Pizza Music

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1That’s Amore
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (il 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (il 1953-08-13)
direttore d'orchestra:
Dick Stabile (il 1953-08-13)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1953)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-08-13)
registrazione di:
That’s Amore (il 1953-08-13)
paroliere:
Jack Brooks (English–American lyricist)
compositore:
Harry Warren (US composer and lyricist)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) e Universal Songs (publisher)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!) e BMG Unisongs Music Publishers BV
parte di:
The 26th Academy Award for Best Original Song (numero: 2)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.353:08
2Sir Duke
programmazione:
Charles Brewer, John Fischbach e Stevie Wonder
produttore:
Stevie Wonder
batteria :
Raymond Pounds
chitarra :
Ben Bridges e Michael Sembello
chitarra basso :
Nathan Watts
percussione , piano Rhodes e voce principale:
Stevie Wonder
sassofono contralto :
Hank Redd
sassofono tenore :
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
tromba :
Steve Madaio e Raymond Maldonado
arrangiatore:
Stevie Wonder
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1976) e Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2022)
registrazione di:
Sir Duke
paroliere e compositore:
Stevie Wonder
editore:
Black Bull Music e Jobete Music Co., Inc.
Stevie Wonder4.553:54
3California Soul
produttore:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) e Charles Stepney (musician, producer, arranger and songwriter)
arrangiatore:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) e Charles Stepney (musician, producer, arranger and songwriter)
registrazione cover di:
California Soul
autore:
Nickolas Ashford e Valerie Simpson
editore:
Jobete Music Co., Inc. (il 1969-01-17)
Marlena Shaw52:51
4Going Up the Country
produttore:
Canned Heat e Skip Taylor
flauto :
Jim Horn (saxophonist, hornist, flutist and oboist) (dal 1968-08-06 al 1968-08-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1968) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2005)
registrata presso:
I.D. Sound in Los Angeles, California, Stati Uniti (dal 1968-08-06 al 1968-08-07)
registrazione di:
Going Up the Country (dal 1968-08-06 al 1968-08-07)
paroliere, autore e compositore:
Alan Wilson (Canned Heat member)
editore:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. e United Artists Music Ltd.
versione di:
Bull Doze Blues
Canned Heat2.52:51
5How Sweet It Is (to Be Loved by You)
tecnico di missaggio:
Suha Gur
basso :
James Jamerson
chitarra :
Willie Woods (US guitarist & songwriter)
membranofono :
James Graves
sassofono :
Junior Walker
tastiera :
Vic Thomas (keyboard)
registrazione cover di:
How Sweet It Is (to Be Loved by You)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Jr. Walker & the All Stars43:02
6Do It Again
assistente tecnico:
Tim Weston (nel 1972-08)
tecnico:
Roger Nichols (US mastering, recording engineer and producer) (nel 1972-08)
produttore:
Gary Katz (nel 1972-08)
basso elettrico :
Walter Becker (nel 1972-08)
batteria :
Jim Hodder (nel 1972-08)
chitarra elettrica :
Jeff “Skunk” Baxter (nel 1972-08)
percussione :
Victor Feldman (jazz musician) (nel 1972-08)
pianoforte elettrico , tastiera [Yamaha YC-30] e voce principale:
Donald Fagen (nel 1972-08)
sitar elettrico solista :
Denny Dias (nel 1972-08)
diritti fonografici (℗) detenuti da:
ABC Records, Inc (nel 1972), Geffen Records (nel 1972) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1972)
lavorazione tecnica effettuata presso:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (nel 1972-08)
registrazione di:
Do It Again (nel 1972-08)
autore:
Walter Becker e Donald Fagen
editore:
American Broadcasting Music, Inc., Anchor Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. (not for release label use!) e Wingate Music Corp.
