Love (in 1963-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
You Never Know
Bill Henderson2:31
8I Love You
Produzent(in):
Norman Granz
vocals:
Anita O’Day (am 1959-04-09)
Orchester:
Billy May & His Orchestra (am 1959-04-09)
recording of:
I Love You (Mexican Hayride musical) (am 1959-04-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Anita O’Day2:00
9Just One of Those Things
cover recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Louis Armstrong4:04
10It’s De‐Lovely
recording of:
It’s De‐Lovely
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Teil von:
Anything Goes
Teil von:
Red, Hot and Blue (1936 Cole Porter musical)
Sarah Vaughan2:45
11Always True to You in My Fashion
Blossom Dearie2:52
12I Concentrate on You
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Kontrabass:
Ray Brown (jazz bassist) (in 1952-12)
Schlagzeug:
Alvin Stoller (in 1952-12)
Tenorsaxophon:
Flip Phillips (in 1952-12)
Trompete:
Charlie Shavers (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
recording of:
I Concentrate on You (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
Fred Astaire2:46
13I Get a Kick Out of You
Produzent(in):
Bob Shad
baritone saxophone:
Cecil Payne (am 1955-03-15)
Bass:
Keter Betts (am 1955-03-15)
Gitarre:
Barry Galbraith (am 1955-03-15)
Klavier:
Wynton Kelly (am 1955-03-15)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1955-03-15)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1955-03-15)
Tenorsaxophon:
Paul Quinichette (am 1955-03-15)
Trompete:
Clark Terry (American swing trumpeter) (am 1955-03-15)
Sologesang:
Dinah Washington (am 1955-03-15)
arranger:
Quincy Jones (am 1955-03-15)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1955-03-15)
cover recording of:
I Get a Kick Out of You (am 1955-03-15)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Dinah Washington6:20
14In the Still of the Night
recording of:
In the Still of the Night (Cole Porter song) (in 1961)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) und Chappell & Co., Inc. (USA)
Billy Eckstine3:50
15Easy to Love
Gitarre:
Barney Kessel (am 1952-03-26)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-03-26)
Kontrabass:
Ray Brown (jazz bassist) (am 1952-03-26)
Schlagzeug:
Alvin Stoller (am 1952-03-26)
Tenorsaxophon:
Flip Phillips (am 1952-03-26)
Trompete:
Charlie Shavers (am 1952-03-26)
vocals:
Billie Holiday (am 1952-03-26)
recording of:
Easy to Love (am 1952-03-26)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
Billie Holiday43:02
16Night and Day
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-03-27) und Bud Shank (am 1956-03-27)
baritone saxophone:
Chuck Gentry (am 1956-03-27)
Bassposaune:
George Roberts (american bass trombone) (am 1956-03-27)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-03-27) und Edgar Lustgarten (am 1956-03-27)
Gitarre:
Barney Kessel (am 1956-03-27)
Harfe:
Corky Hale (am 1956-03-27)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-03-27)
Kontrabass:
Joe Mondragon (am 1956-03-27)
Posaune:
Milt Bernhart (am 1956-03-27), Joe Howard (american trombone player) (am 1956-03-27) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-03-27)
Schlagzeug:
Alvin Stoller (am 1956-03-27)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-03-27) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-03-27)
Trompete:
Pete Candoli (am 1956-03-27), Harry “Sweets” Edison (am 1956-03-27), Maynard Ferguson (am 1956-03-27) und Conrad Gozzo (am 1956-03-27)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-03-27)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-03-27)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1956-03-27)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Ella Fitzgerald3:06
17Everytime We Say Goodbye
Betty Carter5:48

Nennungen

Veröffentlichung

Discogs:https://www.discogs.com/release/503865 [Info]

Veröffentlichungsgruppe

Teil von:The Complete Cole Porter Songbooks (Nummer: 1) (Reihenfolge: 1)
The Verve Songbook Series (Nummer: 1990) (Reihenfolge: 1)