100 Hits Rock ’n’ Roll

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Data CD
#TitleArtistRatingLength
1Rock Around the Clock
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar:
Danny Cedrone (on 1954-04-12)
guitar:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
vocals:
Bill Haley (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1954-04-12)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets42:10
2Jailhouse RockElvis Presley2:28
3Great Balls of Fire
recording of:
Great Balls of Fire
writer:
Otis Blackwell (American pianist, singer and songwriter) and Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) and Warner Chappell Music (publisher as Warner/Chappell Music)
Jerry Lee Lewis41:48
4Be‐Bop‐a‐Lula
double bass [upright bass]:
Jack Neal (on 1956-05-04)
drums (drum set) [drums]:
Dickie Harrell (on 1956-05-04)
guitar [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (on 1956-05-04)
guitar [rhythm guitar]:
Willie Williams (50s rock guitarist) (on 1956-05-04)
vocals:
Gene Vincent (on 1956-05-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1956 to present)
recorded at:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-05-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 9) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 102)
recording of:
Be‐Bop‐a‐Lula (on 1956-05-04)
writer:
Bill “Tex” Davis and Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:37
5Let’s Twist AgainChubby Checker4.652:21
6My Mustang Ford
engineer:
Ron Malo
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
bass guitar:
Bryce Roberson (on 1965-09-01)
drums (drum set):
Walter Ben Ruffin (drummer) (on 1965-09-01)
guitar and lead vocals:
Chuck Berry (on 1965-09-01)
piano:
Sonny Thompson (US R&B bandleader and pianist) (on 1965-09-01)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1965-09-01)
recording of:
My Mustang Ford (on 1965-09-01)
lyricist and composer:
Chuck Berry
publisher:
Isalee Music
Chuck Berry42:17
7I Saw Her Standing There
assistant engineer:
Richard Langham (on 1963-02-11) and A. B. Lincoln (on 1963-02-25)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (on 1963-02-11, on 1963-02-25)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1963-02-11, on 1963-02-25)
drums (drum set):
Ringo Starr (The Beatles) (on 1963-02-11)
electric bass guitar and lead vocals:
Paul McCartney (The Beatles) (on 1963-02-11)
electric guitar [lead guitar]:
George Harrison (The Beatles) (on 1963-02-11)
electric guitar [rhythm guitar] and background vocals [harmony vocals]:
John Lennon (The Beatles) (on 1963-02-11)
handclaps:
George Harrison (The Beatles) (on 1963-02-11), John Lennon (The Beatles) (on 1963-02-11), Paul McCartney (The Beatles) (on 1963-02-11) and Ringo Starr (The Beatles) (on 1963-02-11)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-02-11)
mixed at and edited at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1963-02-25)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 139)
recording of:
I Saw Her Standing There (on 1963-02-11)
writer:
John Lennon (The Beatles) (in 1963-02) and Paul McCartney (The Beatles) (in 1963-02)
publisher:
George Pincus & Sons Music Corp., Leeds Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (2002–today), Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Gil Music Corporation (in 1963)
The Beatles3.552:55
8Berry Rides Again
producer:
Gabriel Mekler
recording of:
Berry Rides Again
lyricist and composer:
John Kay (lead singer of Steppenwolf)
publisher:
ABC/Dunhill Music, Inc.
sub-publisher:
Universal Music Publishing France (not for release label use!)
Steppenwolf32:48
9Trying to Get to You
producer:
Ian Gillan, John McCoy (UK rock bassist for Gillan, Mammoth, Neo, McCoy) and Paul Watkins (engineer)
mixer:
John McCoy (UK rock bassist for Gillan, Mammoth, Neo, McCoy) and Paul Watkins (engineer)
bass:
John McCoy (UK rock bassist for Gillan, Mammoth, Neo, McCoy)
drums (drum set):
Mick Underwood
flute and keyboard:
Colin Towns
guitar:
Bernie Tormé
vocals:
Ian Gillan
arranger:
Ian Gillan
recorded at:
Kingsway Recorders in London (Greater London), England, United Kingdom
cover recording of:
Trying to Get to You
writer:
Rose Marie McCoy and Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific and You Look Good Music Publishing
Gillan3:17
10I’m Gonna Be a Wheel Someday
recording engineer:
Peter Henderson (English sound engineer) (on 1987-07-20)
producer:
Paul McCartney (The Beatles)
bass and lead vocals:
Paul McCartney (The Beatles) (on 1987-07-20)
drums (drum set):
Chris Whitten (on 1987-07-20)
guitar:
Mick Green (English guitarist) (on 1987-07-20)
piano:
Mick Gallagher (UK hammond organ player) (on 1987-07-20)
recorded at:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, United Kingdom (on 1987-07-20)
mixed at:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, United Kingdom (on 1987-07-22)
cover recording of:
I'm Gonna Be a Wheel Some Day (on 1987-07-20)
writer:
Antoine Dominique Domino (Fats Domino), Dave Bartholomew and Roy Hayes
