Tonight I’m Yours: Sexy 70’s Pop

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2020 Warner Music Group - X5 Music Group»

Countries where available (Spotify + Deezer)

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Anmerkung zuletzt geändert am 2020-04-02 23:41 UTC.

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Tonight I’m Yours (Don’t Hurt Me)
assistierende(r) Techniker(in):
Ricky Charles Delena
Techniker(in):
George Tutko (engineer, producer)
Koproduzent(in):
Jim Cregan (producer & member of Family)
Produzent(in):
Rod Stewart
Mix:
Jim Cregan (producer & member of Family), Rod Stewart und George Tutko (engineer, producer)
Bassgitarre:
Jay Davis (guitarist)
Gitarre [guitars]:
Jim Cregan (producer & member of Family)
Keyboard [keyboards]:
Kevin Savigar
kleine Trommel / Snare:
Carmine Appice
Perkussion:
Tony Brock
Röhrenglocken:
Tommy Vig (Hungarian jazz drummer, vibraphonist, bandleader and composer)
zusätzlich Gitarre:
Jeff Baxter
zusätzlich Keyboard [keyboards]:
Duane Hitchings
vocals:
Linda Lewis
aufgenommen bei und mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Tonight I’m Yours (Don’t Hurt Me)
Texter:
Jim Cregan (producer & member of Family) und Rod Stewart
Komponist(in):
Jim Cregan (producer & member of Family) und Kevin Savigar
Rod Stewart4:13
2You Sexy Thing
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. und RAK Publishing Ltd
Hot Chocolate3.854:04
3Baby I Want Your Lovin’KC and the Sunshine Band3:38
4I Want Your Love
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
recording of:
I Want Your Love
Texter und Komponist(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1989)
Chic46:55
5Make It With You
Bassgitarre, Gitarre, Saiteninstrumente, Hintergrundgesang und Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
Schlagzeug:
Michael Botts
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) und Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 13)
recording of:
Make It With You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:14
6Rockin’ ChairGwen McCrae3:22
7Slow Burning Love
accordion:
Nick de Caro
Akustikgitarre, Bass-Mundharmonika und Sologesang:
James Taylor (singer-songwriter and guitarist)
Bassgitarre:
Willie Weeks (US bass player)
E-Gitarre und Mandoline:
Danny Kortchmar (Danny Kootch)
Perkussion und Schlagzeug:
Russ Kunkel (session drummer)
Rhodes Piano:
Clarence McDonald
conductor:
Nick de Caro
Saiteninstrumente arranger:
Nick de Caro
recording of:
Slow Burning Love
Komponist(in):
James Taylor (singer-songwriter and guitarist)
James Taylor43:44
8I Just Want to Make Love to You
Techniker(in):
Kingsley (the nearest thing to a Martian) Ward und Ralph (out of sink) Down (engineer)
Produzent(in) und Mix:
Dave Edmunds
künstlerische Leitung:
Tony Outeda
Bass und Hintergrundgesang [harmony vocals]:
Tony Stevens (Bass player for Foghat)
Gitarre:
Lonesome Dave und Rod Price
Perkussion und Schlagzeug:
Roger Earl
Slide-Gitarre [slide]:
Rod Price
Sologesang [vocals]:
Lonesome Dave
phonographisches Urheberrecht (℗) von:
Bearsville Records (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2016)
aufgenommen bei:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich
cover recording of:
I Just Wanna Make Love to You
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hoochie Coochie Music
Foghat44:21
9Making Love
The Staple Singers4:08
10Brand New Love Affair, Pt. I & II
Techniker(in):
Jeff Guercio, Mark Guercio (Engineer) und Wayne Tarnowski
Produzent(in):
James William Guercio
Mix:
Phil Ramone (in 1974-09)
Orchestrator(in):
Patrick Williams (composer, arranger)
phonographisches Urheberrecht (℗) von:
Warner Strategic Marketing (in 1975) und Rhino Entertainment Company (not for release label use!) (in 2002)
aufgenommen bei und mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (in 1974-09)
recording of:
Brand New Love Affair (in 1974-09)
Verfasser(in):
James Pankow
Chicago4:28
11I’m in Love (and I Love the Feeling)
recording of:
I’m in Love (and I Love the Feeling)
Texter und Komponist(in):
Norman Whitfield
publisher:
Sony/ATV Ballad und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce23:44
