J’aime bien le classique, mais il faudra m’aider un peu… !

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Kind of non standard Digipak to hold 10 CDs (2 CDs per tray)

Annotation last modified on 2024-10-09 01:51 UTC.

Tracklist

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1▼CD: Bach : Les meilleurs moments : Œuvres intégrales ou mouvements d’œuvres
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1Partita no. 3 en mi majeur, BWV 1006 : Prélude
assistant engineer:
Mark Betts
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007)
producer:
Thomas Frost (classical music producer)
violin:
Hilary Hahn (violinist) (on 1996-12-23)
recorded at:
Troy Savings Bank Music Hall in Troy, New York, United States (on 1996-12-23)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio (on 1996-12-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach3:34
2Suite pour orchestre no. 3 en ré majeur, BWV 1068 : Air sur la corde de sol
orchestra:
Moscow Virtuosi
conductor:
Vladimir Spivakov (Russian violinist/conductor)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:44
3Cantate no. 140 : « Sleepers Awake »
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-03-11)
conductor:
Eugene Ormandy (conductor) (on 1968-03-11)
arranger:
Thomas Frost (classical music producer)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1968-03-11)
instrumental recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral “Zion hört die Wächter singen” (catch-all for arrangements) (on 1968-03-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
Johann Sebastian Bach4:01
4Petite Suite, du Livre d'Anna Magdalena : Menuet en sol, BWV 114
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-05-08)
conductor:
Eugene Ormandy (conductor) (on 1968-05-08)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1968-05-08)
recording of:
Menuet in G major, BWV Anh. 114 (catch-all for arrangements) (on 1968-05-08)
composer:
Christian Petzold
arranger:
Thomas Frost (classical music producer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Minuet in G major, BWV Anh. 114 (for keyboard)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach1:38
5Petite Suite, du Livre d'Anna Magdalena : Musette en ré, BWV 126
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-05-08)
conductor:
Eugene Ormandy (conductor) (on 1968-05-08)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1968-05-08)
recording of:
Musette in D major, BWV Anh. 126 (catch-all for arrangements) (on 1968-05-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Thomas Frost (classical music producer)
arrangement of:
Musette in D major, BWV Anh. 126
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach1:19
6Petite Suite, du Livre d'Anna Magdalena : « Bist du bei mir », BWV 508
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-05-08)
conductor:
Eugene Ormandy (conductor) (on 1968-05-08)
arranger:
Thomas Frost (classical music producer)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1968-05-08)
recording of:
Bist du bei mir, BWV 508 (previously attributed to Bach, catch-all for arrangements) (on 1968-05-08)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach3:43
7Petite Suite, du Livre d'Anna Magdalena : Marche en ré, BWV 122
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (on 1968-05-08)
conductor:
Eugene Ormandy (conductor) (on 1968-05-08)
recorded at:
Town Hall Theatre (former concert hall and recording venue located in Philadelphia, PA) in Philadelphia, Pennsylvania, United States (on 1968-05-08)
recording of:
Marche in D major, BWV Anh. 122, H. 1/1 (catch all for arrangements) (on 1968-05-08)
composer:
Carl Philipp Emanuel Bach (German classical composer)
arranger:
Thomas Frost (classical music producer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Marche in D major, BWV Anh. 122, H. 1/1
part of:
Notenbüchlein für Anna Magdalena Bach, Kleine Suite
Johann Sebastian Bach1:02
8Petite Suite no. 2 (arr. T. Frost) : Prélude, du clavier bien tempéré (Livre 1, no. 17, BWV 862)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 17 in A-flat major, BWV 862: Prelude (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 17 in A-flat major, BWV 862: Prelude
Johann Sebastian Bach1:24
9Petite Suite no. 2 (arr. T. Frost) : Gavotte, de la Suite anglaise no. 3, BWV 808
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
