The Idiot's Guide to Classical Music

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Adagio (extract)
Orchester:
Baroque Chamber Orchestra (The Baroque Chamber Orchestra)
conductor:
Ettore Stratta (conductor, producer)
teilweise recording of:
Adagio for Strings and Organ in G minor
Komponist(in):
Remo Giazotto
vorher zugeschrieben zu:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni0:44
2Air on the G String (extract)
Orchester:
Festival Strings of Lucerne
conductor:
Rudolf Baumgartner (conductor)
teilweise recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach0:50
3Brandenburg Concerto (extract)
Orchester:
Festival Strings Lucerne
conductor:
Rudolf Baumgartner (conductor)
Johann Sebastian Bach0:34
4Jesu, Joy of Man's Desiring (extract)
Chorgesang:
Norman Luboff Choir
Orchester:
London Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
teilweise recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach0:43
5Toccata & Fugue (extract)
Orchester:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
Toccata und Fuge d-Moll, BWV 565 (catch-all for arrangements)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach0:43
6Adagio for Strings (extract)
Orchester:
Boston Symphony Orchestra
conductor:
Charles Munch (conductor and violinist)
teilweise recording of:
Adagio for Strings
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
Samuel Barber0:52
7Symphony No. 5 (extract)
Orchester:
Boston Symphony Orchestra
conductor:
Erich Leinsdorf (conductor)
teilweise recording of:
Symphony no. 5 in C minor, op. 67 (Symphonie Nr. 5 in C-dur, Op. 67)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1808)
gewidmet:
Joseph Franz von Lobkowitz und Андрей Разумовский (Russian diplomat)
Premiere bei:
Ludwig van Beethoven at Theater an der Wien (1808-12-22) (am 1808-12-22)
Premiere bei:
Theater an der Wien in Mariahilf, Wien, Österreich (am 1808-12-22)
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 67)
Ludwig van Beethoven0:52
8Symphony No. 9 (extract)
Orchester:
New York Philharmonic
conductor:
Zubin Mehta (conductor)
teilweise recording of:
Symphony no. 9 in D minor, op. 125 “Choral”
Texter:
Friedrich Schiller (German poet and playwright) (in 1785)
zusätzlicher Texter:
Ludwig van Beethoven (German composer)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1822 bis 1824, von 1823 bis 1824)
gewidmet:
Friedrich Wilhelm III. von Preußen (Frederick William III)
Premiere bei:
Theater am Kärntnertor in Innere Stadt, Wien, Österreich (am 1824-05-07)
Teil von:
Classic 100: Feel Good (2024) (Nummer: 1), Biamonti Catalogue (chronological catalogue of Beethoven's works) (Nummer: Bia 787) und Works of Ludwig van Beethoven by opus number (Nummer: op. 125)
Ludwig van Beethoven0:45
9Für Elise (extract)
Klavier:
Nelly Kokinos
teilweise recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1808 bis 1810)
Teil von:
Classic 100: Piano (2004) (Nummer: 15), Classic 100: Piano (2025) (Nummer: 17) und Kinsky catalogue (Beethoven WoO works) (Nummer: WoO 59)
Ludwig van Beethoven0:46
10Turkish March (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Die Ruinen von Athen, op. 113: IV. Marcia alla turca
Komponist(in):
Ludwig van Beethoven (German composer) (in 1811)
basiert auf:
6 Variations for Piano in D major on an Original Theme, op. 76
Teil von:
Die Ruinen von Athen, op. 113
Ludwig van Beethoven0:57
11Moonlight Sonata (extract)
Klavier:
Jörg Demus (pianist)
teilweise recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
Teil von:
Classic 100: Piano (2004) (Nummer: 1) und Classic 100: Piano (2025) (Nummer: 2)
Teil von:
Two Piano Sonatas, op. 27
Ludwig van Beethoven0:51
12Symphonie Fantastique (extract)
Orchester:
Boston Symphony Orchestra
conductor:
Georges Prêtre (French conductor)