Steely Dan4.15:55
7Rescue Me
produttore:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
voce principale:
Fontella Bass
arrangiatore:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1965) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 31)
registrazione di:
Rescue Me
autore:
Raynard Miner e Carl Smith (US songwriter and producer active in Chicago)
editore:
United Artists Music Co., Inc. (conclusa), Chevis Music Publ. Corp. e Reservoir 416
Fontella Bass4.52:54
8Ophelia
tecnico di registrazione:
Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) e Nat Jeffrey
produttore:
The Band (Canadian-American rock band)
tecnico di missaggio:
Ed Anderson (engineer), Rick Danko, Rob Fraboni (US record producer & audio engineer), Garth Hudson, Nat Jeffrey e Robbie Robertson
basso :
Rick Danko
batteria :
Levon Helm
chitarra elettrica :
Robbie Robertson
legni , organo , ottoni e sintetizzatore :
Garth Hudson
organo Hammond :
Richard Manuel
voce:
Levon Helm e Richard Manuel
registrata presso e mixata presso:
Shangri La Studios in Malibu, California, Stati Uniti
registrazione di:
Ophelia
paroliere e compositore:
Robbie Robertson
editore:
Medicine Hat Music
The Band4.753:32
9Good Vibrations (mono)
produttore:
Brian Wilson (Beach Boys co‐founder)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2012)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.753:37
10Pennies From Heaven
produttore:
Voyle Gilmore
basso :
Amado Rodrigues (il 1957-01-31)
batteria :
Bobby Morris (il 1957-01-31)
chitarra :
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1957-01-31)
pianoforte :
Willie McCumber Jr. (il 1957-01-31)
sassofono tenore :
Sam Butera (il 1957-01-31)
tromba :
Louis Prima (il 1957-01-31)
trombone :
Jimmy 'Little Red' Blount (il 1957-01-31)
voce:
Louis Prima (il 1957-01-31)
orchestra:
The Witnesses (il 1957-01-31)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1957-01-31)
registrazione cover di:
Pennies From Heaven (il 1957-01-31)
paroliere:
Johnny Burke (American lyricist, 1908–1964) (nel 1936)
compositore:
Arthur Johnston (American composer and songwriter) (nel 1936)
editore:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) e Joy Music Inc.
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
Louis Prima52:22
11Tu vuò fà l’americano (from “The American” soundtrack)
registrazione di:
Tu vuò fà l’americano
paroliere:
Nicola Salerno (Italian lyricist Nicola Salerno) (nel 1956)
compositore:
Renato Carosone (nel 1956)
Renato Carosone53:27
12Papa Loves Mambo
ance :
Fred Fallensby (il 1954-10-18), Chuck Gentry (il 1954-10-18), Skeets Herfurt (il 1954-10-18), Ted Nash (75- US saxophonist, the nephew) (il 1954-10-18) e Wilbur Schwartz (il 1954-10-18)
arpa :
Ann Mason Stockton (American harpist) (il 1954-10-18)
basso :
Joe Mondragon (il 1954-10-18)
batteria :
Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1954-10-18)
chitarra :
Al Hendrickson (il 1954-10-18)
percussione :
Stevan Dweek (il 1954-10-18), Alvin Stoller (il 1954-10-18) e Carlos Vidal (Cuban percussionist) (il 1954-10-18)
pianoforte :
Bill Miller (pianist) (il 1954-10-18)
tromba :
Johnny Best (jazz trumpeter) (il 1954-10-18), Conrad Gozzo (il 1954-10-18), Manny Klein (il 1954-10-18) e Uan Rasey (il 1954-10-18)
trombone :
Ed Kusby (il 1954-10-18), Murray McEachern (il 1954-10-18), Pullman “Tommy” Pederson (il 1954-10-18) e Si Zentner (il 1954-10-18)
viola :
Alvin Dinkin (il 1954-10-18) e Stanley Harris (US big band viola player) (il 1954-10-18)
violino :
Victor Bay (il 1954-10-18), Alex Beller (il 1954-10-18), Mischa Russell (violinist) (il 1954-10-18), Eudice Shapiro (Violinist) (il 1954-10-18), Paul Shure (il 1954-10-18) e Felix Slatkin (il 1954-10-18)
violoncello :
Cy Bernard (il 1954-10-18) e Eleanor Slatkin (US cellist, b. Aller) (il 1954-10-18)
cori:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1954-10-18)
voce:
Nat King Cole (il 1954-10-18)
orchestra:
Billy May & His Orchestra (il 1954-10-18)
direttore d'orchestra:
Billy May (il 1954-10-18) e Nelson Riddle (il 1954-10-18)
arrangiatore:
Billy May e Nelson Riddle
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-10-18)
registrazione cover di:
Papa Loves Mambo (il 1954-10-18)
autore:
Al Hoffman, Dick Manning (American songwriter) e Bickley Reichner
Nat King Cole2:39
13O descobridor dos sete mares
Tim Maia4:24
14Hot Stuff (12″ version)
produttore:
Pete Bellotte (English lyricist and producer) e Giorgio Moroder
voce:
Donna Summer (soul/disco diva)
arrangiatore:
Harold Faltermeyer
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 2003) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2003)
registrazione di:
Hot Stuff
autore:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer e Keith Forsey (drummer, producer and songwriter)
editore:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer3.56:41
15Valerie
assistente tecnico:
Nobby
produttore:
Steve Winwood
registrata presso:
Netherturkdonic Studios in Gloucester, Gloucestershire, England, Regno Unito
registrazione di:
Valerie
autore:
Will Jennings e Steve Winwood
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner Chappell North America
Steve Winwood44:07
16Papa’s Got a Brand New Bag, Pt. 1
James Brown & The Famous Flames2:07
17Mama Talk to Your Daughter
registrazione di:
Mama Talk to Your Daughter
paroliere e compositore:
J.B. Lenoir
editore:
Arc Music (U.S. rock & blues publisher) e Ghana Music
J.B. Lenoir2:21
18Ain’t That a Shame?
