Ladies and Gentlemen… Mr. B.B. King

~ Release by B.B. King (see all versions of this release, 2 available)

Tracklist

1▼CD: Three O’Clock Blues (1919–1956)
#TitleRatingLength
1Miss Martha King
bass:
Tuff Green (from 1949-05 until 1949-06)
drums (drum set):
Phineas Newborn, Sr. (drummer) (from 1949-05 until 1949-06)
guitar:
B.B. King (from 1949-05 until 1949-06) and Calvin Newborn (50s US R&B guitar player) (from 1949-05 until 1949-06)
piano:
Phineas Newborn, Jr. (American jazz pianist) (from 1949-05 until 1949-06)
tenor saxophone:
Ben Branch (from 1949-05 until 1949-06)
trombone:
Sammy Jett (from 1949-05 until 1949-06)
trumpet:
Thomas Branch (from 1949-05 until 1949-06)
vocals:
B.B. King (from 1949-05 until 1949-06)
recorded at:
WDIA Radio Studios in Memphis, Tennessee, United States (from 1949-05 until 1949-06)
recording of:
Miss Martha King (from 1949-05 until 1949-06)
writer:
B.B. King
2:42
2When Your Baby Packs Up and Goes
bass:
Tuff Green (from 1949-05 until 1949-06)
drums (drum set):
Phineas Newborn, Sr. (drummer) (from 1949-05 until 1949-06)
guitar:
B.B. King (from 1949-05 until 1949-06) and Calvin Newborn (50s US R&B guitar player) (from 1949-05 until 1949-06)
piano:
Phineas Newborn, Jr. (American jazz pianist) (from 1949-05 until 1949-06)
tenor saxophone:
Ben Branch (from 1949-05 until 1949-06)
trombone:
Sammy Jett (from 1949-05 until 1949-06)
trumpet:
Thomas Branch (from 1949-05 until 1949-06)
vocals:
B.B. King (from 1949-05 until 1949-06)
recorded at:
WDIA Radio Studios in Memphis, Tennessee, United States (from 1949-05 until 1949-06)
recording of:
When Your Baby Packs Up and Goes (from 1949-05 until 1949-06)
writer:
B.B. King
2:29
3Got the Blues
bass:
Tuff Green (from 1949-05 until 1949-06)
drums (drum set):
Phineas Newborn, Sr. (drummer) (from 1949-05 until 1949-06)
guitar:
B.B. King (from 1949-05 until 1949-06) and Calvin Newborn (50s US R&B guitar player) (from 1949-05 until 1949-06)
piano:
Phineas Newborn, Jr. (American jazz pianist) (from 1949-05 until 1949-06)
tenor saxophone:
Ben Branch (from 1949-05 until 1949-06)
trombone:
Sammy Jett (from 1949-05 until 1949-06)
trumpet:
Thomas Branch (from 1949-05 until 1949-06)
vocals:
B.B. King (from 1949-05 until 1949-06)
recorded at:
WDIA Radio Studios in Memphis, Tennessee, United States (from 1949-05 until 1949-06)
recording of:
Got the Blues (from 1949-05 until 1949-06)
writer:
B.B. King
2:47
4Take a Swing With Me
bass:
Tuff Green (from 1949-05 until 1949-06)
drums (drum set):
Phineas Newborn, Sr. (drummer) (from 1949-05 until 1949-06)
guitar:
B.B. King (from 1949-05 until 1949-06) and Calvin Newborn (50s US R&B guitar player) (from 1949-05 until 1949-06)
piano:
Phineas Newborn, Jr. (American jazz pianist) (from 1949-05 until 1949-06)
tenor saxophone:
Ben Branch (from 1949-05 until 1949-06)
trombone:
Sammy Jett (from 1949-05 until 1949-06)
trumpet:
Thomas Branch (from 1949-05 until 1949-06)
vocals:
B.B. King (from 1949-05 until 1949-06)
recorded at:
WDIA Radio Studios in Memphis, Tennessee, United States (from 1949-05 until 1949-06)
recording of:
Take a Swing With Me (from 1949-05 until 1949-06)
writer:
B.B. King
2:33
5B.B. Boogie
producer:
Sam Phillips (founder of Sun Records)
guitar:
B.B. King (in 1950-07)
piano:
Phineas Newborn, Jr. (American jazz pianist) (in 1950-07)
vocals:
B.B. King (in 1950-07)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1950) and P‐VINE RECORDS (record label — add releases here) (in 1950)
recorded at:
Memphis Recording and Sound Service in Memphis, Tennessee, United States (in 1950-07)
recording of:
B.B. Boogie (in 1950-07)
writer:
B.B. King and Jules Taub
3:11
6Don’t You Want a Man Like Me
producer:
Sam Phillips (founder of Sun Records)
bass:
James Walker (Bassist credited as playing with B.B. King) (on 1951-01-08)
drums (drum set):
Phineas Newborn, Sr. (drummer) (on 1951-01-08)
guitar:
B.B. King (on 1951-01-08)
piano:
Ford Nelson (on 1951-01-08)
tenor saxophone:
Solomon Hardy (on 1951-01-08)
vocals:
B.B. King (on 1951-01-08)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1951) and P‐VINE RECORDS (record label — add releases here) (in 1951)
recorded at:
Memphis Recording and Sound Service in Memphis, Tennessee, United States (on 1951-01-08)
recording of:
Don’t You Want a Man Like Me (on 1951-01-08)
writer:
B.B. King and Jules Taub
2:21
7Fine Looking Woman
producer:
Sam Phillips (founder of Sun Records)
bass:
James Walker (Bassist credited as playing with B.B. King) (on 1951-01-08)
drums (drum set):
Phineas Newborn, Sr. (drummer) (on 1951-01-08)
guitar:
B.B. King (on 1951-01-08)
piano:
Ford Nelson (on 1951-01-08)
tenor saxophone:
Solomon Hardy (on 1951-01-08)
vocals:
B.B. King (on 1951-01-08)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1952) and P‐VINE RECORDS (record label — add releases here) (in 1952)
recorded at:
Memphis Recording and Sound Service in Memphis, Tennessee, United States (on 1951-01-08)
recording of:
Fine Lookin' Woman (on 1951-01-08)
writer:
B.B. King
2:23
8She’s Dynamite
producer:
Sam Phillips (founder of Sun Records)
bass:
James Walker (American rock bassist, member of Manmade God) (on 1951-05-27)
drums (drum set) and piano:
Phineas Newborn, Jr. (American jazz pianist) (on 1951-05-27)
guitar:
B.B. King (on 1951-05-27) and Calvin Newborn (50s US R&B guitar player) (on 1951-05-27)
tenor saxophone:
Richard Sanders (saxophonist) (on 1951-05-27)
vocals:
B.B. King (on 1951-05-27)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1951) and P‐VINE RECORDS (record label — add releases here) (in 1951)
recorded at:
Memphis Recording and Sound Service in Memphis, Tennessee, United States (on 1951-05-27)
cover recording of:
She’s Dynamite (on 1951-05-27)
lyricist and composer:
Hudson Whittaker
2:30
9Three O’Clock Blues
producer:
Joe Bihari
bass:
Tuff Green (in 1951-09)
drums (drum set):
Earl Forest (in 1951-09)
guitar:
B.B. King (in 1951-09) and Calvin Newborn (50s US R&B guitar player) (in 1951-09)
piano:
Johnny Ace (1950s rhythm & blues) (in 1951-09)
saxophone:
Adolph "Billy" Duncan (in 1951-09) and Richard Sanders (saxophonist) (in 1951-09)
vocals:
B.B. King (in 1951-09)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1951) and P‐VINE RECORDS (record label — add releases here) (in 1951)
recorded at:
Memphis YMCA in Memphis, Tennessee, United States (in 1951-09)
recording of:
Three O’Clock Blues (First recorded in 1946) (in 1951-09)
writer:
Lowell Fulson
publisher:
Careers–BMG Music Publishing, Inc. and Powerforce Music
3:02
10That Ain’t the Way to Do It
producer:
Joe Bihari
bass:
James Walker (American rock bassist, member of Manmade God) (in 1951-09)
drums (drum set):
Earl Forest (in 1951-09)
guitar:
B.B. King (in 1951-09) and Calvin Newborn (50s US R&B guitar player) (in 1951-09)
vocals:
B.B. King (in 1951-09)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1951) and P‐VINE RECORDS (record label — add releases here) (in 1951)
recorded at:
Memphis YMCA in Memphis, Tennessee, United States (in 1951-09)
recording of:
That Ain’t the Way to Do It (in 1951-09)
writer:
B.B. King and Jules Taub
2:17
11You Know I Love You
recorded in:
Memphis, Tennessee, United States (in 1952-04)
producer:
Joe Bihari
alto saxophone:
Hank Crawford (in 1952-04)
bass:
Tuff Green (in 1952-04)
drums (drum set):
Phineas Newborn, Sr. (drummer) (in 1952-04)
guitar:
B.B. King (in 1952-04)
piano:
Ike Turner (in 1952-04)
tenor saxophone:
Ben Branch (in 1952-04)
vocals:
B.B. King (in 1952-04)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1952) and P‐VINE RECORDS (record label — add releases here) (in 1952)
recording of:
Darlin’ You Know I Love You (in 1952-04)
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd., Modern Music Publishing Co., Inc. and Sounds Of Lucille, Inc.