Paul McCartney4:11
11Rip It UpElvis Presley1:55
12Hey Good Lookin’
cover recording of:
Hey, Good Lookin’
lyricist and composer:
Hank Williams (country music legend)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Acuff-Rose Publications, Inc. (BMI) (on 1951-03-16)
Gene Vincent2:32
13Sugar Babe
Jimmy Powell2:21
14Whole Lotta Shakin’ Going On
producer:
Jack Clement and Sam Phillips (founder of Sun Records) (in 1957)
drums (drum set):
Jimmy Van Eaton (on 1957-02-05)
guitar:
Roland Janes (on 1957-02-05)
piano:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (on 1957-02-05)
phonographic copyright (℗) by:
Sun (US label founded in 1952) (in 1957), Sun Record Company (in 1957) and Charly Records (from 2008 to present)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1957-02-05)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 1) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 61)
cover recording of:
Whole Lotta Shakin’ Goin’ On (on 1957-02-05)
writer:
Roy Hall (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
recording of:
Whole Lotta Shakin’ Goin’ On
writer:
Roy Hall (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
Jerry Lee Lewis4.652:54
15Roll Over Beethoven
engineer:
Denny Bridges and John Middleton (engineer)
producer:
Jeff Lynne
bass:
Michael d’Albuquerque (on 1972-09-08)
cello:
Mike Edwards (English Cellist that was a member of ELO) (on 1972-09-08) and Colin Walker (English Cellist that was a member of ELO) (on 1972-09-08)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (on 1972-09-08)
guitar, harmonium and Moog:
Jeff Lynne (on 1972-09-08) and Richard Tandy (keyboardist for Electric Light Orchestra) (on 1972-09-08)
piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (on 1972-09-08)
violin:
Wilfred Gibson (UK violinist) (on 1972-09-08)
background vocals:
Michael d’Albuquerque (on 1972-09-08) and Richard Tandy (keyboardist for Electric Light Orchestra) (on 1972-09-08)
lead vocals:
Jeff Lynne (on 1972-09-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972, in 2011), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-09-08)
cover recording of:
Roll Over Beethoven (on 1972-09-08)
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
Electric Light Orchestra4.354:32
16Shake Your Moneymaker
cover recording of:
Shake Your Moneymaker
lyricist and composer:
Elmore James
publisher:
EMI Longitude Music
Fleetwood Mac42:57
17Scuttle Buttin’
assistant engineer:
Rob Eaton
engineer:
Richard Mullen
executive producer:
John Hammond (producer)
producer:
Jim Capfer, Chris Layton, Richard Mullen, Tommy Shannon and Stevie Ray Vaughan
bass guitar:
Tommy Shannon
drums (drum set):
Chris Layton
guitar:
Stevie Ray Vaughan
recorded at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Scuttle Buttin' (on 1984-01-18)
composer:
Stevie Ray Vaughan
Stevie Ray Vaughan and Double Trouble41:55
18Tutti Frutti
cover recording of:
Tutti Frutti
lyricist:
Dorothy LaBostrie (American songwriter) and Richard Wayne Penniman
composer:
Dorothy LaBostrie (American songwriter), Joe Lubin and Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Phonogram GmbH (in 1983)
Elvis Presley1:56
19Cruisin’
recording of:
Cruisin'
writer:
Bill Davis and Gene Vincent
Gene Vincent2:15
20Down the Line
recording of:
Down the Line
writer:
Roy Orbison
Jerry Lee Lewis1:55
21My Baby Left MeCreedence Clearwater Revival3.52:18
22Show Business
producer:
Vanda & Young (songwriting & producing duo)
phonographic copyright (℗) by:
J. Albert & Son Pty. Ltd. (in 1975, in 1984, in 1994)
recorded at:
Albert Studios (Australian studio, original King Street location, until 1985) in Sydney, New South Wales, Australia
recording of:
Show Business
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
AC/DC3.74:46
23L.A. Girls
Nazareth3:46
24Don’t Be Cruel
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-07-02)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
vocals:
The Jordanaires (southern gospel group) (on 1956-07-02)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 11) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 197)
recording of:
Don’t Be Cruel (on 1956-07-02)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. and Williamson Music Company
Elvis Presley3.82:03
25Long Tall Sally
assistant engineer:
Richard Langham (on 1964-03-01) and Geoff Emerick (British recording engineer) (on 1964-06-22)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (on 1964-03-01, on 1964-06-22)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1964-03-01, on 1964-06-22)
drums (drum set):
Ringo Starr (The Beatles) (on 1964-03-01)
electric bass guitar and lead vocals:
Paul McCartney (The Beatles) (on 1964-03-01)
electric guitar [lead guitar]:
George Harrison (The Beatles) (on 1964-03-01)
electric guitar [rhythm guitar]:
John Lennon (The Beatles) (on 1964-03-01)
upright piano:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1964-03-01)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-03-01)
mixed at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-06-22)
