The Classical Album 2005

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Never Say Goodbye (Ravel’s Pavane)
soprano vocals:
Hayley Westenra
arranger:
Ian Dean (arranger)
recording of:
Never Say Goodbye
lyricist and composer:
Pam Sheyne
is based on:
Pavane pour une infante défunte (orchestrated version)
Maurice Ravel3:14
2Amore e Musica
programming and producer:
Simon Franglen (English score composer)
assistant engineer:
‘Robo’ Brad Spence and Chris Barrett (British sound engineer, @AIR Lyndhurst Studios)
engineer:
Jon Bailey (engineer) and Nick Woollage
mixer:
Mick Guzauski
guitar [guitars]:
Dean Parks (American session guitarist)
keyboard [keyboards]:
Simon Franglen (English score composer)
tenor vocals:
Russell Watson (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Simon Hale
orchestrator:
Simon Hale
mixed at:
Barking Doctor Studio in Mount Kisco, New York, United States
recording of:
Amore e musica
lyricist:
Felice di Salvo
composer:
Roberto Pacco
Roberto Pacco3:59
3Time to Say Goodbye
engineer and mixer:
Pete Schwier (producer, mixing and recording engineer) and Leon Zervos (audio engineer)
producer:
Nick Patrick
acoustic guitar:
Bryan Adams (Canadian singer/songwriter)
cello:
Adrian Bradbury (British cellist)
mezzo-soprano vocals:
Katherine Jenkins (mezzo-soprano)
orchestra:
The Czech Film Orchestra
orchestrator:
James Banbury
phonographic copyright (℗) by:
Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution) (in 2004)
recording of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
lyricist:
Lucio Quarantotto
composer:
Francesco Sartori
publisher:
Sugar S.r.l. (company credits only; do NOT use as release label), Sugar Songs UK Limited, Double Marpot Edizione Musicali (in 1995) and Insieme S.r.l. (not for release label use!) (in 1995)
Francesco Sartori53:44
4Granada
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
recording of:
Granada (original Spanish version)
lyricist and composer:
Agustín Lara (in 1932)
publisher:
Latin-American Music, Southern Music Co. and Peer International Corporation (BMI) (from 1932 to present)
Agustín Lara4:41
5Song to the Moon
soprano vocals:
Lesley Garrett (soprano) and Lucia Popp (soprano)
soprano vocals [Rusalka]:
Lucia Popp (soprano)
orchestra:
Munich Radio Symphony Orchestra (The Munich Radio Orchestra) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Andrew Greenwood (conductor) and Stefan Soltész (conductor)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák35:57
6Unknown Soldier
producer:
Jaz Coleman
đàn tranh:
Trần Quang Hải
violin:
Nigel Kennedy (violinist)
orchestra:
Symfonický orchestr hlavního města Prahy FOK (Prague Symphony Orchestra)
additional conductor:
Petr Pýcha
conductor:
Peter Scholes (NZ composer & conductor)
arranger and orchestrator:
Jaz Coleman
instrumental cover recording of:
The Unknown Soldier
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Rondor Music (London) Ltd. and Nipper Music Co., Inc. (in 1968)
The Doors5:44
7The Nuns’s Chorus
producer:
Paul Myers (classical record producer)
choir vocals:
The Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) (from 1989-02-24 until 1989-02-25)
soprano vocals:
Kiri Te Kanawa (soprano) (from 1989-02-24 until 1989-02-25)
orchestra:
Utah Symphony Orchestra (from 1989-02-24 until 1989-02-25)
conductor:
Julius Rudel (conductor) (from 1989-02-24 until 1989-02-25)
chorus master:
Jerold Ottley (conductor) (from 1989-02-24 until 1989-02-25)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
recorded at:
Salt Lake Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, United States (from 1989-02-24 until 1989-02-25)
live recording of:
Casanova: Nuns’ Chorus & Laura’s Song (from 1989-02-24 until 1989-02-25)