produttore:
Dave Bartholomew
diritti fonografici (℗) detenuti da:
F. D. & Hunter (publisher) (nel 1955) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1991)
registrata presso:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Stati Uniti
registrazione di:
Ain’t That a Shame (il 1955-03-15)
autore:
Antoine Domino (Fats Domino) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Fats Domino4.52:27
19Tainted Love (single version)
tecnico:
Armin Steiner
produttore:
Ed Cobb
arrangiatore:
Lincoln Mayorga
registrazione di:
Tainted Love (nel 1965)
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Gloria Jones52:11
20Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:46
21The Tracks of My Tears (single version) (mono)
produttore:
Bill “Smokey” Robinson
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 50) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 54)
registrazione di:
The Tracks of My Tears (il 1965-05-19)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
registrazione di:
The Tracks of My Tears (il 1971-05-06)
autore:
Warren “Pete” Moore, Smokey Robinson e Marvin Tarplin
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music Co., Inc.
sub-editore:
Jobete Music (UK) Ltd.
Smokey Robinson & The Miracles4.252:55
22Baby I’ve Got It (stereo mix)
registrazione di:
Baby I’ve Got It
autore:
James Dean (US soul songwriter), Sylvia Moy e William Stevenson (Motown songwriter)
Jimmy Ruffin2:33
23Runaround Sue
registrazione di:
Runaround Sue
paroliere:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
compositore:
Ernie Maresca
editore:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. e Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion42:38
24Hit the Road Jack
registrazione cover di:
Hit the Road Jack
paroliere e compositore:
Percy Mayfield
editore:
Tangerine Music, Tangerine Music Corp. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Shirley Horn3:11
25No Particular Place to Go (single version)
produttore:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) e Willie Dixon
basso elettrico :
Louis Satterfield (il 1964-03-26)
batteria :
Odie Payne (American Chicago blues drummer) (il 1964-03-26)
chitarra :
Chuck Berry (il 1964-03-26)
pianoforte :
Paul Williams (US blues/jazz saxophonist) (il 1964-03-26)
voce:
Chuck Berry (il 1964-03-26)
registrata presso:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Stati Uniti (il 1964-03-26)
registrazione di:
No Particular Place to Go (il 1964-03-26)
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry52:43
26Money and Me (single version)
registrazione di:
Money and Me
autore:
Robert Bateman (R&B singer/songwriter/record producer), Janie Bradford, Berry Gordy e Smokey Robinson
Barrett Strong2:36
27Jimmy Mack
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1966)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-03-02) e Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti (dal 1964-03-02 al 1967-01-17)
registrazione di:
Jimmy Mack (dal 1964-03-02 al 1967-01-17)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete (now‐defunct US music publisher, affiliated with BMI) e Stone Agate Music Division
Martha Reeves and the Vandellas12:53
28Tom’s Diner
produttore aggiunto:
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
voce e esecutore:
Suzanne Vega (American singer-songwriter)
remixer:
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (UK) (nel 1990) e A&M Records (nel 1991)
campionamenti:
Tom’s Diner di Suzanne Vega (American singer-songwriter)
registrazione di:
Tom’s Diner
paroliere e autore:
Suzanne Vega (American singer-songwriter)
compositore:
Suzanne Vega (American singer-songwriter) (nel 1982)
editore:
Waifer Songs Ltd., Warner Chappell North America e WB Music Corp. (1929–2019)
DNA feat. Suzanne Vega3.93:49
29Sunday Morning
programmazione:
John O’Brien (US Hollywood film composer)
assistente tecnico:
Posie Muliadi e Danny Wright (US engineer)
tecnico:
Mike Landolt
produttore e tecnico di missaggio:
Matt Wallace (US producer & engineer)
corno :
Mark Schoenecker
voce di accompagnamento:
Mystic (US singer & rapper Mandolyn Ludlum)
registrazione di:
Sunday Morning
paroliere:
Jesse Carmichael e Adam Levine (Maroon 5’s lead vocalist)
autore:
Jesse Carmichael, Ryan Dusick, Adam Levine (Maroon 5’s lead vocalist), Mickey Madden e James Valentine (Maroon 5)
editore:
February Twenty Second Music Inc., Valentine, Valentine, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Maroon 543:59
30It Ain’t Over ’til It’s Over
Lenny Kravitz2:13
31Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:25
32Be Young, Be Foolish, Be Happy (single version)
registrazione di:
Be Young, Be Foolish, Be Happy
autore:
J. R. Cobb e Ray Whitley (60s/70s songwriter)
editore:
Low Twi Music Inc (publisher) e Low‐Sal Music, Inc.
