The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

1▶CD: Vol 1. Cantatas CD 1
2▶CD: Vol 1. Cantatas CD 2
3▶CD: Vol 1. Cantatas CD 3
4▶CD: Vol 1. Cantatas CD 4
5▶CD: Vol 2. Cantatas CD 1
6▶CD: Vol 2. Cantatas CD 2
7▶CD: Vol 2. Cantatas CD 3
8▶CD: Vol 2. Cantatas CD 4
9▶CD: Vol 3. Cantatas CD 1
10▶CD: Vol 3. Cantatas CD 2
11▶CD: Vol 3. Cantatas CD 3
12▶CD: Vol 3. Cantatas CD 4
13▶CD: Vol 4. Cantatas CD 1
14▶CD: Vol 4. Cantatas CD 2
15▶CD: Vol 4. Cantatas CD 3
16▶CD: Vol 4. Cantatas CD 4
17▶CD: Vol 5. Cantatas CD 1
18▶CD: Vol 5. Cantatas CD 2
19▶CD: Vol 5. Cantatas CD 3
20▶CD: Vol 5. Cantatas CD 4
21▶CD: Vol 6. Cantatas CD 1
22▶CD: Vol 6. Cantatas CD 2
23▶CD: Vol 6. Cantatas CD 3
24▶CD: Vol 6. Cantatas CD 4
25▶CD: Vol 7. Cantatas CD 1
26▶CD: Vol 7. Cantatas CD 2
27▶CD: Vol 7. Cantatas CD 3
28▶CD: Vol 7. Cantatas CD 4
29▶CD: Vol 8. Cantatas CD 1
30▶CD: Vol 8. Cantatas CD 2
31▶CD: Vol 8. Cantatas CD 3
32▶CD: Vol 8. Cantatas CD 4
33▶CD: Vol 9. Cantatas CD 1
34▶CD: Vol 9. Cantatas CD 2
35▶CD: Vol 9. Cantatas CD 3
36▶CD: Vol 9. Cantatas CD 4
37▶CD: Vol 10. Cantatas CD 1
38▶CD: Vol 10. Cantatas CD 2
39▶CD: Vol 10. Cantatas CD 3
40▶CD: Vol 10. Cantatas CD 4
41▶CD: Vol 11. Cantatas CD 1
42▶CD: Vol 11. Cantatas CD 2
43▶CD: Vol 11. Cantatas CD 3
44▶CD: Vol 11. Cantatas CD 4
45▶CD: Vol 12. Cantatas CD 1
46▶CD: Vol 12. Cantatas CD 2
47▶CD: Vol 12. Cantatas CD 3
48▶CD: Vol 12. Cantatas CD 4
49▶CD: Vol 13. Cantatas CD 1
50▶CD: Vol 13. Cantatas CD 2
51▶CD: Vol 13. Cantatas CD 3
52▶CD: Vol 13. Cantatas CD 4
53▶CD: Vol 14. Cantatas CD 1
54▶CD: Vol 14. Cantatas CD 2
55▶CD: Vol 14. Cantatas CD 3
56▶CD: Vol 14. Cantatas CD 4
57▶CD: Vol 15. Cantatas CD 1
58▶CD: Vol 15. Cantatas CD 2
59▶CD: Vol 15. Cantatas CD 3
60▶CD: Vol 15. Cantatas CD 4
61▶CD: Vol 16. Cantatas CD 1
62▶CD: Vol 16. Cantatas CD 2
63▶CD: Vol 16. Cantatas CD 3
64▶CD: Vol 16. Cantatas CD 4
65▶CD: Vol 17. Cantatas CD 1
66▶CD: Vol 17. Cantatas CD 2
67▶CD: Vol 17. Cantatas CD 3
68▶CD: Vol 17. Cantatas CD 4
69▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 1
70▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 2
71▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 3
72▶CD: Vol 18. Congratulatory And Hommage Cantatas CD 4
73▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 1
74▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 2
75▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 3
76▶CD: Vol 19. Mass In B Minor · Sacred Music In Latin CD 4
77▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 1
78▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 2
79▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 3
80▶CD: Vol 20. Christmas Oratorio · A Book Of Chorale-Settings CD 4
81▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 1
82▼CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 2
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1Matthäus‐Passion, BWV 244: Aria (+ Chor) „Ach! nun ist mein Jesus hin!“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:55
2Matthäus‐Passion, BWV 244: „Die aber Jesum gegriffen hatten“ (Evangelista)
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:07
3Matthäus‐Passion, BWV 244: Choral „Mir hat die Welt trüglich gericht’“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (in 1994)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
0:45
4Matthäus‐Passion, BWV 244: „Und wiewohl viel falsche Zeugen herzutraten“ (Evangelista, Testis I, II, Pontifex)
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:15
5Matthäus‐Passion, BWV 244: Recitativo „Mein Jesus schweigt“
tenor vocals:
Martin Wanner