Englische Suite Nr. 3 g-Moll, BWV 808: V. Gavotte I (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Englische Suite Nr. 3 g-Moll, BWV 808: V. Gavotte I
Johann Sebastian Bach3:41
10Petite Suite no. 2 (arr. T. Frost) : Aria, de la Cantale no. 82 « Ich habe genung »
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland”
Johann Sebastian Bach4:50
11Petite Suite no. 2 (arr. T. Frost) : Gavotte, de la Suite française no. 5, BWV 816
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
Französische Suite Nr. 5 G-dur, BWV 816: IV. Gavotte (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Französische Suite Nr. 5 G-dur, BWV 816: IV. Gavotte
Johann Sebastian Bach1:21
12Petite Suite no. 2 (arr. T. Frost) : Gigue, de la Suite française no. 5, BWV 816
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
arranger:
Thomas Frost (classical music producer)
recording of:
Französische Suite Nr. 5 G-dur, BWV 816: VII. Gigue (catch all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Französische Suite Nr. 5 G-dur, BWV 816: VII. Gigue
Johann Sebastian Bach2:56
13Toccata et Fugue en ré mineur, BWV 565 (arr. Stokowski) : Toccata
assistant engineer:
Jen Wyler (American sound engineer) (from 1999-10-06 until 1999-10-07)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (from 1999-10-06 until 1999-10-07)
producer:
David Mottley (producer)
orchestra:
Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1999-10-06 until 1999-10-07)
recorded at:
Dorothy Chandler Pavilion (Los Angeles Music Center) in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07)
recording of:
Toccata and Fugue in D minor, BWV 565: Toccata (Stokowski orchestration) (from 1999-10-06 until 1999-10-07)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
part of:
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration)
Johann Sebastian Bach3:54
14Toccata et Fugue en ré mineur, BWV 565 (arr. Stokowski) : Fugue
assistant engineer:
Jen Wyler (American sound engineer) (from 1999-10-06 until 1999-10-07)
engineer:
Richard King (engineer with Sony Music Studios, NYC from 1992–2007) (from 1999-10-06 until 1999-10-07)
producer:
David Mottley (producer)
orchestra:
Los Angeles Philharmonic (from 1999-10-06 until 1999-10-07)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1999-10-06 until 1999-10-07)
recorded at:
Dorothy Chandler Pavilion (Los Angeles Music Center) in Los Angeles, California, United States (from 1999-10-06 until 1999-10-07)
recording of:
Toccata and Fugue in D minor, BWV 565: Fugue (Stokowski orchestration) (from 1999-10-06 until 1999-10-07)
orchestrator:
Leopold Stokowski (conductor)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge
part of:
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration)
Johann Sebastian Bach6:11
15Suite pour orchestre no. 2 en si mineur, BWV 1067 : Badinerie
flute:
James Galway (flautist)
conductor:
James Galway (flautist)
performer:
Zagrebački solisti (Zagreb Soloists)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:25
16In Dulci Jubilo, BWV 751
organ:
E. Power Biggs (English organist/harpsichordist)
recording of:
Choral "In dulci jubilo" (wrongly attributed to Johann Sebastian Bach, as BWV 751)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Neumeister-Sammlung (Neumeister Collection) (number: 12), Emans-Verzeichnis (Emans catalogue) (number: Emans 113), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 751 / Anh. III 172‑>), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App C, S. 707) and Bach-Werke-Verzeichnis (number: BWV 751)
version of:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
recording of:
In dulci jubilo, BWV 729
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 729)
version of:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
Johann Sebastian Bach1:51
17"Jesus que ma joie demeure" (de la Cantale no. 147)
choir vocals:
Mormon Tabernacle Choir (fka Mormon Tabernacle Choir)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
chorus master:
Richard P. Condie (conductor)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:16
18« Ein' feste Burg ist unser Gott », BWV 302
organ:
E. Power Biggs (English organist/harpsichordist)
recording of:
Choralsatz, BWV 302 "Ein' feste Burg ist unser Gott" (music same as BWV 247: XXXVIII."Das Wort sie sollen lassen stahn")
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 74) and Bach-Werke-Verzeichnis (number: BWV 302)
Johann Sebastian Bach1:31
19Passion selon Saint Matthieu, BWV 244 : « Erbarme dich »