teilweise recording of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Komponist(in):
Hector Berlioz (French composer) (in 1830)
Premiere bei:
Salle du Conservatoire in Paris, Île-de-France, Frankreich (am 1830-12-05)
Teil von:
Classic 100: Music of France (2012) (Nummer: 7) und Catalogue of the Works of Hector Berlioz (Nummer: H. 48)
Hector Berlioz1:02
13Damnation of Faust (extract)
Orchester:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
La Damnation de Faust, op. 24 (The Damnation of Faust, op. 24)
Komponist(in):
Hector Berlioz (French composer) (von 1845 bis 1846)
Premiere bei:
Salle Favart (1840–1887, second home of Opéra‐Comique) in Paris, Île-de-France, Frankreich (am 1846-12-06)
Teil von:
Catalogue of the Works of Hector Berlioz (Nummer: H. 111)
Version von:
Huit scènes de Faust
Hector Berlioz0:56
14Carmen: Habanera (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Carmen Suite no. 2: II. Habanera
Komponist(in):
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
basiert auf:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
Teil von:
Carmen Suite no. 2
Georges Bizet0:53
15Carmen: Toreador Song (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Carmen Suite no. 2: IV. Chanson du toréador
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
Teil von:
Carmen Suite no. 2
Georges Bizet0:44
16Minuet (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements)
Komponist(in):
Luigi Boccherini (Italian composer)
Arrangement von:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (Streichquintett Nr. 11 E-Dur, op. 11. Nr. 5, G. 275: III. Minuetto - Trio)
Luigi Boccherini0:38
17Prince Igor: Polovtsian Dance No. 17 (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
Komponist(in):
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arranger:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) und Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer)
Alexander Porfiryevich Borodin0:42
18Hungarian Dance No. 5 (extract)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
teilweise recording of:
21 Hungarian Dances for Orchestra, WoO 1: No. 5 in G minor (Allegro) (catch-all for unknown and one-off orchestrations)
Komponist(in):
Johannes Brahms (German composer) (von 1858 bis 1868)
Orchestrierung von:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
Teil von:
21 Hungarian Dances for Orchestra, WoO 1 (catch-all for unknown and one-off orchestrations)
Johannes Brahms0:37
19Lullaby (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements)
Komponist(in):
Johannes Brahms (German composer)
Arrangement von:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms0:48
20Minute Waltz (extract)
Klavier:
Géza Anda (Geza Anda, pianist)
teilweise recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (Walzer Nr. 6 Des-Dur "Minutenwalter", op. 64 Nr.1, BI. 164 Nr. 1)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1846 bis 1847)
Teil von:
Waltzes, op. 64
Frédéric Chopin0:43
21Grande Valse Brillante (extract)
Klavier:
Géza Anda (Geza Anda, pianist)
teilweise recording of:
Waltz no. 1 in E‐flat major, op. 18 “Grande Valse brillante” (Walzer Nr. 1 Es-Dur "Grande valse brillante", op. 18 BI. 62)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1833)
gewidmet:
Laura Harsford
Teil von:
Works of Fryderyk Chopin by opus number (Nummer: op. 18)
Frédéric Chopin0:41
22Marche Funèbre (extract)
Klavier:
Emanuel Ax (pianist)
teilweise recording of:
Sonata for Piano no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
Teil von:
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Frédéric Chopin0:58
23Appalachian Spring (extract)
Orchester:
Boston Symphony Orchestra
conductor:
Aaron Copland (composer)
teilweise recording of:
Appalachian Spring Suite (for full orchestra, 1945)
Premiere in:
New York, New York, Vereinigte Staaten (am 1945-10-04)