12Real Love
Gast-Keyboard:
Rev. Patrick Henderson
vocals:
Nicolette Larson
Saiteninstrumente arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
recording of:
Real Love
Verfasser(in):
Michael McDonald (R&B & soul singer) und Patrick Henderson
publisher:
EMI April Music Inc., Monosteri Music und Tauripin Tunes
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Doobie Brothers3.54:19
13Everytime I Look at You
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Banjo:
Marc Horowitz (in 1973)
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre:
John Oates (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Fiddle:
Larry Packer (in 1973)
Keyboard und Sologesang:
Daryl Hall (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
recording of:
Everytime I Look at You (in 1973)
Texter und Komponist(in):
Daryl Hall
Daryl Hall & John Oates7:07
14Let’s Get Wet
Prince Phillip Mitchell7:12
15Get Closer
Techniker(in):
Joe Bogan (Recording- and mixing engineer)
Produzent(in):
Louie Shelton
Hintergrundgesang:
Carol Carmichael, Donnie Shelton, Shirley Matthews (Canadian pop singer), Merna Matthews und Carolyn Willis
Solo Soprangesang:
Carolyn Willis
Interpret(in):
Seals & Crofts
Saiteninstrumente arranger:
David Paich
arranger:
Gene Page
recording of:
Get Closer (in 1976)
Verfasser(in):
Dash Crofts und Jim Seals
Seals & Crofts53:58
16Woman Oh Woman
Partner-Techniker(in):
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron und Randy Mason
Techniker(in):
Gary Lyons (UK engineer & producer)
Koproduzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Produzent(in):
Gary Lyons (UK engineer & producer) und John Sinclair (engineer)
Mix:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Bassgitarre:
Ed Gagliardi (bass player (Foreigner))
Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Keyboard:
Al Greenwood und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Schlagzeug:
Dennis Elliott
Synthesizer:
Al Greenwood
Hintergrundgesang:
Ian Lloyd (of Stories)
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Woman Oh Woman
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner43:48
17Staying Power
Ben E. King34:41
18You Touch My Hot Line
Produzent(in):
Earl Young
arranger:
T.G. Conway (Talmadge Conway, Talmadge G. Conway; Producer, arranger and keyboard player from Philadelphia, PA)
recording of:
You Touch My Hot Line
Verfasser(in):
Victor Drayton, Jerry Akins (soul singer and songwriter), Johnny Bellmon und Reginald Turner
The Trammps4:24
19When We Pull the Shades
Eugene Record6:16
20Come Together
cover recording of:
Come Together
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI-Songs Musikverlag, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
basiert auf:
You Can’t Catch Me
The Meters53:10
21Woman Tonight
assistierende(r) Techniker(in):
Tom Anderson (engineer)
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
andere Instrumente:
America (US folk/soft rock band)
Bassgitarre:
David Dickey (U.S. drummer and bassist)
Schlagzeug und Perkussion:
Willie Leacox
Hintergrundgesang:
Venetta Fields, Jessica Smith (US R&B vocalist Jessica Mae Smith, 1941–2021) und Clydie King
vocals:
America (US folk/soft rock band)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975) und Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Woman Tonight
Texter und Komponist(in):
Dan Peek
America32:22
22Let Me Be Your Lovemaker
recording of:
Let Me Be Your Lovemaker
Verfasser(in):
Willie Clarke, Clarence Reid und Betty Wright (American soul and R&B singer)
Betty Wright3:19
23You’re Made That Way
Mavis Staples3:57
24My Coo Ca Choo
Produzent(in):
Peter Shelley (British 1970s pop singer/songwriter)
Sologesang:
Peter Shelley (British 1970s pop singer/songwriter)
recording of:
My Coo Ca Choo
Texter und Komponist(in):
Peter Shelley (British 1970s pop singer/songwriter)
Alvin Stardust22:46
25See the Bedroom
Blue Magic3:34
26Body Language
The Spinners6:26
27Are You for Real
Hintergrundgesang und Sologesang:
Camille (American singer Camille Filfiley)
recording of:
Are You for Real
Texter und Komponist(in):
Rick Suchow
Deodato5:07