Pizza Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1That’s Amore
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (on 1953-08-13)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.353:08
2Sir Duke
programming:
Charles Brewer, John Fischbach and Stevie Wonder
producer:
Stevie Wonder
alto saxophone:
Hank Redd
bass guitar:
Nathan Watts
drums (drum set):
Raymond Pounds
guitar:
Ben Bridges and Michael Sembello
percussion, Rhodes piano and lead vocals:
Stevie Wonder
tenor saxophone:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
trumpet:
Steve Madaio and Raymond Maldonado
arranger:
Stevie Wonder
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1976) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
recording of:
Sir Duke
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music and Jobete Music Co., Inc.
Stevie Wonder4.553:54
3California Soul
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) and Charles Stepney (musician, producer, arranger and songwriter)
arranger:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) and Charles Stepney (musician, producer, arranger and songwriter)
cover recording of:
California Soul
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music Co., Inc. (on 1969-01-17)
Marlena Shaw52:51
4Going Up the Country
producer:
Canned Heat and Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (from 1968-08-06 until 1968-08-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
I.D. Sound in Los Angeles, California, United States (from 1968-08-06 until 1968-08-07)
recording of:
Going Up the Country (from 1968-08-06 until 1968-08-07)
lyricist, writer and composer:
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. and United Artists Music Ltd.
version of:
Bull Doze Blues
Canned Heat2.52:51
5How Sweet It Is (to Be Loved by You)
mixer:
Suha Gur
bass:
James Jamerson
guitar:
Willie Woods (US guitarist & songwriter)
keyboard:
Vic Thomas (keyboard)
membranophone:
James Graves
saxophone:
Junior Walker
cover recording of:
How Sweet It Is (to Be Loved by You)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Jr. Walker & the All Stars43:02
6Do It Again
assistant engineer:
Tim Weston (in 1972-08)
engineer:
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
producer:
Gary Katz (in 1972-08)
drums (drum set):
Jim Hodder (in 1972-08)
electric bass guitar:
Walter Becker (in 1972-08)
electric guitar:
Jeff “Skunk” Baxter (in 1972-08)
electric piano, keyboard [Yamaha YC-30] and lead vocals:
Donald Fagen (in 1972-08)
percussion:
Victor Feldman (jazz musician) (in 1972-08)
solo electric sitar:
Denny Dias (in 1972-08)
phonographic copyright (℗) by:
ABC Records, Inc (in 1972), Geffen Records (in 1972) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1972-08)
recording of:
Do It Again (in 1972-08)
writer:
Walter Becker and Donald Fagen
publisher:
American Broadcasting Music, Inc., Anchor Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. (not for release label use!) and Wingate Music Corp.
Steely Dan4.15:55
7Rescue Me
producer:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
lead vocals:
Fontella Bass
arranger:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 31)
recording of:
Rescue Me
writer:
Raynard Miner and Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (ended), Chevis Music Publ. Corp. and Reservoir 416
Fontella Bass4.52:54
8Ophelia
recording engineer:
Ed Anderson (engineer), Rob Fraboni (US record producer & audio engineer) and Nat Jeffrey
producer:
The Band (Canadian-American rock band)
mixer:
Ed Anderson (engineer), Rick Danko, Rob Fraboni (US record producer & audio engineer), Garth Hudson, Nat Jeffrey and Robbie Robertson
bass:
Rick Danko
brass, organ, synthesizer and woodwind:
Garth Hudson
drums (drum set):
Levon Helm
electric guitar:
Robbie Robertson
Hammond organ:
Richard Manuel
vocals:
Levon Helm and Richard Manuel
recorded at and mixed at:
Shangri La Studios in Malibu, California, United States
