Ladies and Gentlemen… Mr. B.B. King

~ Release by B.B. King (see all versions of this release, 2 available)

Tracklist

1▶CD: Three O’Clock Blues (1919–1956)
2▶CD: Rock Me Baby (1957–1962)
3▼CD: How Blue Can You Get (1962–1996)
#TitleRatingLength
1You Ask Me
recorded in:
Los Angeles, California, United States (on 1962-03-01)
producer:
Sid Feller
alto saxophone:
Jewell Grant (US saxophonist) (on 1962-03-01) and William Green (woodwind) (on 1962-03-01)
baritone saxophone:
Floyd Turnham (on 1962-03-01)
bass:
Ralph Hamilton (US jazz/R&B bassist) (on 1962-03-01)
drums (drum set):
Jesse Sailes (on 1962-03-01)
guitar:
B.B. King (on 1962-03-01)
piano:
Lloyd Glenn (on 1962-03-01)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (on 1962-03-01)
vocals:
B.B. King (on 1962-03-01)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 1963)
recording of:
You Ask Me (on 1962-03-01)
writer:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”), B.B. King and Ronnie Rae
2:10
2I’m Gonna Sit in ‘Til You Give In
recorded in:
Los Angeles, California, United States (on 1962-03-01)
producer:
Sid Feller
alto saxophone:
Jewell Grant (US saxophonist) (on 1962-03-01) and William Green (woodwind) (on 1962-03-01)
baritone saxophone:
Floyd Turnham (on 1962-03-01)
bass:
Ralph Hamilton (US jazz/R&B bassist) (on 1962-03-01)
drums (drum set):
Jesse Sailes (on 1962-03-01)
guitar:
B.B. King (on 1962-03-01)
piano:
Lloyd Glenn (on 1962-03-01)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (on 1962-03-01)
vocals:
B.B. King (on 1962-03-01)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 1963)
recording of:
I'm Gonna Sit In 'Til You Give In (on 1962-03-01)
writer:
B.B. King
2:13
3Blues at Midnight
recorded in:
Los Angeles, California, United States (on 1962-03-01)
producer:
Sid Feller
alto saxophone:
Jewell Grant (US saxophonist) (on 1962-03-01) and William Green (woodwind) (on 1962-03-01)
baritone saxophone:
Floyd Turnham (on 1962-03-01)
bass:
Ralph Hamilton (US jazz/R&B bassist) (on 1962-03-01)
drums (drum set):
Jesse Sailes (on 1962-03-01)
guitar:
B.B. King (on 1962-03-01)
piano:
Lloyd Glenn (on 1962-03-01)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (on 1962-03-01)
vocals:
B.B. King (on 1962-03-01)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 1963)
cover recording of:
Blues at Midnight (on 1962-03-01)
writer:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
2:58
4My Baby’s Coming Home
recorded in:
Los Angeles, California, United States (on 1962-03-01)
producer:
Sid Feller
alto saxophone:
Jewell Grant (US saxophonist) (on 1962-03-01) and William Green (woodwind) (on 1962-03-01)
baritone saxophone:
Floyd Turnham (on 1962-03-01)
bass:
Ralph Hamilton (US jazz/R&B bassist) (on 1962-03-01)
drums (drum set):
Jesse Sailes (on 1962-03-01)
guitar:
B.B. King (on 1962-03-01)
piano:
Lloyd Glenn (on 1962-03-01)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (on 1962-03-01)
vocals:
B.B. King (on 1962-03-01)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 1963)
recording of:
My Baby's Comin' Home (on 1962-03-01)
writer:
B.B. King and Fats Washington
2:08
5Chains of Love
recorded in:
Los Angeles, California, United States (on 1962-03-01)
producer:
Sid Feller
alto saxophone:
Jewell Grant (US saxophonist) (on 1962-03-01) and William Green (woodwind) (on 1962-03-01)
baritone saxophone:
Floyd Turnham (on 1962-03-01)
bass:
Ralph Hamilton (US jazz/R&B bassist) (on 1962-03-01)
drums (drum set):
Jesse Sailes (on 1962-03-01)
guitar:
B.B. King (on 1962-03-01)
piano:
Lloyd Glenn (on 1962-03-01)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (on 1962-03-01)
vocals:
B.B. King (on 1962-03-01)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 1963)
cover recording of:
Chains of Love (on 1962-03-01)
writer:
Harry Van Walls (R&B pianist) and Nugetre (US American Songwriter, producer)
publisher:
Progressive (publisher) and Unichappell Music, Inc.
