100 Hits Rock ’n’ Roll

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Daten-CD
Nr.TitelKünstlerBewertungLänge
1Rock Around the Clock
E-Gitarre:
Danny Cedrone (am 1954-04-12)
Gitarre:
Bill Haley (am 1954-04-12)
Klavier:
Johnny Grande (am 1954-04-12)
Kontrabass:
Marshall Lytle (am 1954-04-12)
Schlagzeug:
Billy Gussak (am 1954-04-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-04-12)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-04-12)
vocals:
Bill Haley (am 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (am 1954-04-12)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets42:10
2Jailhouse Rock
recording of:
Jailhouse Rock
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC und Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley2:28
3Great Balls of Fire
recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (publisher as Warner/Chappell Music)
Jerry Lee Lewis41:48
4Be‐Bop‐a‐Lula
Gitarre [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (am 1956-05-04)
Gitarre [rhythm guitar]:
Willie Williams (50s rock guitarist) (am 1956-05-04)
Kontrabass [upright bass]:
Jack Neal (am 1956-05-04)
Schlagzeug [drums]:
Dickie Harrell (am 1956-05-04)
vocals:
Gene Vincent (am 1956-05-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (vom 1956 bis heute)
aufgenommen bei:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-05-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 9) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 102)
recording of:
Be‐Bop‐a‐Lula (am 1956-05-04)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:37
5Let’s Twist Again
vocals:
Chubby Checker (in 1961-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 40)
recording of:
Let’s Twist Again (in 1961-06)
Texter:
Kal Mann
Komponist(in):
Dave Appell
publisher:
Kalmann Music Inc., Warner/Chappell Music Australia Pty. Ltd. und Belinda (Scandinavia) AB (in 1974)
Chubby Checker4.652:21
6My Mustang Ford
Techniker(in):
Ron Malo
Produzent(in):
Chuck Berry, Leonard & Phil Chess (legendary US production duo) und Willie Dixon
Bassgitarre:
Bryce Roberson (am 1965-09-01)
Gitarre und Sologesang:
Chuck Berry (am 1965-09-01)
Klavier:
Sonny Thompson (US R&B bandleader and pianist) (am 1965-09-01)
Schlagzeug:
Walter Ben Ruffin (drummer) (am 1965-09-01)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (am 1965-09-01)
recording of:
My Mustang Ford (am 1965-09-01)
Texter und Komponist(in):
Chuck Berry
publisher:
Isalee Music
Chuck Berry42:17
7I Saw Her Standing There
assistierende(r) Techniker(in):
Richard Langham (am 1963-02-11) und A. B. Lincoln (am 1963-02-25)
Techniker(in):
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (am 1963-02-11, am 1963-02-25)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (am 1963-02-11, am 1963-02-25)
E-Bass und Sologesang:
Paul McCartney (The Beatles) (am 1963-02-11)
E-Gitarre [lead guitar]:
George Harrison (The Beatles) (am 1963-02-11)
E-Gitarre [rhythm guitar] und Hintergrundgesang [harmony vocals]:
John Lennon (The Beatles) (am 1963-02-11)
Händeklatschen:
George Harrison (The Beatles) (am 1963-02-11), John Lennon (The Beatles) (am 1963-02-11), Paul McCartney (The Beatles) (am 1963-02-11) und Ringo Starr (The Beatles) (am 1963-02-11)
Schlagzeug:
Ringo Starr (The Beatles) (am 1963-02-11)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1963-02-11)
mixed at und edited at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1963-02-25)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 139)
recording of:
I Saw Her Standing There (am 1963-02-11)
Verfasser(in):
John Lennon (The Beatles) (in 1963-02) und Paul McCartney (The Beatles) (in 1963-02)
publisher:
George Pincus & Sons Music Corp., Leeds Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (2002–today), Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) und Gil Music Corporation (in 1963)
The Beatles3.552:55
8Berry Rides Again
Produzent(in):
Gabriel Mekler
recording of:
Berry Rides Again
Texter und Komponist(in):
John Kay (lead singer of Steppenwolf)
publisher:
ABC/Dunhill Music, Inc.
sub-publisher:
Universal Music Publishing France (not for release label use!)
