The Hits of 1961

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ «2012 Track Music»

== Countries where available==

  • South America: 🇪🇨 Ecuador (ec)
Anmerkung zuletzt geändert am 2019-10-14 11:48 UTC.

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Are You Lonesome Tonight
cover recording of:
Are You Lonesome Tonight?
Texter:
Roy Turk
Komponist(in):
Lou Handman
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music und Redwood Music Ltd. (Carlin)
Elvis Presley3:08
2You Don’t Know
recording of:
You Don’t Know
Orchestrator(in):
Martin Slavin
Texter:
Mike Hawker
Komponist(in):
John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
publisher:
Lorna Music Co., Ltd.
Helen Shapiro42:43
3The Best Is Yet to Come
cover recording of:
The Best Is Yet to Come
Texter:
Carolyn Leigh (in 1959)
Komponist(in):
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. und WB Music Corp. (1929–2019)
Tony Bennett2:35
4I Wanna Be Loved
cover recording of:
I Wanna Be Loved
Texter:
Edward Heyman und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green) (in 1932)
Dinah Washington2:46
5Somewhere Over the Rainbow
cover recording of:
Over the Rainbow (The Wizard of Oz)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
Ella Fitzgerald4:20
6Let There Be Love
Bratsche / Viola:
Joseph DiFiore (am 1961-12-20), Alvin Dinkin (am 1961-12-20), Allan Harshman (violist) (am 1961-12-20) und Paul Robyn (am 1961-12-20)
Cello:
Hyman Gold (cellist) (am 1961-12-20), Armand Kaproff (am 1961-12-20), Eleanor Slatkin (US cellist, b. Aller) (am 1961-12-20) und William Vandenburg (Session Musician/Cello) (am 1961-12-20)
Geige / Violine:
Victor Arno (am 1961-12-20), Emil Briano (Violinist) (am 1961-12-20), Jacques Gasselin (am 1961-12-20), James Getzoff (American concertmaster and violinist) (am 1961-12-20), Joseph Livoti (violinist) (am 1961-12-20), Dan Lube (am 1961-12-20), Erno Neufeld (am 1961-12-20), Isadore Roman (violin) (am 1961-12-20), Mischa Russell (violinist) (am 1961-12-20), Felix Slatkin (am 1961-12-20), Joseph Stepansky (am 1961-12-20) und Gerald Vinci (American violinist and strings conductor) (am 1961-12-20)
Gitarre:
Al Hendrickson (am 1961-12-20)
Klavier:
George Shearing (British jazz pianist) (am 1961-12-20)
Kontrabass:
Al McKibbon (double bassist) (am 1961-12-20)
Kontrabass [arco bass]:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (am 1961-12-20)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1961-12-20)
Vibraphon:
Emil Richards (am 1961-12-20)
vocals:
Nat King Cole (am 1961-12-20)
conductor:
Ralph Carmichael (am 1961-12-20)
arranger:
Ralph Carmichael
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1962)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-12-20)
cover recording of:
Let There Be Love (am 1961-12-20)
Texter:
Ian Grant (lyricist)
Komponist(in):
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat “King” Cole & George Shering2.52:46
7Careless Love
Connie Francis1:46
8It Ain’t Necessarily So
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-10-12)
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-10-12)
Kontrabass:
Ray Brown (jazz bassist) (am 1959-10-12)
Schlagzeug:
Ed Thigpen (am 1959-10-12)
instrumental cover recording of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer) (von 1934 bis 1935)
Teil von:
Porgy and Bess: Act II, Scene II
Oscar Peterson4:01
9Blue Moon
The Marcels2:16
10Never on a Sunday
Connie Francis2:43
11Sea of Heartbreak
recording of:
Sea of Heartbreak
Texter:
Hal David
Komponist(in):
Paul Hampton (US singer/songwriter composer and actor)
publisher:
Sonet Music AB
Don Gibson2:36
12Walk Right Back
recording of:
Walk Right Back
Texter und Komponist(in):
Sonny Curtis
The Everly Brothers2:18
13Candy Man
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1961-06-27)
Produzent(in):
Fred Foster
vocals:
Roy Orbison
cover recording of:
Candy Man (am 1961-06-27)
Verfasser(in):
Fred Neil und Beverly Ross
publisher:
Unichappell Music, Inc.