2:35
6Sneakin’ Around
recorded in:
Los Angeles, California, United States (on 1962-03-01)
producer:
Sid Feller
alto saxophone:
Jewell Grant (US saxophonist) (on 1962-03-01) and William Green (woodwind) (on 1962-03-01)
baritone saxophone:
Floyd Turnham (on 1962-03-01)
bass:
Ralph Hamilton (US jazz/R&B bassist) (on 1962-03-01)
drums (drum set):
Jesse Sailes (on 1962-03-01)
guitar:
B.B. King (on 1962-03-01)
piano:
Lloyd Glenn (on 1962-03-01)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (on 1962-03-01)
vocals:
B.B. King (on 1962-03-01)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 1963)
recording of:
Sneakin' Around (on 1962-03-01)
lyricist and composer:
Jessie Mae Robinson
publisher:
Cherio Corporation and Crawford Music
2:07
7Slowly Losing My Mind
recorded in:
Los Angeles, California, United States (on 1962-03-01)
producer:
Sid Feller
alto saxophone:
Jewell Grant (US saxophonist) (on 1962-03-01) and William Green (woodwind) (on 1962-03-01)
baritone saxophone:
Floyd Turnham (on 1962-03-01)
bass:
Ralph Hamilton (US jazz/R&B bassist) (on 1962-03-01)
drums (drum set):
Jesse Sailes (on 1962-03-01)
guitar:
B.B. King (on 1962-03-01)
piano:
Lloyd Glenn (on 1962-03-01)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (on 1962-03-01)
vocals:
B.B. King (on 1962-03-01)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 1963)
recording of:
Slowly Losing My Mind (on 1962-03-01)
writer:
B.B. King
2:32
8How Blue Can You Get?
recorded in:
New York, New York, United States (on 1963-09-30)
producer:
Sid Feller
alto saxophone:
Lawrence Burdine (on 1963-09-30)
baritone saxophone:
Jerome Richardson (on 1963-09-30)
bass:
Leo Lauchie (on 1963-09-30)
drums (drum set):
Sonny Freeman (on 1963-09-30)
guitar:
B.B. King (on 1963-09-30)
piano:
Charles Brooks (on 1963-09-30)
tenor saxophone:
Vernon Slater (on 1963-09-30)
trumpet:
Carl Adams (trumpeter) (on 1963-09-30) and Kenny Sands (on 1963-09-30)
vocals:
B.B. King (on 1963-09-30)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
performer:
Jane Feather and Leonard Feather
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 1964) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recording of:
How Blue Can You Get? (on 1963-09-30)
writer:
Jane Feather
composer:
Leonard Feather
publisher:
Burlington Music Co., Ltd., Melva Pub. Co. and Modern Age Music
cover recording of:
How Blue Can You Get? (on 1963-09-30)
writer:
Jane Feather
composer:
Leonard Feather
publisher:
Burlington Music Co., Ltd., Melva Pub. Co. and Modern Age Music
2:42
9Whole Lotta Lovin’
recorded in:
New York, New York, United States (on 1963-09-30)
producer:
Sid Feller
alto saxophone:
Lawrence Burdine (on 1963-09-30)
baritone saxophone:
Jerome Richardson (on 1963-09-30)
bass:
Leo Lauchie (on 1963-09-30)
drums (drum set):
Sonny Freeman (on 1963-09-30)
guitar:
B.B. King (on 1963-09-30)
piano:
Charles Brooks (on 1963-09-30)
tenor saxophone:
Vernon Slater (on 1963-09-30)
trumpet:
Carl Adams (trumpeter) (on 1963-09-30) and Kenny Sands (on 1963-09-30)
vocals:
B.B. King (on 1963-09-30)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 1964)