Steppenwolf32:48
9Trying to Get to You
Produzent(in):
Ian Gillan, John McCoy (UK rock bassist for Gillan, Mammoth, Neo, McCoy) und Paul Watkins (engineer)
Mix:
John McCoy (UK rock bassist for Gillan, Mammoth, Neo, McCoy) und Paul Watkins (engineer)
Bass:
John McCoy (UK rock bassist for Gillan, Mammoth, Neo, McCoy)
flute und Keyboard:
Colin Towns
Gitarre:
Bernie Tormé
Schlagzeug:
Mick Underwood
vocals:
Ian Gillan
arranger:
Ian Gillan
aufgenommen bei:
Kingsway Recorders in London (Greater London), England, Vereinigtes Königreich
cover recording of:
Trying to Get to You
Verfasser(in):
Rose Marie McCoy und Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific und You Look Good Music Publishing
Gillan3:17
10I’m Gonna Be a Wheel Someday
recording engineer:
Peter Henderson (English sound engineer) (am 1987-07-20)
Produzent(in):
Paul McCartney (The Beatles)
Bass und Sologesang:
Paul McCartney (The Beatles) (am 1987-07-20)
Gitarre:
Mick Green (English guitarist) (am 1987-07-20)
Klavier:
Mick Gallagher (UK hammond organ player) (am 1987-07-20)
Schlagzeug:
Chris Whitten (am 1987-07-20)
aufgenommen bei:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, Vereinigtes Königreich (am 1987-07-20)
mixed at:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, Vereinigtes Königreich (am 1987-07-22)
cover recording of:
I'm Gonna Be a Wheel Some Day (am 1987-07-20)
Verfasser(in):
Antoine Dominique Domino (Fats Domino), Dave Bartholomew und Roy Hayes
Paul McCartney4:11
11Rip It Up
cover recording of:
Rip It Up (am 1956-09-03)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC und Venice Music
Elvis Presley1:55
12Hey Good Lookin’
cover recording of:
Hey, Good Lookin’
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Acuff-Rose Publications, Inc. (BMI) (am 1951-03-16)
Gene Vincent2:32
13Sugar Babe
Jimmy Powell2:21
14Whole Lotta Shakin’ Going On
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records) (in 1957)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) und Charly Records (vom 2008 bis heute)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1957-02-05)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 1) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (am 1957-02-05)
Verfasser(in):
Roy Hall (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Roy Hall (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:54
15Roll Over Beethoven
Techniker(in):
Denny Bridges und John Middleton (engineer)
Produzent(in):
Jeff Lynne
Bass:
Michael d’Albuquerque (am 1972-09-08)
Cello:
Mike Edwards (English Cellist that was a member of ELO) (am 1972-09-08) und Colin Walker (English Cellist that was a member of ELO) (am 1972-09-08)
Geige / Violine:
Wilfred Gibson (UK violinist) (am 1972-09-08)
Gitarre, Harmonium und Moog:
Jeff Lynne (am 1972-09-08) und Richard Tandy (keyboardist for Electric Light Orchestra) (am 1972-09-08)
Klavier:
Richard Tandy (keyboardist for Electric Light Orchestra) (am 1972-09-08)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (am 1972-09-08)
Hintergrundgesang:
Michael d’Albuquerque (am 1972-09-08) und Richard Tandy (keyboardist for Electric Light Orchestra) (am 1972-09-08)
Sologesang:
Jeff Lynne (am 1972-09-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972, in 2011), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (am 1972-09-08)
cover recording of:
Roll Over Beethoven (am 1972-09-08)
Texter und Komponist(in):
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. und Rock ’n’ Roll Music
Electric Light Orchestra4.354:32
16Shake Your Moneymaker
cover recording of:
Shake Your Moneymaker
Texter und Komponist(in):
Elmore James
publisher:
EMI Longitude Music
Fleetwood Mac42:57
17Scuttle Buttin’
assistierende(r) Techniker(in):
Rob Eaton
Techniker(in):
Richard Mullen
leitende(r) Produzent(in):
John Hammond (producer)
Produzent(in):
Jim Capfer, Chris Layton, Richard Mullen, Tommy Shannon und Stevie Ray Vaughan
Bassgitarre:
Tommy Shannon
Gitarre:
Stevie Ray Vaughan
Schlagzeug:
Chris Layton
aufgenommen bei:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Scuttle Buttin' (am 1984-01-18)
Komponist(in):
Stevie Ray Vaughan
Stevie Ray Vaughan and Double Trouble41:55
18Tutti Frutti
cover recording of:
Tutti Frutti
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
Elvis Presley1:56
19Cruisin’
recording of:
Cruisin'
Verfasser(in):
Bill Davis und Gene Vincent
Gene Vincent2:15
20Down the Line
recording of:
Down the Line
Verfasser(in):
Roy Orbison
Jerry Lee Lewis1:55
21My Baby Left Me
Produzent(in):
John Fogerty
E-Gitarre:
Tom Fogerty
arranger:
John Fogerty
cover recording of:
My Baby Left Me (in 1969)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. und Williamson Music Company
Creedence Clearwater Revival3.52:18
22Show Business
Produzent(in):
Vanda & Young (songwriting & producing duo)
phonographisches Urheberrecht (℗) von:
J. Albert & Son Pty. Ltd. (in 1975, in 1984, in 1994)
aufgenommen bei:
Albert Studios (Australian studio, original King Street location, until 1985) in Sydney, New South Wales, Australien
recording of:
Show Business
Verfasser(in):
Bon Scott (AC/DC member), Angus Young (member of AC/DC) und Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. und J. Albert & Son Pty. Ltd.
