The Hits of 1961

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ «2012 Track Music»

== Countries where available==

  • South America: 🇪🇨 Ecuador (ec)
Annotation last modified on 2019-10-14 11:48 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1Are You Lonesome Tonight
cover recording of:
Are You Lonesome Tonight?
lyricist:
Roy Turk
composer:
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music and Redwood Music Ltd. (Carlin)
Elvis Presley3:08
2You Don’t Know
recording of:
You Don’t Know
orchestrator:
Martin Slavin
lyricist:
Mike Hawker
composer:
John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
publisher:
Lorna Music Co., Ltd.
Helen Shapiro42:43
3The Best Is Yet to Come
cover recording of:
The Best Is Yet to Come
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
Tony Bennett2:35
4I Wanna Be Loved
cover recording of:
I Wanna Be Loved
lyricist:
Edward Heyman and Billy Rose (lyricist and Broadway producer)
composer:
Johnny Green (composer and conductor, often credited as John Green) (in 1932)
Dinah Washington2:46
5Somewhere Over the Rainbow
cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Ella Fitzgerald4:20
6Let There Be Love
cello:
Hyman Gold (cellist) (on 1961-12-20), Armand Kaproff (on 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (on 1961-12-20) and William Vandenburg (Session Musician/Cello) (on 1961-12-20)
double bass:
Al McKibbon (double bassist) (on 1961-12-20)
double bass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1961-12-20)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1961-12-20)
guitar:
Al Hendrickson (on 1961-12-20)
piano:
George Shearing (British jazz pianist) (on 1961-12-20)
vibraphone:
Emil Richards (on 1961-12-20)
viola:
Joseph DiFiore (on 1961-12-20), Alvin Dinkin (on 1961-12-20), Allan Harshman (violist) (on 1961-12-20) and Paul Robyn (on 1961-12-20)
violin:
Victor Arno (on 1961-12-20), Emil Briano (Violinist) (on 1961-12-20), Jacques Gasselin (on 1961-12-20), James Getzoff (American concertmaster and violinist) (on 1961-12-20), Joseph Livoti (violinist) (on 1961-12-20), Dan Lube (on 1961-12-20), Erno Neufeld (on 1961-12-20), Isadore Roman (violin) (on 1961-12-20), Mischa Russell (violinist) (on 1961-12-20), Felix Slatkin (on 1961-12-20), Joseph Stepansky (on 1961-12-20) and Gerald Vinci (American violinist and strings conductor) (on 1961-12-20)
vocals:
Nat King Cole (on 1961-12-20)
conductor:
Ralph Carmichael (on 1961-12-20)
arranger:
Ralph Carmichael
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1962)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-12-20)
cover recording of:
Let There Be Love (on 1961-12-20)
lyricist:
Ian Grant (lyricist)
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat “King” Cole & George Shering2.52:46
7Careless Love
Connie Francis1:46
8It Ain’t Necessarily So
recorded in:
Los Angeles, California, United States (on 1959-10-12)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1959-10-12)
drums (drum set):
Ed Thigpen (on 1959-10-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-10-12)
instrumental cover recording of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene II
Oscar Peterson4:01
9Blue Moon
The Marcels2:16
10Never on a Sunday
Connie Francis2:43
11Sea of Heartbreak
recording of:
Sea of Heartbreak
lyricist:
Hal David
composer:
Paul Hampton (US singer/songwriter composer and actor)
publisher:
Sonet Music AB
Don Gibson2:36
12Walk Right Back
recording of:
Walk Right Back
lyricist and composer:
Sonny Curtis
The Everly Brothers2:18
13Candy Man
recorded in:
Nashville, Tennessee, United States (on 1961-06-27)
producer:
Fred Foster
vocals:
Roy Orbison
cover recording of:
Candy Man (on 1961-06-27)
writer:
Fred Neil and Beverly Ross
publisher:
Unichappell Music, Inc.