recording of:
Ophelia
lyricist and composer:
Robbie Robertson
publisher:
Medicine Hat Music
The Band4.753:32
9Good Vibrations (mono)
producer:
Brian Wilson (Beach Boys co‐founder)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recording of:
Good Vibrations (Love/Wilson lyrics, common version)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.753:37
10Pennies From Heaven
producer:
Voyle Gilmore
bass:
Amado Rodrigues (on 1957-01-31)
drums (drum set):
Bobby Morris (on 1957-01-31)
guitar:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1957-01-31)
piano:
Willie McCumber Jr. (on 1957-01-31)
tenor saxophone:
Sam Butera (on 1957-01-31)
trombone:
Jimmy 'Little Red' Blount (on 1957-01-31)
trumpet:
Louis Prima (on 1957-01-31)
vocals:
Louis Prima (on 1957-01-31)
orchestra:
The Witnesses (on 1957-01-31)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1957-01-31)
cover recording of:
Pennies From Heaven (on 1957-01-31)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
Louis Prima52:22
11Tu vuò fà l’americano (from “The American” soundtrack)
recording of:
Tu vuò fà l’americano
lyricist:
Nicola Salerno (Italian lyricist Nicola Salerno) (in 1956)
composer:
Renato Carosone (in 1956)
Renato Carosone53:27
12Papa Loves Mambo
bass:
Joe Mondragon (on 1954-10-18)
cello:
Cy Bernard (on 1954-10-18) and Eleanor Slatkin (US cellist, b. Aller) (on 1954-10-18)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-10-18)
guitar:
Al Hendrickson (on 1954-10-18)
harp:
Ann Mason Stockton (American harpist) (on 1954-10-18)
percussion:
Stevan Dweek (on 1954-10-18), Alvin Stoller (on 1954-10-18) and Carlos Vidal (Cuban percussionist) (on 1954-10-18)
piano:
Bill Miller (pianist) (on 1954-10-18)
reeds:
Fred Fallensby (on 1954-10-18), Chuck Gentry (on 1954-10-18), Skeets Herfurt (on 1954-10-18), Ted Nash (75- US saxophonist, the nephew) (on 1954-10-18) and Wilbur Schwartz (on 1954-10-18)
trombone:
Ed Kusby (on 1954-10-18), Murray McEachern (on 1954-10-18), Pullman “Tommy” Pederson (on 1954-10-18) and Si Zentner (on 1954-10-18)
trumpet:
Johnny Best (jazz trumpeter) (on 1954-10-18), Conrad Gozzo (on 1954-10-18), Manny Klein (on 1954-10-18) and Uan Rasey (on 1954-10-18)
viola:
Alvin Dinkin (on 1954-10-18) and Stanley Harris (US big band viola player) (on 1954-10-18)
violin:
Victor Bay (on 1954-10-18), Alex Beller (on 1954-10-18), Mischa Russell (violinist) (on 1954-10-18), Eudice Shapiro (Violinist) (on 1954-10-18), Paul Shure (on 1954-10-18) and Felix Slatkin (on 1954-10-18)
choir vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1954-10-18)
vocals:
Nat King Cole (on 1954-10-18)
orchestra:
Billy May & His Orchestra (on 1954-10-18)
conductor:
Billy May (on 1954-10-18) and Nelson Riddle (on 1954-10-18)
arranger:
Billy May and Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-10-18)
cover recording of:
Papa Loves Mambo (on 1954-10-18)
writer:
Al Hoffman, Dick Manning (American songwriter) and Bickley Reichner
Nat King Cole2:39
13O descobridor dos sete mares
Tim Maia4:24
14Hot Stuff (12″ version)
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
arranger:
Harold Faltermeyer
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2003) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2003)
recording of:
Hot Stuff
writer:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer3.56:41
15Valerie
assistant engineer:
Nobby
producer:
Steve Winwood
recorded at:
Netherturkdonic Studios in Gloucester, Gloucestershire, England, United Kingdom
recording of:
Valerie
writer:
Will Jennings and Steve Winwood
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell North America
Steve Winwood44:07
16Papa’s Got a Brand New Bag, Pt. 1
James Brown & The Famous Flames2:07
17Mama Talk to Your Daughter
recording of:
Mama Talk to Your Daughter
lyricist and composer:
J.B. Lenoir
publisher:
Arc Music (U.S. rock & blues publisher) and Ghana Music
J.B. Lenoir2:21
18Ain’t That a Shame?