AC/DC3.74:46
23L.A. Girls
Nazareth3:46
24Don’t Be Cruel
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-07-02)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-07-02) und Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-07-02)
Schlagzeug:
D.J. Fontana (am 1956-07-02)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (am 1956-07-02)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-07-02)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 11) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 197)
recording of:
Don’t Be Cruel (am 1956-07-02)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. und Williamson Music Company
Elvis Presley3.82:03
25Long Tall Sally
assistierende(r) Techniker(in):
Richard Langham (am 1964-03-01) und Geoff Emerick (British recording engineer) (am 1964-06-22)
Techniker(in):
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (am 1964-03-01, am 1964-06-22)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (am 1964-03-01, am 1964-06-22)
E-Bass und Sologesang:
Paul McCartney (The Beatles) (am 1964-03-01)
E-Gitarre [lead guitar]:
George Harrison (The Beatles) (am 1964-03-01)
E-Gitarre [rhythm guitar]:
John Lennon (The Beatles) (am 1964-03-01)
Pianino:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (am 1964-03-01)
Schlagzeug:
Ringo Starr (The Beatles) (am 1964-03-01)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1964-03-01)
mixed at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1964-06-22)
cover recording of:
Long Tall Sally (am 1964-03-01)
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
recording of:
Long Tall Sally
Verfasser(in):
Enotris Johnson (am 1955-11-29), Richard Wayne Penniman (am 1955-11-29) und Robert Alexander Blackwell (am 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music und Venice Music
The Beatles3.352:03
26Tulane
Techniker(in):
Malcolm Chisholm
Bass:
Phil Upchurch (am 1969-11-21)
Gitarre und Sologesang:
Chuck Berry (am 1969-11-21)
Klavier:
Lafayette Leake (am 1969-11-21)
Mundharmonika:
Bob Baldori (am 1969-11-21)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (am 1969-11-21)
recording of:
Tulane (am 1969-11-21)
Komponist(in):
Chuck Berry
publisher:
Carlin Music Corp., Esalle Music Publ. und Isalee Music
Chuck Berry32:37
27Working Up a Sweat
recording engineer:
Jack Douglas
Techniker(in):
Jack Douglas und Phil Ramone
Produzent(in):
Jack Douglas und Jack Richardson
Bassgitarre:
Dennis Dunaway (original bass player for Alice Cooper)
Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Schlagzeug:
Neal Smith (former Alice Cooper drummer)
Hintergrundgesang:
The Pointer Sisters
Sologesang:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, The Cooper Mansion in Greenwich, Connecticut, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Working Up a Sweat
Verfasser(in):
Michael Bruce (of Alice Cooper) und Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label), EMI Blackwood Music Inc., Ezra Music, Ezra Music Corp., Sony/ATV Songs LLC, Third Palm Music, フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper43:44
28Waitin’ on You
Sound-Engineering:
Eric Bakker
Produzent(in):
Jaap Eggermont
aufgenommen bei:
G.T.B. Studio in Den Haag (The Hague), Zuid-Holland (Provinz Südholland), Niederlande, Kingdom of the Netherlands (von 1969-07-21 bis 1969-07-23)
cover recording of:
Waitin' on You
Verfasser(in):
B.B. King und Fats Washington
publisher:
LZMC und Pamco Music Inc.
Livin’ Blues2:47
29Blue Suede Shoes
assistierende(r) Techniker(in):
Dror Mohar
Mix:
Ray Bardani
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-01-30) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-30)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30)
Schlagzeug:
D.J. Fontana (am 1956-01-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-30)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 423)
cover recording of:
Blue Suede Shoes (am 1956-01-30)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Elvis Presley4.451:59
30I Got a Baby
Gene Vincent2:24
31Choo Choo Mama
recording of:
Choo Choo Mama
Texter und Komponist(in):
Alvin Lee
Ten Years After4:01
32Hi Fi Mama
Techniker(in):
Bob Ludwig (mastering engineer) und Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
alto saxophone und Schlagzeug:
Frank Beard (ZZ Top drummer)
baritone saxophone und Gitarre:
Billy Gibbons
Bassgitarre, Tenorsaxophon und Sologesang:
Dusty Hill
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Hi Fi Mama
Verfasser(in):
Frank Lee Beard (ZZ Top drummer), Billy Gibbons und Joe Michael Hill
publisher:
Music of Stage Three
ZZ Top32:25
33In the Mood
Bassgitarre und Sologesang:
Geddy Lee (am 1974-08-26)
Gitarre:
Alex Lifeson (am 1974-08-26)
Schlagzeug:
Neil Peart (am 1974-08-26)
vocals:
Alex Lifeson (am 1974-08-26)
aufgenommen bei:
Rush at Agora Ballroom (1974-08-26)
aufgenommen bei:
Agora Ballroom (2nd location, 1967–1984) in Cleveland, Ohio, Vereinigte Staaten (am 1974-08-26)
recording of:
In the Mood (am 1974-08-26)
Texter und Komponist(in):
Geddy Lee
Rush3:36
34Just Because
Jerry Lee Lewis2:00
35The House Is Rockin’
assistierende(r) Techniker(in):
Bob Lacivita, Jim Champagne, Ryan Dorn, Danny Jones (engineer) und Evan Rush (engineer)
Techniker(in):
Jim Gaines und Richard Mullen
zusätzliche(r) Techniker(in):
Richard McKernen
Produzent(in):
Jim Gaines und Stevie Ray Vaughan and Double Trouble
Mix:
Jim Gaines und Dave McNair (producer, engineer, musician)
Bassgitarre:
Tommy Shannon (am 1989-02-10)
Gitarre:
Stevie Ray Vaughan (am 1989-02-10)
Keyboard:
Reese Wynans (American keyboardist) (am 1989-02-10)
Perkussion und Schlagzeug:
Chris Layton (am 1989-02-10)
vocals:
Stevie Ray Vaughan (am 1989-02-10)
mixed at:
Kiva Studios in Memphis, Tennessee, Vereinigte Staaten, Sound Castle Recording Studios (former LA location) in Silver Lake, Los Angeles, California (Kalifornien), Vereinigte Staaten und Summa Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The House Is Rockin’ (am 1989-02-10)
Verfasser(in):
Doyle Bramhall und Stevie Ray Vaughan
publisher:
Hello Mr. Wilson, Stevie Ray Songs und Two Thirty Music
Stevie Ray Vaughan and Double Trouble42:24
36Hound Dog
cover recording of:
Hound Dog
Texter:
Jerry Leiber (am 1952-08-12)
Komponist(in):
Mike Stoller (am 1952-08-12)
vorher zugeschrieben zu:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company und Williamson Music, Inc.