Komponist(in):
Aaron Copland (composer) (in 1945)
uraufgeführt von:
New York Philharmonic (am 1945-10-04) und Artur Rodziński (conductor) (am 1945-10-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
basiert auf:
Appalachian Spring (original ballet for 13 instruments, 1944)
Aaron Copland0:37
24Fanfare for the Common Man (extract)
Orchester:
Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
Fanfare for the Common Man (for brass and percussion orchestra)
Komponist(in):
Aaron Copland (composer) (in 1942)
was commissioned by:
Cincinnati Symphony Orchestra und Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty)
uraufgeführt von:
Cincinnati Symphony Orchestra (am 1943-03-12) und Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty) (am 1943-03-12)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
Aaron Copland1:20
25Clair de Lune (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements)
Komponist(in):
Claude Debussy (French composer) (von 1890 bis 1905)
Arrangement von:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy0:56
26Prelude to the Afternoon (extract)
Orchester:
Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
Komponist(in):
Claude Debussy (French composer) (von 1891 bis 1894-09)
gewidmet:
Raymond Bonheur (composer, 1861-1939)
Premiere bei:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
Teil von:
Classic 100: Music of France (2012) (Nummer: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (Nummer: L. 86) und Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (Nummer: CD 87)
Claude Debussy0:39
27Lakmé: Flower Duet (extract)
Orchester:
Philharmonia Virtuosi (associated with Richard Kapp)
conductor:
Richard Kapp (conductor)
teilweise recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika)
Komponist(in):
Léo Delibes (French composer)
Librettist:
Philippe Gille und Edmond Gondinet
publisher:
Jenkinsongs Ltd.
Teil von:
Lakmé : Acte I
Léo Delibes1:01
28Symphony No. 9, "New World": II. Largo 'Going Home Theme' (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo)
Komponist(in):
Antonín Dvořák (composer) (von 1893-01-10 bis 1893-05-24)
Teil von:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt")
Antonín Dvořák1:35
29The Sorcerer's Apprentice (extract)
Orchester:
Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
L’Apprenti sorcier (The Sorcerer's Apprentice)
Komponist(in):
Paul Dukas (French composer) (von 1896 bis 1897)
Paul Dukas0:33
30Pomp & Circumstance (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
Sir Edward Elgar0:36
31El Amor Brujo: Ritual Fire Dance (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
El amor brujo: VIII. Danza ritual del fuego
Komponist(in):
Manuel de Falla (Spanish composer)
Teil von:
El amor brujo (for symphony orchestra)
Manuel de Falla0:39
32Pavane (extract)
Orchester:
National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
teilweise recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
Texter:
Robert de Montesquiou
Komponist(in):
Gabriel Fauré (French composer) (in 1887)
Arrangement von:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré0:50
33Rhapsody in Blue (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Rhapsody in Blue (standard 1942 orchestration)
Orchestrator(in):
Ferde Grofé (pianist, arranger, conductor and composer) (in 1942)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Ferde Grofé Music Publishing (New York), New World Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Classic 100: Feel Good (2024) (Nummer: 5)
Revision von:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
George Gershwin0:47
34An American in Paris (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
An American in Paris
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Chappell Music Ltd.
