The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▶CD: Vol 1. Cantatas CD 1
2▶CD: Vol 1. Cantatas CD 2
3▶CD: Vol 1. Cantatas CD 3
4▶CD: Vol 1. Cantatas CD 4
5▶CD: Vol 2. Cantatas CD 1
6▶CD: Vol 2. Cantatas CD 2
7▶CD: Vol 2. Cantatas CD 3
8▶CD: Vol 2. Cantatas CD 4
9▶CD: Vol 3. Cantatas CD 1
10▶CD: Vol 3. Cantatas CD 2
11▶CD: Vol 3. Cantatas CD 3
12▶CD: Vol 3. Cantatas CD 4
13▶CD: Vol 4. Cantatas CD 1
14▶CD: Vol 4. Cantatas CD 2
15▶CD: Vol 4. Cantatas CD 3
16▶CD: Vol 4. Cantatas CD 4
17▶CD: Vol 5. Cantatas CD 1
18▶CD: Vol 5. Cantatas CD 2
19▶CD: Vol 5. Cantatas CD 3
20▶CD: Vol 5. Cantatas CD 4
21▶CD: Vol 6. Cantatas CD 1
22▶CD: Vol 6. Cantatas CD 2
23▶CD: Vol 6. Cantatas CD 3
24▶CD: Vol 6. Cantatas CD 4
25▶CD: Vol 7. Cantatas CD 1
26▶CD: Vol 7. Cantatas CD 2
27▶CD: Vol 7. Cantatas CD 3
28▼CD: Vol 7. Cantatas CD 4
#TitleRatingLength
1Kantate, BWV 87 „Bisher habt ihr nichts gebeten in meinem Namen“: I. Arioso (Bass) „Bisher habt ihr nichts gebeten in meinem Namen“
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": I. Arioso (Bass) "Bisher habt ihr nichts gebeten in meinem Namen" (from 1980-12 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
2:12
2Kantate, BWV 87 „Bisher habt ihr nichts gebeten in meinem Namen“: II. Recitativo (Alt) „O Wort, das Geist und Seel erschreckt“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": II. Recitativo (Alt) "O Wort, das Geist und Seel erschreckt" (from 1980-12 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
0:48
3Kantate, BWV 87 „Bisher habt ihr nichts gebeten in meinem Namen“: III. Aria (Alt) „Vergib, o Vater, unsre Schuld“
alto vocals:
Júlia Hamari (Hungarian mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": III. Aria (Alt) "Vergib, o Vater, unsre Schuld" (from 1980-12 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
8:43
4Kantate, BWV 87 „Bisher habt ihr nichts gebeten in meinem Namen“: IV. Recitativo (Tenor) „Wenn unsre Schuld bis an den Himmel steigt“
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": IV. Recitativo (Tenor) "Wenn unsre Schuld bis an den Himmel steigt" (from 1980-12 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
1:01
5Kantate, BWV 87 „Bisher habt ihr nichts gebeten in meinem Namen“: V. Arioso (Bass) „In der Welt habt ihr Angst“
bass vocals:
Walter Heldwein
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": V. Arioso (Bass) "In der Welt habt ihr Angst" (from 1980-12 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
2:11
6Kantate, BWV 87 „Bisher habt ihr nichts gebeten in meinem Namen“: VI. Aria (Tenor) „Ich will leiden, ich will schweigen“
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": VI. Aria (Tenor) "Ich will leiden, ich will schweigen" (from 1980-12 until 1981-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
3:50
7Kantate, BWV 87 „Bisher habt ihr nichts gebeten in meinem Namen“: VII. Choral „Muß ich sein betrübet“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1980-12 until 1981-03)
recording of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen": VII. Choral "Muß ich sein betrübet" (from 1980-12 until 1981-03)
lyricist:
Heinrich von Mühler
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 201)
part of:
Kantate, BWV 87 "Bisher habt ihr nichts gebeten in meinem Namen"
1:34
8Kantate, BWV 88 „Siehe, ich will viel Fischer aussenden“: I. Aria (Bass) „Siehe, ich will viel Fischer aussenden“
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": I. Aria (Bass) "Siehe, ich will viel Fischer aussenden" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
7:41
9Kantate, BWV 88 „Siehe, ich will viel Fischer aussenden“: II. Recitativo (Tenor) „Wie leichtlich könnte doch der Höchste uns entbehren“
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": II. Recitativo (Tenor) "Wie leichtlich könnte doch der Höchste uns entbehren" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
1:05
