Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1▼CD: Bach: Christmas Oratorio (Parts I-III)
#TitleArtistRatingLength
1Christmas Oratorio, BWV 248: Part One: For the 1st Day of Christmas. 1. Chorus: “Jauchzet, frohlocket, auf, preiset die Tage”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:41
2Christmas Oratorio, BWV 248: Part One: For the 1st Day of Christmas. 2. Recitative (Evangelist): “Es begab sich aber zu der Zeit”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:11
3Christmas Oratorio, BWV 248: Part One: For the 1st Day of Christmas. 3. Recitative (alto): “Nun wird mein liebster Bräutigam”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:51
4Christmas Oratorio, BWV 248: Part One: For the 1st Day of Christmas. 4. Aria (alto): “Bereite dich, Zion, mit zärtlichen Trieben”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
performer:
Anthony Robson (oboist) (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:04
5Christmas Oratorio, BWV 248: Part One: For the 1st Day of Christmas. 5. Chorale: “Wie soll ich dich empfangen”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:04
6Christmas Oratorio, BWV 248: Part One: For the 1st Day of Christmas. 6. Recitative (Evangelist): “Und sie gebar ihren ersten Sohn”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:21
7Christmas Oratorio, BWV 248: Part One: For the 1st Day of Christmas. 7. Chorale (sopranos): “Er ist auf Erden kommen arm” / Recitative (bass): “Wer will die Liebe recht erhöh'n”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
bass vocals [Herod]:
Olaf Bär (baritone) (in 1987-01)
soprano vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:57
8Christmas Oratorio, BWV 248: Part One: For the 1st Day of Christmas. 8. Aria (bass): “Großer Herr und starker König”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
trumpet:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1987-01)
bass vocals [Herod]:
Olaf Bär (baritone) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:22
9Christmas Oratorio, BWV 248: Part One: For the 1st Day of Christmas. 9. Chorale: “Ach, mein herzliebes Jesulein”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:20
10Christmas Oratorio, BWV 248: Part Two: For the 2nd Day of Christmas. 10. Sinfonia
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:17
11Christmas Oratorio, BWV 248: Part Two: For the 2nd Day of Christmas. 11. Recitative (Evangelist): “Und es waren Hirten in derselben Gegend”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:34
12Christmas Oratorio, BWV 248: Part Two: For the 2nd Day of Christmas. 12. Chorale: “Brich an, o schönes Morgenlicht”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
is based on:
Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:01
13Christmas Oratorio, BWV 248: Part Two: For the 2nd Day of Christmas. 13. Recitative (Evangelist): “Und der Engel sprach zu ihnen” / Angel: “Fürchtet euch nicht”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
soprano vocals [Angel]:
Ruth Holton (soprano) (in 1987-01)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:38
14Christmas Oratorio, BWV 248: Part Two: For the 2nd Day of Christmas. 14. Recitative (bass): “Was Gott dem Abraham verheißen”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
bass vocals [Herod]:
Olaf Bär (baritone) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:42
15Christmas Oratorio, BWV 248: Part Two: For the 2nd Day of Christmas. 15. Aria (tenor): “Frohe Hirten, eilt, ach eilet”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
flute:
Lisa Beznosiuk (flautist) (in 1987-01)
tenor vocals:
Hans Peter Blochwitz (tenor) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:18
16Christmas Oratorio, BWV 248: Part Two: For the 2nd Day of Christmas. 16. Recitative (Evangelist): “Und das habt zum Zeichen”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:23
17Christmas Oratorio, BWV 248: Part Two: For the 2nd Day of Christmas. 17. Chorale: “Schaut hin, dort liegt im finstern Stall”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:39
18Christmas Oratorio, BWV 248: Part Two: For the 2nd Day of Christmas. 18. Recitative (bass): “So geht denn hin”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
bass vocals [Herod]:
Olaf Bär (baritone) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
19Christmas Oratorio, BWV 248: Part Two: For the 2nd Day of Christmas. 19. Aria (alto): “Schlafe, mein Liebster, genieße der Ruh”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach9:20
20Christmas Oratorio, BWV 248: Part Two: For the 2nd Day of Christmas. 20. Recitative (Evangelist): “Und alsobald war da bei dem Engel”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:15
21Christmas Oratorio, BWV 248: Part Two: For the 2nd Day of Christmas. 21. Chorus: “Ehre sei Gott in der Höhe”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:27
22Christmas Oratorio, BWV 248: Part Two: For the 2nd Day of Christmas. 22. Recitative (bass): “So recht, ihr Engel, jauchzt und singet”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
bass vocals [Herod]:
Olaf Bär (baritone) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:23
23Christmas Oratorio, BWV 248: Part Two: For the 2nd Day of Christmas. 23. Chorale: “Wir singen dir in deinem Heer”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1987-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:17
24Christmas Oratorio, BWV 248: Part Three: For the 3rd Day of Christmas. 24. Chorus: “Herrscher des Himmels, erhöre das Lallen”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
bass vocals:
Olaf Bär (baritone) (in 1987-01)
choir vocals:
The Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:50
25Christmas Oratorio, BWV 248: Part Three: For the 3rd Day of Christmas. 25. Recitative (Evangelist): “Und da die Engel von ihnen gen Himmel fuhren”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (in 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:09
26Christmas Oratorio, BWV 248: Part Three: For the 3rd Day of Christmas. 26. Chorus: “Lasset uns nun gehen gen Bethlehem”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (in 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:39
27Christmas Oratorio, BWV 248: Part Three: For the 3rd Day of Christmas. 27. Recitative (bass): “Er hat sein Volk getröst”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
bass vocals [Herod]:
Olaf Bär (baritone) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (in 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:36
28Christmas Oratorio, BWV 248: Part Three: For the 3rd Day of Christmas. 28. Chorale: “Dies hat er alles uns getan”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (in 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:44
29Christmas Oratorio, BWV 248: Part Three: For the 3rd Day of Christmas. 29. Duet (soprano, bass): “Herr, dein Mitleid, dein Erbarmen”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
oboe d'amore:
Valerie Darke (oboist) (in 1987-01) and Anthony Robson (oboist) (in 1987-01)
bass vocals [Herod]:
Olaf Bär (baritone) (in 1987-01)
soprano vocals:
Nancy Argenta (soprano) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (in 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:49
30Christmas Oratorio, BWV 248: Part Three: For the 3rd Day of Christmas. 30. Recitative (Evangelist): “Und sie kamen eilend”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (in 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:09
31Christmas Oratorio, BWV 248: Part Three: For the 3rd Day of Christmas. 31. Aria (alto): “Schließe, mein Herze, dies selige Wunder”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (in 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:59
32Christmas Oratorio, BWV 248: Part Three: For the 3rd Day of Christmas. 32. Recitative (alto): “Ja, ja, mein Herz soll es bewahren”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals [alto]:
Anne Sofie von Otter (mezzo-soprano) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (in 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:21
33Christmas Oratorio, BWV 248: Part Three: For the 3rd Day of Christmas. 33. Chorale: “Ich will dich mit Fleiß bewahren”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (in 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:50
34Christmas Oratorio, BWV 248: Part Three: For the 3rd Day of Christmas. 34. Recitative (Evangelist): “Und die Hirten kehrten wieder um”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
tenor vocals [Evangelist]:
Anthony Rolfe Johnson (tenor) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (in 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:23
35Christmas Oratorio, BWV 248: Part Three: For the 3rd Day of Christmas. 35. Chorale: “Seid froh dieweil”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (in 1987-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:43
36Christmas Oratorio, BWV 248: Part Three: For the 3rd Day of Christmas. 24. Chorus da capo: “Herrscher des Himmels, erhöre das Lallen”
recording engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer and balance engineer:
Karl-August Naegler (balance engineer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV (da capo). Coro da capo „Herrscher des Himmels, erhöre das Lallen“ (in 1987-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:56
2▶CD: Bach: Christmas Oratorio (Parts IV-VI)
3▶CD: Bach: St. Matthew Passion (Parts I & II beg.)
4▶CD: Bach: St. Matthew Passion (Part II cont.)
5▶CD: Bach: St. John Passion (Parts I & II beg.)
6▶CD: Bach: St. John Passion (Part II cont.)
7▶CD: Bach: Mass in B minor (Kyrie - Gloria)
8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11▶CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15▶CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16▶CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17▶CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22▶CD: Beethoven: Symphonies nos. 1 & 2
23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25▶CD: Beethoven: Symphonies nos. 7 & 8
26▶CD: Beethoven: Symphony no. 9 “Choral”
27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28▶CD: Beethoven: Piano Concertos nos. 3 & 4
29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31▶CD: Beethoven: Violin Concerto
32▶CD: Beethoven: Missa solemnis
33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36▶CD: Interviews with John Eliot Gardiner
37▶CD: Britten: War Requiem
38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39▶CD: Bruckner: Mass no. 1 / 5 Motets
40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44▶CD: Handel: Acis and Galatea (Act I)
45▶CD: Handel: Acis and Galatea (Act II)
46▶CD: Handel: Hercules (Acts I & II beg.)
47▶CD: Handel: Hercules (Acts II cont. & III)
48▶CD: Haydn: The Creation (Parts I & II beg.)
49▶CD: Haydn: The Creation (Parts II cont. & III)
50▶CD: Haydn: The Seasons (Spring - Summer)
51▶CD: Haydn: The Seasons (Autumn - Winter)
52▶CD: Grainger: The Warriors / Holst: The Planets
53▶CD: Lehár: Die lustige Witwe
54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59▶CD: Monteverdi: L'Orfeo (Acts III-V)
60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61▶CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)
63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13
66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18
67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69▶CD: Mozart: Piano Concertos nos. 22 & 23
70▶CD: Mozart: Piano Concertos nos. 24 & 25
71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72▶CD: Mozart: Idomeneo (Acts I & II beg.)
73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74▶CD: Mozart: Idomeneo (Act III cont.)
75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79▶CD: Mozart: Le nozze di Figaro (Act IV)
80▶CD: Mozart: Don Giovanni (Act I beg.)
81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82▶CD: Mozart: Don Giovanni (Act II cont.)
83▶CD: Mozart: Così fan tutte (Act I beg.)
84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85▶CD: Mozart: Così fan tutte (Act II cont.)
86▶CD: Mozart: La clemenza di Tito (Act I)
87▶CD: Mozart: La clemenza di Tito (Act II)
88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89▶CD: Mozart: Die Zauberflöte (Act II cont.)
90▶CD: Purcell: The Fairy Queen (Acts I-III)
91▶CD: Purcell: The Fairy Queen (Acts IV & V)
92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96▶CD: Schumann: Symphonies nos. 4 (original version) & 2
97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99▶CD: Schumann: Das Paradies und die Peri (Parts II & III)
100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103▶CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105▶CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]