Premiere bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1928-12-13)
enthalten in:
An American in Paris (2015 Broadway musical)
George Gershwin0:36
35Funeral March of Marionette (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Marche funèbre d’une marionnette (for orchestra, 1879)
Komponist(in):
Charles Gounod (French composer)
Arrangement von:
Marche funèbre d’une marionnette (Funeral March of a Marionette, original, for piano solo, 1872)
Charles‐François Gounod0:48
36Piano Concerto in A minor, Op. 16 (extract)
Klavier:
Kjell Bäkkelund (Piano)
Orchester:
Oslo Philharmonic
conductor:
Odd Grüner-Hegge
teilweise recording of:
Concerto in A minor for Piano and Orchestra, op. 16
Premiere in:
Copenhagen (Kopenhagen), Capital Region of Denmark (Region Hovedstaden), Dänemark (am 1869-04-03)
Komponist(in):
Edvard Grieg (composer) (in 1868)
Teil von:
Classic 100: Piano (2025) (Nummer: 13) und Works of Edvard Grieg by opus number (Nummer: op. 16)
Edvard Grieg0:41
37Peer Gynt Suite No. 1, Op. 46: I. Morning (extract)
Orchester:
Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1888)
Version von:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
Teil von:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg0:38
38Messiah: Hallelujah Chorus (extract)
Orchester:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
teilweise recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:32
39Water Music: Hornpipe (extract)
Georg Friedrich Händel0:44
40Symphony No. 94, 'Surprise' (extract)
Orchester:
English Chamber Orchestra
conductor:
Jean‐François Paillard (French conductor)
teilweise recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante (Symphonie Nr. 94 G-Dur "3. Londoner (Mit dem Paukenschlag - The Surprise)", Hob. I:94: II. Andante)
Komponist(in):
Joseph Haydn (composer) (in 1791)
Teil von:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn0:42
41The Planets: Mars (extract)
Orchester:
Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
The Planets, op. 32: I. Mars, the Bringer of War
Komponist(in):
Gustav Holst (composer) (von 1914 bis 1916)
Orchestrierung von:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
Teil von:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst0:33
42Sabre Dance (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
Komponist(in):
Aram Khachaturian (Aram Chatschaturjan, Soviet-Armenian composer) (in 1942)
Arrangement von:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Արամ Խաչատրյան0:34
43Pagliacci: Vesti la giubba (extract)
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
London Symphony Orchestra
conductor:
Nello Santi (conductor)
teilweise recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
Komponist(in) und Librettist:
Ruggero Leoncavallo (composer) (in 1892)
Teil von:
For the First Time (1959 film)
Teil von:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo0:51
44Hungarian Rhapsody No. 2 (extract)
Orchester:
Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
Hungarian Rhapsody for Orchestra no. 2 in C minor, S. 359/2 (orch. Liszt/Doppler)
Orchestrator(in):
Franz Doppler und Franz Liszt (Hungarian composer, pianist and conductor)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor)
Orchestrierung von:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 12 in C‐sharp minor, S. 244 no. 12
Teil von:
6 Hungarian Rhapsodies for Orchestra, S. 359
Franz Liszt1:38
45Liebestraum No. 3 (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst”, S. 541 Nr. 3 (catch-all for arrangements)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor)
Arrangement von:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
Franz Liszt1:03
46Cavalleria Rusticana: Intermezzo (extract)
Orchester:
National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
James Levine (US conductor and pianist)
teilweise recording of:
Cavalleria rusticana: Intermezzo
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (German lyrics)
Pietro Mascagni1:07
47Midsummer Night's Dream: Wedding March (extract)
Orchester:
Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (Ein Sommernachtstraum, Op. 61: Nr. 9. Hochzeitsmarsch: Allegro vivace)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1842)
Teil von:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn0:43
48Symphony No. 4, "Italian": IV. Saltarello. Presto (extract)
Orchester:
Boston Symphony Orchestra
conductor:
Charles Munch (conductor and violinist)
teilweise recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1833)
Teil von:
Symphony no. 4 in A major, op. 90 “Italian” (Sinfonie Nr. 4 A-Dur, op. 90 "Italianische")
Felix Mendelssohn0:43