producer:
Dave Bartholomew
phonographic copyright (℗) by:
F. D. & Hunter (publisher) (in 1955) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States
recording of:
Ain’t That a Shame (on 1955-03-15)
writer:
Antoine Domino (Fats Domino) and Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) and United Artists Music Ltd. (from 1977 to present)
Fats Domino4.52:27
19Tainted Love (single version)
engineer:
Armin Steiner
producer:
Ed Cobb
arranger:
Lincoln Mayorga
recording of:
Tainted Love (in 1965)
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Gloria Jones52:11
20Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
producer:
Val Garay
electric guitar:
Waddy Wachtel (in 1981-01)
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:46
21The Tracks of My Tears (single version) (mono)
producer:
Bill “Smokey” Robinson
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 50) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 54)
recording of:
The Tracks of My Tears (on 1965-05-19)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
recording of:
The Tracks of My Tears (on 1971-05-06)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
Smokey Robinson & The Miracles4.252:55
22Baby I’ve Got It (stereo mix)
recording of:
Baby I’ve Got It
writer:
James Dean (US soul songwriter), Sylvia Moy and William Stevenson (Motown songwriter)
Jimmy Ruffin2:33
23Runaround Sue
recording of:
Runaround Sue
lyricist:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
composer:
Ernie Maresca
publisher:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. and Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion42:38
24Hit the Road Jack
cover recording of:
Hit the Road Jack
lyricist and composer:
Percy Mayfield
publisher:
Tangerine Music, Tangerine Music Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Shirley Horn3:11
25No Particular Place to Go (single version)
producer:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (on 1964-03-26)
electric bass guitar:
Louis Satterfield (on 1964-03-26)
guitar:
Chuck Berry (on 1964-03-26)
piano:
Paul Williams (US blues/jazz saxophonist) (on 1964-03-26)
vocals:
Chuck Berry (on 1964-03-26)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (on 1964-03-26)
recording of:
No Particular Place to Go (on 1964-03-26)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry52:43
26Money and Me (single version)
recording of:
Money and Me
writer:
Robert Bateman (R&B singer/songwriter/record producer), Janie Bradford, Berry Gordy and Smokey Robinson
Barrett Strong2:36
27Jimmy Mack
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1966)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1964-03-02) and Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States (from 1964-03-02 until 1967-01-17)
recording of:
Jimmy Mack (from 1964-03-02 until 1967-01-17)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete (now‐defunct US music publisher, affiliated with BMI) and Stone Agate Music Division
Martha Reeves and the Vandellas12:53
28Tom’s Diner
additional producer:
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
vocals and performer:
Suzanne Vega (American singer-songwriter)
remixer:
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
phonographic copyright (℗) by:
A&M Records, Ltd. (UK) (in 1990) and A&M Records (in 1991)
samples:
Tom’s Diner by Suzanne Vega (American singer-songwriter)
recording of:
Tom’s Diner
lyricist and writer:
Suzanne Vega (American singer-songwriter)
composer:
Suzanne Vega (American singer-songwriter) (in 1982)
publisher:
Waifer Songs Ltd., Warner Chappell North America and WB Music Corp. (1929–2019)
DNA feat. Suzanne Vega3.93:49
29Sunday Morning
programming:
John O’Brien (US Hollywood film composer)
assistant engineer:
Posie Muliadi and Danny Wright (US engineer)
engineer:
Mike Landolt
producer and mixer:
Matt Wallace (US producer & engineer)
horn:
Mark Schoenecker
background vocals:
Mystic (US singer & rapper Mandolyn Ludlum)
recording of:
Sunday Morning
lyricist:
Jesse Carmichael and Adam Levine (Maroon 5’s lead vocalist)
writer:
Jesse Carmichael, Ryan Dusick, Adam Levine (Maroon 5’s lead vocalist), Mickey Madden and James Valentine (Maroon 5)
publisher:
February Twenty Second Music Inc., Valentine, Valentine, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Maroon 543:59
30It Ain’t Over ’til It’s Over
Lenny Kravitz2:13
31Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) and John Mills (recording/mix engineer) (in 1972)
producer:
Jerry Leiber and Mike Stoller
drums (drum set):
Rod Coombes (in 1972)
electric bass guitar:
Tony Williams (bass) (in 1972)
guitar:
Paul Pilnick (in 1972) and Gerry Rafferty (in 1972)
keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) and Gerry Rafferty (in 1972)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972) and A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:25
32Be Young, Be Foolish, Be Happy (single version)
recording of:
Be Young, Be Foolish, Be Happy
writer:
J. R. Cobb and Ray Whitley (60s/70s songwriter)
publisher:
Low Twi Music Inc (publisher) and Low‐Sal Music, Inc.