3:05
12Woke Up This Morning
producer:
Joe Bihari
congas:
Charles Crosby (drums) (in 1952-12)
guitar:
B.B. King (in 1952-12)
piano:
Connie McBooker (in 1952-12)
saxophone:
George Coleman (US jazz saxophonist) (in 1952-12)
tenor saxophone:
Bill Harvey (saxophone) (in 1952-12)
trumpet:
Floyd Jones (Soul trumpet player and arranger) (in 1952-12)
vocals:
B.B. King (in 1952-12)
arranger:
Bill Harvey (saxophone)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1953) and P‐VINE RECORDS (record label — add releases here) (in 1953)
recorded at:
ACA Studios in Houston, Texas, United States (in 1952-12)
recording of:
Woke Up This Morning (in 1952-12)
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd., Careers‐BMG Music Publishing and Powerforce Music
2:57
13Please Love Me
producer:
Joe Bihari
alto saxophone:
George Coleman (US jazz saxophonist) (in 1952-12)
bass:
James Walker (Bassist credited as playing with B.B. King) (in 1952-12)
congas:
Charles Crosby (drums) (in 1952-12)
drums (drum set):
Ted Curry (in 1952-12)
guitar:
B.B. King (in 1952-12)
piano:
Connie McBooker (in 1952-12)
tenor saxophone:
Bill Harvey (saxophone) (in 1952-12)
trumpet:
Floyd Jones (Soul trumpet player and arranger) (in 1952-12)
vocals:
B.B. King (in 1952-12)
arranger:
Bill Harvey (saxophone)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1953) and P‐VINE RECORDS (record label — add releases here) (in 1953)
recorded at:
ACA Studios in Houston, Texas, United States (in 1952-12)
recording of:
Please Love Me (in 1952-12)
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc. and Powerforce Music
2:51
14Blind Love
producer:
Joe Bihari
congas:
Charles Crosby (drums) (in 1952-12)
guitar:
B.B. King (in 1952-12)
piano:
Connie McBooker (in 1952-12)
saxophone:
George Coleman (US jazz saxophonist) (in 1952-12)
tenor saxophone:
Bill Harvey (saxophone) (in 1952-12)
trumpet:
Floyd Jones (Soul trumpet player and arranger) (in 1952-12)
vocals:
B.B. King (in 1952-12)
arranger:
Bill Harvey (saxophone)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1953) and P‐VINE RECORDS (record label — add releases here) (in 1953)
recorded at:
ACA Studios in Houston, Texas, United States (in 1952-12)
recording of:
Blind Love (in 1952-12)
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd. and Sounds Of Lucille, Inc.