cover recording of:
Long Tall Sally (on 1964-03-01)
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
recording of:
Long Tall Sally
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
The Beatles3.352:03
26Tulane
engineer:
Malcolm Chisholm
bass:
Phil Upchurch (on 1969-11-21)
guitar and lead vocals:
Chuck Berry (on 1969-11-21)
harmonica:
Bob Baldori (on 1969-11-21)
piano:
Lafayette Leake (on 1969-11-21)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1969-11-21)
recording of:
Tulane (on 1969-11-21)
composer:
Chuck Berry
publisher:
Carlin Music Corp., Esalle Music Publ. and Isalee Music
Chuck Berry32:37
27Working Up a Sweat
recording engineer:
Jack Douglas
engineer:
Jack Douglas and Phil Ramone
producer:
Jack Douglas and Jack Richardson
bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
drums (drum set):
Neal Smith (former Alice Cooper drummer)
guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
background vocals:
The Pointer Sisters
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States, The Cooper Mansion in Greenwich, Connecticut, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
Working Up a Sweat
writer:
Michael Bruce (of Alice Cooper) and Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label), EMI Blackwood Music Inc., Ezra Music, Ezra Music Corp., Sony/ATV Songs LLC, Third Palm Music, フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper43:44
28Waitin’ on You
sound engineer:
Eric Bakker
producer:
Jaap Eggermont
recorded at:
G.T.B. Studio in Den Haag (The Hague), Zuid-Holland (South Holland), Netherlands, Kingdom of the Netherlands (from 1969-07-21 until 1969-07-23)
cover recording of:
Waitin' on You
writer:
B.B. King and Fats Washington
publisher:
LZMC and Pamco Music Inc.
Livin’ Blues2:47
29Blue Suede Shoes
assistant engineer:
Dror Mohar
mixer:
Ray Bardani
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-01-30) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 423)
cover recording of:
Blue Suede Shoes (on 1956-01-30)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Elvis Presley4.451:59
30I Got a Baby
Gene Vincent2:24
31Choo Choo Mama
recording of:
Choo Choo Mama
lyricist and composer:
Alvin Lee
Ten Years After4:01
32Hi Fi Mama
engineer:
Bob Ludwig (mastering engineer) and Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
alto saxophone and drums (drum set):
Frank Beard (ZZ Top drummer)
baritone saxophone and guitar:
Billy Gibbons
bass guitar, tenor saxophone and lead vocals:
Dusty Hill
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Hi Fi Mama
writer:
Frank Lee Beard (ZZ Top drummer), Billy Gibbons and Joe Michael Hill
publisher:
Music of Stage Three
ZZ Top32:25
33In the Mood
bass guitar and lead vocals:
Geddy Lee (on 1974-08-26)
drums (drum set):
Neil Peart (on 1974-08-26)
guitar:
Alex Lifeson (on 1974-08-26)
vocals:
Alex Lifeson (on 1974-08-26)
recorded at:
Rush at Agora Ballroom (1974-08-26)
recorded at:
Agora Ballroom (2nd location, 1967–1984) in Cleveland, Ohio, United States (on 1974-08-26)
recording of:
In the Mood (on 1974-08-26)
lyricist and composer:
Geddy Lee
Rush3:36
34Just Because
Jerry Lee Lewis2:00
35The House Is Rockin’
additional engineer:
Richard McKernen
assistant engineer:
Bob Lacivita, Jim Champagne, Ryan Dorn, Danny Jones (engineer) and Evan Rush (engineer)
engineer:
Jim Gaines and Richard Mullen
producer:
Jim Gaines and Stevie Ray Vaughan and Double Trouble
mixer:
Jim Gaines and Dave McNair (producer, engineer, musician)
bass guitar:
Tommy Shannon (on 1989-02-10)
drums (drum set) and percussion:
Chris Layton (on 1989-02-10)
guitar:
Stevie Ray Vaughan (on 1989-02-10)
keyboard:
Reese Wynans (American keyboardist) (on 1989-02-10)
vocals:
Stevie Ray Vaughan (on 1989-02-10)
mixed at:
Kiva Studios in Memphis, Tennessee, United States, Sound Castle Recording Studios (former LA location) in Silver Lake, Los Angeles, California, United States and Summa Studios in Los Angeles, California, United States
recording of:
The House Is Rockin’ (on 1989-02-10)
writer:
Doyle Bramhall and Stevie Ray Vaughan
publisher:
Hello Mr. Wilson, Stevie Ray Songs and Two Thirty Music
Stevie Ray Vaughan and Double Trouble42:24
36Hound Dog
cover recording of:
Hound Dog
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
Elvis Presley2:17
37Roll Engine Roll
recording of:
Roll Engine Roll
lyricist and composer:
Robbie van Leeuwen
Shocking Blue33:15
38Under My Wheels
assistant recording engineer:
Joe Lopes (engineer)
recording engineer and engineer:
Brian Christian
executive producer:
Jack Richardson
producer:
Bob Ezrin
bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
drums (drum set):
Neal Smith (former Alice Cooper drummer)
guitar:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist) and Rick Derringer
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
horn arranger and strings [string] arranger:
Bob Ezrin
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
produced for:
Alive Enterprises and Nimbus 9 Productions, Ltd.
