Jazz Top 100 Allertijden: The Greatest Standards

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Moon River
audio engineer:
James Lockert
producer:
Quincy Jones
vocals:
Sarah Vaughan
arranger:
Bob James (US jazz keyboardist, arranger and producer)
cover recording of:
Moon River
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
Sarah Vaughan2:51
2Bluesette
chromatic harmonica:
Toots Thielemans
Toots Thielemans4:36
3All Your Love
vocals:
Norah Jones
cover recording of:
All Your Love
lyricist and composer:
Magic Sam
The Peter Malick Group feat. Norah Jones34:31
4The Look of Love
recording of:
The Look of Love
lyricist:
Hal David
writer:
Burt Bacharach and Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Dusty Springfield53:32
5They Can’t Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Stacey Kent5:00
6Someone to Watch Over Me
Blossom Dearie3:59
7Black Coffee
double bass:
Max Wayne (on 1953-05-04)
drums (drum set):
Ed Shaughnessy (on 1953-05-04)
piano:
Jimmy Rowles (on 1953-05-04)
trumpet:
Pete Candoli (on 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (on 1953-05-04)
cover recording of:
Black Coffee (1948 song) (on 1953-05-04)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Peggy Lee3:08
8April in Paris
recorded in:
New York, New York, United States (from 1964-09-02 until 1964-09-05)
producer:
Jim Davis (jazz producer)
alto saxophone and clarinet:
Marshall Royal (from 1964-09-02 until 1964-09-05)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (from 1964-09-02 until 1964-09-05)
double bass:
Ray Brown (jazz bassist) (from 1964-09-02 until 1964-09-05)
drums (drum set):
Sonny Payne (from 1964-09-02 until 1964-09-05)
guitar:
Freddie Green (from 1964-09-02 until 1964-09-05)
percussion:
Emil Richards (from 1964-09-02 until 1964-09-05)
piano:
Count Basie (pianist) (from 1964-09-02 until 1964-09-05)
saxophone:
Frank Wess (from 1964-09-02 until 1964-09-05)
tenor saxophone:
Eric Dixon (woodwind) (from 1964-09-02 until 1964-09-05)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (from 1964-09-02 until 1964-09-05)
vocals:
Sammy Davis Jr. (from 1964-09-02 until 1964-09-05)
orchestra:
The Count Basie Orchestra (from 1964-09-02 until 1964-09-05)
conductor:
Quincy Jones (from 1964-09-02 until 1964-09-05)
arranger:
Quincy Jones
cover recording of:
April in Paris
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Sammy Davis Jr. & Count Basie2:47
9Antonio’s Song
assistant recording engineer and assistant mixer:
Jonas Zadow
recording engineer:
Jens Kuphal and Arne Schumann
producer:
Till Brönner (German trumpet player) and Jens Kuphal
mixer:
Jens Kuphal
bass:
Timothy Lefebvre (US bass guitarist)
cello:
Timothy Park (Cellist)
drums (drum set):
Wolfgang Haffner
flugelhorn, trumpet and lead vocals:
Till Brönner (German trumpet player)
flute:
Wolfgang Dünschede
guitar:
Chuck Loeb
keyboard:
Roberto Di Gioia (jazz pianist)
percussion:
Rolo Rodriguez
viola:
Gareth Lubbe (violist and harmonic singer)
violin:
Anastasia Pylatyuk (Violinist) and Una Sveinbjarnardóttir (violinist)
strings arranger:
Wolf Kerschek
arranger:
Till Brönner (German trumpet player)
phonographic copyright (℗) by:
Universal Classics & Jazz (Germany – “a division of Universal Music GmbH”; use only for copyrights, licensing and/or distribution) (in 2004)
recorded at and mixed at:
Nucleus Studio in Berlin, Germany
cover recording of:
Antonio’s Song (The Rainbow)
lyricist and composer:
Michael Franks
publisher:
Mississippi Mud Music Co.
sub-publisher:
Universal Music Publishing France (not for release label use!) and 大洋音楽 (Taiyō Music)
Till Brönner5:01
10Close to You
cover recording of:
(They Long to Be) Close to You
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Albert Music Publishing, Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Casa David LP, J. Albert & Son Pty. Ltd., Jac Music, Inc., New Hidden Valley Music Co., U.S. Songs, Inc., Universal/MCA Music Ltd. (not for release label use!), Windswept Music (London) Ltd. and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Tuck & Patti6:18
11Stop, Look, Listen to Your Heart
cover recording of:
Stop, Look, Listen (to Your Heart)
writer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
publisher:
Assorted Music, Bellboy Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Will Downing and Gerald Albright3:40
12Walter Whitman Where Are You
bass:
Phil Baker (US upright bassist)
drums (drum set):
Graham Lear
harmonica:
Tollak Ollestad (Production music composer)
keyboard:
Joe Vannelli (Canadian musician, composer and record producer)
piano:
Randy Porter
vocals:
Gino Vannelli
Gino Vannelli4:18
13On the Sunny Side of the Street
alto saxophone:
Johnny Hodges (on 1954-07-02)
double bass:
John Williams (jazz bassist) (on 1954-07-02)
drums (drum set):
Louis Bellson (on 1954-07-02)
piano:
Call Cobbs (on 1954-07-02)
tenor saxophone:
John Coltrane (on 1954-07-02)
trombone:
Lawrence Brown (jazz trombonist) (on 1954-07-02)
trumpet:
Harold “Shorty” Baker (on 1954-07-02)
recorded at:
Radio Recorders (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1954-07-02)
instrumental recording of:
On the Sunny Side of the Street (on 1954-07-02)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
Johnny Hodges2:59
14Embraceable You
cover recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Brenda Holloway2:42
15Flying Home
recording of:
Flying Home (instrumental version)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Ragbag Music (ASCAP) and Regent Music (BMI)
Benny Goodman3:55
16Stompin’ at the Savoy
recording of:
Stompin’ at the Savoy
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Anita O’Day3:20
17A Time for Love
recording engineer:
Ray Hall (engineer) (from 1968-09 until 1968-10)
producer:
Helen Keane
piano:
Bill Evans (pianist) (from 1968-09 until 1968-10)
recorded at:
Webster Hall in East Village, New York, New York, United States (from 1968-09 until 1968-10)
instrumental cover recording of:
A Time for Love (from 1968-09 until 1968-10)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Warner/Chappell North America (ended), M. Witmark & Sons and Warner Bros., Inc. (Warner Bros. Music Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
Bill Evans5:07
18It Might as Well Be Spring
cover recording of:
It Might as Well Be Spring (State Fair)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
Debby Boone4:30
19My Favorite Things
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-21)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-21)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-21)
soprano saxophone:
John Coltrane (on 1960-10-21)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
edit of:
My Favorite Things (single version) by John Coltrane
instrumental cover recording of:
My Favorite Things (The Sound of Music) (on 1960-10-21)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
John Coltrane2:41
20’round Midnight
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Kenny Rankin3:47