Sings Duke Ellington / At Carnegie Hall

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
3.52:51
2I Got It Bad
Sologesang:
Nina Simone (in 1962)
vocals:
Nina Simone
cover recording of:
I Got It Bad (and That Ain’t Good) (in 1962)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, Volume I)
44:07
3Hey, Buddy Bolden
Sologesang:
Nina Simone
recording of:
Hey, Buddy Bolden
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
32:28
4Merry Mending
recording of:
Merry Mending
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader)
32:35
5Something to Live For
cover recording of:
Something to Live For (1938 Billy Strayhorn jazz composition)
Texter und Komponist(in):
Billy Strayhorn
32:56
6You Better Know It
cover recording of:
You Better Know It
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
42:25
7I Like the Sunrise
Sologesang:
Nina Simone
cover recording of:
Liberian Suite: I Like the Sunrise
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1947)
publisher:
Duke Ellington Music und Tempo Music, Inc. (Duke Ellington’s music publishing company)
33:01
8Solitude
Chorgesang:
The Malcom Dodds Singers (in 1962)
Sologesang:
Nina Simone (in 1962)
conductor:
Ralph Burns (in 1962)
arranger:
Ralph Burns
cover recording of:
(In My) Solitude (in 1962)
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
53:46
9The Gal From Joe’s
cover recording of:
The Gal From Joe’s
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Irving Mills
4.52:09
10Satin Doll
instrumental cover recording of:
Satin Doll
Texter:
Johnny Mercer (in 1953)
Komponist(in):
Billy Strayhorn (in 1953)
zusätzliche(r) Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) und WB Music Corp. (1929–2019)
4.53:38
11It Don’t Mean a Thing
Sologesang:
Nina Simone (in 1962)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1962)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
42:33
12Black Swan
recording engineer:
Dick Alderson
Produzent(in):
Jack Lewis (jazz producer)
Gitarre:
Phil Orlando und Al Schackman
Kontrabass:
Lisle Atkinson
membranophone:
Montego Joe
vocals:
Nina Simone
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1963-04-12)
live recording of:
The Medium: Act I. The Black Swan (Monica) (am 1963-04-12)
Texter und Komponist(in):
Gian Carlo Menotti (US-based Italian composer)
Teil von:
The Medium: Act I
6:05
13Theme From Samson and Delilah
recording engineer:
Dick Alderson
Produzent(in):
Jack Lewis (jazz producer)
Klavier:
Nina Simone
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1963-04-12)
live instrumental recording of:
Theme from Samson and Delilah (am 1963-04-12)
Komponist(in):
Camille Saint‐Saëns (composer)
arranger:
Nina Simone
Arrangement von:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
5:49
14If You Knew
recording engineer:
Dick Alderson
Produzent(in):
Jack Lewis (jazz producer)
Gitarre:
Phil Orlando und Al Schackman
Kontrabass:
Lisle Atkinson
membranophone:
Montego Joe
vocals:
Nina Simone
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1963-04-12)
live recording of:
If You Knew (am 1963-04-12)
Texter und Komponist(in):
Nina Simone
3:29
15Theme From Sayonara
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1963-04-12)
live instrumental recording of:
Sayonara (Irving Berlin song) (am 1963-04-12)
Texter und Komponist(in):
Irving Berlin
3:18
16The Twelfth of Never
recording engineer:
Dick Alderson
Produzent(in):
Jack Lewis (jazz producer)
Gitarre:
Phil Orlando und Al Schackman
Kontrabass:
Lisle Atkinson
membranophone:
Montego Joe
Sologesang:
Nina Simone (am 1963-04-12)
vocals:
Nina Simone
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1963-04-12)
live cover recording of:
The Twelfth of Never (am 1963-04-12)
Texter:
Paul Francis Webster
Komponist(in):
Jerry Livingston (songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Webster Music Co.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
basiert auf:
The Riddle Song (aka “I Gave My Love a Cherry”)
cover recording of:
The Twelfth of Never
Texter:
Paul Francis Webster
Komponist(in):
Jerry Livingston (songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Webster Music Co.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
basiert auf:
The Riddle Song (aka “I Gave My Love a Cherry”)
53:28
17Will I Find My Love Today
recording engineer:
Dick Alderson
Produzent(in):
Jack Lewis (jazz producer)
Gitarre:
Phil Orlando und Al Schackman
Kontrabass:
Lisle Atkinson
membranophone:
Montego Joe
vocals:
Nina Simone
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1963-04-12)
live cover recording of:
Will I Find My Love Today (am 1963-04-12)
Texter:
Sidney Shaw
Komponist(in):
Alex Fogarty
6:44
18The Other Woman / Cotton Eyed Joe
recording engineer:
Dick Alderson
Produzent(in):
Jack Lewis (jazz producer)
Gitarre:
Phil Orlando und Al Schackman
Kontrabass:
Lisle Atkinson
membranophone:
Montego Joe
vocals:
Nina Simone
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1963-04-12)
live cover recording of:
Cotton‐Eyed Joe (traditional song) (am 1963-04-12)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 942)
live cover recording of:
The Other Woman (am 1963-04-12)
Texter und Komponist(in):
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
27:21

Nennungen

Veröffentlichungsgruppe

enthält:At Carnegie Hall
Nina Simone Sings Ellington