10Kantate, BWV 88 „Siehe, ich will viel Fischer aussenden“: III. Aria (Tenor), Ritornello „Nein, nein! Gott ist allezeit geflissen“
vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": III. Aria (Tenor), Ritornello "Nein, nein! Gott ist allezeit geflissen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
4:05
11Kantate, BWV 88 „Siehe, ich will viel Fischer aussenden“: IV. Recitativo ed Arioso (Tenor, Bass) „Jesus sprach zu Simon“
bass vocals:
Wolfgang Schöne (bass-baritone)
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": IV. Recitativo ed Arioso (Tenor, Bass) "Jesus sprach zu Simon" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
2:49
12Kantate, BWV 88 „Siehe, ich will viel Fischer aussenden“: V. Aria (Duetto Sopran, Alt) „Beruft Gott selbst, so muß der Segen“
alto vocals:
Verena Gohl (Swiss contralto)
soprano vocals:
Ingeborg Reichelt (German soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": V. Aria (Duetto Sopran, Alt) "Beruft Gott selbst, so muß der Segen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
4:15
13Kantate, BWV 88 „Siehe, ich will viel Fischer aussenden“: VI. Recitativo (Sopran) „Was kann dich denn in deinem Wandel schrecken“
soprano vocals:
Ingeborg Reichelt (German soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": VI. Recitativo (Sopran) "Was kann dich denn in deinem Wandel schrecken" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
1:42
14Kantate, BWV 88 „Siehe, ich will viel Fischer aussenden“: VII. Choral „Sing, bet und geh auf Gottes Wegen“
choir vocals:
Figuralchor der Gedächtniskirche Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden": VII. Choral "Sing, bet und geh auf Gottes Wegen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Neumark (German hymn writer) (in 1657)
part of:
Breitkopf 389 Choralgesänge (number: 368)
part of:
Kantate, BWV 88 "Siehe, ich will viel Fischer aussenden"
1:00
15Kantate, BWV 89 „Was soll ich aus dir machen, Ephraim?“: I. Aria (Bass) „Was soll ich aus dir machen, Ephraim?“
bass vocals:
Philippe Huttenlocher (baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": I. Aria (Bass) "Was soll ich aus dir machen, Ephraim?" (from 1977-09 until 1977-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
3:35
16Kantate, BWV 89 „Was soll ich aus dir machen, Ephraim?“: II. Recitativo (Alt) „Ja, freilich sollte Gott“
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": II. Recitativo (Alt) "Ja, freilich sollte Gott" (from 1977-09 until 1977-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
0:59
17Kantate, BWV 89 „Was soll ich aus dir machen, Ephraim?“: III. Aria (Alt) „Ein unbarmherziges Gerichte“
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": III. Aria (Alt) "Ein unbarmherziges Gerichte" (from 1977-09 until 1977-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
3:05
18Kantate, BWV 89 „Was soll ich aus dir machen, Ephraim?“: IV. Recitativo (Sopran) „Wohlan! mein Herze legt Zorn, Zank und Zwietracht hin“
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": IV. Recitativo (Sopran) "Wohlan! mein Herze legt Zorn, Zank und Zwietracht hin" (from 1977-09 until 1977-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
1:24
19Kantate, BWV 89 „Was soll ich aus dir machen, Ephraim?“: V. Aria (Sopran) „Gerechter Gott, ach, rechnest du?“
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": V. Aria (Sopran) "Gerechter Gott, ach, rechnest du?" (from 1977-09 until 1977-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
2:25
20Kantate, BWV 89 „Was soll ich aus dir machen, Ephraim?“: VI. Choral „Mir mangelt zwar sehr viel“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-09 until 1977-12)
recording of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?": VI. Choral "Mir mangelt zwar sehr viel" (from 1977-09 until 1977-12)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 26)
part of:
Kantate, BWV 89 "Was soll ich aus dir machen, Ephraim?"