recording of:
Whole Lotta Love (on 1963-09-30)
writer:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) and Joe Josea
2:26
10I Wonder Why
recorded in:
New York, New York, United States (on 1963-09-30)
producer:
Sid Feller
alto saxophone:
Lawrence Burdine (on 1963-09-30)
baritone saxophone:
Jerome Richardson (on 1963-09-30)
bass:
Leo Lauchie (on 1963-09-30)
drums (drum set):
Sonny Freeman (on 1963-09-30)
guitar:
B.B. King (on 1963-09-30)
piano:
Charles Brooks (on 1963-09-30)
tenor saxophone:
Vernon Slater (on 1963-09-30)
trumpet:
Carl Adams (trumpeter) (on 1963-09-30) and Kenny Sands (on 1963-09-30)
vocals:
B.B. King (on 1963-09-30)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 2012)
cover recording of:
I Wonder Why (on 1963-09-30)
writer:
George Johnson (member of Brothers Johnson, guitar) and Billy Preston
3:06
11Please Accept My Love
recorded in:
New York, New York, United States (on 1963-09-30)
producer:
Sid Feller
alto saxophone:
Lawrence Burdine (on 1963-09-30)
baritone saxophone:
Jerome Richardson (on 1963-09-30)
bass:
Leo Lauchie (on 1963-09-30)
drums (drum set):
Sonny Freeman (on 1963-09-30)
guitar:
B.B. King (on 1963-09-30)
piano:
Charles Brooks (on 1963-09-30)
tenor saxophone:
Vernon Slater (on 1963-09-30)
trumpet:
Carl Adams (trumpeter) (on 1963-09-30) and Kenny Sands (on 1963-09-30)
vocals:
B.B. King (on 1963-09-30)
conductor:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Geffen Records (in 1964)
recording of:
Please Accept My Love (on 1963-09-30)
lyricist and composer:
Clarence Garlow
publisher:
Kamar Music and Universal Music Careers
2:57
12Help the Poor
recorded in:
New York, New York, United States (on 1964-04-07)
producer:
Sid Feller
guitar:
B.B. King (on 1964-04-07)
vocals:
B.B. King (on 1964-04-07)
conductor:
Sid Feller
arranger:
Sid Feller
phonographic copyright (℗) by:
Geffen Records (in 1964)
recording of:
Help the Poor (on 1964-04-07)
lyricist and composer:
Charles Singleton (composer/lyricist)
publisher:
Carlin Music Corporation, Noma Music Inc. and Trio Music Co., Inc.
2:37
13Never Trust a Woman
recorded in:
New York, New York, United States (on 1964-09-25)
drums (drum set):
Sonny Freeman (on 1964-09-25)
guitar:
Billy Butler (jazz guitarist) (on 1964-09-25) and B.B. King (on 1964-09-25)
vocals:
B.B. King (on 1964-09-25)
conductor:
Johnny Pate
arranger:
Johnny Pate
phonographic copyright (℗) by:
Geffen Records (in 1964)
recording of:
Never Trust a Woman (on 1964-09-25)
writer:
Dave Alvin (singer-songwriter, guitarist) and Rick Estrin
2:36
14Worryin’ Blues
recorded in:
New York, New York, United States (on 1964-09-25)
drums (drum set):
Sonny Freeman (on 1964-09-25)
guitar:
Billy Butler (jazz guitarist) (on 1964-09-25) and B.B. King (on 1964-09-25)
vocals:
B.B. King (on 1964-09-25)
conductor:
Johnny Pate
arranger:
Johnny Pate
phonographic copyright (℗) by:
Geffen Records (in 1964)
recording of:
Worryin' Blues (on 1964-09-25)
writer:
Alger “Texas” Alexander, Louis Jordan (US jazz, blues and r&b musician and songwriter) and Tommy Southern
2:55
15Stop Leadin’ Me On