The Tams2:09
33Let Your Yeah Be Yeah
registrazione di:
Let Your Yeah Be Yeah
paroliere e compositore:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
editore:
Irving Music (BMI), Island Music (Island Music Ltd.), Universal–Songs of PolyGram International, Inc. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Jimmy Cliff3:06
34More Than This
registrazione di:
More Than This
paroliere e compositore:
Bryan Ferry
editore:
BMG Platinum Songs US, E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. e E.G. Music Ltd. (publisher) (nel 1982)
Roxy Music4:19
35Put a Little Love in Your Heart
registrazione cover di:
Put a Little Love in Your Heart
autore:
Jackie DeShannon, Jimmy Holiday (American singer, songwriter, producer) e Randy James Myers
editore:
EMI Catalogue Partnership e EMI Unart Catalog Inc.
David Ruffin2:44
36Gold to Me
tecnico di registrazione:
Bradley Cook (engineer)
co-produttore:
Bob Coke
produttore:
Ben Harper (singer, Weissenborn guitar player, The Innocent Criminals) e JP Plunier
tecnico di missaggio:
Eric Sarafin
voce:
Ben Harper (singer, Weissenborn guitar player, The Innocent Criminals)
registrazione di:
Gold to Me
compositore:
Ben Harper (singer, Weissenborn guitar player, The Innocent Criminals)
Ben Harper3.55:00
37Shoop
tecnico di registrazione:
Al "Taz" Machera
assistente tecnico:
Vaughn "Von" Sessions
co-produttore:
Sandra "Pepa" Denton
produttore:
Cheryl "Salt" James (Member of Salt-n-Pepa) e Mark Sparks (US hip-hop producer & engineer)
produttore aggiunto:
Cheryl "Salt" James (Member of Salt-n-Pepa)
produttore esecutivo:
Herby "Luvbug" Azor
tecnico di missaggio:
Al "Taz" Machera e Cheryl "Salt" James (Member of Salt-n-Pepa)
voce:
Joyce Martin, Nate (credited with vocals on Salt 'n' Pepa - Very Necessary) e Otwane "Big Twan Lov-Her" Roberts
remixer:
Al "Taz" Machera
remixer aggiunto:
Cheryl "Salt" James (Member of Salt-n-Pepa)
diritti fonografici (℗) detenuti da:
London Records, USA (not for release label use - for copyrights only) (nel 1993)
registrata presso:
Sound Trek in Kansas City, Missouri, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 239)
registrazione di:
Shoop
autore:
Cheryl "Salt" James (Member of Salt-n-Pepa), Otwane Roberts, Sandra "Pepa" Denton, Mark Sparks (US hip-hop producer & engineer) e Ike Turner
Salt‐N‐Pepa44:01
38Loungin’
assistente tecnico:
Luke Allen e David Carpenter (Engineer)
tecnico:
Craig Marcus, Joe Quinde e Kieran Walsh
co-produttore:
Donald Byrd (American jazz trumpeter)
produttore e tecnico di missaggio:
Guru (Rapper, half of Gang Starr, Gifted Unlimited Rhymes Universal)
pianoforte e tromba :
Donald Byrd (American jazz trumpeter)
voce:
Guru (Rapper, half of Gang Starr, Gifted Unlimited Rhymes Universal)
arrangiatore:
Guru (Rapper, half of Gang Starr, Gifted Unlimited Rhymes Universal)
è stato produttore per:
Guru Productions Inc.