recorded at:
RCA Studios (Chicago, 1969-1972) in Chicago, Illinois, United States
recording of:
Under My Wheels
writer:
Michael Bruce (of Alice Cooper), Dennis Dunaway (original bass player for Alice Cooper) and Bob Ezrin
publisher:
All by Myself Publishing Company, Almo Music Corp. (USA, affiliated with ASCAP), Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Boosey & Hawkes (publisher; do NOT use as release label), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Alice Cooper4.152:51
39Hold On to Your Hat
recording engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
The Glimmer Twins (production name for Mick Jagger & Keith Richards) and Chris Kimsey
mixer:
Michael Brauer (engineer)
lead vocals:
Mick Jagger
phonographic copyright (℗) by:
Promotone B.V. (not for release label use!) (in 2012)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Hold on to Your Hat
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
The Rolling Stones33:32
40Beating Around the Bush
recording engineer:
Mark Dearnley
assistant engineer:
Kevin Dallimore (engineering)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Tony Platt (UK engineer and producer)
bass guitar:
Cliff Williams
drums (drum set):
Phil Rudd
guitar:
Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
vocals:
Bon Scott (AC/DC member)
phonographic copyright (℗) by:
J. Albert & Son Pty. Ltd. (in 1979)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Beating Around the Bush
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
is based on:
Back Seat Confidential
AC/DC3.153:55
41Teenage Nervous Breakdown
cover recording of:
Teenage Nervous Breakdown
lyricist and composer:
Lowell George
publisher:
Naked Snake Music
Nazareth3:41
42Baby Won’t You Let Me Rock ’n’ Roll You
recording of:
Baby Won’t You Let Me Rock ’n’ Roll You
lyricist and composer:
Alvin Lee
Ten Years After2:16
43Jet Lagged
recording of:
Jet Lagged
writer:
Chris Norman (English soft rock singer) and Pete Spencer (UK drummer/songwriter, in Smokie)
Smokie2:58
44Ice Cream Man
engineer:
Donn Landee
producer:
Ted Templeman
acoustic guitar and lead vocals:
David Roth
drums (drum set):
Alex Van Halen
electric bass guitar:
Michael Anthony (US bassist, formerly of Van Halen)
electric guitar:
Edward Van Halen
background vocals:
Michael Anthony (US bassist, formerly of Van Halen) and Edward Van Halen
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States
cover recording of:
Ice Cream Man
lyricist and composer:
John Brim (blues performer and songwriter)
recording of:
Ice Cream Man
lyricist and composer:
John Brim (blues performer and songwriter)
Van Halen3.453:17
45Night Rider
accordion:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1961-10-15)
bass:
Bob Moore (U.S. bassist and bandleader) (on 1961-10-15)
clarinet and saxophone:
Boots Randolph (on 1961-10-15)
drums (drum set):
D.J. Fontana (on 1961-10-15) and Buddy Harman (Session drummer and songwriter) (on 1961-10-15)
guitar:
Jerry Kennedy (on 1961-10-15) and Scotty Moore (American guitarist and recording engineer) (on 1961-10-15)
organ and piano:
Floyd Cramer (on 1961-10-15)
vocals:
The Jordanaires (southern gospel group) (on 1961-10-15) and Millie Kirkham (on 1961-10-15)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1961-10-15)
recording of:
Night Rider (on 1961-10-15)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
Elvis Presley2:08
46Get Out of My Way
recording engineer:
Bob Kraushaar (from 1991-12 until 1992-07)
producer:
Paul McCartney (The Beatles) and Julian Mendelsohn (Australian record producer and engineer)
alto saxophone:
Frank Mead (from 1991-12 until 1992-07)
baritone saxophone:
Nick Payn (from 1991-12 until 1992-07)
bass and lead vocals:
Paul McCartney (The Beatles) (from 1991-12 until 1992-07)
drums (drum set):
Blair Cunningham (from 1991-12 until 1992-07)
electric guitar:
Robbie McIntosh (English guitarist for The Pretenders) (from 1991-12 until 1992-07) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (from 1991-12 until 1992-07)
harmonium and percussion:
Linda McCartney (from 1991-12 until 1992-07)
piano:
Paul Wickens (from 1991-12 until 1992-07)