Roy Orbison52:45
14Blues in the Night
vocals:
Dinah Shore
recording of:
Blues in the Night (My Mama Done Tol’ Me)
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
Dinah Shore3:30
15Daddy’s Home
recording of:
Daddy’s Home
Verfasser(in):
Charles Baskerville, Clarence Bassett, James Sheppard (American Doo-Wop/R&B singer) und William Henry Miller (US songwriter, A&R executive, label owner)
publisher:
EMI Longitude Music, Longitude Music, Sixty Four East Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
A Thousand Miles Away
Shep & the Limelites3:05
16Little Sister
recording of:
Little Sister
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
Elvis Presley2:32
17Halfway to Paradise
cover recording of:
Halfway to Paradise
Verfasser(in):
Gerry Goffin und Carole King
Billy Fury2:29
18Moon River
vocals:
Danny Williams
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Moon River
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Danny Williams3.52:46
19Walking Back to Happiness
recording of:
Walking Back to Happiness
Verfasser(in):
Mike Hawker und John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro2:33
20Climb Every Mountain
Produzent(in):
Norman Newell (Aufgabe: recording supervised by)
Hintergrundgesang:
The Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love & His Orchestra
conductor:
Geoff Love
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
Climb Ev’ry Mountain (The Sound of Music)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., The Rodgers & Hammerstein Organization und Williamson Music Company
Teil von:
MJ: The Musical
Teil von:
The Sound of Music (Rodgers & Hammerstein musical)
Shirley Bassey3:12
21The Red Rooster
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1961-06)
E-Bass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1961-06)
Gitarre:
Howlin’ Wolf (in 1961-06) und Hubert Sumlin (Chicago blues guitarist and singer) (in 1961-06)
Klavier:
Little Johnny Jones (Chicago blues pianist) (in 1961-06)
Kontrabass:
Willie Dixon (in 1961-06)
Schlagzeug:
Sam Lay (in 1961-06)
Sologesang:
Howlin’ Wolf (in 1961-06)
spätere Veröffentlichungen:
Little Red Rooster (The Red Rooster) von Howlin’ Wolf
recording of:
The Red Rooster (in 1961-06)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Hoochie Coochie Music
cover recording of:
The Red Rooster
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Hoochie Coochie Music
Howlin’ Wolf52:28
22Sailor
Sologesang:
Petula Clark (English singer & actress) (in 1960-12)
recording of:
Sailor (1961 song, version of "Seemann") (in 1960-12)
Texter:
Fini Busch (lyricist)
Komponist(in):
Werner Scharfenberger
Übersetzer:
David West
übersetzte Version von:
Seemann, deine Heimat ist das Meer (Sailor song)
Petula Clark2:59
23Wooden Heart
Bass:
Ray Siegel (am 1960-04-28)
Gitarre:
Neal Matthews (am 1960-04-28), Scotty Moore (American guitarist and recording engineer) (am 1960-04-28) und Tiny Timbrell (am 1960-04-28)
Klavier:
Dudley Brooks (am 1960-04-28)
Schlagzeug:
D.J. Fontana (am 1960-04-28)
Tamburin:
Jimmie Haskell (am 1960-04-28)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-04-28)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960), BMG Music (in 1961) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
cover recording of:
Wooden Heart (am 1960-04-28)
Texter:
Ben Weisman und Fred Wise
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter) und Kay Twomey
publisher:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music und Spirit Two Music Inc.