49Rondeau (extract)
Orchester:
U.K. Symphony
conductor:
Harry Rabinowitz
teilweise recording of:
Suite de Symphonies no. 1: I. Rondeau
Komponist(in):
Jean‐Joseph Mouret (composer)
Teil von:
Suite de Symphonies no. 1
Jean‐Joseph Mouret0:26
50Piano Concerto No. 21 (extract)
Klavier:
Géza Anda (Geza Anda, pianist)
Orchester:
Vienna Symphony (Vienna Symphony Orchestra)
conductor:
Géza Anda (Geza Anda, pianist)
teilweise recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart0:51
51Eine kleine Nachtmusik (extract)
Orchester:
Boston Symphony Orchestra
conductor:
Erich Leinsdorf (conductor)
teilweise recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade Nr. 13 für Streicher G-Dur, KV 525 "Eine kleine Nachtmusik": I. Allegro)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart0:52
52The Marriage of Figaro - Overture (extract)
Orchester:
Bavarian Radio Symphony Orchestra (Symphonie-Orchester des Bayerischen Rundfunks)
conductor:
Sir Colin Davis (English conductor)
teilweise recording of:
Le nozze di Figaro, K. 492: Sinfonia
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Die Hochzeit des Figaro (German translation)
Teil von:
Le nozze di Figaro, K. 492 (Die Hochzeit des Figaro, K 492)
Wolfgang Amadeus Mozart0:27
53Sonata in A - Rondo Alla Turca (extract)
Klavier:
Walter Hautzig
teilweise recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (Klaviersonate Nr. 11 A-Dur "Alla Turca", KV 300i (KV 331): III. Alla turca. Allegretto)
komponiert in:
Paris, Île-de-France, Frankreich (in 1778)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Classic 100: Piano (2025) (Nummer: 32)
Teil von:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart0:31
54Symphony No. 40 in G minor, K. 550 "Great": I. Allegro molto (extract)
teilweise recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart0:36
55Night on Bald Mountain (extract)
Orchester:
Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
Une nuit sur le mont chauve: Fantaisie pour l’orchestre (Eine Nacht auf dem kahlen Berge, orchestrated by Rimsky-Korsakov)
Orchestrator(in):
Nikolai Rimsky-Korsakov (Nikolai Rimski-Korsakow, Russian composer) (in 1886)
Komponist(in):
Modest Mussorgsky (Modest Mussorgski, composer) (von 1867-06-12 bis 1867-06-23)
gewidmet:
Wladimir Stassoff (Vladimir Vasilievich Stasov)
publisher:
W. Bessel & Cie (in 1886)
basiert auf:
St. John’s Night on the Bare Mountain (original version)
Modest Mussorgsky0:42
56Pictures at an Exhibition: Great Cave of Kiev (extract)
Orchester:
Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (Bilder einer Ausstellung (Orchesterfassung von Maurice Ravel): Das große Tor von Kiew, orchestrated by Ravel)
Orchestrator(in):
Maurice Ravel (French composer) (in 1922)
Komponist(in):
Модест Петрович Мусоргский (Modest Mussorgski, composer) (von 1874-06-02 bis 1874-06-22)
Orchestrierung von:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
Teil von:
Tableaux d’une exposition (Bilder einer Ausstellung, orchestrated by Ravel)
Modest Mussorgsky0:36
57Barcarolle (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Les Contes d’Hoffmann: Barcarolle (Hoffmanns Erzählungen: Barcarole, catch-all for arrangements)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Arrangement von:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach0:46
58Orpheus in Hades: Theme II (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
Jacques Offenbach0:52
59Carmina Burana: O Fortuna (extract)
Chorgesang:
New England Conservatory Chorus
Orchester:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
teilweise recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff0:57
60Canon (extract)
Orchester:
Boston Symphony Orchestra
conductor:
Erich Leinsdorf (conductor)
teilweise recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel0:41
61Romeo & Juliet: Montagues & Capulets (extract)
Orchester:
Boston Symphony
conductor:
Erich Leinsdorf (conductor)
teilweise recording of:
Romeo and Juliet: Suite no. 2, op. 64ter: I. Montagues and Capulets
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Romeo and Juliet: Suite no. 2, op. 64ter
Sergei Sergeyevich Prokofiev0:51
62Lt. Kije's Wedding (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Lieutenant Kijé Suite, op. 60: III. Kijé’s Wedding
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer) (in 1933)
Teil von:
Lieutenant Kijé Suite, op. 60
Sergei Sergeyevich Prokofiev0:30
63Turandot: Nessun Dorma (extract)
Chorgesang:
Rome Opera Chorus
Tenor-Gesang:
Jussi Björling (tenor)
Orchester:
Rome Opera Orchestra
conductor:
Erich Leinsdorf (conductor)
teilweise recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini1:06