3:05
15The Woman I Love
guitar:
B.B. King (on 1954-02-06)
vocals:
B.B. King (on 1954-02-06)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1954) and P‐VINE RECORDS (record label — add releases here) (in 1954)
recorded at:
Universal Recorders in Hollywood, Los Angeles, California, United States (on 1954-02-06)
recording of:
The Woman That I Love
writer:
Joe Bihari and B.B. King
2:41
16Whole Lotta’ Love
guitar:
B.B. King (on 1954-02-06)
vocals:
B.B. King (on 1954-02-06)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1954) and P‐VINE RECORDS (record label — add releases here) (in 1954)
recorded at:
Universal Recorders in Hollywood, Los Angeles, California, United States (on 1954-02-06)
recording of:
Whole Lotta Love
writer:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) and Joe Josea
3:09
17Everyday I Have the Blues
recorded in:
Los Angeles, California, United States (in 1955)
congas:
Charles Crosby (drums) (on 1954-03-02)
guitar:
B.B. King (on 1954-03-02)
vocals:
B.B. King (on 1954-03-02)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1954) and P‐VINE RECORDS (record label — add releases here) (in 1954)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-03-02)
cover recording of:
Everyday I Have the Blues (on 1954-03-02)
lyricist, composer and revised by:
Peter Chatman
writer:
Memphis Slim, Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (in 1935) and Milton Sparks (in 1935)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
2:49
18Love You Baby (a.k.a. Take a Swing with Me)
congas:
Charles Crosby (drums) (on 1954-03-02)
guitar:
B.B. King (on 1954-03-02)
vocals:
B.B. King (on 1954-03-02)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1954) and P‐VINE RECORDS (record label — add releases here) (in 1954)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-03-02)
recording of:
Take a Swing With Me (on 1954-03-02)
writer:
B.B. King
2:40
19When My Heart Beats Like a Hammer
congas:
Charles Crosby (drums) (on 1954-03-02)
guitar:
B.B. King (on 1954-03-02)
vocals:
B.B. King (on 1954-03-02)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1954) and P‐VINE RECORDS (record label — add releases here) (in 1954)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-03-02)
recording of:
When My Heart Beats Like a Hammer (on 1954-03-02)
writer:
B.B. King and Jules Taub
publisher:
Careers–BMG Music Publishing, Inc., Powerforce Music and Universal/MCA Music Ltd. (not for release label use!)
2:54
20You Upset Me Baby
alto saxophone:
Jewell Grant (US saxophonist) (from 1954-08-18 until 1954-08-19)
bass:
Ralph Hamilton (US jazz/R&B bassist) (from 1954-08-18 until 1954-08-19)
drums (drum set):
Jesse Sailes (from 1954-08-18 until 1954-08-19)
guitar:
B.B. King (from 1954-08-18 until 1954-08-19)
piano:
Willard McDaniel (from 1954-08-18 until 1954-08-19)
saxophone:
Floyd Turnham (from 1954-08-18 until 1954-08-19)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (from 1954-08-18 until 1954-08-19)
trumpet:
Harry D. Jones (from 1954-08-18 until 1954-08-19)
vocals:
B.B. King (from 1954-08-18 until 1954-08-19)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
publisher:
Intersong Music
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1954) and P‐VINE RECORDS (record label — add releases here) (in 1954)
recorded at:
Modern Studios in Culver City, California, United States (from 1954-08-18 until 1954-08-19)
recording of:
You Upset Me Baby (from 1954-08-18 until 1958-08-19)
writer:
Riley B. King and Jules Taub
publisher:
BMG Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:02
21Sneakin’ Around
alto saxophone:
Jewell Grant (US saxophonist) (from 1954-08-18 until 1954-08-19)
bass:
Ralph Hamilton (US jazz/R&B bassist) (from 1954-08-18 until 1954-08-19)
drums (drum set):
Jesse Sailes (from 1954-08-18 until 1954-08-19)
guitar:
B.B. King (from 1954-08-18 until 1954-08-19)
piano:
Willard McDaniel (from 1954-08-18 until 1954-08-19)
saxophone:
Floyd Turnham (from 1954-08-18 until 1954-08-19)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (from 1954-08-18 until 1954-08-19)
trumpet:
Harry D. Jones (from 1954-08-18 until 1954-08-19)
vocals:
B.B. King (from 1954-08-18 until 1954-08-19)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1954) and P‐VINE RECORDS (record label — add releases here) (in 1954)
recorded at:
Modern Studios in Culver City, California, United States (from 1954-08-18 until 1954-08-19)
cover recording of:
Sneakin' Around (from 1954-08-18 until 1954-08-19)
lyricist and composer:
Jessie Mae Robinson
publisher:
Cherio Corporation and Crawford Music
3:02
22Shut Your Mouth
guitar:
B.B. King (in 1954-12)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (in 1954-12)
vocals:
B.B. King (in 1954-12)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1955) and P‐VINE RECORDS (record label — add releases here) (in 1955)
recorded at:
Modern Studios in Culver City, California, United States (in 1954-12)
recording of:
Shut Your Mouth (in 1954-12)
writer:
B.B. King and Sam Ling
2:41
23Boogie Rock
guitar:
B.B. King (in 1954-12)
tenor saxophone:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (in 1954-12)
vocals:
B.B. King (in 1954-12)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1955) and P‐VINE RECORDS (record label — add releases here) (in 1955)
recorded at:
Modern Studios in Culver City, California, United States (in 1954-12)
recording of:
Boogie Rock (in 1954-12)
writer:
B.B. King
publisher:
BMG Music Publishing Ltd.
