Jazz Top 100 Allertijden: The Greatest Standards

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1I’ve Grown Accustomed to His Face
assistente tecnico:
Angela Gomez (engineer)
tecnico:
Joe Ferla
produttore:
Stefan F. Winter
batteria :
Terri Lyne Carrington (nel 1988-02)
contrabbasso :
Lonnie Plaxico (nel 1988-02)
pianoforte :
Mulgrew Miller (nel 1988-02)
voce:
Cassandra Wilson (nel 1988-02)
diritti fonografici (℗) detenuti da:
Polydor K.K. (DO NOT USE AS A RELEASE LABEL!)
registrata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (nel 1988-02)
registrazione di:
I’ve Grown Accustomed to Her Face (My Fair Lady) (nel 1988-02)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe (nel 1956)
editore:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
My Fair Lady (full musical)
Cassandra Wilson5:16
2Ask a Woman Who Knows
Natalie Cole4:15
3The Shadow of Your Smile
Wes Montgomery2:16
4What a Difference a Day Made
produttore:
Clyde Otis (American songwriter and record producer)
batteria :
Panama Francis (US swing jazz drummer) (il 1959-02-19)
chitarra :
Kenny Burrell (il 1959-02-19)
contrabbasso :
Milt Hinton (il 1959-02-19)
flauto :
Jerome Richardson (il 1959-02-19)
pianoforte :
Joe Zawinul (jazz and fusion keyboard player) (il 1959-02-19)
sassofono baritono :
Charles Davis (saxophone player) (il 1959-02-19)
voce:
Dinah Washington (il 1959-02-19)
voce principale:
Dinah Washington (il 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (il 1959-02-19)
direttore d'orchestra:
Belford Hendricks (il 1959-02-19)
arrangiatore:
Belford Hendricks
registrazione cover di:
What a Diff’rence a Day Made (il 1959-02-19)
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
María Grever
editore:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC e Zomba Golden Sands Enterprises, Inc.
si basa su:
Cuando vuelva a tu lado
Dinah Washington3.252:30
5Cheek to Cheek
registrazione cover di:
Cheek to Cheek (from “Top Hat”)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
parte di:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong4:16
6Moonlight Serenade
The Rosenberg Trio4:35
7Feels So Good
Chuck Mangione3:28
8The Very Thought of You
flicorno soprano ospite :
Roy Hargrove
esecutore:
Linda Ronstadt
registrazione cover di:
The Very Thought of You
paroliere e compositore:
Ray Noble
editore:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) e Warner Bros. Music (publisher; do NOT use as release label)
Linda Ronstadt & Aaron Neville4:31
9How Intensitive
Roy Hargrove5:23
10If You Love Somebody
Silje Nergaard4:05
11Just One of Those Things
Laura Fygi3:36
12I Get a Kick Out of You
registrazione di:
I Get a Kick Out of You
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell e Chappell (nel 1974)
parte di:
Anything Goes
Charlie Parker3:36
13My Baby Just Cares for Me
registrata presso:
Vine St. Bar & Grill in Hollywood, Los Angeles, California, Stati Uniti (dal 1985-12-03 al 1985-12-08)
registrazione dal vivo cover di:
My Baby Just Cares for Me (dal 1985-12-03 al 1985-12-08)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3:02
14Love Is Here to Stay
Carmen McRae2:39
15A Sunday Kind of Love
produttore:
Leonard Chess, Leonard & Phil Chess (legendary US production duo) e Phil Chess
voce:
Etta James
voce principale:
Etta James
orchestra:
Riley Hampton Orchestra
direttore d'orchestra:
Riley Hampton
esecutore:
Sugar Pie DeSanto
arrangiatore:
Riley Hampton
registrazione cover di:
A Sunday Kind of Love
autore:
Barbara Belle, Anita Leonard (US pianist, composer and lyricist), Louis Prima e Stan Rhodes
editore:
Leeds Music Inc.
Etta James4.53:18
16Diamonds Are a Girl’s Best Friend
registrazione di:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Leo Robin (US composer, lyricist & songwriter) e Jule Styne
editore:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) e Music Sales Corporation (American copyright holder in both popular and classical music)
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
parte di:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
Marilyn Monroe3:32
17One for My Baby (and One for the Road)
registrazione di:
One for My Baby (and One More for the Road)
paroliere:
Johnny Mercer (nel 1943)
compositore:
Harold Arlen (nel 1943)
editore:
Chappell/Morris Ltd. e Harwin Music
parte di:
The Sky’s the Limit (1943 film)
Billie Holiday5:41
18Bewitched
Susannah McCorkle4:36
19Body and Soul
sassofono tenore :
Sonny Rollins (American saxophonist) (il 1958-07-10)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (il 1958-07-10)
Sonny Rollins4:20
20Night Train
registrazione di:
Night Train (Jimmy Forrest’s original instrumental version)
compositore:
Jimmy Forrest
si basa su:
Happy Go Lucky Local
Oscar Peterson4:51
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