The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▶CD: Vol 1. Cantatas CD 1
2▶CD: Vol 1. Cantatas CD 2
3▶CD: Vol 1. Cantatas CD 3
4▶CD: Vol 1. Cantatas CD 4
5▶CD: Vol 2. Cantatas CD 1
6▶CD: Vol 2. Cantatas CD 2
7▶CD: Vol 2. Cantatas CD 3
8▶CD: Vol 2. Cantatas CD 4
9▶CD: Vol 3. Cantatas CD 1
10▶CD: Vol 3. Cantatas CD 2
11▶CD: Vol 3. Cantatas CD 3
12▶CD: Vol 3. Cantatas CD 4
13▶CD: Vol 4. Cantatas CD 1
14▶CD: Vol 4. Cantatas CD 2
15▶CD: Vol 4. Cantatas CD 3
16▶CD: Vol 4. Cantatas CD 4
17▶CD: Vol 5. Cantatas CD 1
18▶CD: Vol 5. Cantatas CD 2
19▶CD: Vol 5. Cantatas CD 3
20▶CD: Vol 5. Cantatas CD 4
21▶CD: Vol 6. Cantatas CD 1
22▶CD: Vol 6. Cantatas CD 2
23▶CD: Vol 6. Cantatas CD 3
24▶CD: Vol 6. Cantatas CD 4
25▶CD: Vol 7. Cantatas CD 1
26▶CD: Vol 7. Cantatas CD 2
27▶CD: Vol 7. Cantatas CD 3
28▶CD: Vol 7. Cantatas CD 4
29▶CD: Vol 8. Cantatas CD 1
30▶CD: Vol 8. Cantatas CD 2
31▶CD: Vol 8. Cantatas CD 3
32▶CD: Vol 8. Cantatas CD 4
33▶CD: Vol 9. Cantatas CD 1
34▶CD: Vol 9. Cantatas CD 2
35▶CD: Vol 9. Cantatas CD 3
36▶CD: Vol 9. Cantatas CD 4
37▶CD: Vol 10. Cantatas CD 1
38▶CD: Vol 10. Cantatas CD 2
39▶CD: Vol 10. Cantatas CD 3
40▶CD: Vol 10. Cantatas CD 4
41▶CD: Vol 11. Cantatas CD 1
42▶CD: Vol 11. Cantatas CD 2
43▶CD: Vol 11. Cantatas CD 3
44▶CD: Vol 11. Cantatas CD 4
45▼CD: Vol 12. Cantatas CD 1
#TitleRatingLength
1Kantate, BWV 146 „Wir müssen durch viel Trübsal“: I. Sinfonia
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1973-03 until 1973-04)
conductor:
Helmuth Rilling (conductor) (from 1973-03 until 1973-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": I. Sinfonia (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: I. Allegro
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
8:15
2Kantate, BWV 146 „Wir müssen durch viel Trübsal“: II. Coro „Wir müssen durch viel Trübsal“
choir vocals:
Gächinger Kantorei Stuttgart (from 1973-03 until 1973-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1973-03 until 1973-04)
conductor:
Helmuth Rilling (conductor) (from 1973-03 until 1973-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": II. Coro "Wir müssen durch viel Trübsal" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: II. Adagio
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
6:46
3Kantate, BWV 146 „Wir müssen durch viel Trübsal“: III. Aria (Alt) „Ich will nach dem Himmel zu“
alto vocals:
Marga Höffgen (contralto) (from 1973-03 until 1973-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1973-03 until 1973-04)
conductor:
Helmuth Rilling (conductor) (from 1973-03 until 1973-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": III. Aria (Alt) "Ich will nach dem Himmel zu" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
8:32
4Kantate, BWV 146 „Wir müssen durch viel Trübsal“: IV. Recitativo (Sopran) „Ach! wer doch schon im Himmel wär“
soprano vocals:
Helen Donath (soprano) (from 1973-03 until 1973-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1973-03 until 1973-04)
conductor:
Helmuth Rilling (conductor) (from 1973-03 until 1973-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": IV. Recitativo (Sopran) "Ach! wer doch schon im Himmel wär" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
2:13
5Kantate, BWV 146 „Wir müssen durch viel Trübsal“: V. Aria (Sopran) „Ich säe meine Zähren“
soprano vocals:
Helen Donath (soprano) (from 1973-03 until 1973-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1973-03 until 1973-04)
conductor:
Helmuth Rilling (conductor) (from 1973-03 until 1973-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": V. Aria (Sopran) "Ich säe meine Zähren" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
6:00
6Kantate, BWV 146 „Wir müssen durch viel Trübsal“: VI. Recitativo (Tenor) „Ich bin bereit“
tenor vocals:
Kurt Equiluz (tenor) (from 1973-03 until 1973-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1973-03 until 1973-04)
conductor:
Helmuth Rilling (conductor) (from 1973-03 until 1973-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": VI. Recitativo (Tenor) "Ich bin bereit" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
1:35
7Kantate, BWV 146 „Wir müssen durch viel Trübsal“: VII. Aria (Duetto Tenor, Bass) „Wie will ich mich freuen“
bass vocals:
Hanns-Friedrich Kunz (German bass and conductor) (from 1973-03 until 1973-04)
tenor vocals:
Kurt Equiluz (tenor) (from 1973-03 until 1973-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1973-03 until 1973-04)
conductor:
Helmuth Rilling (conductor) (from 1973-03 until 1973-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": VII. Aria (Duetto Tenor, Bass) "Wie will ich mich freuen" (from 1973-03 until 1973-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
5:45
8Kantate, BWV 146 „Wir müssen durch viel Trübsal“: VIII. Choral „Denn wer selig dahin fähret“
choir vocals:
Gächinger Kantorei Stuttgart (from 1973-03 until 1973-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1973-03 until 1973-04)
conductor:
Helmuth Rilling (conductor) (from 1973-03 until 1973-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal": VIII. Choral "Denn wer selig dahin fähret" (from 1973-03 until 1973-04)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Breitkopf 389 Choralgesänge (number: 360)
part of:
Kantate, BWV 146 "Wir müssen durch viel Trübsal"
1:04
9Kantate, BWV 147 „Herz und Mund und Tat und Leben“: I. Coro „Herz und Mund und Tat und Leben“
choir vocals:
Frankfurter Kantorei (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:36
10Kantate, BWV 147 „Herz und Mund und Tat und Leben“: II. Recitativo (Tenor) „Gebenedeiter Mund!“
tenor vocals:
Kurt Equiluz (tenor) (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
1:53
11Kantate, BWV 147 „Herz und Mund und Tat und Leben“: III. Aria (Alt) „Schäme dich, o Seele, nicht“
alto vocals:
Helen Watts (contralto) (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:54
12Kantate, BWV 147 „Herz und Mund und Tat und Leben“: IV. Recitativo (Bass) „Verstockung kann Gewaltige verblenden“
bass vocals:
Wolfgang Schöne (bass-baritone) (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
1:49
13Kantate, BWV 147 „Herz und Mund und Tat und Leben“: V. Aria (Sopran) „Bereite dir, Jesu, noch itzo die Bahn“
soprano vocals:
Arleen Augér (soprano) (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
4:08
14Kantate, BWV 147 „Herz und Mund und Tat und Leben“: VI. Choral „Wohl mir, daß ich Jesum habe“
choir vocals:
Frankfurter Kantorei (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:58
15Kantate, BWV 147 „Herz und Mund und Tat und Leben“: VII. Aria (Tenor) „Hilf, Jesu, hilf, daß ich auch dich bekenne“
tenor vocals:
Kurt Equiluz (tenor) (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:04
16Kantate, BWV 147 „Herz und Mund und Tat und Leben“: VIII. Recitativo (Alt) „Der höchsten Allmacht Wunderhand“
alto vocals:
Helen Watts (contralto) (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:49
17Kantate, BWV 147 „Herz und Mund und Tat und Leben“: IX. Aria (Bass) „Ich will von Jesu Wundern singen“
bass vocals:
Wolfgang Schöne (bass-baritone) (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:14
18Kantate, BWV 147 „Herz und Mund und Tat und Leben“: X. Choral „Jesus bleibet meine Freude“
choir vocals:
Frankfurter Kantorei (from 1976-09 until 1977-06) and Gächinger Kantorei Stuttgart (from 1976-09 until 1977-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1976-09 until 1977-06)
conductor:
Helmuth Rilling (conductor) (from 1976-09 until 1977-06)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:53
46▶CD: Vol 12. Cantatas CD 2
47▶CD: Vol 12. Cantatas CD 3
48▶CD: Vol 12. Cantatas CD 4
49▶CD: Vol 13. Cantatas CD 1
50▶CD: Vol 13. Cantatas CD 2
51▶CD: Vol 13. Cantatas CD 3
52▶CD: Vol 13. Cantatas CD 4
53▶CD: Vol 14. Cantatas CD 1
54▶CD: Vol 14. Cantatas CD 2
55▶CD: Vol 14. Cantatas CD 3
56▶CD: Vol 14. Cantatas CD 4
57▶CD: Vol 15. Cantatas CD 1
58▶CD: Vol 15. Cantatas CD 2
59▶CD: Vol 15. Cantatas CD 3
60▶CD: Vol 15. Cantatas CD 4
61▶CD: Vol 16. Cantatas CD 1
62▶CD: Vol 16. Cantatas CD 2
63▶CD: Vol 16. Cantatas CD 3
64▶CD: Vol 16. Cantatas CD 4
65▶CD: Vol 17. Cantatas CD 1
66▶CD: Vol 17. Cantatas CD 2
67▶CD: Vol 17. Cantatas CD 3
68▶CD: Vol 17. Cantatas CD 4
69▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 1
70▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 2
71▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 3
72▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 4
73▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
74▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
75▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
76▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
77▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
78▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
79▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
80▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
81▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
82▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
83▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
84▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
85▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
86▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
87▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
88▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
89▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 1
90▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 2
91▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 3
92▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 4
93▶CD: Vol 24. A Book Of Chorale-Settings CD 1
94▶CD: Vol 24. A Book Of Chorale-Settings CD 2
95▶CD: Vol 24. A Book Of Chorale-Settings CD 3
96▶CD: Vol 24. A Book Of Chorale-Settings CD 4
97▶CD: Vol 25. Organ Works CD 1
98▶CD: Vol 25. Organ Works CD 2
99▶CD: Vol 25. Organ Works CD 3
100▶CD: Vol 25. Organ Works CD 4
101▶CD: Vol 26. Organ Works CD 1
102▶CD: Vol 26. Organ Works CD 2
103▶CD: Vol 26. Organ Works CD 3
104▶CD: Vol 26. Organ Works CD 4
105▶CD: Vol 27. Organ Works CD 1
106▶CD: Vol 27. Organ Works CD 2
107▶CD: Vol 27. Organ Works CD 3
108▶CD: Vol 27. Organ Works CD 4
109▶CD: Vol 28. Organ Works CD 1
110▶CD: Vol 28. Organ Works CD 2
111▶CD: Vol 28. Organ Works CD 3
112▶CD: Vol 28. Organ Works CD 4
113▶CD: Vol 29. Organ Works CD 1
114▶CD: Vol 29. Organ Works CD 2
115▶CD: Vol 29. Organ Works CD 3
116▶CD: Vol 29. Organ Works CD 4
117▶CD: Vol 30. Harpsichord Music CD 1
118▶CD: Vol 30. Harpsichord Music CD 2
119▶CD: Vol 30. Harpsichord Music CD 3
120▶CD: Vol 30. Harpsichord Music CD 4
121▶CD: Vol 31. Keyboard Works CD 1
122▶CD: Vol 31. Keyboard Works CD 2
123▶CD: Vol 31. Keyboard Works CD 3
124▶CD: Vol 31. Keyboard Works CD 4
125▶CD: Vol 32. Keyboard Works CD 1
126▶CD: Vol 32. Keyboard Works CD 2
127▶CD: Vol 32. Keyboard Works CD 3
128▶CD: Vol 32. Keyboard Works CD 4
129▶CD: Vol 33. Keyboard Works CD 1
130▶CD: Vol 33. Keyboard Works CD 2
131▶CD: Vol 33. Keyboard Works CD 3
132▶CD: Vol 33. Keyboard Works CD 4
133▶CD: Vol 34. Keyboard Works CD 1
134▶CD: Vol 34. Keyboard Works CD 2
135▶CD: Vol 34. Keyboard Works CD 3
136▶CD: Vol 34. Keyboard Works CD 4
137▶CD: Vol 35. Keyboard Works CD 1
138▶CD: Vol 35. Keyboard Works CD 2
139▶CD: Vol 35. Keyboard Works CD 3
140▶CD: Vol 35. Keyboard Works CD 4
141▶CD: Vol 36. Keyboard Works CD 1
142▶CD: Vol 36. Keyboard Works CD 2
143▶CD: Vol 36. Keyboard Works CD 3
144▶CD: Vol 36. Keyboard Works CD 4
145▶CD: Vol 37. Keyboard Works CD 1
146▶CD: Vol 37. Keyboard Works CD 2
147▶CD: Vol 37. Keyboard Works CD 3
148▶CD: Vol 37. Keyboard Works CD 4
149▶CD: Vol 38. Orchestral Music CD 1
150▶CD: Vol 38. Orchestral Music CD 2
151▶CD: Vol 38. Orchestral Music CD 3
152▶CD: Vol 38. Orchestral Music CD 4
153▶CD: Vol 39. Works For Violin CD 1
154▶CD: Vol 39. Works For Violin CD 2
155▶CD: Vol 39. Works For Violin CD 3
156▶CD: Vol 39. Works For Violin CD 4
157▶CD: Vol 40. Harpsichord Concertos CD 1
158▶CD: Vol 40. Harpsichord Concertos CD 2
159▶CD: Vol 40. Harpsichord Concertos CD 3
160▶CD: Vol 40. Harpsichord Concertos CD 4
161▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 1
162▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 2
163▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 3
164▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 4
165▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
166▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
167▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
168▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
169▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
170▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
171▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 3