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:44
20Cantate no. 156, « Ich steh mit einem Fuss im grabe » : Sinfonia
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) and Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
phonographic copyright (℗) by:
Hänssler Classic (from 1994 to present)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1973-03 until 1973-04)
recording of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia (from 1973-03 until 1973-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
is based on:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach2:49
21Fugue en sol mineur, « Petite »
performer:
Canadian Brass
recording of:
Fugue in G minor, BWV 578 (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Fugue in G minor, BWV 578 ("Little")
Johann Sebastian Bach3:42
22Concerto Brandebourgoies no. 2 en fa majeur, BWV 1047 : III. Allegro assai
trumpet:
Mark Gould (American trumpeter)
orchestra:
Philharmonia Virtuosi of New York (associated with Richard Kapp)
conductor:
Richard Kapp (conductor) and Richard Knapp
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:48
23Concerto Italien, BWV 971 : Presto
piano:
Rudolf Serkin (pianist) (in 1950)
recorded at:
Prades Festival
live recording of:
Italienisches Konzert F-Dur, BWV 971: III. Presto (Italian Concerto in F major, BWV 971: III. Presto) (in 1950)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach3:24
2▼CD: Bach : Trois chefs‐d’œuvre en intégralité
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1Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Magnificat (choeur)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:05
2Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Et exsultavit spiritus meus (soprano II)
producer:
Hans Joachim Daub (producer)
soprano vocals:
Ann Murray (Irish mezzo-soprano) (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:31
3Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Insertion A: « Vom Himmel hoch » (choeur)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat in D major, BWV 243: III. Choral Interpolation "Vom Himmel hoch" (from 1979-02 until 1979-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:37
4Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Qui respexit humilitatem (soprano I) - Omnes generationes (choeur)
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
compilation of:
Magnificat BWV 243 in D major, 3. Quia respexit humilitatem by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor) and Magnificat BWV 243 in D major, 4. Omnes generationes by Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:53
5Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Quia fecit mihi magna (basse I)
producer:
Hans Joachim Daub (producer)
bass vocals:
Philippe Huttenlocher (baritone) (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:11
6Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Insertion B : « Freut euch und jubilieret » (choeur) - Et misericordia (contralto, ténor)
alto vocals:
Helen Watts (contralto)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals:
Albert Krause
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat in D major, BWV 243: VII. Choral Interpolation "Freut euch und jubiliert"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach5:02
7Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Fecit potentiam (choeur)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:03
8Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Insertion C : « Gloria in excelsis Deo » (choeur) - Deposuit potentes (ténor)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals:
Albert Krause
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat in D major, BWV 243: X. Choral Interpolation "Gloria in excelsis Deo"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:15
9Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Esurientes implevit bonis (contralto)
producer:
Hans Joachim Daub (producer)
contralto vocals:
Helen Watts (contralto) (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:06
10Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Insertion D : « Virga jesse floruit » (soprano I, basse II) - Suscepit Israel (sopranos I & II, contralto)
alto vocals:
Helen Watts (contralto)
bass vocals:
Wolfgang Schöne (bass-baritone)
soprano vocals:
Arleen Augér (soprano) and Ann Murray (Irish mezzo-soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