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:00
6Matthäus‐Passion, BWV 244: Aria „Geduld!“
tenor vocals:
Martin Wanner
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
3:35
7Matthäus‐Passion, BWV 244: „Und der Hohepriester antwortete“ (Evangelista, Pontifex, Jesus, Chori)
bass vocals [Jesus]:
Matthias Goerne (baritone)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:09
8Matthäus‐Passion, BWV 244: Choral „Wer hat dich so geschlagen“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
1:03
9Matthäus‐Passion, BWV 244: „Petrus aber saß draußen im Palast“ (Evangelista, Ancilla I, II, Petrus, Chorus II)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:41
10Matthäus‐Passion, BWV 244: Aria „Erbarme dich“
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1994)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:38
11Matthäus‐Passion, BWV 244: Choral „Bin ich gleich von dir gewichen“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1994)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
1:07
12Matthäus‐Passion, BWV 244: „Des Morgens aber hielten alle Hohepriester“ (Evangelista, Judas, Chori, Pontifex I, II)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:58
13Matthäus‐Passion, BWV 244: Aria „Gebt mir meinen Jesum wieder!“
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:41
14Matthäus‐Passion, BWV 244: „Sie hielten aber einen Rat“ (Evangelista, Pilatus, Jesus)
bass vocals [Jesus]:
Matthias Goerne (baritone)
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:39
15Matthäus‐Passion, BWV 244: Choral „Befiehl du deine Wege“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
1:14
16Matthäus‐Passion, BWV 244: „Auf das Fest aber“ (Evangelista, Pilatus, Uxor Pilati, Chori)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
2:42
17Matthäus‐Passion, BWV 244: Choral „Wie wunderbarlich ist doch diese Strafe!“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 1994)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
0:50
18Matthäus‐Passion, BWV 244: „Der Landpfleger sagte“ (Evangelista, Pilatus)
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:18
19Matthäus‐Passion, BWV 244: Recitativo „Er hat uns allen wohlgetan“
soprano vocals:
Christiane Oelze (German soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:17
20Matthäus‐Passion, BWV 244: Aria „Aus Liebe will mein Heiland sterben“
soprano vocals:
Christiane Oelze (German soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:01
21Matthäus‐Passion, BWV 244: „Sie schrieen aber noch mehr und sprachen“ (Evangelista, Pilatus, Chori)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
1:52
22Matthäus‐Passion, BWV 244: Recitativo „Erbarm es Gott!“
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
0:56
23Matthäus‐Passion, BWV 244: Aria „Können Tränen meiner Wangen“
alto vocals:
Ingeborg Danz (mezzo soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
6:07
24Matthäus‐Passion, BWV 244: „Da nehmen die Kriegsknechte“ (Evangelista, Chori)
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals [Evangelist]:
Michael Schade (tenor)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) (in 1994)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
1:21
25Matthäus‐Passion, BWV 244: Choral „O Haupt voll Blut und Wunden“
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1994-02 until 1994-04)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1994)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
2:18
83▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 3
84▶CD: Vol 21. St. Matthew Passion · A Book Of Chorale-Settings CD 4
85▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 1
86▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 2
87▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 3
88▶CD: Vol 22. St. John Passion · Easter Oratorio · A Book Of Chorale Settings CD 4
89▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 1
90▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 2
91▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 3
92▶CD: Vol 23. Magnificat · Sacred Vocal Works CD 4
93▶CD: Vol 24. A Book Of Chorale-Settings CD 1
94▶CD: Vol 24. A Book Of Chorale-Settings CD 2
95▶CD: Vol 24. A Book Of Chorale-Settings CD 3
96▶CD: Vol 24. A Book Of Chorale-Settings CD 4
97▶CD: Vol 25. Organ Works CD 1
98▶CD: Vol 25. Organ Works CD 2
99▶CD: Vol 25. Organ Works CD 3
100▶CD: Vol 25. Organ Works CD 4
101▶CD: Vol 26. Organ Works CD 1
102▶CD: Vol 26. Organ Works CD 2
103▶CD: Vol 26. Organ Works CD 3
104▶CD: Vol 26. Organ Works CD 4
105▶CD: Vol 27. Organ Works CD 1
106▶CD: Vol 27. Organ Works CD 2
107▶CD: Vol 27. Organ Works CD 3
108▶CD: Vol 27. Organ Works CD 4
109▶CD: Vol 28. Organ Works CD 1
110▶CD: Vol 28. Organ Works CD 2
111▶CD: Vol 28. Organ Works CD 3
112▶CD: Vol 28. Organ Works CD 4
113▶CD: Vol 29. Organ Works CD 1
114▶CD: Vol 29. Organ Works CD 2
115▶CD: Vol 29. Organ Works CD 3
116▶CD: Vol 29. Organ Works CD 4
117▶CD: Vol 30. Harpsichord Music CD 1
118▶CD: Vol 30. Harpsichord Music CD 2
119▶CD: Vol 30. Harpsichord Music CD 3
120▶CD: Vol 30. Harpsichord Music CD 4
121▶CD: Vol 31. Keyboard Works CD 1
122▶CD: Vol 31. Keyboard Works CD 2
123▶CD: Vol 31. Keyboard Works CD 3
124▶CD: Vol 31. Keyboard Works CD 4
125▶CD: Vol 32. Keyboard Works CD 1
126▶CD: Vol 32. Keyboard Works CD 2
127▶CD: Vol 32. Keyboard Works CD 3
128▶CD: Vol 32. Keyboard Works CD 4
129▶CD: Vol 33. Keyboard Works CD 1
130▶CD: Vol 33. Keyboard Works CD 2
131▶CD: Vol 33. Keyboard Works CD 3
132▶CD: Vol 33. Keyboard Works CD 4
133▶CD: Vol 34. Keyboard Works CD 1
134▶CD: Vol 34. Keyboard Works CD 2
135▶CD: Vol 34. Keyboard Works CD 3
136▶CD: Vol 34. Keyboard Works CD 4
137▶CD: Vol 35. Keyboard Works CD 1
138▶CD: Vol 35. Keyboard Works CD 2
139▶CD: Vol 35. Keyboard Works CD 3
140▶CD: Vol 35. Keyboard Works CD 4
141▶CD: Vol 36. Keyboard Works CD 1
142▶CD: Vol 36. Keyboard Works CD 2
143▶CD: Vol 36. Keyboard Works CD 3
144▶CD: Vol 36. Keyboard Works CD 4
145▶CD: Vol 37. Keyboard Works CD 1
146▶CD: Vol 37. Keyboard Works CD 2
147▶CD: Vol 37. Keyboard Works CD 3
148▶CD: Vol 37. Keyboard Works CD 4
149▶CD: Vol 38. Orchestral Music CD 1
150▶CD: Vol 38. Orchestral Music CD 2
151▶CD: Vol 38. Orchestral Music CD 3
152▶CD: Vol 38. Orchestral Music CD 4
153▶CD: Vol 39. Works For Violin CD 1
154▶CD: Vol 39. Works For Violin CD 2
155▶CD: Vol 39. Works For Violin CD 3
156▶CD: Vol 39. Works For Violin CD 4
157▶CD: Vol 40. Harpsichord Concertos CD 1
158▶CD: Vol 40. Harpsichord Concertos CD 2
159▶CD: Vol 40. Harpsichord Concertos CD 3
160▶CD: Vol 40. Harpsichord Concertos CD 4
161▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 1
162▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 2
163▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 3
164▶CD: Vol 41. Works For Solo Violin And Solo Cello CD 4
165▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 1
166▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 2
167▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 3
168▶CD: Vol 42. Sonatas For Viola Da Gamba And Harpsichord CD 4
169▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 1
170▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 2
171▶CD: Vol 43. Restored Oboe Concerti · Musical Offering CD 3