3:05
24Ten Long Years
guitar:
B.B. King (in 1955)
vocals:
B.B. King (in 1955)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1955) and P‐VINE RECORDS (record label — add releases here) (in 1955)
recorded at:
Modern Studios in Culver City, California, United States (in 1955)
recording of:
Ten Long Years (in 1955)
writer:
Jules Bihari and Riley B. King
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc. and Powerforce Music
2:47
25Crying Won’t Help You
recorded in:
Chicago, Illinois, United States (in 1955)
guitar:
B.B. King (in 1955)
vocals:
B.B. King (in 1955)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1955) and P‐VINE RECORDS (record label — add releases here) (in 1955)
recording of:
Cryin’ Won’t Help You Now (in 1955)
composer:
B.B. King
publisher:
Pamco Music and Universal/MCA Music Ltd. (not for release label use!)
3:00
26Bad Luck
alto saxophone:
Lawrence Burdine (on 1955-11-19)
baritone saxophone:
Floyd Newman (on 1955-11-19)
bass:
Jymie Merritt (on 1955-11-19)
drums (drum set):
Ted Curry (on 1955-11-19)
guitar:
B.B. King (on 1955-11-19)
piano:
Millard Lee (on 1955-11-19)
tenor saxophone:
Johnny Board (on 1955-11-19)
trumpet:
Kenny Sands (on 1955-11-19)
vocals:
B.B. King (on 1955-11-19)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1956) and P‐VINE RECORDS (record label — add releases here) (in 1956)
recorded at:
Modern Studios in Culver City, California, United States (on 1955-11-19)
recording of:
Bad Luck (on 1955-11-19)
writer:
B.B. King
2:54
27Troubles, Troubles, Troubles
alto saxophone:
Lawrence Burdine (on 1956-02-25)
baritone saxophone:
Floyd Newman (on 1956-02-25)
bass:
Jymie Merritt (on 1956-02-25)
drums (drum set):
Ted Curry (on 1956-02-25)
guitar:
B.B. King (on 1956-02-25)
piano:
Millard Lee (on 1956-02-25)
tenor saxophone:
Johnny Board (on 1956-02-25)
trumpet:
Kenny Sands (on 1956-02-25)
vocals:
B.B. King (on 1956-02-25)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1957) and P‐VINE RECORDS (record label — add releases here) (in 1957)
recorded at:
Modern Studios in Culver City, California, United States (on 1956-02-25)
recording of:
Troubles, Troubles, Troubles (on 1956-02-25)
composer:
J.J. Cale
2:54
2▶CD: Rock Me Baby (1957–1962)
3▶CD: How Blue Can You Get (1962–1996)
4▶CD: Why I Sing the Blues (1967–1969)
5▶CD: The Thrill Is Gone (1969–1971)
6▶CD: Lucille Talks Back (1971–1977)
7▶CD: When It All Comes Down (I’ll Still Be Around) (1978–1983)
8▶CD: When Love Comes to Town (1983–1993)
9▶CD: Blues Man (1993–1999)
10▶CD: Key to the Highway (2000–2008)

Credits

Release

manufactured in:Europe
copyrighted (©) by and phonographic copyright (℗) by:Universal Music B.V. (not for release label use! NL subsidiary of UMG) (in 2012)
Discogs:https://www.discogs.com/release/6633853 [info]
ASIN:US: B008M4HJSW [info]