| # | Title | Artist | Rating | Length |
|---|
| 1 | Heads Will Roll | Yeah Yeah Yeahs | 4.2 | 3:41 |
| 2 | brutal- recording engineer and producer:
- Daniel Nigro
- additional drum machine programming:
- Ryan Linvill
- drum machine programming:
- Daniel Nigro
- mixer:
- Mitch McCarthy
- acoustic guitar and synthesizer:
- Daniel Nigro
- bass guitar:
- Erick Serna
- electric guitar:
- Daniel Nigro and Erick Serna
- viola and violin:
- Paul Cartwright
- Wurlitzer electric piano:
- Ryan Linvill
- background vocals:
- Daniel Nigro and Olivia Rodrigo
- vocals:
- Olivia Rodrigo
- phonographic copyright (℗) by:
- Olivia Rodrigo (in 2021)
- recorded at:
- Amusement Studios in Los Angeles, California, United States and Funk Studios, Salt Lake City in Salt Lake City, Utah, United States
- mixed at:
- Amusement Studios in Los Angeles, California, United States
- music videos:
- brutal by Olivia Rodrigo
- recording of:
- brutal
- lyricist and composer:
- Daniel Leonard Nigro and Olivia Rodrigo
- publisher:
- Daniel Leonard Nigro Music, Liv Laf Luv, Sony/ATV Allegro, Sony/ATV Music Publishing Canada , Sony/ATV Tunes , Sony/ATV Tunes LLC , ソニー・ミュージックパブリッシング A事業部 and Sony Music Publishing (Hong Kong) Limited (from 2021 to present)
| Olivia Rodrigo | 3.75 | 2:24 |
| 3 | Last Laugh (from “Promising Young Woman” soundtrack) | FLETCHER | 4 | 2:43 |
| 4 | You Don’t Own Me (single version) | Lesley Gore | 3.9 | 2:32 |
| 5 | I Feel Like a God | DeathbyRomy | 3 | 2:59 |
| 6 | Just a Girl | No Doubt | 4.3 | 3:26 |
| 7 | Stayin Alive- producer:
- Bee Gees, Albhy Galuten and Karl Richardson
- bass:
- Maurice Gibb (in 1977)
- drums (drum set):
- Dennis Bryon (in 1977)
- electric guitar:
- Alan Kendall (in 1977)
- guitar [rhythm guitar] and lead vocals:
- Barry Gibb (in 1977)
- keyboard, piano and synthesizer:
- Blue Weaver (in 1977)
- percussion:
- Dennis Bryon (in 1977) and Joe Lala (in 1977)
- background vocals and other vocals [harmony vocals]:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- performer:
- Bee Gees (in 1977)
- phonographic copyright (℗) by:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (in 1977), PolyGram Records, Inc. (in 1977) and RSO Records, Inc. (in 1977)
- part of:
- Q50 – December 2005 (number: 3), Billboard Year-End Hot 100 singles of 1978 (number: 4), Billboard: The 500 Best Pop Songs (number: 32), Billboard: Greatest of All Time Hot 100 Songs (number: 66), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 99), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 189) and BILLIONS CLUB
- recording of:
- Stayin’ Alive (in 1977)
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co Ltd., Crompton Songs, Gibb Brothers Music, R.S.O. Publishing Ltd., Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
| Bee Gees | 3.9 | 4:45 |
| 8 | Tear You Apart | She Wants Revenge | 4 | 4:44 |
| 9 | Judas | Lady Gaga | 3.95 | 4:09 |
| 10 | Kiss With a Fist | Florence + the Machine | | 2:15 |
| 11 | Black Sheep (Brie Larson vocal version) | Metric | 4 | 4:54 |
| 12 | Blood in the Cut | K.Flay | | 3:09 |
| 13 | Everybody Wants to Rule the World | Tears for Fears | 3.9 | 4:13 |
| 14 | Jennifer’s Body | Hole | 3.75 | 3:41 |
| 15 | Serial Killer | Slayyyter | | 3:58 |