recorded in:
New York, New York, United States (on 1964-09-25)
drums (drum set):
Sonny Freeman (on 1964-09-25)
guitar:
Billy Butler (jazz guitarist) (on 1964-09-25) and B.B. King (on 1964-09-25)
vocals:
B.B. King (on 1964-09-25)
arranger:
Johnny Pate
phonographic copyright (℗) by:
Geffen Records (in 1965)
cover recording of:
Stop Leadin’ Me On (on 1964-09-25)
writer:
Granger Hunt
2:24
16Everyday I Have the Blues (live)
producer:
Johnny Pate
bass:
Leo Lauchie (on 1964-11-21)
drums (drum set):
Sonny Freeman (on 1964-11-21)
guitar:
B.B. King (on 1964-11-21)
piano:
Duke Jethro (on 1964-11-21)
tenor saxophone:
Johnny Board (on 1964-11-21) and Bobby Forte (saxophonist) (on 1964-11-21)
trumpet:
Kenny Sands (on 1964-11-21)
vocals:
B.B. King (on 1964-11-21)
phonographic copyright (℗) by:
Geffen Records (in 1965)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live recording of:
Everyday I Have the Blues (on 1964-11-21)
lyricist, composer and revised by:
Peter Chatman
writer:
Memphis Slim, Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (in 1935) and Milton Sparks (in 1935)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
recording of:
Everyday I Have the Blues
lyricist, composer and revised by:
Peter Chatman
writer:
Memphis Slim, Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (in 1935) and Milton Sparks (in 1935)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
3:08
17Sweet Little Angel (live)
producer:
Johnny Pate
bass:
Leo Lauchie (on 1964-11-21)
drums (drum set):
Sonny Freeman (on 1964-11-21)
guitar:
B.B. King (on 1964-11-21)
piano:
Duke Jethro (on 1964-11-21)
tenor saxophone:
Johnny Board (on 1964-11-21) and Bobby Forte (saxophonist) (on 1964-11-21)
trumpet:
Kenny Sands (on 1964-11-21)
vocals:
B.B. King (on 1964-11-21)
phonographic copyright (℗) by:
Geffen Records (in 1965)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live recording of:
Sweet Little Angel (on 1964-11-21)
writer:
Jules Bihari and B.B. King
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Powerforce Music, Sounds Of Lucille, Inc. and Universal/MCA Music Ltd. (not for release label use!)
is based on:
Black Angel Blues
recording of:
Sweet Little Angel
writer:
Jules Bihari and B.B. King
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Powerforce Music, Sounds Of Lucille, Inc. and Universal/MCA Music Ltd. (not for release label use!)
is based on:
Black Angel Blues
4:10
18It’s My Own Fault (live)
producer:
Johnny Pate
bass:
Leo Lauchie (on 1964-11-21)
drums (drum set):
Sonny Freeman (on 1964-11-21)
guitar:
B.B. King (on 1964-11-21)
piano:
Duke Jethro (on 1964-11-21)
tenor saxophone:
Johnny Board (on 1964-11-21) and Bobby Forte (saxophonist) (on 1964-11-21)
trumpet:
Kenny Sands (on 1964-11-21)
vocals:
B.B. King (on 1964-11-21)
phonographic copyright (℗) by:
Geffen Records (in 1965)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live recording of:
It’s My Own Fault (on 1964-11-21)
lyricist and composer:
John Lee Hooker (US blues singer, songwriter & guitarist)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) and Tristan Music Ltd.