Elvis Presley2:17
37Roll Engine Roll
recording of:
Roll Engine Roll
Texter und Komponist(in):
Robbie van Leeuwen
Shocking Blue33:15
38Under My Wheels
Assistent recording engineer:
Joe Lopes (engineer)
recording engineer und Techniker(in):
Brian Christian
leitende(r) Produzent(in):
Jack Richardson
Produzent(in):
Bob Ezrin
Bassgitarre:
Dennis Dunaway (original bass player for Alice Cooper)
Gitarre:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist) und Rick Derringer
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Schlagzeug:
Neal Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
Horn arranger und Saiteninstrumente [string] arranger:
Bob Ezrin
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
produced for:
Alive Enterprises und Nimbus 9 Productions, Ltd.
aufgenommen bei:
RCA Studios (Chicago, 1969-1972) in Chicago, Illinois, Vereinigte Staaten
recording of:
Under My Wheels
Verfasser(in):
Michael Bruce (of Alice Cooper), Dennis Dunaway (original bass player for Alice Cooper) und Bob Ezrin
publisher:
All by Myself Publishing Company, Almo Music Corp. (USA, affiliated with ASCAP), Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Boosey & Hawkes (publisher; do NOT use as release label), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Alice Cooper4.152:51
39Hold On to Your Hat
recording engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
The Glimmer Twins (production name for Mick Jagger & Keith Richards) und Chris Kimsey
Mix:
Michael Brauer (engineer)
Sologesang:
Mick Jagger
phonographisches Urheberrecht (℗) von:
Promotone B.V. (not for release label use!) (in 2012)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Hold on to Your Hat
Verfasser(in):
Mick Jagger und Keith Richards (Rolling Stones guitarist)
The Rolling Stones33:32
40Beating Around the Bush
recording engineer:
Mark Dearnley
assistierende(r) Techniker(in):
Kevin Dallimore (engineering)
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Tony Platt (UK engineer and producer)
Bassgitarre:
Cliff Williams
Gitarre:
Angus Young (member of AC/DC) und Malcolm Young (guitar player for AC/DC)
Schlagzeug:
Phil Rudd
vocals:
Bon Scott (AC/DC member)
phonographisches Urheberrecht (℗) von:
J. Albert & Son Pty. Ltd. (in 1979)
aufgenommen bei:
Roundhouse Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Beating Around the Bush
Verfasser(in):
Bon Scott (AC/DC member), Angus Young (member of AC/DC) und Malcolm Young (guitar player for AC/DC)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son (USA) Inc. und J. Albert & Son Pty. Ltd.
basiert auf:
Back Seat Confidential
AC/DC3.153:55
41Teenage Nervous Breakdown
cover recording of:
Teenage Nervous Breakdown
Texter und Komponist(in):
Lowell George
publisher:
Naked Snake Music
Nazareth3:41
42Baby Won’t You Let Me Rock ’n’ Roll You
recording of:
Baby Won’t You Let Me Rock ’n’ Roll You
Texter und Komponist(in):
Alvin Lee
Ten Years After2:16
43Jet Lagged
recording of:
Jet Lagged
Verfasser(in):
Chris Norman (English soft rock singer) und Pete Spencer (UK drummer/songwriter, in Smokie)
Smokie2:58
44Ice Cream Man
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Akustikgitarre und Sologesang:
David Roth
E-Bass:
Michael Anthony (US bassist, formerly of Van Halen)
E-Gitarre:
Edward Van Halen
Schlagzeug:
Alex Van Halen
Hintergrundgesang:
Michael Anthony (US bassist, formerly of Van Halen) und Edward Van Halen
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Ice Cream Man
Texter und Komponist(in):
John Brim (blues performer and songwriter)
recording of:
Ice Cream Man
Texter und Komponist(in):
John Brim (blues performer and songwriter)
Van Halen3.453:17
45Night Rider
accordion:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1961-10-15)
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1961-10-15)
Gitarre:
Jerry Kennedy (am 1961-10-15) und Scotty Moore (American guitarist and recording engineer) (am 1961-10-15)
Klarinette und Saxophon:
Boots Randolph (am 1961-10-15)
Klavier und Orgel:
Floyd Cramer (am 1961-10-15)
Schlagzeug:
D.J. Fontana (am 1961-10-15) und Buddy Harman (Session drummer and songwriter) (am 1961-10-15)
vocals:
The Jordanaires (southern gospel group) (am 1961-10-15) und Millie Kirkham (am 1961-10-15)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1961-10-15)
recording of:
Night Rider (am 1961-10-15)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. und R&H Music
Elvis Presley2:08
46Get Out of My Way
recording engineer:
Bob Kraushaar (von 1991-12 bis 1992-07)
Produzent(in):
Paul McCartney (The Beatles) und Julian Mendelsohn (Australian record producer and engineer)
alto saxophone:
Frank Mead (von 1991-12 bis 1992-07)
baritone saxophone:
Nick Payn (von 1991-12 bis 1992-07)
Bass und Sologesang:
Paul McCartney (The Beatles) (von 1991-12 bis 1992-07)
E-Gitarre:
Robbie McIntosh (English guitarist for The Pretenders) (von 1991-12 bis 1992-07) und Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (von 1991-12 bis 1992-07)
Harmonium und Perkussion:
Linda McCartney (von 1991-12 bis 1992-07)
Klavier:
Paul Wickens (von 1991-12 bis 1992-07)
Schlagzeug:
Blair Cunningham (von 1991-12 bis 1992-07)
Tenorsaxophon:
Andrew Kevin Hamilton (British saxophonist, composer and producer) (von 1991-12 bis 1992-07) und Nick Pentelow (von 1991-12 bis 1992-07)
Trompete:
Martin Drover (von 1991-12 bis 1992-07)
aufgenommen bei:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, Vereinigtes Königreich (von 1991-12 bis 1992-07)
mixed at:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, Vereinigtes Königreich (von 1992-09 bis 1992-10)
recording of:
Get Out of My Way (von 1991-12 bis 1992-07)
Verfasser(in):
Paul McCartney (The Beatles)
Paul McCartney33:32
47Party on the Patio
Techniker(in):
Bob Ludwig (mastering engineer) und Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
E-Bass und Sologesang:
Dusty Hill
E-Gitarre:
Billy Gibbons
Schlagzeug:
Frank Beard (ZZ Top drummer)
recording of:
Party on the Patio
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Hamstein Music Company (publisher) und Music of Stage Three
ZZ Top32:48
48Dressed to Kill
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
Jeff “Skunk” Baxter
Bassgitarre und Hintergrundgesang:
Pete Agnew
Gast-Keyboard:
John Locke (American rock keyboardist)
Gast-Synthesizer und Gast-Vocoder:
Jeff “Skunk” Baxter
Gitarre:
Manny Charlton
Schlagzeug:
Darrell Sweet
Sologesang:
Dan McCafferty
aufgenommen bei:
Associated Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Dressed to Kill
Verfasser(in):
Pete Agnew und Dan McCafferty
Nazareth3:31
49Maybellene
cover recording of:
Maybellene
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und Salee Music Company
Jerry Lee Lewis2:09
50The Cat Crept In
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
recording of:
The Cat Crept In
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Mud4:02
51Travelin’ Band
Produzent(in):
John Fogerty
E-Bass:
Stu Cook (in 1969)
E-Gitarre:
John Fogerty (in 1969) und Tom Fogerty (in 1969)
Klavier, Saxophon und Sologesang:
John Fogerty (in 1969)
Schlagzeug:
Doug Clifford (in 1969)
arranger:
John Fogerty
phonographisches Urheberrecht (℗) von:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
recording of:
Travelin’ Band (in 1969)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music und Prestige Music ltd.
