A Man and a Half: The Best of Wilson Pickett

~ Release by Wilson Pickett (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1I Found a Love (The Falcons)
recorded in:
Detroit, Michigan, United States (in 1961-06)
producer:
Robert West (US songwriter)
alto saxophone:
Ralph "Pee Wee" Middlebrook
bass:
Marshall Jones (US bassist & songwriter, member of Ohio Players)
bass [electric bass]:
Marshall Jones (US bassist & songwriter, member of Ohio Players) (in 1961-06)
brass:
Ralph "Pee Wee" Middlebrook (in 1961-06)
clarinet and piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1961)
drums (drum set):
Cornelius Johnson (Drummer in The Ohio Untouchables) (, in 1961-06)
guitar:
Lance Finnie, Lance Finnie (in 1961-06) and Robert Ward (guitar, blues musician) (in 1961-06)
tenor saxophone:
Clarence Satchell (, in 1961-06)
additional vocals:
Eddie Floyd and Sir Mack Rice
lead vocals:
Wilson Pickett
vocals:
Eddie Floyd (in 1961-06), Mack Rice (in 1961-06), Ben Night (in 1961-06), Wilson Pickett (in 1961-06) and Joe Stubbs (in 1961-06)
performer:
The Ohio Untouchables (in 1961-06)
recorded at:
King Studios in Cincinnati, Ohio, United States (in 1962-01)
recording of:
I Found a Love (in 1961-06)
writer:
Wilson Pickett, Willie Schofield and Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music and Unichappell Music, Inc.
2:58
2Let Me Be Your Boy
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1962)
recording of:
Let Me Be Your Boy (in 1962)
lyricist and composer:
Wilbur Harbert
42:48
3If You Need Me
recorded in:
Detroit, Michigan, United States (in 1963)
producer:
Robert Bateman (R&B singer/songwriter/record producer)
bass:
James Jamerson
drums (drum set):
Benny Benjamin (US drummer)
guitar:
Robert White (US funk/soul guitarist) and Eddie Willis
piano:
Joe Hunter (of the Motown "Funk Brothers" studio ensemble)
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
If You Need Me (in 1963)
writer:
Robert Bateman (R&B singer/songwriter/record producer), Wilson Pickett and Sonny Sanders
publisher:
Belinda (ended), Cotillion Music Inc. (BMI) and Lupine Music
2:37
4It’s Too Late
recorded in:
Detroit, Michigan, United States (in 1963)
producer:
Robert Bateman (R&B singer/songwriter/record producer)
vocals:
Wilson Pickett
recorded at:
United Sound Systems in Detroit, Michigan, United States (in 1963)
recording of:
It's Too Late
lyricist and composer:
Wilson Pickett
3:09
5I’m Gonna Cry (Cry Baby)
recorded in:
New York, New York, United States (on 1964-05-12)
producer:
Wilson Pickett
vocals:
Wilson Pickett (on 1964-05-12)
recorded at:
United Sound Systems in Detroit, Michigan, United States (on 1964-05-12)
recording of:
I’m Gonna Cry (on 1964-05-12)
writer:
Don Covay and Wilson Pickett
2:21
6Come Home Baby
recorded in:
New York, New York, United States (on 1964-11-13)
producer:
Bert Berns
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1964-11-13)
bass [electric bass]:
Jimmy Lewis (jazz bassist) (on 1964-11-13)
bass trombone:
Tony Studd (on 1964-11-13)
drums (drum set):
Panama Francis (US swing jazz drummer) and Ted Sommer
guitar:
Cornell Dupree (on 1964-11-13) and Wally Richardson (US jazz/R&B guitarist) (on 1964-11-13)
piano:
Paul Griffin (American pianist, session musician) (on 1964-11-13)
tenor saxophone:
Joe Grimaldi (flute and saxophone player) and Joe Grimaldi (on 1964-11-13)
trumpet:
Jack Cortner (New York-based Broadway and television composer/arranger) (on 1964-11-13), Ernie Royal (on 1964-11-13) and Clark Terry (American swing trumpeter) (on 1964-11-13)
additional vocals:
Tami Lynn
lead vocals:
Wilson Pickett
vocals:
Cissy Houston (on 1964-11-13) and Wilson Pickett (on 1964-11-13)
conductor:
Teacho Wiltshire (on 1964-11-13)
arranger:
Teacho Wiltshire
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1964-11-13)
recording of:
Come Home Baby (on 1964-11-13)
writer:
Barry Mann and Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:36
7In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
32:34
8Don’t Fight It (unedited single master)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
recording of:
Don’t Fight It (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Irving Music, Inc.