64Piano Concerto No. 2: II (extract)
Klavier:
Barry Douglas (classical pianist and conductor)
Orchester:
London Symphony Orchestra
conductor:
Michael Tilson-Thomas (conductor and pianist)
teilweise recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Premiere in:
Moscow (Moskau), Russland (am 1900-12-15)
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer) (von 1900 bis 1901-04)
Teil von:
Piano Concerto no. 2 in C minor, op. 18
Sergei Vasilievich Rachmaninoff0:48
65Symphony No. 2 in E minor, Op. 27: III. Adagio (opening extract)
Orchester:
London Symphony Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
teilweise recording of:
Symphony no. 2 in E minor, op. 27: III. Adagio
Komponist(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer) (von 1906 bis 1907)
Teil von:
Symphony no. 2 in E minor, op. 27
Sergei Vasilievich Rachmaninoff0:31
66Rhapsody on a Theme by Paganini (extract)
Klavier:
Leonard Pennario (pianist / composer)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer) (von 1934-07-03 bis 1934-08-18)
Teil von:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Sergei Vasilievich Rachmaninoff0:43
67Bolero (extract)
Orchester:
Boston Symphony Orchestra
conductor:
Charles Munch (conductor and violinist)
teilweise recording of:
Boléro
Komponist(in):
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) und Soc. Arima (rights society?)
Premiere bei:
Palais Garnier in Paris, Île-de-France, Frankreich (am 1928-11-22)
Teil von:
Classic 100: Music of France (2012) (Nummer: 9) und Catalogue Marcel Marnat des œuvres de Maurice Ravel (Nummer: M. 81)
Maurice Ravel0:41
68Flight of the Bumblebee (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer) (von 1899 bis 1900)
Teil von:
The Tale of Tsar Saltan: Act III
Nikolai Andreyevich Rimsky-Korsakov0:32
69Concierto de Aranjuez: Adagio (extract)
Gitarre:
Julian Bream
Orchester:
Monteverdi Orchestra
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
teilweise recording of:
Concierto de Aranjuez: II. Adagio
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Teil von:
Concierto de Aranjuez
Joaquín Rodrigo0:36
70The Barber of Seville: Overture (extract)
Orchester:
Chicago Symphony Orchestra
conductor:
Fritz Reiner (conductor)
teilweise recording of:
Il barbiere di Siviglia: Sinfonia
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Der Barbier von Sevilla (german lyrics)
Teil von:
Il barbiere di Siviglia
Teil von:
Le Barbier de Séville (french lyrics)
Teil von:
The Barber of Seville (english lyrics)
Gioachino Rossini0:36
71The Barber of Seville: Largo Al Factotum (extract)
Chorgesang:
Metropolitan Opera Chorus
Orchester:
Metropolitan Opera Orchestra
conductor:
Erich Leinsdorf (conductor)
teilweise recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:18
72William Tell Overture: Theme II (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Guillaume Tell : Ouverture (Wilhelm Tell: Ouvertüre)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Hippolyte Louis-Florent Bis (librettist) und Étienne de Jouy
Teil von:
Guglielmo Tell (italian version by Calisto Bassi)
Teil von:
Guillaume Tell
Gioachino Rossini0:42
73Danse Macabre (extract)
Orchester:
Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
recording of:
Danse macabre, op. 40 (symphonic poem for orchestra)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1874)
Teil von:
Classic 100: Music of France (2012) (Nummer: 16) und Works of Camille Saint-Saëns by opus number (Nummer: op. 40)
basiert auf:
Danse macabre (song for voice and piano)
quotes music from:
Dies Irae (plainchant)
Camille Saint‐Saëns0:41
74Gymnopédie No. 1 (extract)
Orchester:
National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Charles Gerhardt (conductor, producer, arranger)
teilweise recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy)
Orchestrator(in):
Claude Debussy (French composer) (in 1897)
Komponist(in):
Erik Satie (French composer) (in 1888)
Orchestrierung von:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
Teil von:
Gymnopédies (orchestrated by Debussy)
Erik Satie0:42
75Symphony No. 8, 'Unfinished' (extract)
Orchester:
Boston Symphony Orchestra
conductor:
Charles Munch (conductor and violinist)
teilweise recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Komponist(in):
Franz Schubert (composer) (in 1822)
Premiere bei:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Österreich
Franz Schubert0:40
76Ave Maria (extract)
Chorgesang:
Robert Shaw Chorale
teilweise recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Franz Schubert (composer)
Version von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert0:50