| 16 | One Way or Another (remastered 2001)- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1978, in 2001), Capitol Records, LLC (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 298)
- recording of:
- One Way or Another (from 1978-06 until 1978-07)
- writer:
- Nigel Harrison and Deborah Harry
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Chrysalis Songs, EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
| Blondie | 4.15 | 3:35 |
| 17 | Still Alive (from the original motion picture Scream VI) | Demi Lovato | | 3:05 |
| 18 | Killer Queen (remastered 2011)- engineer:
- Kris Fredriksson, Justin Shirley‐Smith and Mike Stone
- producer:
- Roy Thomas Baker , Brian May , Queen and Roger Taylor
- bass guitar and keyboard:
- John Deacon
- drums (drum set), percussion, triangle and wind chime:
- Roger Taylor
- electric guitar:
- Brian May
- piano, tack piano and lead vocals:
- Freddie Mercury
- background vocals:
- Brian May , Freddie Mercury and Roger Taylor
- orchestrator:
- Brian May
- phonographic copyright (℗) by:
- Queen (in 1974)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1974), Hollywood Records, Inc. (in 1974) and Queen Productions Ltd. (in 1974)
- recorded at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom, Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom, Trident Studios in Soho, Westminster, London , England, United Kingdom and Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom
- music videos:
- Killer Queen by Queen
- recording of:
- Killer Queen
- lyricist and composer:
- Freddie Mercury
- publisher:
- B. Feldman & Co. Ltd. , EMI Music Publishing Ltd. , Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- included in:
- We Will Rock You
| Queen | 3.95 | 3:04 |
| 19 | Tainted Love- engineer:
- Paul Hardiman
- producer:
- Mike Thorne
- mixer:
- Harvey Goldberg
- electronic instruments and other instruments:
- Dave Ball
- saxophone:
- David Tofani
- background vocals:
- Vicious Pink
- vocals:
- Marc Almond
- phonographic copyright (℗) by:
- Mercury Records Ltd. (London) (in 1981)
- recorded at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- music videos:
- Tainted Love by Soft Cell
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (number: 33) and Billboard: The 500 Best Pop Songs (number: 46)
- cover recording of:
- Tainted Love
- lyricist and composer:
- Ed Cobb
- publisher:
- Burlington Music Co., Ltd. and Embassy Music Corporation
- sub-publisher:
- ミュージック・セールス
| Soft Cell | 3.95 | 2:37 |
| 20 | Glad He’s Gone | Tove Lo | 4.55 | 3:16 |
| 21 | Maneater- additional recording engineer and additional mixer:
- Marcella "Ms. Lago" Araica
- recording engineer and mixer:
- Demacio "Demo" Castellon
- engineer:
- Vadim Chislov, Demacio "Demo" Castellon, Ben Jost , James Roach and Kobla Tetey
- producer:
- Jim Beanz (lead vocals), Danja and Timbaland
- drums (drum set) [drums] and keyboard [keyboards]:
- Danja
- background vocals:
- Jim Beanz, Nelly Furtado and Timbaland
- phonographic copyright (℗) by:
- Mosley Music Group LLC and Geffen Records (in 2006)
- mixed for:
- Storm Circle Entertainment
- produced for:
- Danja Handz Productions, Pettaway Music, Sunset Entertainment and Timbaland Productions
- recorded at:
- The Hit Factory Miami in Miami, Florida, United States
- mixed at:
- Thomas Crown Studios Virginia Beach in Virginia Beach, Virginia, United States
