J’aime bien le classique, mais il faudra m’aider un peu… !

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Kind of non standard Digipak to hold 10 CDs (2 CDs per tray)

Annotation last modified on 2024-10-09 01:51 UTC.

Tracklist

1▼CD: Bach : Les meilleurs moments : Œuvres intégrales ou mouvements d’œuvres
#TitleArtistRatingLength
1Partita no. 3 en mi majeur, BWV 1006 : Prélude
assistant engineer:
Mark Betts
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
Thomas Frost (classical music producer)
violin:
Hilary Hahn (violinist) (on 1996-12-23)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (on 1996-12-23)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio (on 1996-12-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach3:34
2Suite pour orchestre no. 3 en ré majeur, BWV 1068 : Air sur la corde de sol
orchestra:
Moscow Virtuosi
conductor:
Vladimir Spivakov (Russian violinist/conductor)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:44
3Cantate no. 140 : « Sleepers Awake »
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-03-11)
conductor:
Eugene Ormandy (conductor) (on 1968-03-11)
arranger:
Thomas Frost (classical music producer)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1968-03-11)
instrumental recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral “Zion hört die Wächter singen” (catch-all for arrangements) (on 1968-03-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
Johann Sebastian Bach4:01
4Petite Suite, du Livre d'Anna Magdalena : Menuet en sol, BWV 114
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-05-08)
conductor:
Eugene Ormandy (conductor) (on 1968-05-08)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1968-05-08)
recording of:
Menuet in G major, BWV Anh. 114 (catch-all for arrangements) (on 1968-05-08)
composer:
Christian Petzold
arranger:
Thomas Frost (classical music producer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Minuet in G major, BWV Anh. 114 (for keyboard)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach1:38
5Petite Suite, du Livre d'Anna Magdalena : Musette en ré, BWV 126
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-05-08)
conductor:
Eugene Ormandy (conductor) (on 1968-05-08)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1968-05-08)
recording of:
Musette in D major, BWV Anh. 126 (catch-all for arrangements) (on 1968-05-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Thomas Frost (classical music producer)
arrangement of:
Musette in D major, BWV Anh. 126
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach1:19
6Petite Suite, du Livre d'Anna Magdalena : « Bist du bei mir », BWV 508
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-05-08)
conductor:
Eugene Ormandy (conductor) (on 1968-05-08)
arranger:
Thomas Frost (classical music producer)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1968-05-08)
recording of:
Bist du bei mir, BWV 508 (previously attributed to Bach, catch-all for arrangements) (on 1968-05-08)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach3:43
7Petite Suite, du Livre d'Anna Magdalena : Marche en ré, BWV 122
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-05-08)
conductor:
Eugene Ormandy (conductor) (on 1968-05-08)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1968-05-08)
recording of:
Marche in D major, BWV Anh. 122, H. 1/1 (catch all for arrangements) (on 1968-05-08)
composer:
Carl Philipp Emanuel Bach (German classical composer)
arranger:
Thomas Frost (classical music producer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Marche in D major, BWV Anh. 122, H. 1/1
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach1:02
8Petite Suite no. 2 (arr. T. Frost) : Prélude, du clavier bien tempéré (Livre 1, no. 17, BWV 862)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 17 in A-flat major, BWV 862: Prelude (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 17 in A-flat major, BWV 862: Prelude
Johann Sebastian Bach1:24
9Petite Suite no. 2 (arr. T. Frost) : Gavotte, de la Suite anglaise no. 3, BWV 808
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
Englische Suite Nr. 3 g-Moll, BWV 808: V. Gavotte I (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Englische Suite Nr. 3 g-Moll, BWV 808: V. Gavotte I
Johann Sebastian Bach3:41
10Petite Suite no. 2 (arr. T. Frost) : Aria, de la Cantale no. 82 « Ich habe genung »
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland”
Johann Sebastian Bach4:50
11Petite Suite no. 2 (arr. T. Frost) : Gavotte, de la Suite française no. 5, BWV 816
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
Französische Suite Nr. 5 G-dur, BWV 816: IV. Gavotte (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Französische Suite Nr. 5 G-dur, BWV 816: IV. Gavotte
Johann Sebastian Bach1:21
12Petite Suite no. 2 (arr. T. Frost) : Gigue, de la Suite française no. 5, BWV 816
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
Französische Suite Nr. 5 G-dur, BWV 816: VII. Gigue (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Französische Suite Nr. 5 G-dur, BWV 816: VII. Gigue
Johann Sebastian Bach2:56
13Toccata et Fugue en ré mineur, BWV 565 (arr. Stokowski) : Toccata