tenor saxophone:
Andrew Kevin Hamilton (British saxophonist, composer and producer) (from 1991-12 until 1992-07) and Nick Pentelow (from 1991-12 until 1992-07)
trumpet:
Martin Drover (from 1991-12 until 1992-07)
recorded at:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, United Kingdom (from 1991-12 until 1992-07)
mixed at:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, United Kingdom (from 1992-09 until 1992-10)
recording of:
Get Out of My Way (from 1991-12 until 1992-07)
writer:
Paul McCartney (The Beatles)
Paul McCartney33:32
47Party on the Patio
engineer:
Bob Ludwig (mastering engineer) and Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set):
Frank Beard (ZZ Top drummer)
electric bass guitar and lead vocals:
Dusty Hill
electric guitar:
Billy Gibbons
recording of:
Party on the Patio
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Hamstein Music Company (publisher) and Music of Stage Three
ZZ Top32:48
48Dressed to Kill
engineer:
Geoff Emerick (British recording engineer)
producer:
Jeff “Skunk” Baxter
bass guitar and background vocals:
Pete Agnew
drums (drum set):
Darrell Sweet
guest keyboard:
John Locke (American rock keyboardist)
guest synthesizer and guest vocoder:
Jeff “Skunk” Baxter
guitar:
Manny Charlton
lead vocals:
Dan McCafferty
recorded at:
Associated Recording Studios in London (Greater London), England, United Kingdom
recording of:
Dressed to Kill
writer:
Pete Agnew and Dan McCafferty
Nazareth3:31
49Maybellene
cover recording of:
Maybellene
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) and Salee Music Company
Jerry Lee Lewis2:09
50The Cat Crept In
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
recording of:
The Cat Crept In
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Mud4:02
51Travelin’ Band
producer:
John Fogerty
drums (drum set):
Doug Clifford (in 1969)
electric bass guitar:
Stu Cook (in 1969)
electric guitar:
John Fogerty (in 1969) and Tom Fogerty (in 1969)
piano, saxophone and lead vocals:
John Fogerty (in 1969)
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
recording of:
Travelin’ Band (in 1969)
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music and Prestige Music ltd.
Creedence Clearwater Revival4.22:08
52Misery
arranger:
Chuck Berry
recording of:
Misery
lyricist and composer:
Chuck Berry
publisher:
A. Schroeder and MRC Music, Inc.
Chuck Berry42:32
53Say Mama
Gene Vincent2:13
54Ready TeddyElvis Presley1:57
55Tight A$
engineer:
Dan Barbiero (recording engineer) and Roy Cicala
producer:
John Lennon (The Beatles)
additional percussion [extra Sensory] and clavichord:
Dr. Winston O'Boogie (John Lennon, The Beatles)
bass:
Gordon Edwards (funk/soul bassist)
guitar:
Dr. Winston O'Boogie (John Lennon, The Beatles) and David Spinozza
mellotron, organ and piano:
Ken Ascher
pedal steel guitar:
Sneaky Pete
saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
additional background vocals:
Something Different (background vocal trio)
vocals:
John Lennon (The Beatles)
performer:
Plastic U.F.Ono Band
arranger:
John Lennon (The Beatles)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
recorded at:
Record Plant, N.Y.C. (New York) in Midtown Manhattan, New York, New York, United States
recording of:
Tight A$
lyricist and composer:
John Lennon (The Beatles)
publisher:
Lennon Music and Lenono Music
John Lennon33:37
56Good Golly Miss MollyThe Swinging Blue Jeans32:06
57Can the Can
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973) and RAK Records (copyrights holder) (in 1975)
recorded at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
Can the Can
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
BMG Music, Chinnichap (production company and publisher) and Universal Music Publishing MGB Australia
Suzi Quatro4.23:35
58Scratch‐n‐SniffStevie Ray Vaughan and Double Trouble2.52:43
59Rip This Joint
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
double bass [upright bass]:
Bill Plummer
phonographic copyright (℗) by:
Promotone B.V. (not for release label use!) (in 2012)
recording of:
Rip This Joint
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
Colgems-EMI Music Inc.