Creedence Clearwater Revival4.22:08
52Misery
arranger:
Chuck Berry
recording of:
Misery
Texter und Komponist(in):
Chuck Berry
publisher:
A. Schroeder und MRC Music, Inc.
Chuck Berry42:32
53Say Mama
Gene Vincent2:13
54Ready Teddy
cover recording of:
Ready Teddy
Texter und Komponist(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC und Venice Music, Inc.
Elvis Presley1:57
55Tight A$
Techniker(in):
Dan Barbiero (recording engineer) und Roy Cicala
Produzent(in):
John Lennon (The Beatles)
Bass:
Gordon Edwards (funk/soul bassist)
Clavichord und zusätzlich Perkussion [extra Sensory]:
Dr. Winston O'Boogie (John Lennon, The Beatles)
Gitarre:
Dr. Winston O'Boogie (John Lennon, The Beatles) und David Spinozza
Klavier, mellotron und Orgel:
Ken Ascher
Pedal-Steel-Gitarre:
Sneaky Pete
Saxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
vocals:
John Lennon (The Beatles)
zusätzlich Hintergrundgesang:
Something Different (background vocal trio)
Interpret(in):
Plastic U.F.Ono Band
arranger:
John Lennon (The Beatles)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
aufgenommen bei:
Record Plant, N.Y.C. (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Tight A$
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
Lennon Music und Lenono Music
John Lennon33:37
56Good Golly Miss Molly
cover recording of:
Good Golly Miss Molly
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
The Swinging Blue Jeans32:06
57Can the Can
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973) und RAK Records (copyrights holder) (in 1975)
aufgenommen bei:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Can the Can
Texter:
Nicky Chinn
Komponist(in):
Mike Chapman (Australian producer and songwriter)
publisher:
BMG Music, Chinnichap (production company and publisher) und Universal Music Publishing MGB Australia
Suzi Quatro4.23:35
58Scratch‐n‐Sniff
assistierende(r) Techniker(in):
Bob Lacivita, Jim Champagne, Ryan Dorn, Danny Jones (engineer) und Evan Rush (engineer)
Techniker(in):
Jim Gaines und Richard Mullen
zusätzliche(r) Techniker(in):
Richard McKernen
Produzent(in):
Jim Gaines und Stevie Ray Vaughan and Double Trouble
Mix:
Jim Gaines und Dave McNair (producer, engineer, musician)
Bassgitarre:
Tommy Shannon
Gitarre:
Stevie Ray Vaughan
Keyboard:
Reese Wynans (American keyboardist)
Perkussion und Schlagzeug:
Chris Layton
vocals:
Stevie Ray Vaughan
aufgenommen bei und mixed at:
Kiva Studios in Memphis, Tennessee, Vereinigte Staaten, Sound Castle Recording Studios (former LA location) in Silver Lake, Los Angeles, California (Kalifornien), Vereinigte Staaten und Summa Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Scratch-n-Sniff
Verfasser(in):
Doyle Bramhall und Stevie Ray Vaughan
Stevie Ray Vaughan and Double Trouble2.52:43
59Rip This Joint
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
Kontrabass [upright bass]:
Bill Plummer
phonographisches Urheberrecht (℗) von:
Promotone B.V. (not for release label use!) (in 2012)
recording of:
Rip This Joint
Verfasser(in):
Mick Jagger und Keith Richards (Rolling Stones guitarist)
publisher:
Colgems-EMI Music Inc.