Roy Orbison52:45
14Blues in the Night
vocals:
Dinah Shore
recording of:
Blues in the Night (My Mama Done Tol’ Me)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
Dinah Shore3:30
15Daddy’s Home
recording of:
Daddy’s Home
writer:
Charles Baskerville, Clarence Bassett, James Sheppard (American Doo-Wop/R&B singer) and William Henry Miller (US songwriter, A&R executive, label owner)
publisher:
EMI Longitude Music, Longitude Music, Sixty Four East Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
A Thousand Miles Away
Shep & the Limelites3:05
16Little Sister
recording of:
Little Sister
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
Elvis Presley2:32
17Halfway to Paradise
cover recording of:
Halfway to Paradise
writer:
Gerry Goffin and Carole King
Billy Fury2:29
18Moon River
vocals:
Danny Williams
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Moon River
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
Danny Williams3.52:46
19Walking Back to Happiness
recording of:
Walking Back to Happiness
writer:
Mike Hawker and John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro2:33
20Climb Every Mountain
producer:
Norman Newell (task: recording supervised by)
background vocals:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
orchestra:
Geoff Love & His Orchestra
conductor:
Geoff Love
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
Climb Ev’ry Mountain (The Sound of Music)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., The Rodgers & Hammerstein Organization and Williamson Music Company
part of:
MJ: The Musical
part of:
The Sound of Music (Rodgers & Hammerstein musical)
Shirley Bassey3:12
21The Red Rooster
recorded in:
Chicago, Illinois, United States (in 1961-06)
double bass:
Willie Dixon (in 1961-06)
drums (drum set):
Sam Lay (in 1961-06)
electric bass guitar:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1961-06)
guitar:
Howlin’ Wolf (in 1961-06) and Hubert Sumlin (Chicago blues guitarist and singer) (in 1961-06)
piano:
Little Johnny Jones (Chicago blues pianist) (in 1961-06)
lead vocals:
Howlin’ Wolf (in 1961-06)
later releases:
Little Red Rooster (The Red Rooster) by Howlin’ Wolf
recording of:
The Red Rooster (in 1961-06)
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Hoochie Coochie Music
cover recording of:
The Red Rooster
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Hoochie Coochie Music
Howlin’ Wolf52:28
22Sailor
lead vocals:
Petula Clark (English singer & actress) (in 1960-12)
recording of:
Sailor (1961 song, version of "Seemann") (in 1960-12)
lyricist:
Fini Busch (lyricist)
composer:
Werner Scharfenberger
translator:
David West
translated version of:
Seemann, deine Heimat ist das Meer (Sailor song)
Petula Clark2:59
23Wooden Heart
bass:
Ray Siegel (on 1960-04-28)
drums (drum set):
D.J. Fontana (on 1960-04-28)
guitar:
Neal Matthews (on 1960-04-28), Scotty Moore (American guitarist and recording engineer) (on 1960-04-28) and Tiny Timbrell (on 1960-04-28)
piano:
Dudley Brooks (on 1960-04-28)
tambourine:
Jimmie Haskell (on 1960-04-28)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-28)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960), BMG Music (in 1961) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
cover recording of:
Wooden Heart (on 1960-04-28)
lyricist:
Ben Weisman and Fred Wise
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter) and Kay Twomey
publisher:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music and Spirit Two Music Inc.
translated version of:
Muß i denn zum Städtele hinaus
Elvis Presley22:05
24Will You Love Me Tomorrow
recording of:
Will You Love Me Tomorrow (Carole King song)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Shirelles2:40
25Unsquare DanceDave Brubeck2:02
26Poetry in Motion
cover recording of:
Poetry in Motion
writer:
Mike Anthony (US songwriter) and Paul Kaufman (songwriter)
Johnny Tillotson2:34
27Three Steps to Heaven
recording of:
Three Steps to Heaven (on 1960-01-08)
writer:
Bob Cochran and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
Belsize Music Ltd.
Eddie Cochran42:24
28Apache
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Apache
composer:
Jerry Lordan
publisher:
Francis, Day & Hunter Ltd.
The Shadows4.652:54
29Happy Birthday Sweet SixteenNeil Sedaka2:35
30That’s Amore
Connie Francis2:15
31Calendar GirlNeil Sedaka2:39
32Misirlou
instrumental cover recording of:
Misirlou (Dick Dale instrumental arrangement)
composer:
[anonymous] (special purpose artist)
arranger:
Dick Dale (surf guitarist) and Gabriel Paquin-Buki
publisher:
Campbell Connelly & Co.
arrangement of:
Miserlou (Mediterranean folk song)
arrangement of:
Μισιρλού (Misirlou)
Dick Dale2:42
33Reach for the Stars
producer:
Norman Newell
background vocals:
The Rita Williams Singers
vocals:
Shirley Bassey (Welsh singer)
orchestra:
Geoff Love and His Orchestra
conductor:
Geoff Love
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
Reach for the Stars (in 1961-09)
lyricist:
David West
composer:
Udo Jürgens (Austrian–Swiss composer, singer and songwriter)
publisher:
Schaeffers‐Kassner Music Ltd.