The Rolling Stones3.72:23
60Child of Mine
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Danny Kirwan (Fleetwood Mac) and Bob Welch (early member of Fleetwood Mac)
keyboard:
Christine McVie
vocals:
Danny Kirwan (Fleetwood Mac), Christine McVie and Bob Welch (early member of Fleetwood Mac)
recording of:
Child of Mine
writer:
Danny Kirwan (Fleetwood Mac)
Fleetwood Mac5:28
61(It’s a) Long Lonely Highway
bass:
Bob Moore (U.S. bassist and bandleader) (on 1963-05-27)
drums (drum set):
D.J. Fontana (on 1963-05-27) and Buddy Harman (Session drummer and songwriter) (on 1963-05-27)
guitar:
Harold Bradley (on 1963-05-27), Jerry Kennedy (on 1963-05-27), Grady Martin (country/rockabilly guitarist) (on 1963-05-27) and Scotty Moore (American guitarist and recording engineer) (on 1963-05-27)
piano:
Floyd Cramer (on 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (on 1963-05-27)
vocals:
The Jordanaires (southern gospel group) (on 1963-05-27) and Millie Kirkham (on 1963-05-27)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1963-05-27)
recording of:
(It’s a) Long Lonely Highway (on 1963-05-27)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Elvis Presley Music Inc.
Elvis Presley42:22
62Sticks and Stones
recording of:
Sticks and Stones
lyricist and composer:
Titus Turner
publisher:
Piccadilly Music Corporation, Tangerine Music Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Jerry Lee Lewis2:06
63B.B. Class Road
recorded in:
London (Greater London), England, United Kingdom (on 1971-07-25)
recording engineer:
Mike Ross‐Trevor (engineer) (on 1971-07-25)
samples from:
Farther Along by The Byrds (American rock band) (on 1971-11-17)
recording of:
B.B. Class Road (on 1971-07-25)
writer:
Stuart "Dinky" Dawson and Gene Parsons
The Byrds2:18
64Highway Lady
recording of:
Highway Lady
UFO3:49
65Sad Sad Sad
recording engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
The Glimmer Twins (production name for Mick Jagger & Keith Richards) and Chris Kimsey
mixer:
Michael Brauer (engineer)
lead vocals:
Mick Jagger
phonographic copyright (℗) by:
Promotone B.V. (not for release label use!) (in 2012)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Sad Sad Sad
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
The Rolling Stones33:35
66After All These Years
engineer and mixer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Jeff Lynne
bass, guitar, keyboard, piano and background vocals:
Jeff Lynne (from 1991-03 until 1991-09)
drums (drum set), percussion and lead vocals:
Ringo Starr (The Beatles) (from 1991-03 until 1991-09)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States (from 1991-03 until 1991-09)
recording of:
After All These Years (from 1991-03 until 1991-09)
writer:
Richard Starkey (Ringo Starr, The Beatles) and Johnny Warman
publisher:
Time Takes Time Music and Warman Music
Ringo Starr3:08
67Tell Me All the Things You Do
recording of:
Tell Me All the Things You Do
lyricist and composer:
Danny Kirwan (Fleetwood Mac)
Fleetwood Mac4:15
68You Never Can Tell
producer:
Chuck Berry, Leonard Chess, Leonard & Phil Chess (legendary US production duo), Phil Chess and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
recording of:
You Never Can Tell (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. and Isalee Music (in 1994)
Chuck Berry4.152:43
69Dirty, Dirty Feeling
recording engineer:
Bill Porter (engineer) (on 1960-04-04)
producer:
Chet Atkins and Steve Sholes
vocals:
The Jordanaires (southern gospel group) (on 1960-04-04)
phonographic copyright (℗) by:
BMG Music (in 1960)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-04-04)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Dirty Dirty Feeling (on 1960-04-04)
writer:
Jerry Leiber and Mike Stoller
publisher:
Elvis Presley Music, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
Elvis Presley41:34
70Rock and Roll
engineer and mixer:
Andy Johns
executive producer:
Peter Grant (English manager, notably of Led Zeppelin, Bad Company, and The Yardbirds among others)
producer:
Jimmy Page
electric guitar:
Jimmy Page
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971)
recorded at:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, United Kingdom
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Rock and Roll
writer:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page and Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc., Superhype Music, Inc. and Superhype Publishing, Inc.