0:53
21Kantate, BWV 90 „Es reißet euch ein schrecklich Ende“: I. Aria (Tenor) „Es reißet euch ein schrecklich Ende“
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": I. Aria (Tenor) "Es reißet euch ein schrecklich Ende" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
5:41
22Kantate, BWV 90 „Es reißet euch ein schrecklich Ende“: II. Recitativo (Alt) „Des Höchsten Güte wird von Tag zu Tage neu“
alto vocals:
Helen Watts (contralto)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": II. Recitativo (Alt) "Des Höchsten Güte wird von Tag zu Tage neu" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
1:44
23Kantate, BWV 90 „Es reißet euch ein schrecklich Ende“: III. Aria (Bass) „So löschet im Eifer der rächende Richter“
bass vocals:
Siegmund Nimsgern (bass-baritone)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": III. Aria (Bass) "So löschet im Eifer der rächende Richter" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
3:42
24Kantate, BWV 90 „Es reißet euch ein schrecklich Ende“: IV. Recitativo (Tenor) „Doch Gottes Auge sieht auf uns“
tenor vocals:
Adalbert Kraus (tenor)
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": IV. Recitativo (Tenor) "Doch Gottes Auge sieht auf uns" (from 1977-12 until 1978-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
0:50
25Kantate, BWV 90 „Es reißet euch ein schrecklich Ende“: V. Choral „Leit uns mit deiner rechten Hand“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra and performer:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1977-12 until 1978-01)
recording of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende": V. Choral "Leit uns mit deiner rechten Hand" (from 1977-12 until 1978-01)
lyricist:
Martin Moller (german poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 319)
part of:
Kantate, BWV 90 "Es reißet euch ein schrecklich Ende"
1:07
29▶CD: Vol 8. Cantatas CD 1
30▶CD: Vol 8. Cantatas CD 2
31▶CD: Vol 8. Cantatas CD 3
32▶CD: Vol 8. Cantatas CD 4
33▶CD: Vol 9. Cantatas CD 1
34▶CD: Vol 9. Cantatas CD 2
35▶CD: Vol 9. Cantatas CD 3
36▶CD: Vol 9. Cantatas CD 4
37▶CD: Vol 10. Cantatas CD 1
38▶CD: Vol 10. Cantatas CD 2
39▶CD: Vol 10. Cantatas CD 3
40▶CD: Vol 10. Cantatas CD 4
41▶CD: Vol 11. Cantatas CD 1
42▶CD: Vol 11. Cantatas CD 2
43▶CD: Vol 11. Cantatas CD 3
44▶CD: Vol 11. Cantatas CD 4
45▶CD: Vol 12. Cantatas CD 1
46▶CD: Vol 12. Cantatas CD 2
47▶CD: Vol 12. Cantatas CD 3
48▶CD: Vol 12. Cantatas CD 4
49▶CD: Vol 13. Cantatas CD 1
50▶CD: Vol 13. Cantatas CD 2
51▶CD: Vol 13. Cantatas CD 3
52▶CD: Vol 13. Cantatas CD 4
53▶CD: Vol 14. Cantatas CD 1
54▶CD: Vol 14. Cantatas CD 2
55▶CD: Vol 14. Cantatas CD 3
56▶CD: Vol 14. Cantatas CD 4
57▶CD: Vol 15. Cantatas CD 1
58▶CD: Vol 15. Cantatas CD 2
59▶CD: Vol 15. Cantatas CD 3
60▶CD: Vol 15. Cantatas CD 4
61▶CD: Vol 16. Cantatas CD 1
62▶CD: Vol 16. Cantatas CD 2
63▶CD: Vol 16. Cantatas CD 3
64▶CD: Vol 16. Cantatas CD 4
65▶CD: Vol 17. Cantatas CD 1
66▶CD: Vol 17. Cantatas CD 2
67▶CD: Vol 17. Cantatas CD 3
68▶CD: Vol 17. Cantatas CD 4
69▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 1
70▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 2
71▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 3
72▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 4
73▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
74▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
75▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
76▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
77▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
78▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
79▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
80▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
81▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
82▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
83▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
84▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
85▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
86▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
87▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
88▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
89▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 1
90▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 2
91▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 3
92▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 4
93▶CD: Vol 24. A Book Of Chorale-Settings CD 1
94▶CD: Vol 24. A Book Of Chorale-Settings CD 2
95▶CD: Vol 24. A Book Of Chorale-Settings CD 3
96▶CD: Vol 24. A Book Of Chorale-Settings CD 4
97▶CD: Vol 25. Organ Works CD 1
98▶CD: Vol 25. Organ Works CD 2
99▶CD: Vol 25. Organ Works CD 3
100▶CD: Vol 25. Organ Works CD 4
101▶CD: Vol 26. Organ Works CD 1
102▶CD: Vol 26. Organ Works CD 2
103▶CD: Vol 26. Organ Works CD 3
104▶CD: Vol 26. Organ Works CD 4
105▶CD: Vol 27. Organ Works CD 1
106▶CD: Vol 27. Organ Works CD 2
107▶CD: Vol 27. Organ Works CD 3
108▶CD: Vol 27. Organ Works CD 4
109▶CD: Vol 28. Organ Works CD 1
110▶CD: Vol 28. Organ Works CD 2
111▶CD: Vol 28. Organ Works CD 3
112▶CD: Vol 28. Organ Works CD 4
113▶CD: Vol 29. Organ Works CD 1
114▶CD: Vol 29. Organ Works CD 2
115▶CD: Vol 29. Organ Works CD 3
116▶CD: Vol 29. Organ Works CD 4
117▶CD: Vol 30. Harpsichord Music CD 1
118▶CD: Vol 30. Harpsichord Music CD 2
119▶CD: Vol 30. Harpsichord Music CD 3
120▶CD: Vol 30. Harpsichord Music CD 4
121▶CD: Vol 31. Keyboard Works CD 1
122▶CD: Vol 31. Keyboard Works CD 2
123▶CD: Vol 31. Keyboard Works CD 3
124▶CD: Vol 31. Keyboard Works CD 4
125▶CD: Vol 32. Keyboard Works CD 1
126▶CD: Vol 32. Keyboard Works CD 2
127▶CD: Vol 32. Keyboard Works CD 3
128▶CD: Vol 32. Keyboard Works CD 4
129▶CD: Vol 33. Keyboard Works CD 1
130▶CD: Vol 33. Keyboard Works CD 2
131▶CD: Vol 33. Keyboard Works CD 3
132▶CD: Vol 33. Keyboard Works CD 4
133▶CD: Vol 34. Keyboard Works CD 1
134▶CD: Vol 34. Keyboard Works CD 2
135▶CD: Vol 34. Keyboard Works CD 3
136▶CD: Vol 34. Keyboard Works CD 4
137▶CD: Vol 35. Keyboard Works CD 1
138▶CD: Vol 35. Keyboard Works CD 2
139▶CD: Vol 35. Keyboard Works CD 3
140▶CD: Vol 35. Keyboard Works CD 4
141▶CD: Vol 36. Keyboard Works CD 1
142▶CD: Vol 36. Keyboard Works CD 2
143▶CD: Vol 36. Keyboard Works CD 3
144▶CD: Vol 36. Keyboard Works CD 4
145▶CD: Vol 37. Keyboard Works CD 1
146▶CD: Vol 37. Keyboard Works CD 2
147▶CD: Vol 37. Keyboard Works CD 3
148▶CD: Vol 37. Keyboard Works CD 4
149▶CD: Vol 38. Orchestral Music CD 1
150▶CD: Vol 38. Orchestral Music CD 2
151▶CD: Vol 38. Orchestral Music CD 3
152▶CD: Vol 38. Orchestral Music CD 4
153▶CD: Vol 39. Works For Violin CD 1
154▶CD: Vol 39. Works For Violin CD 2
155▶CD: Vol 39. Works For Violin CD 3
156▶CD: Vol 39. Works For Violin CD 4
157▶CD: Vol 40. Harpsichord Concertos CD 1
158▶CD: Vol 40. Harpsichord Concertos CD 2
159▶CD: Vol 40. Harpsichord Concertos CD 3
160▶CD: Vol 40. Harpsichord Concertos CD 4
161▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 1
162▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 2
163▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 3
164▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 4
165▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
166▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
167▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
168▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
169▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
170▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
171▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 3