additional composer:
Ralph Benatzky
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
librettist:
Rudolf Schanzer (Austrian librettist) and Ernst Welisch
part of:
Casanova
partial recording of:
Casanova: Nuns’ Chorus & Laura’s Song
additional composer:
Ralph Benatzky
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
librettist:
Rudolf Schanzer (Austrian librettist) and Ernst Welisch
part of:
Casanova
Johann Strauss3:32
8Prayer in the Night
recording engineer:
Matt Howe (producer and engineer)
additional programming:
Nick Patrick
programming:
Yuki Yamamoto
additional percussion:
Nick Patrick
bass:
Laurie Cottle
keyboard:
Richard Cottle
percussion:
Miles Bould
vocals:
Amici Forever
orchestra:
The Budapest Film Orchestra
conductor:
Nick Ingman
recording of:
Prayer in the Night
orchestrator:
James Shearman (conductor, orchestrator, composer)
lyricist:
Swaraj Babenia
composer:
James Robert Shearman (conductor, orchestrator, composer)
is based on:
Oboe Concerto no. 3 in G minor, HWV 287: III. Sarabande (Largo)
George Frideric Handel3:15
9Be My Love
choir vocals:
The Jeff Alexander Chorus (in 1950)
tenor vocals:
Mario Lanza (tenor) (in 1950)
vocals:
Mario Lanza (tenor) (in 1950)
orchestra:
RCA Victor Orchestra and Ray Sinatra’s Orchestra (in 1950)
conductor:
Ray Sinatra (in 1950)
recording of:
Be My Love (in 1950)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
EMI Music Publishing (do not use as a release label!)
part of:
The 23rd Academy Award for Best Original Song (number: 2)
Nicholas Brodzsky3:30
10Flight of the Bumble‐Bee
cello:
Julian Lloyd Webber (cellist)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
Nicolai Rimsky-Korsakov1:12
11Una Mattina
recording engineer:
Ludovico Einaudi (Italian composer and pianist) and Michael Seberich (Italian engineer and producer)
producer:
Ludovico Einaudi (Italian composer and pianist)
mixer:
Michael Seberich (Italian engineer and producer)
piano:
Ludovico Einaudi (Italian composer and pianist) and Alessandro Simonetto (producer / engineer / pianist / harpsichordist)
produced at:
Piccolo Teatro Milan in Milano (Milan), Milano, Lombardia, Italy (in 2004-06)
recording of:
Una mattina
composer:
Ludovico Einaudi (Italian composer and pianist)
Ludovico Einaudi53:22
12Ave Maria
producer:
Andrew Cornall (engineer / producer) and Paul Myers (classical record producer) (task: session recording producer)
mixer:
Philip Siney (sound engineer) (from 1998-09-19 until 1998-09-25)
soprano vocals:
Angela Gheorghiu (Romanian soprano) (from 1998-09-19 until 1998-09-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1998-09-19 until 1998-09-25)
conductor:
Ion Marin (conductor) (from 1998-09-19 until 1998-09-25)
arranger:
Giacomo Zani
balance engineer:
James Lock (James Locke, engineer) (from 1998-09-19 until 1998-09-25)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-09-19 until 1998-09-25)
recording of:
Ave Maria (by Pietro Mascagni, adapted from the Intermezzo of his Cavalleria Rusticana) (from 1998-09-19 until 1998-09-25)
lyricist:
Pietro Mazzoni
composer:
Pietro Mascagni (composer & conductor)
is based on:
Cavalleria rusticana: Intermezzo
Pietro Mascagni3:19
13Harry Potter and the Prisoner of Azkaban
producer:
James Fitzpatrick
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Nic Raine
arranger:
Christopher Tin
cover recording of:
Harry Potter and the Prisoner of Azkaban Suite: Mischief Managed / A Window to the Past / Buckbeak's Flight
composer:
John Williams (American score composer)
John Williams6:59
14Crucifixus
performer:
The Sixteen (UK choir)
recording of:
Crucifixus a 8
composer:
Antonio Lotti (Italian baroque composer, 1667-1740)
Antonio Lotti2:59
15Quando men vo