translated version of:
Woher ich auch komm', wohin ich auch geh'
Shirley Bassey3:01
34Maybe I’m a Fool
recorded in:
New York, New York, United States (on 1961-01-10)
producer:
John Hammond (producer)
bass:
Milt Hinton (on 1961-01-10)
drums (drum set):
Sticks Evans (on 1961-01-10)
guitar:
Lord Westbrook (on 1961-01-10)
piano:
Aretha Franklin (on 1961-01-10)
tenor saxophone:
Al Sears (on 1961-01-10)
arranger:
J. Leslie McFarland (composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1961)
recording of:
Maybe I’m a Fool (on 1961-01-10)
writer:
J. Leslie McFarland (composer)
publisher:
Chappell & Co.
Aretha Franklin33:20
35Surrender
recording of:
Surrender
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
composer:
Ernesto De Curtis (composer)
publisher:
Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music and R&H Music
is based on:
Torna a Surriento
Elvis Presley1:53
36More and More Amor
Bing Crosby2:40
37Till There Was You
cover recording of:
Till There Was You (The Music Man)
lyricist and composer:
Meredith Willson (in 1950)
publisher:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing and Rinimer Corp.
part of:
The Music Man
Etta Jones2:10
38Only the LonelyRoy Orbison2:30
39Who Put the Bomp
recording of:
Who Put the Bomp (In the Bomp, Bomp, Bomp) (on 1961-06-21)
writer:
Gerry Goffin and Barry Mann
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
translated version of:
Quien puso el bomp? (Versión en español por Los Twist)
Barry Mann32:46
40RunawayDel Shannon2:18
41My Kind of Girl
recording of:
My Kind of Girl
lyricist and composer:
Leslie Bricusse
publisher:
Hollis Music, Inc.
Matt Monro2:58
42What Do You Want
recording of:
What Do You Want?
lyricist and composer:
Les Vandyke
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Mills Music Limited (PRS for Music-affiliated)
Adam Faith1:36
43Lollipops and Roses
recording of:
Lollipops and Roses
composer:
Tony Velona
Jack Jones4:14
44The Lions Sleeps Tonight
recording of:
The Lion Sleeps Tonight
lyricist:
George David Weiss (in 1961)
writer:
Luigi Creatore, Hugo Peretti and Albert Stanton (pseudonym for Al Brackman)
composer:
Solomon Linda
publisher:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) and Memory Lane Music Ltd.
is based on:
Mbube
is based on:
Wimoweh
version of:
Wimoweh
part of:
The Lion King (stage musical)
part of:
The Lion King (2019 film soundtrack)
The Tokens2:44
45Bess, You Is My Woman Now
recorded in:
Los Angeles, California, United States (on 1959-10-12)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1959-10-12)
drums (drum set):
Ed Thigpen (on 1959-10-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1959-10-12)
instrumental recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (on 1959-10-12)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp
is based on:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
Oscar Peterson3:34
46You’ll Have to Swing It (Mr. Paganini)Ella Fitzgerald4:07
47Jealousy
Billy Fury2:52
48Sleep Warm
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1957-04 until 1959-03)
recording of:
Sleep Warm
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Lew Spence
Frank Sinatra2:47
49Lazy River
Bobby Darin2:41
50It Doesn’t Matter Any More
recording of:
It Doesn’t Matter Anymore
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Robert Mellin Ltd.