3:08
19How Blue Can You Get? (live)
producer:
Johnny Pate
bass:
Leo Lauchie (on 1964-11-21)
drums (drum set):
Sonny Freeman (on 1964-11-21)
guitar:
B.B. King (on 1964-11-21)
piano:
Duke Jethro (on 1964-11-21)
tenor saxophone:
Johnny Board (on 1964-11-21) and Bobby Forte (saxophonist) (on 1964-11-21)
trumpet:
Kenny Sands (on 1964-11-21)
vocals:
B.B. King (on 1964-11-21)
phonographic copyright (℗) by:
Geffen Records (in 1965)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live recording of:
How Blue Can You Get? (on 1964-11-21)
writer:
Jane Feather
composer:
Leonard Feather
publisher:
Burlington Music Co., Ltd., Melva Pub. Co. and Modern Age Music
3:35
20Please Love Me (live)
producer:
Johnny Pate
bass:
Leo Lauchie (on 1964-11-21)
drums (drum set):
Sonny Freeman (on 1964-11-21)
guitar:
B.B. King (on 1964-11-21)
piano:
Duke Jethro (on 1964-11-21)
tenor saxophone:
Johnny Board (on 1964-11-21) and Bobby Forte (saxophonist) (on 1964-11-21)
trumpet:
Kenny Sands (on 1964-11-21)
vocals:
B.B. King (on 1964-11-21)
phonographic copyright (℗) by:
Geffen Records (in 1965)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live recording of:
Please Love Me (on 1964-11-21)
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc. and Powerforce Music
recording of:
Please Love Me
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc. and Powerforce Music
3:00
21Tired of Your Jive
producer:
Johnny Pate
alto saxophone:
Lawrence Burdine (on 1965-03-03)
baritone saxophone:
Barney Hubert (on 1965-03-03)
bass:
Leo Lauchie (on 1965-03-03)
drums (drum set):
Sonny Freeman (on 1965-03-03)
guitar:
B.B. King (on 1965-03-03)
organ:
Duke Jethro (on 1965-03-03)
tenor saxophone:
Vernon Slater (on 1965-03-03)
trumpet:
Carl Adams (trumpeter) (on 1965-03-03)
vocals:
B.B. King (on 1965-03-03)
phonographic copyright (℗) by:
Geffen Records (in 1965)
cover recording of:
Tired of Your Jive (on 1965-03-03)
writer:
Janet Despenza and Johnny Pate
2:10
22All Over Again
producer:
Johnny Pate
alto saxophone:
Lawrence Burdine (on 1965-03-03)
baritone saxophone:
Barney Hubert (on 1965-03-03)
bass:
Leo Lauchie (on 1965-03-03)
drums (drum set):
Sonny Freeman (on 1965-03-03)
guitar:
B.B. King (on 1965-03-03)
organ:
Duke Jethro (on 1965-03-03)
tenor saxophone:
Vernon Slater (on 1965-03-03)
trumpet:
Carl Adams (trumpeter) (on 1965-03-03)
vocals:
B.B. King (on 1965-03-03)
phonographic copyright (℗) by:
Geffen Records (in 1965)
recording of:
All Over Again (on 1965-03-03)
writer:
Carl Adams and B.B. King
2:35
23I’d Rather Drink Muddy Water
producer:
Johnny Pate
alto saxophone:
Lawrence Burdine (on 1965-06-24)
baritone saxophone:
Johnny Board (on 1965-06-24)
bass:
Leo Lauchie (on 1965-06-24)
drums (drum set):
Sonny Freeman (on 1965-06-24)
guitar:
Leo Blevins (on 1965-06-24) and B.B. King (on 1965-06-24)
piano:
Duke Jethro (on 1965-06-24)
tenor saxophone:
Vernon Slater (on 1965-06-24)
trombone:
John Watson (American jazz trombonist) (on 1965-06-24)
trumpet:
Carl Adams (trumpeter) (on 1965-06-24)
vocals:
B.B. King (on 1965-06-24)
phonographic copyright (℗) by:
Geffen Records (in 1965)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1965-06-24)
recording of:
I’d Rather Drink Muddy Water (on 1965-06-24)
lyricist and composer:
Eddie Miller (US country music songwriter)
2:21
24Cherry Red
producer:
Johnny Pate
alto saxophone:
Lawrence Burdine (on 1965-06-24)
baritone saxophone:
Johnny Board (on 1965-06-24)
bass:
Leo Lauchie (on 1965-06-24)
drums (drum set):