2:33
9I’m Not Tired
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
recording of:
I’m Not Tired (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Irving Music, Inc.
2:48
10That’s a Man’s Way
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records) and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-05-12)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (Memphis pianist) (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (on 1965-05-12)
recording of:
That’s a Man’s Way (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Cotillion Music Inc. (BMI) and Irving Music (BMI)
2:22
11634–5789 (Soulsville, U.S.A.)
recorded in:
Memphis, Tennessee, United States (on 1965-12-20)
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-12-20)
bass guitar [bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-12-20)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-12-20)
guitar:
Steve Cropper (on 1965-12-20)
piano:
Isaac Hayes (on 1965-12-20)
tenor saxophone:
Charles “Packy” Axton (on 1965-12-20) and Andrew Love (on 1965-12-20)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-12-20)
vocals:
Wilson Pickett (on 1965-12-20)
recording of:
634‒5789 (Soulsville, U.S.A.) (on 1965-12-20)
writer:
Steve Cropper and Eddie Floyd
2:58
12Ninety‐Nine and a Half (Won’t Do)
recorded in:
Memphis, Tennessee, United States (on 1965-12-20)
baritone saxophone:
Floyd Newman (on 1965-12-20)
bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (on 1965-12-20)
drums (drum set):
Al Jackson (Booker T & The MGs drummer) (on 1965-12-20)
guitar:
Steve Cropper (on 1965-12-20)
piano:
Isaac Hayes (on 1965-12-20)
tenor saxophone:
Charles “Packy” Axton (on 1965-12-20) and Andrew Love (on 1965-12-20)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1965-12-20)
vocals:
Wilson Pickett (on 1965-12-20)
recording of:
Ninety‐Nine and a Half (Won’t Do) (on 1965-12-20)
writer:
Steve Cropper, Eddie Floyd and Wilson Pickett
publisher:
Burlington Music Co., Ltd., Irving Music (BMI), Irving Music, Inc., Pronto Music (publisher) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
42:43
13Land of 1000 Dances
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass guitar [bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Land of 1000 Dances (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
recording of:
Land of 1000 Dances
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
42:27
14Mustang Sally
recorded in:
Muscle Shoals, Alabama, United States (on 1966-10-13)
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
drums (drum set):
Roger Hawkins (from 1966-10-13 until 1966-10-14)
electric bass guitar [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 434)
cover recording of:
Mustang Sally (from 1966-10-13 until 1966-10-14)
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
43:07
15Three‐Time Loser
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
recording of:
Three Time Loser (from 1966-10-13 until 1966-10-14)
writer:
Don Covay and Ron Miller (US songwriter Ronald Alonzo Miller)
publisher:
Pronto Music (publisher) and Warner/Chappell Music Scandinavia AB
2:24
16Everybody Needs Somebody to Love
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
bass [electric bass]:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-10-12)
drums (drum set):
Roger Hawkins (on 1966-10-12)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1966-10-12)
guitar [lead guitar]:
Lincoln "Chips" Moman (on 1966-10-12)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (on 1966-10-12)
tenor saxophone:
Gilbert Caples (on 1966-10-12), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1966-10-12) and Eddie Logan (on 1966-10-12)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1966-10-12)
vocals:
Wilson Pickett (on 1966-10-12)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1966-10-12)
cover recording of:
Everybody Needs Somebody to Love (on 1966-10-12)
writer:
Bert Russell Berns, Solomon Burke and Jerry Wexler
publisher:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC and Musical Lights Tokyo
32:20
17Soul Dance Number Three
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
recording of:
Soul Dance Number Three (from 1967-02-01 until 1967-02-04)
writer:
Wilson Pickett and Jerry Wexler
2:42
18You Can’t Stand Alone
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
bass [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
recording of:
You Can't Stand Alone (from 1967-02-01 until 1967-02-04)
writer:
Rudy Clark (US songwriter)
2:51
19Funky Broadway
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1967-02-01 until 1967-02-04)
drums (drum set):
Roger Hawkins (from 1967-02-01 until 1967-02-04)
electric bass guitar [electric bass]:
Tommy Cogbill (from 1967-02-01 until 1967-02-04)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-02-01 until 1967-02-04) and Lincoln "Chips" Moman (from 1967-02-01 until 1967-02-04)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1967-02-01 until 1967-02-04)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-02-01 until 1967-02-04) and Jimmy Mitchell (saxophone) (from 1967-02-01 until 1967-02-04)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-02-01 until 1967-02-04)
vocals:
Wilson Pickett (from 1967-02-01 until 1967-02-04)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1967-02-01 until 1967-02-04)
cover recording of:
Funky Broadway (from 1967-02-01 until 1967-02-04)
lyricist and composer:
Arlester “Dyke” Christian
22:37
20I’m in Love
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
recording of:
I’m in Love (from 1967-07-01 until 1967-07-03)
lyricist and composer:
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Pronto Music (publisher)
2:32
21Stagger Lee
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
recording of:
Stagger Lee (Lloyd Price version) (on 1967-07-01)
writer:
Harold Logan and Lloyd Price (US R&B/soul singer)
publisher:
EMI Catalogue Partnership, Irving Music (BMI) and Travis Music Co.
version of:
Stagger Lee (“Stackolee” etc., traditional)
2:22
22Jealous Love
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
recording of:
Jealous Love (from 1967-07-01 until 1967-07-03)
writer:
King Curtis (saxophonist) and Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cotillion Music Inc. (BMI) and Warner/Chappell Music Ltd. (1996–2019)
2:50
23I’ve Come a Long Way
recorded in:
Memphis, Tennessee, United States (from 1967-07-01 until 1967-07-03)
recording engineer:
Tom Dowd (from 1967-07-01 until 1967-07-03)
baritone saxophone:
Floyd Newman (from 1967-07-01 until 1967-07-03)
bass [electric bass]:
Tommy Cogbill (from 1967-07-01 until 1967-07-03)
drums (drum set):
Gene Chrisman (from 1967-07-01 until 1967-07-03)
guitar:
Reggie Young (guitarist and songwriter) (from 1967-07-01 until 1967-07-03)
guitar [lead guitar]:
Bobby Womack (from 1967-07-01 until 1967-07-03)
organ:
Bobby Emmons (from 1967-07-01 until 1967-07-03)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (from 1967-07-01 until 1967-07-03)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1967-07-01 until 1967-07-03) and King Curtis (saxophonist) (from 1967-07-01 until 1967-07-03)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1967-07-01 until 1967-07-03)
vocals:
Wilson Pickett (from 1967-07-01 until 1967-07-03)
recording of:
I've Come a Long Way (from 1967-07-01 until 1967-07-03)
writer:
Bobby Womack
3:12
24In the Midnight Hour (Live & Burnin’)
recorded in:
Los Angeles, California, United States (on 1965-08-08)
live recording of:
In the Midnight Hour (on 1965-08-08)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. and Irving Music, Inc.
8:10
2▶CD

Credits

Release

liner notes:Leo Sacks
compiler:Harry Weinger
copyrighted (©) by and phonographic copyright (℗) by:Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
part of:Atlantic & ATCO Remasters Series (order: 11)
ASIN:US: B0000032DU [info]