The Rolling Stones3.72:23
60Child of Mine
Bassgitarre:
John McVie
Gitarre:
Danny Kirwan (Fleetwood Mac) und Bob Welch (early member of Fleetwood Mac)
Keyboard:
Christine McVie
Perkussion und Schlagzeug:
Mick Fleetwood
vocals:
Danny Kirwan (Fleetwood Mac), Christine McVie und Bob Welch (early member of Fleetwood Mac)
recording of:
Child of Mine
Verfasser(in):
Danny Kirwan (Fleetwood Mac)
Fleetwood Mac5:28
61(It’s a) Long Lonely Highway
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1963-05-27)
Gitarre:
Harold Bradley (am 1963-05-27), Jerry Kennedy (am 1963-05-27), Grady Martin (country/rockabilly guitarist) (am 1963-05-27) und Scotty Moore (American guitarist and recording engineer) (am 1963-05-27)
Klavier:
Floyd Cramer (am 1963-05-27)
Saxophon, shakers und Vibraphon [vibes]:
Boots Randolph (am 1963-05-27)
Schlagzeug:
D.J. Fontana (am 1963-05-27) und Buddy Harman (Session drummer and songwriter) (am 1963-05-27)
vocals:
The Jordanaires (southern gospel group) (am 1963-05-27) und Millie Kirkham (am 1963-05-27)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1963-05-27)
recording of:
(It’s a) Long Lonely Highway (am 1963-05-27)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Elvis Presley Music Inc.
Elvis Presley42:22
62Sticks and Stones
recording of:
Sticks and Stones
Texter und Komponist(in):
Titus Turner
publisher:
Piccadilly Music Corporation, Tangerine Music Corp. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Jerry Lee Lewis2:06
63B.B. Class Road
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1971-07-25)
recording engineer:
Mike Ross‐Trevor (engineer) (am 1971-07-25)
Samples von:
Farther Along von The Byrds (American rock band) (am 1971-11-17)
recording of:
B.B. Class Road (am 1971-07-25)
Verfasser(in):
Stuart "Dinky" Dawson und Gene Parsons
The Byrds2:18
64Highway Lady
recording of:
Highway Lady
UFO3:49
65Sad Sad Sad
recording engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
The Glimmer Twins (production name for Mick Jagger & Keith Richards) und Chris Kimsey
Mix:
Michael Brauer (engineer)
Sologesang:
Mick Jagger
phonographisches Urheberrecht (℗) von:
Promotone B.V. (not for release label use!) (in 2012)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Sad Sad Sad
Verfasser(in):
Mick Jagger und Keith Richards (Rolling Stones guitarist)
The Rolling Stones33:35
66After All These Years
Techniker(in) und Mix:
Richard Dodd (mastering engineer, producer and engineer)
Produzent(in):
Jeff Lynne
Bass, Gitarre, Keyboard, Klavier und Hintergrundgesang:
Jeff Lynne (von 1991-03 bis 1991-09)
Perkussion, Schlagzeug und Sologesang:
Ringo Starr (The Beatles) (von 1991-03 bis 1991-09)
aufgenommen bei:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1991-03 bis 1991-09)
recording of:
After All These Years (von 1991-03 bis 1991-09)
Verfasser(in):
Richard Starkey (Ringo Starr, The Beatles) und Johnny Warman
publisher:
Time Takes Time Music und Warman Music
Ringo Starr3:08
67Tell Me All the Things You Do
recording of:
Tell Me All the Things You Do
Texter und Komponist(in):
Danny Kirwan (Fleetwood Mac)
Fleetwood Mac4:15
68You Never Can Tell
Produzent(in):
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess und Willie Dixon
E-Bass:
Louis Satterfield (von 1964-01-07 bis 1964-01-09)
Gitarre:
Chuck Berry (von 1964-01-07 bis 1964-01-09)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (von 1964-01-07 bis 1964-01-09)
Schlagzeug:
Odie Payne (American Chicago blues drummer) (von 1964-01-07 bis 1964-01-09)
Tenorsaxophon:
Rubin Cooper (von 1964-01-07 bis 1964-01-09) und George Patterson (von 1964-01-07 bis 1964-01-09)
vocals:
Chuck Berry (von 1964-01-07 bis 1964-01-09)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
aufgenommen bei:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Vereinigte Staaten (von 1964-01-07 bis 1964-01-09)
recording of:
You Never Can Tell (von 1964-01-07 bis 1964-01-09)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. und Isalee Music (in 1994)
Chuck Berry4.152:43
69Dirty, Dirty Feeling
recording engineer:
Bill Porter (engineer) (am 1960-04-04)
Produzent(in):
Chet Atkins und Steve Sholes
vocals:
The Jordanaires (southern gospel group) (am 1960-04-04)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1960)
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1960-04-04)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Dirty Dirty Feeling (am 1960-04-04)
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Elvis Presley Music, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP) und Sony/ATV Songs LLC
Elvis Presley41:34
70Rock and Roll
Techniker(in) und Mix:
Andy Johns
leitende(r) Produzent(in):
Peter Grant (English manager, notably of Led Zeppelin, Bad Company, and The Yardbirds among others)
Produzent(in):
Jimmy Page
E-Gitarre:
Jimmy Page
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971)
aufgenommen bei:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, Vereinigtes Königreich
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Rock and Roll
Verfasser(in):
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page und Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc., Superhype Music, Inc. und Superhype Publishing, Inc.