Sonny Freeman (on 1965-06-24)
guitar:
Leo Blevins (on 1965-06-24) and B.B. King (on 1965-06-24)
piano:
Duke Jethro (on 1965-06-24)
tenor saxophone:
Vernon Slater (on 1965-06-24)
trombone:
John Watson (American jazz trombonist) (on 1965-06-24)
trumpet:
Carl Adams (trumpeter) (on 1965-06-24)
vocals:
B.B. King (on 1965-06-24)
phonographic copyright (℗) by:
Geffen Records (in 1966)
recorded at:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, United States (on 1965-06-24)
recording of:
Cherry Red (on 1965-06-24)
writer:
Pete Johnson (US boogie‐woogie pianist) and Big Joe Turner
2:26
25You’re Still a Square
recorded in:
New York, New York, United States (on 1966-02-17)
producer:
Johnny Pate
guitar:
B.B. King (on 1966-02-17)
vocals:
B.B. King (on 1966-02-17)
phonographic copyright (℗) by:
Geffen Records (in 1966)
recording of:
You’re Still a Square (on 1966-02-17)
writer:
B.B. King
2:23
26Don’t Answer the Door, Parts 1 & 2
recorded in:
Chicago, Illinois, United States (on 1966-07-14) and New York, New York, United States (on 1966-07-14)
producer:
Quincy Jones and Johnny Pate
bass:
Leo Lauchie (on 1966-07-14)
drums (drum set):
Sonny Freeman (on 1966-07-14)
guitar:
B.B. King (on 1966-07-14)
organ:
Duke Jethro (on 1966-07-14)
vocals:
B.B. King (on 1966-07-14)
phonographic copyright (℗) by:
Geffen Records (in 1966)
cover recording of:
Don’t Answer the Door (on 1966-07-14)
writer:
Jimmy Johnson (Chicago blues guitarist)
publisher:
Fordyce Publishing Co and Mercedes Music
recording of:
Don’t Answer the Door
writer:
Jimmy Johnson (Chicago blues guitarist)
publisher:
Fordyce Publishing Co and Mercedes Music
5:11
27Waitin’ On You
recorded in:
Chicago, Illinois, United States (on 1966-11-17)
producer:
Johnny Pate
bass:
Louis Satterfield (on 1966-11-17)
drums (drum set):
Sonny Freeman (on 1966-11-17)
guitar:
B.B. King (on 1966-11-17)
organ:
Duke Jethro (on 1966-11-17)
tenor saxophone:
Bobby Forte (saxophonist) (on 1966-11-17)
trumpet:
Kenny Sands (on 1966-11-17)
vocals:
B.B. King (on 1966-11-17)
phonographic copyright (℗) by:
Geffen Records (in 1966)
recording of:
Waitin' on You (on 1966-11-17)
writer:
B.B. King and Fats Washington
publisher:
LZMC and Pamco Music Inc.
2:26
28Night Life
recorded in:
Chicago, Illinois, United States (on 1966-11-17)
producer:
Johnny Pate
bass:
Louis Satterfield (on 1966-11-17)
drums (drum set):
Sonny Freeman (on 1966-11-17)
guitar:
B.B. King (on 1966-11-17)
organ:
Duke Jethro (on 1966-11-17)
tenor saxophone:
Bobby Forte (saxophonist) (on 1966-11-17)
trumpet:
Kenny Sands (on 1966-11-17)
vocals:
B.B. King (on 1966-11-17)
phonographic copyright (℗) by:
Geffen Records (in 1966)
cover recording of:
Night Life (Willie Nelson) (on 1966-11-17)
writer:
Walt Breeland (American songwriter), Paul Buskirk and Willie Nelson
publisher:
Glad Music Co., Pappy Daily Music, Sony/ATV Songs (SOCAN), Sony/ATV Tree Publishing and Glad Music Publishing (in 1962)
2:34
4▶CD: Why I Sing the Blues (1967–1969)
5▶CD: The Thrill Is Gone (1969–1971)
6▶CD: Lucille Talks Back (1971–1977)
7▶CD: When It All Comes Down (I’ll Still Be Around) (1978–1983)
8▶CD: When Love Comes to Town (1983–1993)
9▶CD: Blues Man (1993–1999)
10▶CD: Key to the Highway (2000–2008)

Credits

Release

manufactured in:Europe
copyrighted (©) by and phonographic copyright (℗) by:Universal Music B.V. (not for release label use! NL subsidiary of UMG) (in 2012)
Discogs:https://www.discogs.com/release/6633853 [info]
ASIN:US: B008M4HJSW [info]