registrata presso e mixata presso:
D&D Studios in Manhattan, New York, New York, Stati Uniti
registrazione di:
Loungin’
paroliere e compositore:
Guru (Rapper, half of Gang Starr, Gifted Unlimited Rhymes Universal)
Guru feat. Donald Byrd34:38
39The Love Song
registrazione di:
The Love Song
paroliere e compositore:
Kevin Brereton (Canadian rapper)
k‐os4:17
40Tell Mama
tecnico di registrazione e produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
basso elettrico :
David Hood (Muscle Shoals, AL guitarist and trombonist) (il 1967-08-24)
batteria :
Roger Hawkins (il 1967-08-24)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-08-24) e Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1967-08-24)
organo :
Carl Banks (il 1967-08-24) e Dewey Oldham (il 1967-08-24)
pianoforte :
Dewey Oldham (il 1967-08-24)
sassofono :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-08-24), Floyd Newman (il 1967-08-24) e Aaron Varnell (il 1967-08-24)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (il 1967-08-24)
voce principale:
Etta James (il 1967-08-24)
arrangiatore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1967-08-24)
registrazione cover di:
Tell Mama (il 1967-08-24)
autore:
Clarence Carter, Marcus Daniel e Wilbur Terrell
editore:
Lowery Music Corp.
Etta James42:19
41Have You Ever Loved a Woman? (40th anniversary version)
registrazione di:
Have You Ever Loved a Woman
paroliere e compositore:
Billy Myles
editore:
Fort Knox Music Inc., Lark Music Ltd. e Trio Music Company
Derek and the Dominos6:53
42I Only Want to Be With You (mono)
produttore:
John Franz
diritti fonografici (℗) detenuti da:
Mercury Ltd (not for release label use!) (nel 1963)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (nel 1963)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 31) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 323)
registrazione di:
I Only Want to Be With You (Dusty Springfield song) (nel 1963)
autore:
Mike Hawker e Ivor Raymonde
editore:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (fino al 1987) e Warner/Chappell Music International Ltd. (dal 1987 a oggi)
Dusty Springfield4.42:36
43North Side Gal
produttore:
Jimmy Sutton
registrazione di:
North Side Gal (nel 2010)
paroliere e compositore:
JD McPherson (US singer-songwriter)
JD McPherson2:31
44All I Wanna Do
tecnico:
Blair Lamb
produttore:
Bill Bottrell
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1993) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1993)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 405)
registrazione di:
All I Wanna Do
autore:
David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow (American singer-songwriter and musician) e Kevin Gilbert (singer‐songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Old Crow Music (Sheryl Crow’s publishing label), Reservoir One America, Sony/ATV Tunes LLC (ASCAP), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), WC Music Corp. e Zen of Iniquity
Sheryl Crow3.94:34
45Reggae Got Soul
produttore:
Chris Blackwell (Island Records) e Warwick Lyn
Toots & The Maytals3:09
46Lifted (single version)
registrazione di:
Lifted
autore:
Tunde Baiyewu, Martin Brammer (English singer-songwriter, composer, record producer, vocalist and lyricist) e Paul Tucker
editore:
Lots of Hits Music e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family4:19
47Good People
tecnico e tecnico di missaggio:
Mario Caldato Jr. e Robert Carranza
produttore:
Mario Caldato Jr.
batteria e percussione :
Adam Topol
chitarra e voce principale:
Jack Johnson (singer‐songwriter from Hawaii) (nel 2004-10)
chitarra basso :
Merlo Podlewski
pianoforte :
Zach Gill (nel 2004-10)
registrata presso:
The Mango Tree in Kailua (Honolulu County), Hawaii, Stati Uniti (nel 2004-10)
registrazione di:
Good People (nel 2004-10)
paroliere e compositore:
Jack Johnson (singer‐songwriter from Hawaii)
Jack Johnson3.353:29
48Cantaloop (Flip Fantasia)
programmazione, produttore e tecnico di missaggio:
Mel Simpson (Member of Us3) e Geoff Wilkinson
tecnico:
Mel Simpson (Member of Us3)
campionatore [samples] e piatto (giradischi) [scratches] :
Geoff Wilkinson
tastiera [keyboards] :
Mel Simpson (Member of Us3)
tromba :
Gerard Presencer
altra voce [rap]:
Rahsaan (Rahsaan Kelly, appears on “Cantaloop” by Us3)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
registrata presso e mixata presso:
Flame Studios in London (Greater London), England, Regno Unito
campionamenti:
Cantaloupe Island di Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) e Everything I Do Gonna Be Funky (From Now On) di Lou Donaldson
registrazione di:
Cantaloop (Flip Fantasia)
autore:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Rahsaan Kelly (Rahsaan Kelly, appears on “Cantaloop” by Us3), Mel Simpson (Member of Us3) e Geoff Wilkinson
editore:
Us3 Music
si basa su:
Cantaloupe Island
Us344:40