Buddy Holly2:05
51You’re Driving Me Crazy
The Temperance Seven3:52
52Look in My Eyes
recording of:
Look in My Eyes
writer:
Richard Barrett (US soul producer/singer)
The Chantels2:20
53True Love
Connie Francis3:16
54Well I Ask You
recording of:
Well I Ask You
composer:
Les Vandyke
Eden Kane2:20
55Ac‐cent‐tchu‐ate the Positive
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1960)
conductor:
Billy May (in 1960)
performer:
Billy May & His Orchestra (in 1960)
arranger:
Billy May
cover recording of:
Ac‐cent‐tchu‐ate the Positive (in 1960)
lyricist:
Johnny Mercer (in 1944)
composer:
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 18th Academy Award for Best Original Song (number: 2)
Ella Fitzgerald3:40
56Temptation
cover recording of:
Temptation
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
part of:
Going Hollywood (1933 film)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
The Everly Brothers2:15
57Trickle TrickleThe Videos52:06
58On the Rebound
Floyd Cramer2:09
59Tower of Strength
recording of:
Tower of Strength
lyricist:
Bob Hilliard
composer:
Burt Bacharach
Frankie Vaughan2:13
60Michael (Row the Boat Ashore)
arranger:
Dave Fisher
recording of:
Michael Row the Boat Ashore
lyricist and composer:
[traditional] (special purpose artist)
arrangement of:
Michael (arr. Dave Fisher)
version of:
Michael (arr. Dave Fisher)
The Highwaymen2:46
61Johnny Remember Me
recording of:
Johnny Remember Me
lyricist and composer:
Geoff Goddard (1960s UK musician & songwriter)
John Leyton2:40
62Bye, Bye Blackbird
cover recording of:
Bye Bye Blackbird
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
Etta Jones3:19
63Fly Me to the MoonNat “King” Cole3:32
64His Latest Flame
cover recording of:
(Marie’s the Name) His Latest Flame
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music and R&H Music
Elvis Presley2:06
65My Heart Belongs to Daddy
producer:
Richard Bock (record producer)
double bass:
Monty Budwig (on 1965-07-12)
drums (drum set) and membranophone:
Colin Bailey (drummer) (on 1965-07-12)
guitar:
Joe Pass (jazz guitarist) (on 1965-07-12)
instruments:
The Bud Shank Quintet (on 1965-07-12)
piano:
Russ Freeman (pianist) (on 1965-07-12)
woodwind:
Bud Shank (on 1965-07-12)
vocals:
Julie London (on 1965-07-12)
arranger:
Russ Freeman (pianist)
recorded at:
Pacific Jazz Studios in Los Angeles, California, United States (on 1965-07-12)
cover recording of:
My Heart Belongs to Daddy (on 1965-07-12)
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
recording of:
My Heart Belongs to Daddy
lyricist and composer:
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. and Chappell Music Ltd.
Julie London2:44
66Poor Me
Adam Faith1:48
67Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, France (on 1958-09-24)
producer:
Buck Ram
lead vocals:
Tony Williams (lead singer for The Platters)
performer:
The Platters
cover recording of:
Smoke Gets in Your Eyes (on 1958-09-24)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
The Platters3.752:40
68You’ll Never Know
producer:
Norman Newell
background vocals:
The Rita Williams Singers
vocals:
Shirley Bassey (Welsh singer)
orchestra:
Geoff Love and His Orchestra
conductor:
Geoff Love
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
You’ll Never Know
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (ended), EMI Blackwood Music Inc. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
ワーナー・チャペル音楽出版 (Warner/Chappell Music Japan), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 16th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1943 winner)
Shirley Bassey3:06
69Kon Tiki
The Shadows1:57
70Please Don’t Tease
recording of:
Please Don’t Tease
composer:
Pete Chester and Bruce Welch (English guitarist, singer, songwriter and producer)
Cliff Richard3:00
71Why
cover recording of:
Why (1959 song)
lyricist:
Robert P. Marcucci
composer:
Peter de Angelis
publisher:
Debmar Publishing Co., Inc.
Anthony Newley2:30
72My Old Mans a Dustman
Lonnie Donegan3:26
73Shakin All Over
recording of:
Shakin’ All Over
lyricist and composer:
Frederick Heath and Johnny Kidd
publisher:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd and the Pirates2:23
74The Day the Rains Came
recording of:
The Day the Rains Came (from the French song "Le jour où la pluie viendra")
composer:
Gilbert Bécaud
translator:
Carl Sigman
translated version of:
Le Jour où la pluie viendra
Jane Morgan3:01
75It’s Now or Never
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (Session drummer and songwriter) (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (American guitarist and recording engineer) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
additional performer:
The Jordanaires (southern gospel group) (on 1960-04-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1960), BMG Music (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-03)
cover recording of:
It’s Now or Never (on 1960-04-03)
lyricist:
Wally Gold and Aaron Schroeder (1950s~1960s US songwriter)
composer:
Eduardo Di Capua
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music and Williamson Music Company
version of:
’O sole mio
Elvis Presley3.73:17

Credits