übersetzte Version von:
Muß i denn zum Städtele hinaus
Elvis Presley22:05
24Will You Love Me Tomorrow
recording of:
Will You Love Me Tomorrow (Carole King song)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles2:40
25Unsquare DanceDave Brubeck2:02
26Poetry in Motion
cover recording of:
Poetry in Motion
Verfasser(in):
Mike Anthony (US songwriter) und Paul Kaufman (songwriter)
Johnny Tillotson2:34
27Three Steps to Heaven
recording of:
Three Steps to Heaven (am 1960-01-08)
Verfasser(in):
Bob Cochran und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
Belsize Music Ltd.
Eddie Cochran42:24
28Apache
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Apache
Komponist(in):
Jerry Lordan
publisher:
Francis, Day & Hunter Ltd.
The Shadows4.652:54
29Happy Birthday Sweet SixteenNeil Sedaka2:35
30That’s Amore
Connie Francis2:15
31Calendar GirlNeil Sedaka2:39
32Misirlou
instrumental cover recording of:
Misirlou (Dick Dale instrumental arrangement)
Komponist(in):
[anonymous] (special purpose artist)
arranger:
Dick Dale (surf guitarist) und Gabriel Paquin-Buki
publisher:
Campbell Connelly & Co.
Arrangement von:
Miserlou (Mediterranean folk song)
Arrangement von:
Μισιρλού (Misirlou)
Dick Dale2:42
33Reach for the Stars
Produzent(in):
Norman Newell
Hintergrundgesang:
The Rita Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love and His Orchestra
conductor:
Geoff Love
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
Reach for the Stars (in 1961-09)
Texter:
David West
Komponist(in):
Udo Jürgens (Austrian–Swiss composer, singer and songwriter)
publisher:
Schaeffers‐Kassner Music Ltd.
übersetzte Version von:
Woher ich auch komm', wohin ich auch geh'
Shirley Bassey3:01
34Maybe I’m a Fool
recorded in:
New York, New York, Vereinigte Staaten (am 1961-01-10)
Produzent(in):
John Hammond (producer)
Bass:
Milt Hinton (am 1961-01-10)
Gitarre:
Lord Westbrook (am 1961-01-10)
Klavier:
Aretha Franklin (am 1961-01-10)
Schlagzeug:
Sticks Evans (am 1961-01-10)
Tenorsaxophon:
Al Sears (am 1961-01-10)
arranger:
J. Leslie McFarland (composer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1961)
recording of:
Maybe I’m a Fool (am 1961-01-10)
Verfasser(in):
J. Leslie McFarland (composer)
publisher:
Chappell & Co.
Aretha Franklin33:20
35Surrender
recording of:
Surrender
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
Komponist(in):
Ernesto De Curtis (composer)
publisher:
Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music und R&H Music
basiert auf:
Torna a Surriento
Elvis Presley1:53
36More and More Amor
Bing Crosby2:40
37Till There Was You
cover recording of:
Till There Was You (The Music Man)
Texter und Komponist(in):
Meredith Willson (in 1950)
publisher:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing und Rinimer Corp.
Teil von:
The Music Man
Etta Jones2:10
38Only the Lonely
recording of:
Only the Lonely (Know the Way I Feel)
Verfasser(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK) und Acuff-Rose Publications, Inc. (BMI) (am 1960-05-04)
was commissioned by:
Rondor Music (London) Ltd.
Roy Orbison2:30
39Who Put the Bomp
recording of:
Who Put the Bomp (In the Bomp, Bomp, Bomp) (am 1961-06-21)
Verfasser(in):
Gerry Goffin und Barry Mann
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
übersetzte Version von:
Quien puso el bomp? (Versión en español por Los Twist)
Barry Mann32:46
40Runaway
recording of:
Runaway
Verfasser(in):
Max Crook und Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. und Vicki Music
Del Shannon2:18
41My Kind of Girl
recording of:
My Kind of Girl
Texter und Komponist(in):
Leslie Bricusse
publisher:
Hollis Music, Inc.
Matt Monro2:58
42What Do You Want
recording of:
What Do You Want?