The Tams2:09
33Let Your Yeah Be Yeah
recording of:
Let Your Yeah Be Yeah
lyricist and composer:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
publisher:
Irving Music (BMI), Island Music (Island Music Ltd.), Universal–Songs of PolyGram International, Inc. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Jimmy Cliff3:06
34More Than This
recording of:
More Than This
lyricist and composer:
Bryan Ferry
publisher:
BMG Platinum Songs US, E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4:19
35Put a Little Love in Your Heart
cover recording of:
Put a Little Love in Your Heart
writer:
Jackie DeShannon, Jimmy Holiday (American singer, songwriter, producer) and Randy James Myers
publisher:
EMI Catalogue Partnership and EMI Unart Catalog Inc.
David Ruffin2:44
36Gold to Me
recording engineer:
Bradley Cook (engineer)
co-producer:
Bob Coke
producer:
Ben Harper (singer, Weissenborn guitar player, The Innocent Criminals) and JP Plunier
mixer:
Eric Sarafin
vocals:
Ben Harper (singer, Weissenborn guitar player, The Innocent Criminals)
recording of:
Gold to Me
composer:
Ben Harper (singer, Weissenborn guitar player, The Innocent Criminals)
Ben Harper3.55:00
37Shoop
recording engineer:
Al "Taz" Machera
assistant engineer:
Vaughn "Von" Sessions
additional producer:
Cheryl "Salt" James (Member of Salt-n-Pepa)
co-producer:
Sandra "Pepa" Denton
executive producer:
Herby "Luvbug" Azor
producer:
Cheryl "Salt" James (Member of Salt-n-Pepa) and Mark Sparks (US hip-hop producer & engineer)
mixer:
Al "Taz" Machera and Cheryl "Salt" James (Member of Salt-n-Pepa)
vocals:
Joyce Martin, Nate (credited with vocals on Salt 'n' Pepa - Very Necessary) and Otwane "Big Twan Lov-Her" Roberts
additional remixer:
Cheryl "Salt" James (Member of Salt-n-Pepa)
remixer:
Al "Taz" Machera
phonographic copyright (℗) by:
London Records, USA (not for release label use - for copyrights only) (in 1993)
recorded at:
Sound Trek in Kansas City, Missouri, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 239)
recording of:
Shoop
writer:
Cheryl "Salt" James (Member of Salt-n-Pepa), Otwane Roberts, Sandra "Pepa" Denton, Mark Sparks (US hip-hop producer & engineer) and Ike Turner
Salt‐N‐Pepa44:01
38Loungin’
assistant engineer:
Luke Allen and David Carpenter (Engineer)
engineer:
Craig Marcus, Joe Quinde and Kieran Walsh
co-producer:
Donald Byrd (American jazz trumpeter)
producer and mixer:
Guru (Rapper, half of Gang Starr, Gifted Unlimited Rhymes Universal)
piano and trumpet:
Donald Byrd (American jazz trumpeter)
vocals:
Guru (Rapper, half of Gang Starr, Gifted Unlimited Rhymes Universal)
arranger:
Guru (Rapper, half of Gang Starr, Gifted Unlimited Rhymes Universal)
produced for:
Guru Productions Inc.