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Led Zeppelin3.73:40
71Unbelievable
engineer and mixer:
Ed Cherney
producer:
Jack Frost (pseudonym for Bob Dylan), David Was and Don Was
acoustic guitar:
Bob Dylan
bass:
Don Was
drums (drum set):
Kenny Aronoff
guitar:
Waddy Wachtel
keyboard:
Al Kooper
vocals:
Bob Dylan
recording of:
Unbelievable
lyricist:
Bob Dylan (from 1990-03 until 1990-04)
composer:
Bob Dylan (in 1990-03)
publisher:
Special Rider Music (from 1990 to present)
Bob Dylan44:06
72Slippin’ and Slidin’
producer:
John Lennon (The Beatles)
arranger:
John Lennon (The Beatles)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
cover recording of:
Slippin’ and Slidin’
writer:
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman and James Smith (composer of “Slippin’ and Slidin’”)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. and Venice Music
John Lennon32:17
73Pink Thunderbird
Gene Vincent2:34
74Ooby DoobyCreedence Clearwater Revival3.42:07
75Rock and Roll Music
additional engineer:
Geoff Emerick (British recording engineer) and Mike Stone (producer and engineer, 1960s–80s)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
drums (drum set):
Ringo Starr (The Beatles) (on 1964-10-18)
electric bass guitar:
Paul McCartney (The Beatles) (on 1964-10-18)
electric guitar [lead guitar]:
George Harrison (The Beatles) (on 1964-10-18)
electric guitar [rhythm guitar] and lead vocals:
John Lennon (The Beatles) (on 1964-10-18)
piano:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1964-10-18)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-10-18)
mixed at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-11-04)
cover recording of:
Rock and Roll Music (on 1964-10-18)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
recording of:
Rock and Roll Music
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
The Beatles4.42:33
76Love Struck Baby
assistant recording engineer:
James Geddes
recording engineer:
Richard Mullen
assistant producer:
Mikie Harris
executive producer:
John Hammond (producer)
producer:
Double Trouble (assoc. with Stevie Ray Vaughan), Richard Mullen and Stevie Ray Vaughan
assistant mixer:
Harry Spiridakis and Don Wershba (engineer)
mixer:
Lincoln Clapp (engineer)
bass guitar:
Tommy Shannon
drums (drum set):
Chris Layton
guitar:
Stevie Ray Vaughan
vocals:
Stevie Ray Vaughan
recorded at:
Down Town Studio in Los Angeles, California, United States and Riverside Sound in Austin, Texas, United States
mixed at:
Mediasound Studios in New York, New York, United States
recording of:
Love Struck Baby
lyricist and composer:
Stevie Ray Vaughan
publisher:
Bug Music Ltd. and Ray Vaughan Music
Stevie Ray Vaughan and Double Trouble3.52:24
77Milk and Alcohol
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
writer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) and Gypie Mayo
publisher:
Plangent Visions Music Ltd. and Rock Music Co., Ltd.
Dr. Feelgood4.22:37
7848 Crash
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
recorded at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
48 Crash
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music
Suzi Quatro4.53:56
79Hippy Hippy Shake
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
Hippy Hippy Shake
lyricist and composer:
Chan Romero
publisher:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) and Universal Music Careers
The Swinging Blue Jeans3.751:45
80If You Think I Don’t Need You
engineer:
David Weichman
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1963-07-09)
recording of:
If You Think I Don’t Need You (on 1963-07-09)
writer:
Bob “Red” West and Joe Cooper
Elvis Presley2:05
81Just Because
recording engineer:
Peter Henderson (English sound engineer) (on 1987-07-20)
producer:
Paul McCartney (The Beatles)
bass and lead vocals:
Paul McCartney (The Beatles) (on 1987-07-20)
drums (drum set):
Chris Whitten (on 1987-07-20)
guitar:
Mick Green (English guitarist) (on 1987-07-20)
piano:
Mick Gallagher (UK hammond organ player) (on 1987-07-20)
recorded at:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, United Kingdom (on 1987-07-20)
mixed at:
Hog Hill Mill (Paul McCartney's studio) in Rye, East Sussex, England, United Kingdom (on 1987-07-22)
cover recording of:
Just Because (on 1987-07-20)
lyricist:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) and Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
composer:
Leon Chappelear and Sid Robin (US lyricist & composer)
publisher:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) and State Street Music Publ. Co. Inc. (on 1936-03-19)
Paul McCartney3:34
82I Bet You’re Gonna Like It
Jerry Lee Lewis2:38
83Don’t Let Go
assistant engineer:
Charlie Brocco and Bob Salcedo
engineer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Jeff Lynne
acoustic guitar, bass, electric guitar, piano and background vocals and lead vocals:
Jeff Lynne (in 1990)
guest drums (drum set) and guest percussion:
Mette Mathiesen (in 1990)
guest saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1990)
guest background vocals:
Jake Commander (in 1990), Phil Hatton (in 1990) and Richard Tandy (keyboardist for Electric Light Orchestra) (in 1990)
cover recording of:
Don’t Let Go (in 1990)
lyricist and composer:
Jesse Stone
publisher:
Campbell Connelly & Co. Ltd., Scion Three Music LLC and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Jeff Lynne43:04
84Out of Control
assistant engineer:
Howard Kilgour
engineer and producer:
Glyn Johns
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Out of Control
writer:
Glenn Frey (US musician/singer/songwriter, member of the Eagles), Don Henley and Tom Nixon (Road Manager Eagles/Glenn Frey)
publisher:
Benchmark Music and Kicking Bear
Eagles3.53:05
85Love Sweet Love
recording of:
Love Sweet Love
lyricist and composer:
Robbie van Leeuwen
Shocking Blue33:14
86Mean Woman Blues
recorded in:
Nashville, Tennessee, United States (on 1963-04-29)
producer:
Fred Foster
cover recording of:
Mean Woman Blues (on 1963-04-29)
lyricist and composer:
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. and Williamson Music Company
Roy Orbison4.52:24
87Dyna‐Mite
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
recording of:
Dyna-Mite
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Mud52:58
88Matchbox
assistant engineer:
Geoff Emerick (British recording engineer) and Ken Scott (UK record producer & engineer)
engineer:
Norman Smith (UK producer/engineer, performed as Hurricane Smith)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
drums (drum set) and lead vocals:
Ringo Starr (The Beatles) (on 1964-06-01)
electric bass guitar:
Paul McCartney (The Beatles) (on 1964-06-01)
electric guitar [lead guitar]:
George Harrison (The Beatles) (on 1964-06-01)
electric guitar [rhythm guitar]:
John Lennon (The Beatles) (on 1964-06-01)
piano:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (on 1964-06-01)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-06-01)
mixed at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1964-06-22)
cover recording of:
Matchbox (on 1964-06-01)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music and Wren Music Co.