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Led Zeppelin3.73:40
71Unbelievable
Techniker(in) und Mix:
Ed Cherney
Produzent(in):
Jack Frost (pseudonym for Bob Dylan), David Was und Don Was
Akustikgitarre:
Bob Dylan
Bass:
Don Was
Gitarre:
Waddy Wachtel
Keyboard:
Al Kooper
Schlagzeug:
Kenny Aronoff
vocals:
Bob Dylan
recording of:
Unbelievable
Texter:
Bob Dylan (von 1990-03 bis 1990-04)
Komponist(in):
Bob Dylan (in 1990-03)
publisher:
Special Rider Music (vom 1990 bis heute)
Bob Dylan44:06
72Slippin’ and Slidin’
Produzent(in):
John Lennon (The Beatles)
arranger:
John Lennon (The Beatles)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
cover recording of:
Slippin’ and Slidin’
Verfasser(in):
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman und James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. und Venice Music
John Lennon32:17
73Pink Thunderbird
Gene Vincent2:34
74Ooby Dooby
Produzent(in):
John Fogerty
E-Gitarre:
Tom Fogerty
arranger:
John Fogerty
cover recording of:
Ooby Dooby (in 1969)
Texter und Komponist(in):
Wade Moore und Dick Penner
publisher:
Hi Lo Music, Peer International Corporation (BMI) und Southern Music Publishing Company Limited
Creedence Clearwater Revival3.42:07
75Rock and Roll Music
Techniker(in):
Norman Smith (UK producer/engineer, performed as Hurricane Smith)
zusätzliche(r) Techniker(in):
Geoff Emerick (British recording engineer) und Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
E-Bass:
Paul McCartney (The Beatles) (am 1964-10-18)
E-Gitarre [lead guitar]:
George Harrison (The Beatles) (am 1964-10-18)
E-Gitarre [rhythm guitar] und Sologesang:
John Lennon (The Beatles) (am 1964-10-18)
Klavier:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (am 1964-10-18)
Schlagzeug:
Ringo Starr (The Beatles) (am 1964-10-18)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1964-10-18)
mixed at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1964-11-04)
cover recording of:
Rock and Roll Music (am 1964-10-18)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
recording of:
Rock and Roll Music
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
The Beatles4.42:33
76Love Struck Baby
Assistent recording engineer:
James Geddes
recording engineer:
Richard Mullen
assistierende(r) Produzent(in):
Mikie Harris
leitende(r) Produzent(in):
John Hammond (producer)
Produzent(in):
Double Trouble (assoc. with Stevie Ray Vaughan), Richard Mullen und Stevie Ray Vaughan
assistierende(r) Mix:
Harry Spiridakis und Don Wershba (engineer)
Mix:
Lincoln Clapp (engineer)
Bassgitarre:
Tommy Shannon
Gitarre:
Stevie Ray Vaughan
Schlagzeug:
Chris Layton
vocals:
Stevie Ray Vaughan
aufgenommen bei:
Down Town Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten und Riverside Sound in Austin, Texas, Vereinigte Staaten
mixed at:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
Love Struck Baby
Texter und Komponist(in):
Stevie Ray Vaughan
publisher:
Bug Music Ltd. und Ray Vaughan Music
Stevie Ray Vaughan and Double Trouble3.52:24
77Milk and Alcohol
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
Verfasser(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer) und Gypie Mayo
publisher:
Plangent Visions Music Ltd. und Rock Music Co., Ltd.
Dr. Feelgood4.22:37
7848 Crash
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
aufgenommen bei:
Audio International Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
48 Crash
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music
Suzi Quatro4.53:56
79Hippy Hippy Shake
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
Hippy Hippy Shake
Texter und Komponist(in):
Chan Romero
publisher:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) und Universal Music Careers
The Swinging Blue Jeans3.751:45
80If You Think I Don’t Need You
Techniker(in):
David Weichman
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1963-07-09)
recording of:
If You Think I Don’t Need You (am 1963-07-09)
Verfasser(in):
Bob “Red” West und Joe Cooper
Elvis Presley2:05
81Just Because
recording engineer:
Peter Henderson (English sound engineer) (am 1987-07-20)
Produzent(in):
Paul McCartney (The Beatles)
Bass und Sologesang:
Paul McCartney (The Beatles) (am 1987-07-20)
Gitarre:
Mick Green (English guitarist) (am 1987-07-20)
Klavier:
Mick Gallagher (UK hammond organ player) (am 1987-07-20)
Schlagzeug:
Chris Whitten (am 1987-07-20)
aufgenommen bei:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, Vereinigtes Königreich (am 1987-07-20)
mixed at:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, Vereinigtes Königreich (am 1987-07-22)
cover recording of:
Just Because (am 1987-07-20)
Texter:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) und Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
Komponist(in):
Leon Chappelear und Sid Robin (US lyricist & composer)
publisher:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) und State Street Music Publ. Co. Inc. (am 1936-03-19)
Paul McCartney3:34
82I Bet You’re Gonna Like It
Jerry Lee Lewis2:38
83Don’t Let Go
assistierende(r) Techniker(in):
Charlie Brocco und Bob Salcedo
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer)
Produzent(in):
Jeff Lynne
Akustikgitarre, Bass, E-Gitarre, Klavier und Hintergrundgesang und Sologesang:
Jeff Lynne (in 1990)
Gast-Perkussion und Gast-Schlagzeug:
Mette Mathiesen (in 1990)
Gast-Saxophon:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1990)
Gast Hintergrundgesang:
Jake Commander (in 1990), Phil Hatton (in 1990) und Richard Tandy (keyboardist for Electric Light Orchestra) (in 1990)
cover recording of:
Don’t Let Go (in 1990)
Texter und Komponist(in):
Jesse Stone
publisher:
Campbell Connelly & Co. Ltd., Scion Three Music LLC und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Jeff Lynne43:04
84Out of Control
assistierende(r) Techniker(in):
Howard Kilgour
Techniker(in) und Produzent(in):
Glyn Johns
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Out of Control
Verfasser(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles), Don Henley und Tom Nixon (Road Manager Eagles/Glenn Frey)
publisher:
Benchmark Music und Kicking Bear
Eagles3.53:05
85Love Sweet Love
recording of:
Love Sweet Love
Texter und Komponist(in):
Robbie van Leeuwen
Shocking Blue33:14
86Mean Woman Blues
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1963-04-29)
Produzent(in):
Fred Foster
cover recording of:
Mean Woman Blues (am 1963-04-29)
Texter und Komponist(in):
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. und Williamson Music Company
Roy Orbison4.52:24
87Dyna‐Mite
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
recording of:
Dyna-Mite
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Mud52:58
88Matchbox
assistierende(r) Techniker(in):
Geoff Emerick (British recording engineer) und Ken Scott (UK record producer & engineer)
Techniker(in):
Norman Smith (UK producer/engineer, performed as Hurricane Smith)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
E-Bass:
Paul McCartney (The Beatles) (am 1964-06-01)
E-Gitarre [lead guitar]:
George Harrison (The Beatles) (am 1964-06-01)
E-Gitarre [rhythm guitar]:
John Lennon (The Beatles) (am 1964-06-01)
Klavier:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (am 1964-06-01)
Schlagzeug und Sologesang:
Ringo Starr (The Beatles) (am 1964-06-01)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1964-06-01)
mixed at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1964-06-22)
cover recording of:
Matchbox (am 1964-06-01)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music und Wren Music Co.