recorded at and mixed at:
D&D Studios in Manhattan, New York, New York, United States
recording of:
Loungin’
lyricist and composer:
Guru (Rapper, half of Gang Starr, Gifted Unlimited Rhymes Universal)
Guru feat. Donald Byrd34:38
39The Love Song
recording of:
The Love Song
lyricist and composer:
Kevin Brereton (Canadian rapper)
k‐os4:17
40Tell Mama
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
drums (drum set):
Roger Hawkins (on 1967-08-24)
electric bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1967-08-24)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-08-24) and Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1967-08-24)
organ:
Carl Banks (on 1967-08-24) and Dewey Oldham (on 1967-08-24)
piano:
Dewey Oldham (on 1967-08-24)
saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-08-24), Floyd Newman (on 1967-08-24) and Aaron Varnell (on 1967-08-24)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (on 1967-08-24)
lead vocals:
Etta James (on 1967-08-24)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-08-24)
cover recording of:
Tell Mama (on 1967-08-24)
writer:
Clarence Carter, Marcus Daniel and Wilbur Terrell
publisher:
Lowery Music Corp.
Etta James42:19
41Have You Ever Loved a Woman? (40th anniversary version)
recording of:
Have You Ever Loved a Woman
lyricist and composer:
Billy Myles
publisher:
Fort Knox Music Inc., Lark Music Ltd. and Trio Music Company
Derek and the Dominos6:53
42I Only Want to Be With You (mono)
producer:
John Franz
phonographic copyright (℗) by:
Mercury Ltd (not for release label use!) (in 1963)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1963)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 31) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 323)
recording of:
I Only Want to Be With You (Dusty Springfield song) (in 1963)
writer:
Mike Hawker and Ivor Raymonde
publisher:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (until 1987) and Warner/Chappell Music International Ltd. (from 1987 to present)
Dusty Springfield4.42:36
43North Side Gal
producer:
Jimmy Sutton
recording of:
North Side Gal (in 2010)
lyricist and composer:
JD McPherson (US singer-songwriter)
JD McPherson2:31
44All I Wanna Do
engineer:
Blair Lamb
producer:
Bill Bottrell
phonographic copyright (℗) by:
A&M Records, Inc. (in 1993) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 405)
recording of:
All I Wanna Do
writer:
David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow (American singer-songwriter and musician) and Kevin Gilbert (singer‐songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Old Crow Music (Sheryl Crow’s publishing label), Reservoir One America, Sony/ATV Tunes LLC (ASCAP), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), WC Music Corp. and Zen of Iniquity
Sheryl Crow3.94:34
45Reggae Got Soul
producer:
Chris Blackwell (Island Records) and Warwick Lyn
Toots & The Maytals3:09
46Lifted (single version)
recording of:
Lifted
writer:
Tunde Baiyewu, Martin Brammer (English singer-songwriter, composer, record producer, vocalist and lyricist) and Paul Tucker
publisher:
Lots of Hits Music and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family4:19
47Good People
engineer and mixer:
Mario Caldato Jr. and Robert Carranza
producer:
Mario Caldato Jr.
bass guitar:
Merlo Podlewski
drums (drum set) and percussion:
Adam Topol
guitar and lead vocals:
Jack Johnson (singer‐songwriter from Hawaii) (in 2004-10)
piano:
Zach Gill (in 2004-10)
recorded at:
The Mango Tree in Kailua (Honolulu County), Hawaii, United States (in 2004-10)
recording of:
Good People (in 2004-10)
lyricist and composer:
Jack Johnson (singer‐songwriter from Hawaii)
Jack Johnson3.353:29
48Cantaloop (Flip Fantasia)
programming, producer and mixer:
Mel Simpson (Member of Us3) and Geoff Wilkinson
engineer:
Mel Simpson (Member of Us3)
keyboard [keyboards]:
Mel Simpson (Member of Us3)
sampler [samples] and turntable [scratches]:
Geoff Wilkinson
trumpet:
Gerard Presencer
other vocals [rap]:
Rahsaan (Rahsaan Kelly, appears on “Cantaloop” by Us3)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recorded at and mixed at:
Flame Studios in London (Greater London), England, United Kingdom
samples:
Cantaloupe Island by Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) and Everything I Do Gonna Be Funky (From Now On) by Lou Donaldson
recording of:
Cantaloop (Flip Fantasia)
writer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Rahsaan Kelly (Rahsaan Kelly, appears on “Cantaloop” by Us3), Mel Simpson (Member of Us3) and Geoff Wilkinson
publisher:
Us3 Music
is based on:
Cantaloupe Island
Us344:40