version of:
Match Box Blues
The Beatles31:59
89Turn on Your Receiver
producer:
Roger Glover
publisher:
Intersong Music
phonographic copyright (℗) by:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1973)
recording of:
Turn On Your Receiver
writer:
Pete Agnew, Manny Charlton, Dan McCafferty and Darrell Sweet
publisher:
Carlin Music Corporation and Mountain Music Ltd.
Nazareth33:17
90Rock ’n’ Roll Damnation
engineer:
Mark Opitz
producer:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) and George Young (Australian musician and producer)
drums (drum set) [drums]:
Phil Rudd (from 1978-02 until 1978-03)
electric bass guitar [bass]:
Cliff Williams (from 1978-02 until 1978-03)
electric guitar [guitar]:
Angus Young (member of AC/DC) (from 1978-02 until 1978-03) and Malcolm Young (guitar player for AC/DC) (from 1978-02 until 1978-03)
lead vocals [vocals]:
Bon Scott (AC/DC member) (from 1978-02 until 1978-03)
phonographic copyright (℗) by:
J. Albert & Son (Pty) Ltd. (in 1978)
recorded at:
Albert Studios, Sydney, Australia (Australian studio, original King Street location, until 1985) in Sydney, New South Wales, Australia (from 1978-02 until 1978-03)
part of:
The Downloader’s Music Source Book (number: 113)
recording of:
Rock 'n' Roll Damnation (from 1978-02 until 1978-03)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), EMI Music Ltd., J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd. (in 1978)
AC/DC3.653:36
91Wheels on My Heels
recording of:
Wheels on My Heels
writer:
Roy C. Bennett (US songwriter) and Sid Tepper
Elvis Presley1:19
92Good Golly Miss MollyJerry Lee Lewis2:23
93Stood Up
Stray Cats2:41
94There Goes My Heart Again
phonographic copyright (℗) by:
ABC Records Inc. (in 1963)
recording of:
There Goes My Heart Again
lyricist and composer:
Antoine Domino (Fats Domino)
Fats Domino2:27
95Lucille
recording of:
Lucille
writer:
Albert Collins (US blues guitarist/vocalist/harmonica), Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) and Richard Wayne Penniman
publisher:
Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines’ legal name), MCA Music Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Universal/MCA Music Ltd. (not for release label use!) and Venice Music
Little Richard2:28
96Tiger Feet
recording of:
Tiger Feet
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) and BMG Music Publishing Ltd.
Mud3:51
97Bad Girl
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
lead vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Bad Girl
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
ZZ Top33:14
98Shake That Tambourine
recording of:
Shake That Tambourine
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
Elvis Presley2:03
99Rude Mood
assistant recording engineer:
James Geddes
recording engineer:
Richard Mullen
assistant producer:
Mikie Harris
executive producer:
John Hammond (producer)
producer:
Double Trouble (assoc. with Stevie Ray Vaughan), Richard Mullen and Stevie Ray Vaughan
assistant mixer:
Harry Spiridakis and Don Wershba (engineer)
mixer:
Lincoln Clapp (engineer)
bass guitar:
Tommy Shannon
drums (drum set):
Chris Layton
guitar:
Stevie Ray Vaughan
recorded at:
Down Town Studio in Los Angeles, California, United States and Riverside Sound in Austin, Texas, United States
mixed at:
Mediasound Studios in New York, New York, United States
recording of:
Rude Mood
composer:
Stevie Ray Vaughan
Stevie Ray Vaughan and Double Trouble4.54:40
100Whole Lotta Rosie
producer:
Vanda & Young (songwriting & producing duo)
recorded at:
The Apollo in Glasgow, Scotland, United Kingdom (on 1978-04-30)
live recording of:
Whole Lotta Rosie (on 1978-04-30)
writer:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) and Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
is based on:
Dirty Eyes
AC/DC44:30

Credits

Release group

part of:100 Hits (Russian series of mp3 CDs) (order: 24)