Tonight I’m Yours: Sexy 70’s Pop

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2020 Warner Music Group - X5 Music Group»

Countries where available (Spotify + Deezer)

(This is all of them, as of 2020-04-02).

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  • Antarctica: 🇦🇶 Antarctica (aq) 🇧🇻 Bouvet Island (bv)
Annotation last modified on 2020-04-02 23:41 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Tonight I’m Yours (Don’t Hurt Me)
assistant engineer:
Ricky Charles Delena
engineer:
George Tutko (engineer, producer)
co-producer:
Jim Cregan (producer & member of Family)
producer:
Rod Stewart
mixer:
Jim Cregan (producer & member of Family), Rod Stewart and George Tutko (engineer, producer)
additional guitar:
Jeff Baxter
additional keyboard [keyboards]:
Duane Hitchings
bass guitar:
Jay Davis (guitarist)
guitar [guitars]:
Jim Cregan (producer & member of Family)
keyboard [keyboards]:
Kevin Savigar
percussion:
Tony Brock
snare drum:
Carmine Appice
tubular bells:
Tommy Vig (Hungarian jazz drummer, vibraphonist, bandleader and composer)
vocals:
Linda Lewis
recorded at and mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Tonight I’m Yours (Don’t Hurt Me)
lyricist:
Jim Cregan (producer & member of Family) and Rod Stewart
composer:
Jim Cregan (producer & member of Family) and Kevin Savigar
Rod Stewart4:13
2You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) and CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.854:04
3Baby I Want Your Lovin’
recording of:
Baby I Want Your Lovin'
writer:
Harry Wayne Casey, Willie Clarke and Richard Finch
KC and the Sunshine Band3:38
4I Want Your Love
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
recording of:
I Want Your Love
lyricist and composer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1989)
Chic46:55
5Make It With You
bass guitar, guitar, strings, background vocals and lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Michael Botts
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) and Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 13)
recording of:
Make It With You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:14
6Rockin’ Chair
producer:
Steve Alaimo, Willie Clarke and Clarence Reid
recording of:
Rockin’ Chair
writer:
Clarence Henry Reid and Willie Clarke
publisher:
EMI Longitude Music
Gwen McCrae3:22
7Slow Burning Love
accordion:
Nick de Caro
acoustic guitar, bass harmonica and lead vocals:
James Taylor (singer-songwriter and guitarist)
bass guitar:
Willie Weeks (US bass player)
drums (drum set) and percussion:
Russ Kunkel (session drummer)
electric guitar and mandolin:
Danny Kortchmar (Danny Kootch)
Rhodes piano:
Clarence McDonald
conductor:
Nick de Caro
strings arranger:
Nick de Caro
recording of:
Slow Burning Love
composer:
James Taylor (singer-songwriter and guitarist)
James Taylor43:44
8I Just Want to Make Love to You
engineer:
Kingsley (the nearest thing to a Martian) Ward and Ralph (out of sink) Down (engineer)
producer and mixer:
Dave Edmunds
creative direction:
Tony Outeda
bass and background vocals [harmony vocals]:
Tony Stevens (Bass player for Foghat)
drums (drum set) and percussion:
Roger Earl
guitar:
Lonesome Dave and Rod Price
slide guitar [slide]:
Rod Price
lead vocals [vocals]:
Lonesome Dave
phonographic copyright (℗) by:
Bearsville Records (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2016)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom
cover recording of:
I Just Wanna Make Love to You
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hoochie Coochie Music
Foghat44:21
9Making Love
The Staple Singers4:08
10Brand New Love Affair, Pt. I & II
engineer:
Jeff Guercio, Mark Guercio (Engineer) and Wayne Tarnowski
producer:
James William Guercio
mixer:
Phil Ramone (in 1974-09)
orchestrator:
Patrick Williams (composer, arranger)
phonographic copyright (℗) by:
Warner Strategic Marketing (in 1975) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at and mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (in 1974-09)
recording of:
Brand New Love Affair (in 1974-09)
writer:
James Pankow
Chicago4:28
11I’m in Love (and I Love the Feeling)
recording of:
I’m in Love (and I Love the Feeling)
lyricist and composer:
Norman Whitfield
publisher:
Sony/ATV Ballad and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce23:44
12Real Love
guest keyboard:
Rev. Patrick Henderson
vocals:
Nicolette Larson
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
recording of:
Real Love
writer:
Michael McDonald (R&B & soul singer) and Patrick Henderson
publisher:
EMI April Music Inc., Monosteri Music and Tauripin Tunes
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Doobie Brothers3.54:19
13Everytime I Look at You
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
banjo:
Marc Horowitz (in 1973)
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar:
John Oates (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
fiddle:
Larry Packer (in 1973)
keyboard and lead vocals:
Daryl Hall (in 1973)
recording of:
Everytime I Look at You (in 1973)
lyricist and composer:
Daryl Hall
Daryl Hall & John Oates7:07
14Let’s Get Wet
Prince Phillip Mitchell7:12
15Get Closer
engineer:
Joe Bogan (Recording- and mixing engineer)
producer:
Louie Shelton
background vocals:
Carol Carmichael, Donnie Shelton, Shirley Matthews (Canadian pop singer), Merna Matthews and Carolyn Willis
solo soprano vocals:
Carolyn Willis
performer:
Seals & Crofts
strings arranger:
David Paich
arranger:
Gene Page
recording of:
Get Closer (in 1976)
writer:
Dash Crofts and Jim Seals
Seals & Crofts53:58
16Woman Oh Woman
associate engineer:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron and Randy Mason
engineer:
Gary Lyons (UK engineer & producer)
co-producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
producer:
Gary Lyons (UK engineer & producer) and John Sinclair (engineer)
mixer:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
bass guitar:
Ed Gagliardi (bass player (Foreigner))
drums (drum set):
Dennis Elliott
guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
keyboard:
Al Greenwood and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
synthesizer:
Al Greenwood
background vocals:
Ian Lloyd (of Stories)
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) and Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) and Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Woman Oh Woman
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner43:48
17Staying Power
Ben E. King34:41
18You Touch My Hot Line
producer:
Earl Young
arranger:
T.G. Conway (Talmadge Conway, Talmadge G. Conway; Producer, arranger and keyboard player from Philadelphia, PA)
recording of:
You Touch My Hot Line
writer:
Victor Drayton, Jerry Akins (soul singer and songwriter), Johnny Bellmon and Reginald Turner
The Trammps4:24
19When We Pull the Shades
Eugene Record6:16
20Come Together
cover recording of:
Come Together
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI-Songs Musikverlag, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
is based on:
You Can’t Catch Me
The Meters53:10
21Woman Tonight
assistant engineer:
Tom Anderson (engineer)
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass guitar:
David Dickey (U.S. drummer and bassist)
drums (drum set) and percussion:
Willie Leacox
other instruments:
America (US folk/soft rock band)
background vocals:
Venetta Fields, Jessica Smith (US R&B vocalist Jessica Mae Smith, 1941–2021) and Clydie King
vocals:
America (US folk/soft rock band)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Woman Tonight
lyricist and composer:
Dan Peek
America32:22
22Let Me Be Your Lovemaker
recording of:
Let Me Be Your Lovemaker
writer:
Willie Clarke, Clarence Reid and Betty Wright (American soul and R&B singer)
Betty Wright3:19
23You’re Made That Way
Mavis Staples3:57
24My Coo Ca Choo
producer:
Peter Shelley (British 1970s pop singer/songwriter)
lead vocals:
Peter Shelley (British 1970s pop singer/songwriter)
recording of:
My Coo Ca Choo
lyricist and composer:
Peter Shelley (British 1970s pop singer/songwriter)
Alvin Stardust22:46
25See the Bedroom
Blue Magic3:34
26Body Language
The Spinners6:26
27Are You for Real
background vocals and lead vocals:
Camille (American singer Camille Filfiley)
recording of:
Are You for Real
lyricist and composer:
Rick Suchow
Deodato5:07