The Classical Album 2005

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Never Say Goodbye (Ravel’s Pavane)
soprano vocals:
Hayley Westenra
arranger:
Ian Dean (arranger)
recording of:
Never Say Goodbye
lyricist and composer:
Pam Sheyne
is based on:
Pavane pour une infante défunte (orchestrated version)
Maurice Ravel3:14
2Amore e Musica
programming and producer:
Simon Franglen (English score composer)
assistant engineer:
‘Robo’ Brad Spence and Chris Barrett (British sound engineer, @AIR Lyndhurst Studios)
engineer:
Jon Bailey (engineer) and Nick Woollage
mixer:
Mick Guzauski
guitar [guitars]:
Dean Parks (American session guitarist)
keyboard [keyboards]:
Simon Franglen (English score composer)
tenor vocals:
Russell Watson (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Simon Hale
orchestrator:
Simon Hale
mixed at:
Barking Doctor Studio in Mount Kisco, New York, United States
recording of:
Amore e musica
lyricist:
Felice di Salvo
composer:
Roberto Pacco
Roberto Pacco3:59
3Time to Say Goodbye
engineer and mixer:
Pete Schwier (producer, mixing and recording engineer) and Leon Zervos (audio engineer)
producer:
Nick Patrick
acoustic guitar:
Bryan Adams (Canadian singer/songwriter)
cello:
Adrian Bradbury (British cellist)
mezzo-soprano vocals:
Katherine Jenkins (mezzo-soprano)
orchestra:
The Czech Film Orchestra
orchestrator:
James Banbury
phonographic copyright (℗) by:
Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2004)
recording of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
lyricist:
Lucio Quarantotto
composer:
Francesco Sartori
publisher:
Sugar S.r.l. (company credits only; do NOT use as release label), Sugar Songs UK Limited, Double Marpot Edizione Musicali (in 1995) and Insieme S.r.l. (not for release label use!) (in 1995)
Francesco Sartori53:44
4Granada
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
recording of:
Granada (original Spanish version)
lyricist and composer:
Agustín Lara (in 1932)
publisher:
Latin-American Music, Southern Music Co. and Peer International Corporation (BMI) (from 1932 to present)
Agustín Lara4:41
5Song to the Moon
soprano vocals:
Lesley Garrett (soprano) and Lucia Popp (soprano)
soprano vocals [Rusalka]:
Lucia Popp (soprano)
orchestra:
Munich Radio Symphony Orchestra (The Munich Radio Orchestra) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Andrew Greenwood (conductor) and Stefan Soltész (conductor)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák35:57
6Unknown Soldier
producer:
Jaz Coleman
đàn tranh:
Trần Quang Hải
violin:
Nigel Kennedy (violinist)
orchestra:
Symfonický orchestr hlavního města Prahy FOK (Prague Symphony Orchestra)
additional conductor:
Petr Pýcha
conductor:
Peter Scholes (NZ composer & conductor)
arranger and orchestrator:
Jaz Coleman
instrumental cover recording of:
The Unknown Soldier
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Rondor Music (London) Ltd. and Nipper Music Co., Inc. (in 1968)
The Doors5:44
7The Nuns’s Chorus
producer:
Paul Myers (classical record producer)
choir vocals:
The Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) (from 1989-02-24 until 1989-02-25)
soprano vocals:
Kiri Te Kanawa (soprano) (from 1989-02-24 until 1989-02-25)
orchestra:
Utah Symphony Orchestra (from 1989-02-24 until 1989-02-25)
conductor:
Julius Rudel (conductor) (from 1989-02-24 until 1989-02-25)
chorus master:
Jerold Ottley (conductor) (from 1989-02-24 until 1989-02-25)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
recorded at:
Salt Lake Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, United States (from 1989-02-24 until 1989-02-25)
live recording of:
Casanova: Nuns’ Chorus & Laura’s Song (from 1989-02-24 until 1989-02-25)
additional composer:
Ralph Benatzky
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
librettist:
Rudolf Schanzer (Austrian librettist) and Ernst Welisch
part of:
Casanova
partial recording of:
Casanova: Nuns’ Chorus & Laura’s Song
additional composer:
Ralph Benatzky
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
librettist:
Rudolf Schanzer (Austrian librettist) and Ernst Welisch
part of:
Casanova
Johann Strauss3:32
8Prayer in the Night
recording engineer:
Matt Howe (producer and engineer)
additional programming:
Nick Patrick
programming:
Yuki Yamamoto
additional percussion:
Nick Patrick
bass:
Laurie Cottle
keyboard:
Richard Cottle
percussion:
Miles Bould
vocals:
Amici Forever
orchestra:
The Budapest Film Orchestra
conductor:
Nick Ingman
recording of:
Prayer in the Night
orchestrator:
James Shearman (conductor, orchestrator, composer)
lyricist:
Swaraj Babenia
composer:
James Robert Shearman (conductor, orchestrator, composer)
is based on:
Oboe Concerto no. 3 in G minor, HWV 287: III. Sarabande (Largo)
George Frideric Handel3:15
9Be My Love
choir vocals:
The Jeff Alexander Chorus (in 1950)
tenor vocals:
Mario Lanza (tenor) (in 1950)
vocals:
Mario Lanza (tenor) (in 1950)
orchestra:
RCA Victor Orchestra and Ray Sinatra’s Orchestra (in 1950)
conductor:
Ray Sinatra (in 1950)
recording of:
Be My Love (in 1950)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
EMI Music Publishing (do not use as a release label!)
part of:
The 23rd Academy Award for Best Original Song (number: 2)
Nicholas Brodzsky3:30
10Flight of the Bumble‐Bee
cello:
Julian Lloyd Webber (cellist)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
Nicolai Rimsky-Korsakov1:12
11Una Mattina
recording engineer:
Ludovico Einaudi (Italian composer and pianist) and Michael Seberich (Italian engineer and producer)
producer:
Ludovico Einaudi (Italian composer and pianist)
mixer:
Michael Seberich (Italian engineer and producer)
piano:
Ludovico Einaudi (Italian composer and pianist) and Alessandro Simonetto (producer / engineer / pianist / harpsichordist)
produced at:
Piccolo Teatro Milan in Milano (Milan), Milano, Lombardia, Italy (in 2004-06)
recording of:
Una mattina
composer:
Ludovico Einaudi (Italian composer and pianist)
Ludovico Einaudi53:22
12Ave Maria
producer:
Andrew Cornall (engineer / producer) and Paul Myers (classical record producer) (task: session recording producer)
mixer:
Philip Siney (sound engineer) (from 1998-09-19 until 1998-09-25)
soprano vocals:
Angela Gheorghiu (Romanian soprano) (from 1998-09-19 until 1998-09-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1998-09-19 until 1998-09-25)
conductor:
Ion Marin (conductor) (from 1998-09-19 until 1998-09-25)
arranger:
Giacomo Zani
balance engineer:
James Lock (James Locke, engineer) (from 1998-09-19 until 1998-09-25)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-09-19 until 1998-09-25)
recording of:
Ave Maria (by Pietro Mascagni, adapted from the Intermezzo of his Cavalleria Rusticana) (from 1998-09-19 until 1998-09-25)
lyricist:
Pietro Mazzoni
composer:
Pietro Mascagni (composer & conductor)
is based on:
Cavalleria rusticana: Intermezzo
Pietro Mascagni3:19
13Harry Potter and the Prisoner of Azkaban
producer:
James Fitzpatrick
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Nic Raine
arranger:
Christopher Tin
cover recording of:
Harry Potter and the Prisoner of Azkaban Suite: Mischief Managed / A Window to the Past / Buckbeak's Flight
composer:
John Williams (American score composer)
John Williams6:59
14Crucifixus
performer:
The Sixteen (UK choir)