77Finlandia: Finale (extract)
Orchester:
Morton Gould Orchestra
conductor:
Morton Gould (American composer and conductor)
teilweise recording of:
Finlandia, op. 26 (for orchestra)
Premiere in:
Helsinki, Uusimaa, Finnland (am 1900-07-02)
Komponist(in):
Jean Sibelius (Finnish composer) (in 1899)
überarbeitet von:
Jean Sibelius (Finnish composer) (in 1900)
Premiere bei:
Konsertti (1900-07-02)
publisher:
Breitkopf & Härtel (in 1905)
Teil von:
Works of Jean Sibelius by opus number (Nummer: op. 26)
Version von:
Sanomalehdistön päivien musiikki, op. 25/26: VII. Tableau 6. Finland Awakes
Jean Sibelius0:38
78Valse Triste (extract)
Orchester:
Finnish Radio Orchestra (Finnish Radio Symphony Orchestra)
conductor:
Jukka‐Pekka Saraste (conductor)
teilweise recording of:
Valse triste, op. 44 no. 1 (for orchestra)
Komponist(in):
Jean Sibelius (Finnish composer) (in 1903)
überarbeitet von:
Jean Sibelius (Finnish composer) (in 1904)
Premiere bei:
Konsertti (1904-04-25)
Premiere bei:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finnland (am 1904-04-25)
Teil von:
2 Pieces from Kuolema, op. 44
Revision von:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius0:32
79Stars & Stripes Forever (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
The Stars and Stripes Forever
Komponist(in):
John Philip Sousa (conductor and composer) (in 1896)
John Philip Sousa0:34
80Semper Fidelis (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Semper Fidelis
Orchestrator(in):
Mark McKenzie (US film composer/orchestrator)
Komponist(in):
Marc Shaiman (American score composer and lyricist) und John Philip Sousa (conductor and composer) (in 1888)
John Philip Sousa0:35
81Blue Danube Waltz (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
An der schönen blauen Donau, op. 314
Premiere in:
Wien, Österreich (am 1867-02-15)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 314)
Johann Strauss II0:43
82Tales From the Vienna Woods (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Geschichten aus dem Wienerwald, op. 325 (Tales From the Vienna Woods)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1868)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 325)
Johann Strauss II0:29
83Also sprach Zarathustra (extract)
Orchester:
Chicago Symphony Orchestra
conductor:
Fritz Reiner (conductor)
teilweise recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Also sprach Zarathustra, op. 30: Einleitung, Sonnenaufgang)
Komponist(in):
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
Teil von:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss0:44
84Firebird: Infernal Dance & Main Theme (extract)
Orchester:
Boston Symphony Orchestra
conductor:
Erich Leinsdorf (conductor)
Igor Fyodorovich Stravinsky1:31
85The Nutcracker: Waltz of the Flowers (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Pyotr Ilyich Tchaikovsky0:29
86Swan Lake: Waltz (extract)
Orchester:
Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
Komponist(in):
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky0:27
87Sleeping Beauty: Waltz (extract)
Orchester:
Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky0:26
88Romeo & Juliet: Theme II (extract)
Orchester:
Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (Romeo und Julia, 1880 version, commonly performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1869)
überarbeitet von:
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1870, in 1880)
gewidmet:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 42) und Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 39)
Revision von:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky0:43
89Piano Concerto No. 1 in B-flat minor, Op. 23: (opening extract)
Klavier:
Barry Douglas (classical pianist and conductor)
Orchester:
St. Louis Symphony Orchestra
conductor:
Leonard Slatkin (conductor)
teilweise recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1874-11 bis 1875-02)
Teil von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
Revision von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky0:42
901812 Overture: Finale (extract)
Orchester:
Chicago Symphony Orchestra
conductor:
Fritz Reiner (conductor)
teilweise recording of:
The Year 1812, Festival Overture in E-flat major, op. 49
Premiere in:
Moscow (Moskau), Russland (am 1882-08-20)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1880-09 bis 1880-11)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 49), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 46) und Works of Pyotr Ilyich Tchaikovsky by opus number (Nummer: op. 49)
basiert auf:
Боже, Царя храни! (God Save the Tsar!)