assistant engineer:
Jen Wyler (American sound engineer) (from 1999-10-06 until 1999-10-07)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (from 1999-10-06 until 1999-10-07)
producer:
David Mottley (producer)
orchestra:
Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1999-10-06 until 1999-10-07)
recorded at:
Dorothy Chandler Pavilion (Los Angeles Music Center) in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07)
recording of:
Toccata and Fugue in D minor, BWV 565: Toccata (Stokowski orchestration) (from 1999-10-06 until 1999-10-07)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
part of:
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration)
Johann Sebastian Bach3:54
14Toccata et Fugue en ré mineur, BWV 565 (arr. Stokowski) : Fugue
assistant engineer:
Jen Wyler (American sound engineer) (from 1999-10-06 until 1999-10-07)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (from 1999-10-06 until 1999-10-07)
producer:
David Mottley (producer)
orchestra:
Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1999-10-06 until 1999-10-07)
recorded at:
Dorothy Chandler Pavilion (Los Angeles Music Center) in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07)
recording of:
Toccata and Fugue in D minor, BWV 565: Fugue (Stokowski orchestration) (from 1999-10-06 until 1999-10-07)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge
part of:
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration)
Johann Sebastian Bach6:11
15Suite pour orchestre no. 2 en si mineur, BWV 1067 : Badinerie
flute:
James Galway (flautist)
conductor:
James Galway (flautist)
performer:
Zagrebački solisti (Zagreb Soloists)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:25
16In Dulci Jubilo, BWV 751
organ:
E. Power Biggs (English organist/harpsichordist)
recording of:
Choral "In dulci jubilo" (wrongly attributed to Johann Sebastian Bach, as BWV 751)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Neumeister-Sammlung (Neumeister Collection) (number: 12), Emans-Verzeichnis (Emans catalogue) (number: Emans 113), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 751 / Anh. III 172‑>), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App C, S. 707) and Bach-Werke-Verzeichnis (number: BWV 751)
version of:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
recording of:
In dulci jubilo, BWV 729
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 729)
version of:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
Johann Sebastian Bach1:51
17"Jesus que ma joie demeure" (de la Cantale no. 147)
choir vocals:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
chorus master:
Richard P. Condie (conductor)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:16
18« Ein' feste Burg ist unser Gott », BWV 302
organ:
E. Power Biggs (English organist/harpsichordist)
recording of:
Choralsatz, BWV 302 "Ein' feste Burg ist unser Gott" (music same as BWV 247: XXXVIII."Das Wort sie sollen lassen stahn")
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 74) and Bach-Werke-Verzeichnis (number: BWV 302)
Johann Sebastian Bach1:31
19Passion selon Saint Matthieu, BWV 244 : « Erbarme dich »
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:44
20Cantate no. 156, « Ich steh mit einem Fuss im grabe » : Sinfonia
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) and Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
phonographic copyright (℗) by:
Hänssler Classic (from 1994 to present)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia (from 1973-03 until 1973-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
is based on:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach2:49
21Fugue en sol mineur, « Petite »
performer:
Canadian Brass
recording of:
Fugue in G minor, BWV 578 (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Fugue in G minor, BWV 578 ("Little")
Johann Sebastian Bach3:42
22Concerto Brandebourgoies no. 2 en fa majeur, BWV 1047 : III. Allegro assai
trumpet:
Mark Gould (American trumpeter)
orchestra:
Philharmonia Virtuosi of New York (associated with Richard Kapp)
conductor:
Richard Kapp (conductor) and Richard Knapp
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:48
23Concerto Italien, BWV 971 : Presto
piano:
Rudolf Serkin (pianist) (in 1950)
recorded at:
Prades Festival
live recording of:
Italienisches Konzert F-Dur, BWV 971: III. Presto (Italian Concerto in F major, BWV 971: III. Presto) (in 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach3:24
2▶CD: Bach : Trois chefs‐d’œuvre en intégralité
3▶CD: Mozart : Les meilleurs moments : Œuvres intégrales ou mouvements d’œuvres
4▶CD: Mozart : Un chef‐d’œuvre en intégralité
5▶CD: Beethoven : Les meilleurs moments : Œuvres intégrales ou mouvements d’œuvres
6▶CD: Beethoven : Deux chefs‐d’œuvre en intégralité
7▶CD: Chopin : Les meilleurs moments
8▶CD: Chopin : Deux chefs‐d’œuvre en intégralité
9▶CD: Verdi : Les meilleurs moments : Grands airs et chœurs / Un chef‐d’œuvre en intégralité
10▶CD: Verdi : Un chef‐d’œuvre en intégralité

Credits

Release

ASIN:FR: B0025UAFBM [info]

Release group

includes:1 heure 1 vie avec Verdi by Giuseppe Verdi (Italian opera composer)
part of:Je n’aime pas… (order: 6)