- recording of:
- Maneater
- additional lyricist:
- Jim Beanz
- lyricist:
- Nelly Furtado
- composer:
- Nelly Furtado, Nate Hills and Timothy Mosley
| Nelly Furtado | 3.85 | 4:25 |
| 22 | Glory and Gore | Lorde | 4 | 3:31 |
| 23 | Straight Shooter | The Mamas & the Papas | 4.5 | 2:59 |
| 24 | Somebody’s Watching Me- recording engineer:
- Arne Frager, Joe Q. Hall , Booker T. Jones III and Scott Skidmore
- drum machine programming:
- Rockwell (in 1983)
- producer:
- Curtis Anthony Nolen and Rockwell
- drum machine, drums (drum set), organ, synthesizer and vocoder:
- Rockwell (in 1983)
- background vocals:
- Jermaine Jackson (in 1983) and Michael Jackson (in 1983)
- vocals:
- Michael Jackson
- arranger:
- Curtis Anthony Nolen and Rockwell
- vocals arranger:
- Curtis Anthony Nolen
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1983) and UMG Recordings, Inc. (in 2021)
- arranged for and produced for:
- Super Three Productions
- recorded at:
- Mars Recording Studio in Hollywood, Los Angeles, California, United States (in 1983)
- mixed at:
- Motown Studios - Hitsville West in West Hollywood, California, United States
- music videos:
- Somebody’s Watching Me by Rockwell
- part of:
- Billboard Hot 100: 2025-11-15 (number: 24)
- recording of:
- Somebody’s Watching Me
- lyricist and composer:
- Rockwell
- publisher:
- EMI Music and Jobete Music
| Rockwell | 4.5 | 4:59 |
| 25 | Gimme! Gimme! Gimme! (A Man After Midnight) | ABBA | 4 | 4:49 |
| 26 | Red Lips | Sky Ferreira | | 2:24 |
| 27 | Lay All Your Love on Me- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- bass guitar:
- Rutger Gunnarsson (on 1980-09-09)
- drums (drum set):
- Ola Brunkert (on 1980-09-09)
- guitar:
- Lasse Wellander (on 1980-09-09)
- keyboard and synthesizer:
- Benny Andersson (on 1980-09-09)
- background vocals:
- Frida (on 1980-09-09)
- lead vocals:
- Agnetha Fältskog (on 1980-09-09)
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music International AB (in 1980)
- recorded at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-09-09)
- mixed at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-10-10)
- part of:
- Helsingin Sanomat: 100 maailman parasta laulua (number: 49)
- recording of:
- Lay All Your Love on Me (on 1980-09-09)
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- Bocu Music Ltd., EMI Music Publishing , Union Songs Music, Universal Music Publishing Group, Universal/Union Songs Musikförlag AB, Artwork Music Co., Inc. (from 1980 to ????) and Countless Songs, Ltd. (from 1980 to ????)
- part of:
- Mamma Mia!
| ABBA | 3.9 | 4:33 |
| 28 | Church Outfit | Poppy | | 1:54 |
| 29 | Paint It, Black | The Rolling Stones | 4.5 | 3:22 |
| 30 | I Think We’re Alone Now | Tiffany | 3.8 | 3:46 |
| 31 | Looking at Me | Sabrina Carpenter | 4.5 | 3:01 |
| 32 | Relax (original 7”) | Frankie Goes to Hollywood | 4.05 | 3:54 |
| 33 | It’s Raining Men (from “Promising Young Woman” soundtrack) | DeathbyRomy | | 3:43 |
| 34 | traitor- recording engineer and producer:
- Daniel Nigro
- drum machine programming:
- Ryan Linvill and Daniel Nigro
- mixer:
- Mitch McCarthy
- acoustic guitar, electric guitar, Hammond organ [B3 organ], piano, synthesizer [Juno 60] and background vocals:
- Daniel Nigro
- bass guitar and synthesizer:
- Ryan Linvill
- vocals:
- Olivia Rodrigo
- phonographic copyright (℗) by:
- Olivia Rodrigo (in 2021)
- recorded at:
- Amusement Studios in Los Angeles, California, United States and Funk Studios, Salt Lake City in Salt Lake City, Utah, United States
- mixed at:
- Amusement Studios in Los Angeles, California, United States
- music videos:
- traitor by Olivia Rodrigo
- part of:
- Billboard Year-End Hot 100 singles of 2021 (number: 38) and BILLIONS CLUB
- recording of:
- traitor
- lyricist and composer:
- Daniel Leonard Nigro and Olivia Rodrigo
- publisher:
- Daniel Leonard Nigro Music, Sony/ATV Allegro, Sony/ATV Tunes LLC and Sony Music Publishing (Hong Kong) Limited (from 2021 to present)
| Olivia Rodrigo | 3.6 | 3:49 |
| 35 | Cherry Bomb | The Runaways | 4.15 | 2:18 |
| 36 | Wicked Ones | Dorothy | 3.5 | 2:54 |
| 37 | Don’t You Want Me | The Human League | 3.85 | 3:57 |
| 38 | Man! I Feel Like a Woman! | Shania Twain | 3 | 3:53 |
| 39 | Girls Get Angry Too | GIRLI | | 3:06 |
| 40 | Super Freak- recording engineer and mixer:
- Tom "Super" Flye
- assistant engineer:
- Rick "Port Hole" Sanchez
- engineer:
- Bobby Brooks , Rick "Port Hole" Sanchez and Tom "Super" Flye
- executive producer:
- Alonzo Miller
- producer:
- Rick James
- bass:
- Oscar Alston
- drums (drum set):
- Lanise Hughes
- electric piano and synthesizer [Crumar]:
- Levi Ruffin, Jr.
- guitar:
- Tom McDermott
- handclaps and percussion:
- Oscar Alston, Rick James and Tom McDermott
- other instruments [flexatone] and vibraslap:
- Rick James
- tenor saxophone:
- Daniel LeMelle
- background vocals:
- Dennis Edwards , Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street and Otis Williams
- horn arranger:
- Daniel LeMelle and Rick James
- arranger:
- Rick James
- recorded at:
- Motown Studios - Hitsville West in West Hollywood, California, United States (background vocals) and The Plant Studios in Sausalito, California, United States
- mixed at:
- Westlake Studios in West Hollywood, California, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 153) and Rolling Stone: 500 Greatest Songs of All Time (number: 477)
- recording of:
- Super Freak
- lyricist and composer:
- Alonzo Miller and Rick James
- publisher:
- Jobete Music Co., Inc. and Stone Diamond Music Corporation
| Rick James | 4.15 | 3:25 |
| 41 | Come and Play With Me (from “Promising Young Woman” soundtrack) | DeathbyRomy | | 3:08 |
| 42 | All for Us (from the HBO original series Euphoria) | Labrinth | | 3:13 |
| 43 | Uh‐Oh | CYN | | 3:12 |
| 44 | Spellbound | Siouxsie and the Banshees | 4.85 | 3:17 |
| 45 | Her | Poppy | 3.5 | 2:09 |
| 46 | The Kids Aren’t Alright | The Offspring | 4.3 | 3:00 |
| 47 | Going Under | Evanescence | 3.9 | 3:35 |
| 48 | My Favourite Game- assistant engineer:
- Lars Göransson
- engineer and producer:
- Tore Johansson
- mixer:
- Tore Johansson and Staffan Schöler
- bass guitar:
- Magnus Sveningsson
- drums (drum set):
- Bengt Lagerberg
- guitar:
- Peter Svensson
- keyboard:
- Lars-Olof Johansson
- lead vocals:
- Nina Persson
- phonographic copyright (℗) by:
- Stockholm Records and Universal Music AB (in 1998)
- mixed at:
- Country Hell in Skurup Municipality , Skåne , Sweden and New York City Center in New York, New York, United States
- engineered at:
- Country Hell in Skurup Municipality , Skåne , Sweden and Tambourine Studios in Malmö, Skåne , Sweden
- produced at:
- Country Hell in Skurup Municipality , Skåne , Sweden and Tambourine Studios in Malmö, Skåne , Sweden
- part of:
- Cachitos Nochevieja 2022 (number: 57)
- recording of:
- My Favourite Game
- lyricist:
- Nina Persson
- composer:
- Peter Svensson
- publisher:
- Stockholm Songs and Universal Music Publishing
| The Cardigans | 3.75 | 3:37 |
| 49 | Love Me Tender (from “Ready or Not"/soundtrack version) | Stereo Jane | | 2:13 |
| 50 | Raise Hell | Dorothy | 3.5 | 3:02 |
| 51 | Kill My Boyfriend | Natalia Kills | | 3:32 |
| 52 | Toxic (from “Promising Young Woman” soundtrack) | Anthony Willis | | 1:51 |
| 53 | Dancing Queen- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- bass:
- Rutger Gunnarsson (from 1976-08-04 until 1976-08-05)
- cello:
- Hans‐Göran Eketorp (on 1976-09-12) and Åke Olofsson (on 1976-09-12)
- clavinet and keyboard:
- Benny Andersson (from 1976-08-04 until 1976-08-05)
- drums (drum set):
- Roger Palm (from 1976-08-04 until 1976-08-05, on 1976-12-03)
- viola:
- Åke Arvinder (on 1976-09-12), Lars Brolin (on 1976-09-12) and Håkan Roos (on 1976-09-12)
- violin:
- Martin Bylund (on 1976-09-12), Anders Dahl (on 1976-09-12), Lars Stegenberg (on 1976-09-12), Gunnar Michols (on 1976-09-12), Claes Nilsson (on 1976-09-12), Bertil Orsin (on 1976-09-12), Sixten Strömvall (on 1976-09-12), Harry Teike (on 1976-09-12) and Krzysztof Zdrzalka (on 1976-09-12)
- lead vocals:
- Agnetha Fältskog (in 1976-09) and Frida (in 1976-09)
- strings arranger:
- Sven-Olof Walldoff
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music AB (in 1976) and Polar Music International AB (in 1976)
- recorded at:
- Metronome Studio in Stockholm, Stockholms län , Sweden (in 1976), Glen Studio in Stockholms län , Sweden (from 1976-08-04 until 1976-08-05) and KMH Studios in Stockholm, Stockholms län , Sweden (on 1976-12-03)
- part of:
- Billboard: The 500 Best Pop Songs (number: 2), SWR1 Hitparade 2006 (number: 5), SWR1 Hitparade 2003 (number: 7), Helsingin Sanomat: 100 maailman parasta laulua (number: 9), Q50 – December 2005 (number: 37), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (number: 171) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 286)
- recording of:
- Dancing Queen (in 1976)
- writer:
- Stig Anderson , Benny Andersson and Björn Ulvaeus
- publisher:
- Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing , Union Songs AB , Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. , Universal–Songs of PolyGram International, Inc., EMI Waterford Music (from 1976 to present), Universal PolyGram International Publishing, Inc. (from 1976 to present) and Universal/Union Songs Musikförlag AB (from 1976 to present)
- premiered at:
- Kungliga Operan in Stockholm, Stockholms län , Sweden (on 1976-06-18)
- part of:
- Mamma Mia!
| ABBA | 4 | 3:51 |
| 54 | Cool Girl | Tove Lo | 4 | 3:19 |
| 55 | Janie’s Got a Gun (single version) | Aerosmith | 4.15 | 5:29 |
| 56 | Black on Black II | Heart | | 3:51 |
| 57 | Sister | She Wants Revenge | 4 | 5:15 |
| 58 | Borderline | Tame Impala | 4.5 | 3:58 |
| 59 | Everybody’s Fool | Evanescence | 3.8 | 3:16 |
| 60 | There She Goes | The La’s | | 2:35 |
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