quotes music from:
Troparion of the Holy Cross
quotes music from:
La Marseillaise (national anthem of France)
quotes music from:
Боже, Царя храни! (God Save the Tsar!)
Pyotr Ilyich Tchaikovsky1:01
91Fantasia on 'Greensleeves' (extract)
Orchester:
Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
arranger:
Ralph Greaves (in 1934)
teilweise recording of:
Fantasia on “Greensleeves”
Komponist(in):
Ralph Vaughan Williams (English composer) (von 1924 bis 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
basiert auf:
Greensleeves (generic entry for traditional and unknown arrangements)
basiert auf:
Lovely Joan (traditional English folk song)
basiert auf:
Sir John in Love
Ralph Vaughan Williams0:36
92Aida: Grand March (extract)
Orchester:
Boston Pops
conductor:
Arthur Fiedler (conductor)
teilweise recording of:
Aida: Grand March (catch-all for arrangements)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Arrangement von:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
Giuseppe Verdi0:37
93Il Trovatore: Anvil Chorus (extract)
Chorgesang:
Rome Opera Chorus
Orchester:
Rome Opera Orchestra
conductor:
Erich Leinsdorf (conductor)
teilweise recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi0:32
94Requiem: Dies Irae (extract)
Chorgesang:
Chicago Symphony Chorus
Orchester:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
teilweise recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1874)
Teil von:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi0:38
95Rigoletto: La Donna è Mobile (extract)
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
London Symphony Orchestra
conductor:
Nello Santi (conductor)
teilweise recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
Giuseppe Verdi0:40
96The Four Seasons, 'Spring': Allegro (extract)
Solo-Geige / Violine:
José‐Luis García (violinist & conductor)
Orchester:
English Chamber Orchestra
conductor:
Leonard Slatkin (conductor)
teilweise recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi0:27
97The Four Seasons, 'Winter': Largo (extract)
Solo-Geige / Violine:
José‐Luis García (violinist & conductor)
Orchester:
English Chamber Orchestra
conductor:
Leonard Slatkin (conductor)
teilweise recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi0:33
98Lohengrin: Bridal Chorus (extract)
Chorgesang:
Robert Shaw Chorale
Orchester:
RCA Victor Orchestra
teilweise recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor))
Komponist(in):
Richard Wagner (composer) (von 1846 bis 1848)
Librettist:
Richard Wagner (composer)
Teil von:
Lohengrin, WWV 75: Akt III
Richard Wagner0:40
99Die Walküre: Ride of the Valkyries (extract)
Orchester:
Philadelphia Orchestra (The Philadelphia Orchestra)
conductor:
Eugene Ormandy (conductor)
teilweise recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner0:49

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ASIN:US: B000003FPT [Info]