recording of:
Crucifixus a 8
composer:
Antonio Lotti (Italian baroque composer, 1667-1740)
Antonio Lotti2:59
15Quando men vo
soprano vocals:
Anna Netrebko (soprano) (in 2003-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2003-03)
conductor:
Gianandrea Noseda (conductor) (in 2003-03)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) (in 2003-03)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:38
16Ti Adoro
assistant recording engineer:
Gianluca "Naftalina" Camporesi
recording engineer, programming, producer and mixer:
Michele Centonze
mastering:
Michele Centonze and Philip Siney (sound engineer)
assistant producer:
Stefano Nanni (Italian piano and accordion player)
executive producer:
Michele Centonze
double bass:
Kameron Brown (from 2001-09 until 2003-07)
guitar:
Michele Centonze (from 2001-09 until 2003-07)
membranophone:
Fabio Sartoni (from 2001-09 until 2003-07)
piano:
Stefano Nanni (Italian piano and accordion player) (from 2001-09 until 2003-07)
saxophone:
Piero Odorici (from 2001-09 until 2003-07)
trombone:
Roberto Rossi (Italian drummer, percussionist & composer aka "Red") (from 2001-09 until 2003-07)
trumpet:
Marco Tamburini (from 2001-09 until 2003-07)
additional tenor vocals:
Veris Giannetti (from 2001-09 until 2003-07)
tenor vocals:
Veris Giannetti (from 2001-09 until 2003-07) and Luciano Pavarotti (tenor) (from 2001-09 until 2003-07)
orchestra:
Bulgarian Symphony Orchestra (from 2001-09 until 2003-07)
conductor:
Stefano Nanni (Italian piano and accordion player) (from 2001-09 until 2003-07)
arranger:
Michele Centonze
orchestrator:
Stefano Nanni (Italian piano and accordion player)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2001-09 until 2003-07), Bulgarian Radio Studios (Bulgarian National Radio) (from 2001-09 until 2003-07) and Pig Sound Studio in Forlì, Forlì-Cesena, Emilia-Romagna, Italy (from 2001-09 until 2003-07)
recording of:
Ti adoro (from 2001-09 until 2003-07)
lyricist:
Robin Smith (songwriter/pianist/conductor/producer)
composer:
Michele Centonze
Michele Centonze3:12
17In Paradisum
producer:
Kjetil Bjerkestrand
mixer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
harp:
Sidsel Walstad
vocals:
Sissel
mixed at:
Rainbow Studio in Oslo, Norway
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré2:55
18La donna é mobile
tenor vocals:
Juan Diego Flórez (Peruvian operatic tenor) (from 2003-03-24 until 2003-03-30)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi) (from 2003-03-24 until 2003-03-30)
conductor:
Carlo Rizzi (conductor) (from 2003-03-24 until 2003-03-30)
recorded at:
Auditorium di Milano in Milano (Milan), Milano, Lombardia, Italy (from 2003-03-24 until 2003-03-30)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (from 2003-03-24 until 2003-03-30)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:23
19The Passion of the Christ
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
James Fitzpatrick
cover recording of:
Resurrection (The Passion of the Christ)
composer:
John Debney (American score composer)
John Debney4:49
20The Entertainer
clarinet:
Emma Johnson (UK clarinettist)
recording of:
The Entertainer
composer:
Scott Joplin (composer and pianist) (in 1902)
publisher:
Chappell, EMI Music Publishing (do not use as a release label!) and Multimood Music (publisher)
part of:
Classic 100: Piano (2025) (number: 25)
Scott Joplin2:28
21O Come, O Come Emmanuel
vocals:
Aled Jones (British classical vocalist (treble, tenor, bariton))
recording of:
O Come, O Come Emmanuel (unknown version)
composer:
[traditional] (special purpose artist)
[traditional]3:25
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