Sings Duke Ellington / At Carnegie Hall

~ Release by Nina Simone (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
3.52:51
2I Got It Bad
lead vocals:
Nina Simone (in 1962)
vocals:
Nina Simone
cover recording of:
I Got It Bad (and That Ain’t Good) (in 1962)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
44:07
3Hey, Buddy Bolden
lead vocals:
Nina Simone
recording of:
Hey, Buddy Bolden
writer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
32:28
4Merry Mending
recording of:
Merry Mending
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
32:35
5Something to Live For
cover recording of:
Something to Live For (1938 Billy Strayhorn jazz composition)
lyricist and composer:
Billy Strayhorn
32:56
6You Better Know It
cover recording of:
You Better Know It
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
42:25
7I Like the Sunrise
lead vocals:
Nina Simone
cover recording of:
Liberian Suite: I Like the Sunrise
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1947)
publisher:
Duke Ellington Music and Tempo Music, Inc. (Duke Ellington’s music publishing company)
33:01
8Solitude
choir vocals:
The Malcom Dodds Singers (in 1962)
lead vocals:
Nina Simone (in 1962)
conductor:
Ralph Burns (in 1962)
arranger:
Ralph Burns
cover recording of:
(In My) Solitude (in 1962)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
53:46
9The Gal From Joe’s
cover recording of:
The Gal From Joe’s
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
4.52:09
10Satin Doll
instrumental cover recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
4.53:38
11It Don’t Mean a Thing
lead vocals:
Nina Simone (in 1962)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1962)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
42:33
12Black Swan
recording engineer:
Dick Alderson
producer:
Jack Lewis (jazz producer)
double bass:
Lisle Atkinson
guitar:
Phil Orlando and Al Schackman
membranophone:
Montego Joe
vocals:
Nina Simone
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
live recording of:
The Medium: Act I. The Black Swan (Monica) (on 1963-04-12)
lyricist and composer:
Gian Carlo Menotti (US-based Italian composer)
part of:
The Medium: Act I
6:05
13Theme From Samson and Delilah
recording engineer:
Dick Alderson
producer:
Jack Lewis (jazz producer)
piano:
Nina Simone
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
live instrumental recording of:
Theme from Samson and Delilah (on 1963-04-12)
composer:
Camille Saint‐Saëns (composer)
arranger:
Nina Simone
arrangement of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila)
5:49
14If You Knew
recording engineer:
Dick Alderson
producer:
Jack Lewis (jazz producer)
double bass:
Lisle Atkinson
guitar:
Phil Orlando and Al Schackman
membranophone:
Montego Joe
vocals:
Nina Simone
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
live recording of:
If You Knew (on 1963-04-12)
lyricist and composer:
Nina Simone
3:29
15Theme From Sayonara
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
live instrumental recording of:
Sayonara (Irving Berlin song) (on 1963-04-12)
lyricist and composer:
Irving Berlin
3:18
16The Twelfth of Never
recording engineer:
Dick Alderson
producer:
Jack Lewis (jazz producer)
double bass:
Lisle Atkinson
guitar:
Phil Orlando and Al Schackman
membranophone:
Montego Joe
lead vocals:
Nina Simone (on 1963-04-12)
vocals:
Nina Simone
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
live cover recording of:
The Twelfth of Never (on 1963-04-12)
lyricist:
Paul Francis Webster
composer:
Jerry Livingston (songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Webster Music Co.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
is based on:
The Riddle Song (aka “I Gave My Love a Cherry”)
cover recording of:
The Twelfth of Never
lyricist:
Paul Francis Webster
composer:
Jerry Livingston (songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Webster Music Co.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
is based on:
The Riddle Song (aka “I Gave My Love a Cherry”)
53:28
17Will I Find My Love Today
recording engineer:
Dick Alderson
producer:
Jack Lewis (jazz producer)
double bass:
Lisle Atkinson
guitar:
Phil Orlando and Al Schackman
membranophone:
Montego Joe
vocals:
Nina Simone
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
live cover recording of:
Will I Find My Love Today (on 1963-04-12)
lyricist:
Sidney Shaw
composer:
Alex Fogarty
6:44
18The Other Woman / Cotton Eyed Joe
recording engineer:
Dick Alderson
producer:
Jack Lewis (jazz producer)
double bass:
Lisle Atkinson
guitar:
Phil Orlando and Al Schackman
membranophone:
Montego Joe
vocals:
Nina Simone
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-04-12)
live cover recording of:
Cotton‐Eyed Joe (traditional song) (on 1963-04-12)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 942)
live cover recording of:
The Other Woman (on 1963-04-12)
lyricist and composer:
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
27:21