Texter und Komponist(in):
Les Vandyke
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Mills Music Limited (PRS for Music-affiliated)
Adam Faith1:36
43Lollipops and Roses
recording of:
Lollipops and Roses
Komponist(in):
Tony Velona
Jack Jones4:14
44The Lions Sleeps Tonight
recording of:
The Lion Sleeps Tonight
Texter:
George David Weiss (in 1961)
Verfasser(in):
Luigi Creatore, Hugo Peretti und Albert Stanton (pseudonym for Al Brackman)
Komponist(in):
Solomon Linda
publisher:
Abilene Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Luigi Creatore Music (ASCAP) und Memory Lane Music Ltd.
basiert auf:
Mbube
basiert auf:
Wimoweh
Version von:
Wimoweh
Teil von:
The Lion King (stage musical)
Teil von:
The Lion King (2019 film soundtrack)
The Tokens2:44
45Bess, You Is My Woman Now
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-10-12)
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1959-10-12)
Kontrabass:
Ray Brown (jazz bassist) (am 1959-10-12)
Schlagzeug:
Ed Thigpen (am 1959-10-12)
instrumental recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) (am 1959-10-12)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp
basiert auf:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
Oscar Peterson3:34
46You’ll Have to Swing It (Mr. Paganini)
cover recording of:
You'll Have to Swing It (Mr Paganini)
Verfasser(in):
Sam Coslow
Ella Fitzgerald4:07
47Jealousy
Billy Fury2:52
48Sleep Warm
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Orchester:
The Nelson Riddle Orchestra
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-04 bis 1959-03)
recording of:
Sleep Warm
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Lew Spence
Frank Sinatra2:47
49Lazy River
Bobby Darin2:41
50It Doesn’t Matter Any More
recording of:
It Doesn’t Matter Anymore
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) und Robert Mellin Ltd.
Buddy Holly2:05
51You’re Driving Me Crazy
The Temperance Seven3:52
52Look in My Eyes
recording of:
Look in My Eyes
Verfasser(in):
Richard Barrett (US soul producer/singer)
The Chantels2:20
53True Love
Connie Francis3:16
54Well I Ask You
recording of:
Well I Ask You
Komponist(in):
Les Vandyke
Eden Kane2:20
55Ac‐cent‐tchu‐ate the Positive
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (in 1960)
conductor:
Billy May (in 1960)
Interpret(in):
Billy May & His Orchestra (in 1960)
arranger:
Billy May
cover recording of:
Ac‐cent‐tchu‐ate the Positive (in 1960)
Texter:
Johnny Mercer (in 1944)
Komponist(in):
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
Ella Fitzgerald3:40
56Temptation
cover recording of:
Temptation
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
Teil von:
Going Hollywood (1933 film)
Teil von:
Singin’ in the Rain (soundtrack of the 1952 film)
The Everly Brothers2:15
57Trickle Trickle
recording of:
Trickle Trickle
Texter und Komponist(in):
Clarence Bassett
publisher:
Blend Music Publishing, Regent Music Corp. (BMI) und Villanova Music Co.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) und ロックンロール ミュージック (Rock ’n’ Roll Music)
The Videos52:06
58On the Rebound
Floyd Cramer2:09
59Tower of Strength
recording of:
Tower of Strength
Texter:
Bob Hilliard
Komponist(in):
Burt Bacharach
Frankie Vaughan2:13
60Michael (Row the Boat Ashore)
arranger:
Dave Fisher
recording of:
Michael Row the Boat Ashore
Texter und Komponist(in):
[traditional] (special purpose artist)
Arrangement von:
Michael (arr. Dave Fisher)
Version von:
Michael (arr. Dave Fisher)
The Highwaymen2:46
61Johnny Remember Me
recording of:
Johnny Remember Me
Texter und Komponist(in):
Geoff Goddard (1960s UK musician & songwriter)
John Leyton2:40
62Bye, Bye Blackbird
cover recording of:
Bye Bye Blackbird
Texter:
Mort Dixon (in 1926)
Komponist(in):
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) und Warner Bros., Inc. (not for release label use!)