recording of:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach4:59
11Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Sicut locutus est (choeur)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:04
12Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Gloria Patri (choeur)
producer:
Hans Joachim Daub (producer)
choir vocals:
Gächinger Kantorei Stuttgart (from 1979-02 until 1979-04)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1979-02 until 1979-04)
conductor:
Helmuth Rilling (conductor) (from 1979-02 until 1979-04)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1979-02 until 1979-04)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (from 1979-02 until 1979-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:16
13Concerto Brandebourgeois no. 2 et fa majeur, BWV 1047 : I. Allegro
recorded in:
Marlboro, Vermont, United States (on 1965-07-15)
producer:
Thomas Frost (classical music producer)
cello [cello continuo]:
Leslie Parnas (cellist) (on 1965-07-15)
flute:
Ørnulf Gulbransen (flautist) (on 1965-07-15)
harpsichord [harpsichord continuo]:
Peter Serkin (pianist) (on 1965-07-15)
oboe:
John Mack (oboist) (on 1965-07-15)
trumpet:
Robert Nagel (trumpet player) (on 1965-07-15)
violin:
Alexander Schneider (violinist and conductor) (on 1965-07-15)
orchestra:
Marlboro Festival Orchestra (on 1965-07-15)
conductor:
Pablo Casals (cellist, aka Pablo Casals) (on 1965-07-15)
recorded at:
Marlboro Music Festival in Marlboro, Vermont, United States (on 1965-07-15)
live recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (on 1965-07-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:16
14Concerto Brandebourgeois no. 2 et fa majeur, BWV 1047 : II. Andante
recorded in:
Marlboro, Vermont, United States (on 1965-07-15)
producer:
Thomas Frost (classical music producer)
cello [cello continuo]:
Leslie Parnas (cellist) (on 1965-07-15)
flute:
Ørnulf Gulbransen (flautist) (on 1965-07-15)
harpsichord [harpsichord continuo]:
Peter Serkin (pianist) (on 1965-07-15)
oboe:
John Mack (oboist) (on 1965-07-15)
trumpet:
Robert Nagel (trumpet player) (on 1965-07-15)
violin:
Alexander Schneider (violinist and conductor) (on 1965-07-15)
orchestra:
Marlboro Festival Orchestra (on 1965-07-15)
conductor:
Pablo Casals (cellist, aka Pablo Casals) (on 1965-07-15)
recorded at:
Marlboro Music Festival in Marlboro, Vermont, United States (on 1965-07-15)
live recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (on 1965-07-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:38
15Concerto Brandebourgeois no. 2 et fa majeur, BWV 1047 : III. Allegro assai
recorded in:
Marlboro, Vermont, United States (on 1965-07-15)
producer:
Thomas Frost (classical music producer)
cello [cello continuo]:
Leslie Parnas (cellist) (on 1965-07-15)
flute:
Ørnulf Gulbransen (flautist) (on 1965-07-15)
harpsichord [harpsichord continuo]:
Peter Serkin (pianist) (on 1965-07-15)
oboe:
John Mack (oboist) (on 1965-07-15)
trumpet:
Robert Nagel (trumpet player) (on 1965-07-15)
violin:
Alexander Schneider (violinist and conductor) (on 1965-07-15)
orchestra:
Marlboro Festival Orchestra (on 1965-07-15)
conductor:
Pablo Casals (cellist, aka Pablo Casals) (on 1965-07-15)
recorded at:
Marlboro Music Festival in Marlboro, Vermont, United States (on 1965-07-15)
live recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (on 1965-07-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:43
16Concerto Brandebourgeois no. 5 et ré majeur, BWV 1050 : I. Allegro
orchestra:
Marlboro Festival Orchestra
conductor:
Pau Casals (cellist, aka Pablo Casals)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach10:49
17Concerto Brandebourgeois no. 5 et ré majeur, BWV 1050 : II. Affetuoso
orchestra:
Marlboro Festival Orchestra
conductor:
Pau Casals (cellist, aka Pablo Casals)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:41
18Concerto Brandebourgeois no. 5 et ré majeur, BWV 1050 : III. Allegro assai
orchestra:
Marlboro Festival Orchestra
conductor:
Pau Casals (cellist, aka Pablo Casals)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:29
3▼CD: Mozart : Les meilleurs moments : Œuvres intégrales ou mouvements d’œuvres
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1Les Noces de Figaro, K. 492 : Ouverture
orchestra:
The Cleveland Orchestra (on 1957-10-25)
conductor:
George Szell (conductor, pianist, composer) (on 1957-10-25)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1957-10-25)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (on 1957-10-25)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:04