soprano vocals:
Anna Netrebko (soprano) (in 2003-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2003-03)
conductor:
Gianandrea Noseda (conductor) (in 2003-03)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) (in 2003-03)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:38
16Ti Adoro
assistant recording engineer:
Gianluca "Naftalina" Camporesi
recording engineer, programming, producer and mixer:
Michele Centonze
mastering:
Michele Centonze and Philip Siney (sound engineer)
assistant producer:
Stefano Nanni (Italian piano and accordion player)
executive producer:
Michele Centonze
double bass:
Kameron Brown (from 2001-09 until 2003-07)
guitar:
Michele Centonze (from 2001-09 until 2003-07)
membranophone:
Fabio Sartoni (from 2001-09 until 2003-07)
piano:
Stefano Nanni (Italian piano and accordion player) (from 2001-09 until 2003-07)
saxophone:
Piero Odorici (from 2001-09 until 2003-07)
trombone:
Roberto Rossi (Italian drummer, percussionist & composer aka "Red") (from 2001-09 until 2003-07)
trumpet:
Marco Tamburini (from 2001-09 until 2003-07)
additional tenor vocals:
Veris Giannetti (from 2001-09 until 2003-07)
tenor vocals:
Veris Giannetti (from 2001-09 until 2003-07) and Luciano Pavarotti (tenor) (from 2001-09 until 2003-07)
orchestra:
Bulgarian Symphony Orchestra (from 2001-09 until 2003-07)
conductor:
Stefano Nanni (Italian piano and accordion player) (from 2001-09 until 2003-07)
arranger:
Michele Centonze
orchestrator:
Stefano Nanni (Italian piano and accordion player)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2001-09 until 2003-07), Bulgarian Radio Studios (Bulgarian National Radio) (from 2001-09 until 2003-07) and Pig Sound Studio in Forlì, Forlì-Cesena, Emilia-Romagna, Italy (from 2001-09 until 2003-07)
recording of:
Ti adoro (from 2001-09 until 2003-07)
lyricist:
Robin Smith (songwriter/pianist/conductor/producer)
composer:
Michele Centonze
Michele Centonze3:12
17In Paradisum
producer:
Kjetil Bjerkestrand
mixer:
Jan Erik Kongshaug (Norwegian sound technician and jazz guitarist)
harp:
Sidsel Walstad
vocals:
Sissel
mixed at:
Rainbow Studio in Oslo, Norway
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré2:55
18La donna é mobile
tenor vocals:
Juan Diego Flórez (Peruvian operatic tenor) (from 2003-03-24 until 2003-03-30)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi) (from 2003-03-24 until 2003-03-30)
conductor:
Carlo Rizzi (conductor) (from 2003-03-24 until 2003-03-30)
recorded at:
Auditorium di Milano in Milano (Milan), Milano, Lombardia, Italy (from 2003-03-24 until 2003-03-30)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (from 2003-03-24 until 2003-03-30)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:23
19The Passion of the Christ
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
James Fitzpatrick
cover recording of:
Resurrection (The Passion of the Christ)
composer:
John Debney (American score composer)
John Debney4:49
20The Entertainer
clarinet:
Emma Johnson (UK clarinettist)
recording of:
The Entertainer
composer:
Scott Joplin (composer and pianist) (in 1902)
publisher:
Chappell, EMI Music Publishing (do not use as a release label!) and Multimood Music (publisher)
part of:
Classic 100: Piano (2025) (number: 25)
Scott Joplin2:28
21O Come, O Come Emmanuel
vocals:
Aled Jones (British classical vocalist (treble, tenor, bariton))
recording of:
O Come, O Come Emmanuel (unknown version)
composer:
[traditional] (special purpose artist)
[traditional]3:25
2▼CD
#TitleArtistRatingLength
1O Sole Mio
vocals:
Andrea Bocelli (tenor)
orchestra:
Большой симфонический оркестр имени П. И. Чайковского (Tchaikovsky Symphony Orchestra, bso.ru, founded 1930, not Mikhailov's 1978 orch.)