Etta Jones3:19
63Fly Me to the MoonNat “King” Cole3:32
64His Latest Flame
cover recording of:
(Marie’s the Name) His Latest Flame
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music und R&H Music
Elvis Presley2:06
65My Heart Belongs to Daddy
Produzent(in):
Richard Bock (record producer)
Gitarre:
Joe Pass (jazz guitarist) (am 1965-07-12)
Holzblasinstrumente:
Bud Shank (am 1965-07-12)
Instrumente:
The Bud Shank Quintet (am 1965-07-12)
Klavier:
Russ Freeman (pianist) (am 1965-07-12)
Kontrabass:
Monty Budwig (am 1965-07-12)
membranophone und Schlagzeug:
Colin Bailey (drummer) (am 1965-07-12)
vocals:
Julie London (am 1965-07-12)
arranger:
Russ Freeman (pianist)
aufgenommen bei:
Pacific Jazz Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-07-12)
cover recording of:
My Heart Belongs to Daddy (am 1965-07-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
recording of:
My Heart Belongs to Daddy
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co. und Chappell Music Ltd.
Julie London2:44
66Poor Me
Adam Faith1:48
67Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, Frankreich (am 1958-09-24)
Produzent(in):
Buck Ram
Sologesang:
Tony Williams (lead singer for The Platters)
Interpret(in):
The Platters
cover recording of:
Smoke Gets in Your Eyes (am 1958-09-24)
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
The Platters3.752:40
68You’ll Never Know
Produzent(in):
Norman Newell
Hintergrundgesang:
The Rita Williams Singers
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Geoff Love and His Orchestra
conductor:
Geoff Love
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
You’ll Never Know
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (beendet), EMI Blackwood Music Inc. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ワーナー・チャペル音楽出版 (Warner/Chappell Music Japan), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1943 winner)
Shirley Bassey3:06
69Kon Tiki
The Shadows1:57
70Please Don’t Tease
recording of:
Please Don’t Tease
Komponist(in):
Pete Chester und Bruce Welch (English guitarist, singer, songwriter and producer)
Cliff Richard3:00
71Why
cover recording of:
Why (1959 song)
Texter:
Robert P. Marcucci
Komponist(in):
Peter de Angelis
publisher:
Debmar Publishing Co., Inc.
Anthony Newley2:30
72My Old Mans a Dustman
Lonnie Donegan3:26
73Shakin All Over
recording of:
Shakin’ All Over
Texter und Komponist(in):
Frederick Heath und Johnny Kidd
publisher:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Johnny Kidd and the Pirates2:23
74The Day the Rains Came
recording of:
The Day the Rains Came (from the French song "Le jour où la pluie viendra")
Komponist(in):
Gilbert Bécaud
Übersetzer:
Carl Sigman
übersetzte Version von:
Le Jour où la pluie viendra
Jane Morgan3:01
75It’s Now or Never
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1960-04-03)
Gitarre:
Hank Garland (am 1960-04-03), Scotty Moore (American guitarist and recording engineer) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
Klavier:
Floyd Cramer (am 1960-04-03)
Saxophon:
Boots Randolph (am 1960-04-03)
Schlagzeug:
D.J. Fontana (am 1960-04-03) und Buddy Harman (Session drummer and songwriter) (am 1960-04-03)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
vocals:
The Jordanaires (southern gospel group) (am 1960-04-03) und Elvis Presley (“The King of Rock and Roll”) (am 1960-04-03)
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group) (am 1960-04-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1960), BMG Music (in 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1960) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-03)
cover recording of:
It’s Now or Never (am 1960-04-03)
Texter:
Wally Gold und Aaron Schroeder (1950s~1960s US songwriter)
Komponist(in):
Eduardo Di Capua
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music und Williamson Music Company
Version von:
’O sole mio
Elvis Presley3.73:17

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