Version von:
Match Box Blues
The Beatles31:59
89Turn on Your Receiver
Produzent(in):
Roger Glover
Herausgeber:
Intersong Music
phonographisches Urheberrecht (℗) von:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1973)
recording of:
Turn On Your Receiver
Verfasser(in):
Pete Agnew, Manny Charlton, Dan McCafferty und Darrell Sweet
publisher:
Carlin Music Corporation und Mountain Music Ltd.
Nazareth33:17
90Rock ’n’ Roll Damnation
Techniker(in):
Mark Opitz
Produzent(in):
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) und George Young (Australian musician and producer)
E-Bass [bass]:
Cliff Williams (von 1978-02 bis 1978-03)
E-Gitarre [guitar]:
Angus Young (member of AC/DC) (von 1978-02 bis 1978-03) und Malcolm Young (guitar player for AC/DC) (von 1978-02 bis 1978-03)
Schlagzeug [drums]:
Phil Rudd (von 1978-02 bis 1978-03)
Sologesang [vocals]:
Bon Scott (AC/DC member) (von 1978-02 bis 1978-03)
phonographisches Urheberrecht (℗) von:
J. Albert & Son (Pty) Ltd. (in 1978)
aufgenommen bei:
Albert Studios, Sydney, Australia (Australian studio, original King Street location, until 1985) in Sydney, New South Wales, Australien (von 1978-02 bis 1978-03)
Teil von:
The Downloader’s Music Source Book (Nummer: 113)
recording of:
Rock 'n' Roll Damnation (von 1978-02 bis 1978-03)
Verfasser(in):
Bon Scott (AC/DC member), Angus Young (member of AC/DC) und Malcolm Young (guitar player for AC/DC)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), EMI Music Ltd., J. Albert & Son (USA) Inc. und J. Albert & Son Pty. Ltd. (in 1978)
AC/DC3.653:36
91Wheels on My Heels
recording of:
Wheels on My Heels
Verfasser(in):
Roy C. Bennett (US songwriter) und Sid Tepper
Elvis Presley1:19
92Good Golly Miss Molly
recording of:
Good Golly Miss Molly
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
Jerry Lee Lewis2:23
93Stood Up
Stray Cats2:41
94There Goes My Heart Again
phonographisches Urheberrecht (℗) von:
ABC Records Inc. (in 1963)
recording of:
There Goes My Heart Again
Texter und Komponist(in):
Antoine Domino (Fats Domino)
Fats Domino2:27
95Lucille
recording of:
Lucille
Verfasser(in):
Albert Collins (US blues guitarist/vocalist/harmonica), Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) und Richard Wayne Penniman
publisher:
Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Universal/MCA Music Ltd. (not for release label use!) und Venice Music
Little Richard2:28
96Tiger Feet
recording of:
Tiger Feet
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) und BMG Music Publishing Ltd.
Mud3:51
97Bad Girl
Techniker(in):
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
Sologesang:
Dusty Hill
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Bad Girl
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
ZZ Top33:14
98Shake That Tambourine
recording of:
Shake That Tambourine
Verfasser(in):
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) und Florence Kaye
Elvis Presley2:03
99Rude Mood
Assistent recording engineer:
James Geddes
recording engineer:
Richard Mullen
assistierende(r) Produzent(in):
Mikie Harris
leitende(r) Produzent(in):
John Hammond (producer)
Produzent(in):
Double Trouble (assoc. with Stevie Ray Vaughan), Richard Mullen und Stevie Ray Vaughan
assistierende(r) Mix:
Harry Spiridakis und Don Wershba (engineer)
Mix:
Lincoln Clapp (engineer)
Bassgitarre:
Tommy Shannon
Gitarre:
Stevie Ray Vaughan
Schlagzeug:
Chris Layton
aufgenommen bei:
Down Town Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten und Riverside Sound in Austin, Texas, Vereinigte Staaten
mixed at:
Mediasound Studios in New York, New York, Vereinigte Staaten
recording of:
Rude Mood
Komponist(in):
Stevie Ray Vaughan
Stevie Ray Vaughan and Double Trouble4.54:40
100Whole Lotta Rosie
Produzent(in):
Vanda & Young (songwriting & producing duo)
aufgenommen bei:
The Apollo in Glasgow, Scotland, Vereinigtes Königreich (am 1978-04-30)
live recording of:
Whole Lotta Rosie (am 1978-04-30)
Verfasser(in):
Bon Scott (AC/DC member), Angus Young (member of AC/DC) und Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. und J. Albert & Son Pty. Ltd.
basiert auf:
Dirty Eyes
AC/DC44:30

Nennungen

Veröffentlichungsgruppe

Teil von:100 Hits (Russian series of mp3 CDs) (Reihenfolge: 24)