2Concerto pour piano et orchestre no. 21 en ut majeur, K. 467, « Elvira Madigan » : II. Andante
piano:
Alicia de Larrocha (pianist) (from 1991-02-09 until 1991-02-11)
orchestra:
English Chamber Orchestra (from 1991-02-09 until 1991-02-11)
conductor:
Sir Colin Davis (English conductor) (from 1991-02-09 until 1991-02-11)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1991-02-09 until 1991-02-11)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (from 1991-02-09 until 1991-02-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:42
3Sonate pour piano no. 15 en ut majeur, K. 545 : I. Allegro
piano:
Philippe Entremont (French pianist/conductor)
recording of:
Sonata for Piano no. 16 in C major, K. 545 “Sonata facile”: I. Allegro (Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 1. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
part of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
Wolfgang Amadeus Mozart2:23
4Symphonie no. 40 en sol mineur, K. 550 : I. Molto Allegro
orchestra:
Chicago Symphony Orchestra (on 1981-07-13)
conductor:
James Levine (US conductor and pianist) (on 1981-07-13)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:21
5Sonate pour piano en la majeur, K. 331 : Marche Turque (arrangement pour cuivres)
brass:
Canadian Brass
recording of:
Sonata no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
Wolfgang Amadeus Mozart2:29
6Sérénade en sol majeur, K. 525, « Une petite Musique de nuit » : I. Allegro
orchestra:
Boston Symphony Orchestra
conductor:
Erich Leinsdorf (conductor)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:53
7Requiem, K. 626 : Dies Irae
conductor:
Bruno Weil (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart1:59
8Symphonie concertante en mi bémol majeur, K. 364 : III. Presto
viola:
Shlomo Mintz (violinist, violist and conductor)
violin:
Vladimir Spivakov (Russian violinist/conductor)
orchestra:
Moscow Virtuosi
conductor:
Vladimir Spivakov (Russian violinist/conductor)
recording of:
Cadenza for Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: III. Presto (Joachim)
composer:
Joseph Joachim (Hungarian violinist and composer)
is based on:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: III. Presto
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: III. Presto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
Wolfgang Amadeus Mozart6:12
9Don Giovanni, K. 527 : « Là ci darem la mano »
baritone vocals [Don Giovanni]:
Ruggero Raimondi (bass-baritone) (from 1978-06 until 1978-07)
soprano vocals [Zerlina]:
Teresa Berganza (mezzo-soprano)
orchestra:
Orchestra of the Paris Opéra (from 1978-06 until 1978-07)
conductor:
Lorin Maazel (conductor) (from 1978-06 until 1978-07)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (from 1978-06 until 1978-07)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1978-06 until 1978-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:17
10Concerto pour Cor no. 4 en mi bémol majeur, K. 495 : III. Rondo. Allegro vivace
French horn:
Mason Jones (French horn player)
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
Wolfgang Amadeus Mozart3:36
11La Flûte Enchantée, K. 620 : "Der Hölle Rache" - Air de la Reine de la Nuit
soprano vocals:
Zdislawa Donat (soprano) (from 1980-09-01 until 1980-09-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1980-09-01 until 1980-09-04)
conductor:
James Levine (US conductor and pianist) (from 1980-09-01 until 1980-09-04)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (from 1980-09-01 until 1980-09-04)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1980-09-01 until 1980-09-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:57
12Danse Allemande no. 3 en ut majeur, K. 605
engineer:
James Nichols
producer:
Nathaniel S. Johnson and John Pfeiffer (producer and engineer)
orchestra:
The Boston ‘Pops’ Orchestra (from 1959-05-15 until 1959-05-16)
conductor:
Arthur Fiedler (conductor) (from 1959-05-15 until 1959-05-16)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1959)
recording of:
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda (from 1959-05-15 until 1959-05-16)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
3 German Dances for Orchestra, K. 605
Wolfgang Amadeus Mozart2:45
13Les Noces de Figaro, K. 492 : « Non piu Andrai »
conductor:
Sir Colin Davis (English conductor)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:56
14La Flûte Enchantée, K. 620 : Marche des Prêtres
orchestra:
London Symphony Orchestra
conductor:
Erich Leinsdorf (conductor)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:11
15Sérénade en ré majeur, K. 320, « Posthorn » : VI. Menuetto ; Trio I ; Trio II
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Serenade no. 9 in D major, K. 320 "Posthorn": VI. Menuetto - Trio I/II
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1779 until 1779-08-03)
part of:
Serenade no. 9 in D major, K. 320 "Posthorn"
Wolfgang Amadeus Mozart4:58
16Divertimento en ré majeur, K. 251 : I. Allegro molto
orchestra:
Collegium Aureum
recording of:
Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": I. Allegro molto
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet"
Wolfgang Amadeus Mozart4:47
4▼CD: Mozart : Un chef‐d’œuvre en intégralité
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1Requiem, K. 626 : I. Introitus - requiem
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart5:58
2Requiem, K. 626 : II. Kyrie
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart52:52
3Requiem, K. 626 : III. Sequenz : Dies Irae
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart52:00
4Requiem, K. 626 : III. Sequenz : Tuba Mirum
bass vocals:
Siegmund Nimsgern (bass-baritone)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Siegfried Jerusalem (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:20
5Requiem, K. 626 : III. Sequenz : Rex Tremendae
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart2:12
6Requiem, K. 626 : III. Sequenz : Recordare
bass vocals:
Siegmund Nimsgern (bass-baritone)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Siegfried Jerusalem (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart6:07
7Requiem, K. 626 : III. Sequenz : Confutatis
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:18
8Requiem, K. 626 : III. Sequenz : Lacrimosa
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart53:33
9Requiem, K. 626 : IV. Offertorium : Domine
bass vocals:
Siegmund Nimsgern (bass-baritone)
choir vocals:
Gächinger Kantorei Stuttgart
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Siegfried Jerusalem (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:39
10Requiem, K. 626 : IV. Offertorium : Jesu Hostias
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: IV. Offertorium: b. Versus: Hostias et preces (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:41
11Requiem, K. 626 : V. Sanctus
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: V. Sanctus: a. Sanctus Dominus Deus Sabaoth (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart1:34
12Requiem, K. 626 : VI. Benedictus
bass vocals:
Siegmund Nimsgern (bass-baritone)
choir vocals:
Gächinger Kantorei Stuttgart
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto)
soprano vocals:
Arleen Augér (soprano)
tenor vocals:
Siegfried Jerusalem (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: V. Sanctus: b. Benedictus (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart4:59
13Requiem, K. 626 : VII. Agnus Dei
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: VI. Agnus Dei (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart3:32
14Requiem, K. 626 : VIII. Communio - Lux Aeterna
choir vocals:
Gächinger Kantorei Stuttgart
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recording of:
Requiem in D minor, K. 626: VII. Communio: Lux aeterna (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart6:06
5▼CD: Beethoven : Les meilleurs moments : Œuvres intégrales ou mouvements d’œuvres
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1Symphonie no. 5 en ut mineur, op. 67 : I. Allegro con brio
orchestra:
Boston Symphony Orchestra
conductor:
Charles Munch (conductor and violinist)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven6:05
2Lettre à Élise (Bagatelle WoO. 59)
piano:
André Watts (pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven3:04
3Concerto pour piano et orchestre no. 5 en mi bémolmajeur, op. 73, « L'Empereur » : III. Rondo : Allegro
piano:
Emanuel Ax (pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven10:37
4Sonate pour piano no. 14 en ut dièse mineur, op. 27 no. 2, « Clair de lune » : I. Adagio sostenuto
piano:
Rudolf Serkin (pianist)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:35
5Leonore, Ouverture no. 3, op. 72A
engineer:
John Guerriere (recording engineer and supervisor at Columbia Records) and Fred Plaut
producer:
Richard Killough (producer) and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1960-10-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1960-10-24)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-10-24)
recording of:
Overture “Leonore” no. 3 in C major, op. 72b (on 1960-10-24)
composer:
Ludwig van Beethoven (German composer) (from 1805 until 1806)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 72b)
revision of:
Fidelio/Leonore Overture op. 72/72a/72b/72c/138 (catch-all for unknown version)
Ludwig van Beethoven13:15
6Quatuor à cordes no. 13 en si bémol majeur, op. 130 : V. Cavatina : Adagio molto espressivo
string quartet:
Guarneri Quartet
recording of:
String Quartet no. 13 in B‐flat major, op. 130: V. Cavatina. Adagio molto espressivo
composer:
Ludwig van Beethoven (German composer) (from 1825 until 1826)
part of:
String Quartet no. 13 in B‐flat major, op. 130
Ludwig van Beethoven7:24
7Symphonie no. 9 en ré mineur, op. 125 : IV. Finale : Choeur sur « Ode à la joie » de Schiller
orchestra:
The Cleveland Orchestra
conductor:
George Szell (conductor, pianist, composer)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven24:02
6▼CD: Beethoven : Deux chefs‐d’œuvre en intégralité
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1Symphonie no. 5 en ut mineur, op. 67 : I. Allegro
orchestra:
The Cleveland Orchestra (on 1963-10-11, on 1963-10-25)
conductor:
George Szell (conductor, pianist, composer) (on 1963-10-11, on 1963-10-25)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1963-10-11, on 1965-10-25)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (on 1963-10-11)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (on 1963-10-25)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:36
2Symphonie no. 5 en ut mineur, op. 67 : II. Andante con brio
orchestra:
The Cleveland Orchestra (on 1963-10-11, on 1963-10-25)
conductor:
George Szell (conductor, pianist, composer) (on 1963-10-11, on 1963-10-25)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1963-10-11, on 1963-10-25)
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto (on 1963-10-11)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
recording of:
Symphony no. 5 in C minor, op. 67: II. Andante con moto (on 1963-10-25)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven10:04
3Symphonie no. 5 en ut mineur, op. 67 : III. Allegro - Attaca
orchestra:
The Cleveland Orchestra (on 1963-10-11, on 1963-10-25)
conductor:
George Szell (conductor, pianist, composer) (on 1963-10-11, on 1963-10-25)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1963-10-11, on 1963-10-25)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (on 1963-10-11)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (on 1963-10-25)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven5:31
4Symphonie no. 5 en ut mineur, op. 67 : IV. Allegro
orchestra:
The Cleveland Orchestra (on 1963-10-11, on 1963-10-25)
conductor:
George Szell (conductor, pianist, composer) (on 1963-10-11, on 1963-10-25)
recorded at:
Severance Hall in Cleveland, Ohio, United States (on 1963-10-11, on 1963-10-25)
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (on 1963-10-11)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro (on 1963-10-25)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven8:33
5Concerto pour piano et orchestre no. 5 en mi bémol majeur, op. 73, « L'Empereur » : I. Allegro
piano:
Rudolf Serkin (pianist) (on 1962-05-01)
orchestra:
New York Philharmonic (on 1962-05-01)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-01)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro (on 1962-05-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven19:36
6Concerto pour piano et orchestre no. 5 en mi bémol majeur, op. 73, « L'Empereur » : II. Adagio
piano:
Rudolf Serkin (pianist) (on 1962-05-01)
orchestra:
New York Philharmonic (on 1962-05-01)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-01)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (on 1962-05-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven8:47
7Concerto pour piano et orchestre no. 5 en mi bémol majeur, op. 73, « L'Empereur » : III. Rondo. Allegro
piano:
Rudolf Serkin (pianist) (on 1962-05-01)
orchestra:
New York Philharmonic (on 1962-05-01)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1962-05-01)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1962-05-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro (on 1962-05-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven9:58
7▼CD: Chopin : Les meilleurs moments
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1Polonaise en la bémol majeur, op. 53 : « Héroïque »
piano:
Philippe Entremont (French pianist/conductor)
recording of:
Polonaise in A‐flat major, op. 53 “Heroique”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1842)
dedicated to:
Auguste Léo
part of:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 6), Classic 100: Piano (2004) (number: 16) and Works of Fryderyk Chopin by opus number (number: op. 53)
Fryderyk Chopin7:06
2Valse en ré bémol majeur, op. 64 no. 1 : « Minute »
piano:
Олександр Браіловський (Alexander Brailowsky)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Fryderyk Chopin1:53
3Valse en ut dièse mineur, op. 64 no. 2
piano:
Олександр Браіловський (Alexander Brailowsky)
recording of:
Waltz no. 7 in C‐sharp minor, op. 64 no. 2
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Waltzes, op. 64
Fryderyk Chopin3:20
4Étude en mi majeur, op. 10 no. 3 : « Tristesse »
piano:
John Browning (American pianist)
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1832)
part of:
Études, op. 10
Fryderyk Chopin4:16
5Étude en ut mineur, op. 10 no. 12 : « Révolutionnaire »
piano:
John Browning (American pianist)
recording of:
Étude in C minor, op. 10 no. 12 “Revolutionary”: Allegro con fuoco
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1831)
part of:
Études, op. 10
Fryderyk Chopin2:28
6Étude en la bémol majeur, op. 28 no. 1
piano:
John Browning (American pianist)
recording of:
Étude in A‐flat major, op. 25 no. 1 “Aeolian Harp”: Allegro sostenuto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
Études, op. 25
Fryderyk Chopin2:35
7Prélude en mi mineur, op. 28 no. 4 : Largo
piano:
Rudolf Serkin (pianist)
recording of:
Prélude no. 4 in E minor, op. 28: Largo
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin2:24
8Prélude en la majeur, op. 28 no. 7 : Andantino
piano:
Rudolf Serkin (pianist)
recording of:
Prélude no. 7 in A major, op. 28: Andantino
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin0:48
9Prélude en ut mineur, op. 28 no. 20 : Largo
piano:
Rudolf Serkin (pianist)
recording of:
Prélude no. 20 in C minor, op. 28: Largo
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin1:42
10Fantaisie-Impromptu, op. 66
piano:
Philippe Entremont (French pianist/conductor)
recording of:
Fantaisie‐impromptu in C‐sharp minor, op. 66
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1834)
part of:
Classic 100: Piano (2004) (number: 13) and Works of Fryderyk Chopin by opus number (number: op. 66)
Fryderyk Chopin5:02
11Sonate no.2 en si bémol mineur, op. 35 : III. Marche funèbre
piano:
Emanuel Ax (pianist)
recording of:
Sonata for Piano no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
part of:
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Fryderyk Chopin8:43
12Nocturne en si majeur, op. 62 no. 1
piano:
Emanuel Ax (pianist)
recording of:
Nocturne no. 17 in B major, op. 62 no. 1: Andante
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Nocturnes, op. 62
Fryderyk Chopin7:10
13Ballade no. 4 en fa mineur, op. 52
piano:
Emanuel Ax (pianist)
recording of:
Ballade no. 4 in F minor, op. 52
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1842)
part of:
Works of Fryderyk Chopin by opus number (number: op. 52)
part of:
Ballades (Chopin’s Four Ballades)
Fryderyk Chopin11:47
14Mazurka en la mineur, op. 17 no. 4
piano:
傅聰 (Fou Ts’ong, pianist)
recording of:
Mazurka no. 13 in A minor, op. 17 no. 4
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 17
Fryderyk Chopin4:07
15Andante spianato et Grande Polonaise brillante, op. 22
piano:
Emanuel Ax (pianist)
recording of:
Andante spianato et Grande polonaise brillante in E‐flat major, op. 22: I. Andante spianato
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1834)
part of:
Andante spianato et Grande polonaise brillante in E‐flat major, op. 22
Fryderyk Chopin13:37
8▶CD: Chopin : Deux chefs‐d’œuvre en intégralité
9▶CD: Verdi : Les meilleurs moments : Grands airs et chœurs / Un chef‐d’œuvre en intégralité
10▶CD: Verdi : Un chef‐d’œuvre en intégralité

Credits

Release

ASIN:FR: B0025UAFBM [info]

Release group

includes:1 heure 1 vie avec Verdi by Giuseppe Verdi (Italian opera composer)
part of:Je n’aime pas… (order: 6)