conductor:
Владимир Федосеев (Vladimir Fedoseyev, conductor)
orchestrator:
Renato Serio
recording of:
’O sole mio
lyricist:
Giovanni Capurro (in 1898)
composer:
Eduardo Di Capua (in 1898) and Alfredo Mazzucchi (Italian composer, known for “’O sole mio”) (in 1898)
publisher:
Bideri CEVEL, Domaine public (refers to works that are in the public domain) and Gennarelli Casa Editrice
Eduardo di Capua4:41
2Sabre Dance
violin:
Vanessa‐Mae
orchestra:
Royal Philharmonic Orchestra
cover recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1942)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Aram Khachaturian56:00
3Questo O Quella
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (in 1979-09) and Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:52
4Annie’s Song
flute:
James Galway (flautist)
instrumental recording of:
Annie’s Song (John Denver song)
lyricist:
John Denver (in 1973-01)
composer:
John Denver
dedicated to:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
lyrics written at:
Aspen Mountain in Aspen, Colorado, United States (in 1973-01)
John Denver2:56
5Vespera
performer:
Libera
recording of:
Vespera
composer:
Robert Prizeman
Robert Prizeman3:52
6River of Dreams
producer:
Giles Martin (producer)
guitar:
Robbie McIntosh (English guitarist for The Pretenders)
choir vocals:
Metro Voices
solo vocals:
Hayley Westenra
orchestra:
Royal Philharmonic Orchestra
conductor:
Ian Dean (conductor)
chorus master:
Jenny O’Grady
performer:
Hayley Westenra
arranger:
Sarah Class (composer, singer and songwriter)
recording of:
River of Dreams
lyricist and composer:
Charlie Dore
arranger:
Sarah Class (composer, singer and songwriter)
is based on:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi34:19
7Cavatina
classical guitar:
John Williams (classical guitarist) (from 1996-06-04 until 1996-07-30)
conductor:
John Williams (American score composer) (from 1996-06-04 until 1996-07-30)
recorded at:
Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1996-06-04 until 1996-07-30)
recording of:
Cavatina (theme from The Deer Hunter, for guitar) (from 1996-06-04 until 1996-07-30)
composer:
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. and Robbins Music Corp. Ltd.
Stanley Myers3:09
8Explosive
assistant recording engineer:
Phil Rose (UK engineer)
recording engineer:
Adam Brown (UK engineer) and Clive Goddard (engineer)
programming:
Eduard Botrić
producer:
Eduard Botrić, Nikša Bratoš and Tonči Huljić
mixer:
Nikša Bratoš
cello:
Gay-Yee Westerhoff
drums (drum set) [drums]:
Damir Šomen
flute:
Ivica Murat
guitar [guitars]:
Nikša Bratoš
keyboard [keyboards]:
Eduard Botrić
viola:
Tania Davis
violin:
Haylie Ecker and Eos Charter
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
mixed at:
Morris Studio in Zagreb, Croatia
recording of:
Explosive
composer:
Tonči Huljić
arranger:
Eduard Botrić and Tonči Huljić
Tonči Huljić3:11
9Vide Cor Meum
choir vocals:
Chorus of the Royal Opera House, Covent Garden
mezzo-soprano vocals:
Jennifer Larmore (mezzo-soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Rizzi (conductor)
recording of:
Vide cor meum
orchestrator:
Paul Bateman (conductor)
composer:
Patrick Cassidy (Irish composer)
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
Patrick Cassidy4:02
10Distant Land
recording of:
Distant Land
composer:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945)
dedicated to:
Nelson Mandela (1st President of South Africa, activist)
John Rutter3:23
11Pa‐pa‐pa‐papagena
producer:
Evans Mirageas and Christopher Raeburn (producer)
baritone vocals [Papageno]:
Bryn Terfel (bass‐baritone opera singer) (from 1998-06-06 until 1998-06-10)
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
mezzo-soprano vocals [Papagena]:
Cecilia Bartoli (mezzo‐soprano) (from 1998-06-06 until 1998-06-10)
soprano vocals:
Cecilia Bartoli (mezzo‐soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1998-06-06 until 1998-06-10)
conductor:
Myung-Whun Chung (pianist and conductor) (from 1998-06-06 until 1998-06-10)
balance engineer:
Neil Hutchinson (sound engineer) (from 1998-06-06 until 1998-06-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1999)
recorded at:
Accademia di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (from 1998-06-06 until 1998-06-10)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1998-06-06 until 1998-06-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:21
12Lascia Ch’io Pianga
cello:
Richard Tunnicliffe (cello and viol player) (from 2003-11-15 until 2003-11-24)
harpsichord:
Alastair Ross (organist and harpsichordist) (from 2003-11-15 until 2003-11-24)
theorbo:
Elizabeth Kenny (lutenist) (from 2003-11-15 until 2003-11-24)
soprano vocals [Almirena]:
Renée Fleming (soprano) (from 2003-11-15 until 2003-11-24)
orchestra:
Orchestra of the Age of Enlightenment (from 2003-11-15 until 2003-11-24)
conductor:
Harry Bicket (harpsichordist, organist and conductor) (from 2003-11-15 until 2003-11-24)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 2003-11-15 until 2003-11-24)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena) (from 2003-11-15 until 2003-11-24)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel4:24
13The Mass
bass guitar:
Leland Sklar (bassist, session musician)
guitar family:
Lyle Workman
keyboard:
Yvan Cassar (French composer and pianist) and Éric Lévi
membranophone:
Neil Wilkinson (British drummer)
lead vocals:
Guy Protheroe
arranger:
Yvan Cassar (French composer and pianist) and Éric Lévi
recording of:
The Mass
lyricist and composer:
Éric Lévi and Carl Orff (composer)
arranger:
Éric Lévi
version of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
Carl Orff4.753:40
14Panis Angelicus
producer:
Christopher Hazell
organ:
James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
The Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus (from 1996-07-01 until 1996-07-05)
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck3:51
15Canon
violin:
Duel (UK violinist duo that plays classical music)
orchestra:
The London Session Orchestra
conductor:
Gavyn Wright (UK violinist, conductor)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
Johann Pachelbel4:00
16Into the West
recording of:
Into the West
orchestrator:
Howard Shore (Canadian score composer)
lyricist:
Philippa Boyens, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists), Howard Shore (Canadian score composer), J.R.R. Tolkien and Fran Walsh
composer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists), Howard Shore (Canadian score composer) and Fran Walsh
publisher:
La Lennoxa Ltd and New Line Tunes
part of:
The 76th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 2003 winner)
part of:
The Lord of the Rings: The Return of the King
Howard Shore4:37
17Now We Are Free
performer:
Myleene Klass
cover recording of:
Now We Are Free (Gladiator)
lyricist:
Lisa Gerrard
composer:
Klaus Badelt (German score composer), Lisa Gerrard and Hans Zimmer (German score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SKG Songs and Universal‐MCA Music Publishing (US)
part of:
Gladiator
Hans Zimmer4:04
18Voi che sapete
mezzo-soprano vocals [Cherubino]:
Magdalena Kožená (mezzo-soprano) (in 2001-09)
orchestra:
Prague Philharmonia (in 2001-09)
conductor:
Michel Swierczewski (in 2001-09)
recorded at:
Dvořákova síň Rudolfina (Dvořák Hall) in Praha (Prague), Czechia (in 2001-09)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 2001-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:45
19Blow the Wind Southerly
contralto vocals:
Kathleen Ferrier (contralto) (from 1949-02-10 until 1949-02-11)
arranger:
William Gillies Whittaker (English composer, 1876-1944)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1949-02-10 until 1949-02-11)
recording of:
Blow the Wind Southerly (from 1949-02-10 until 1949-02-11)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 2619)
[traditional]2:23
20Quanta Qualia
choir vocals:
Conventus
soprano vocals:
Janet Coxwell (soprano)
orchestra:
English Chamber Orchestra
conductor:
Patrick Hawes
recording of:
Quanta Qualia
composer:
Patrick Hawes (in 2014)
Giuseppe Verdi4:51