Dis Here

~ Release by Cannonball Adderley (see all versions of this release, 1 available)

Tracklist

1CD: Spontaneous Combustion
#TitleRatingLength
1Spontaneous Combustion
recorded in:
New York, New York, United States (on 1955-07-14)
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
alto saxophone:
Julian “Cannon Ball” Adderley (on 1955-07-14)
cornet:
Nat Adderley (on 1955-07-14)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-14)
drums (drum set):
Kenny Clarke (on 1955-07-14)
piano:
Hank Jones (piano) (on 1955-07-14)
phonographic copyright (℗) by:
SLG, LLC (in 2002, in 2006)
recording of:
Spontaneous Combustion (on 1955-07-14)
composer:
Julian “Cannonball” Adderley
10:09
2Still Talkin’ to Ya8:58
3A Little Taste
recording of:
A Little Taste (on 1955-07-14)
composer:
Julian “Cannonball” Adderley
5:08
4Caribbean Cutie
recording of:
Caribbean Cutie (on 1955-07-14)
composer:
Julian “Cannonball” Adderley
7:02
5Flamingo
instrumental recording of:
Flamingo (on 1955-07-14)
lyricist:
Edmund Anderson
composer:
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) and Grouya Publishing Int.
7:01
6The Song Is You
instrumental recording of:
The Song Is You (on 1955-07-21)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
4:12
7Cynthia’s in Love
instrumental recording of:
Cynthia’s in Love (on 1955-07-21)
writer:
Billy Gish, Jack Owens (singer/songwriter "The Cruising Crooner") and Earl White (US songwriter)
3:04
8Cannonball
recording of:
Cannonball (on 1955-07-29)
composer:
Julian “Cannonball” Adderley
4:14
9You’d Be So Nice to Come Home To
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) and Xelon Productions (in 2010)
instrumental cover recording of:
You’d Be So Nice to Come Home To (on 1955-07-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1955-07-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
3:36
10Street of Dreams
instrumental recording of:
Street of Dreams (on 1955-10-27)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1932)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. and Miller Music Corp.
2:13
11Falling in Love With Love
recorded in:
New York, United States (on 1955-10-27)
alto saxophone:
Cannonball Adderley (on 1955-10-27)
conductor:
Richard Hayman (on 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Falling in Love With Love (on 1955-10-27)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
2:32
12You Are Too Beautiful
instrumental recording of:
You Are Too Beautiful (on 1955-10-27)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
2:54
13Polka Dots and Moonbeams
instrumental recording of:
Polka Dots and Moonbeams (on 1955-10-27)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:03
14The Masquerade Is Over
instrumental recording of:
The Masquerade Is Over (on 1955-10-28)
writer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Chappell & Co., Inc. (USA), Magidson Bernhardt Music and Music Sales Corporation (American copyright holder in both popular and classical music)
3:10
15I’ve Never Been in Love Before
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
I’ve Never Been in Love Before (on 1955-10-28)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
2:19
16Little Girl Blue
alto saxophone:
Julian “Cannonball” Adderley (on 1956-06-08)
baritone saxophone:
Danny Bank (reeds) (on 1956-06-08)
cornet:
Nat Adderley (on 1956-06-08)
double bass:
Keeter Betts (on 1956-06-08)
drums (drum set):
Specs Wright (on 1956-06-08)
flute and tenor saxophone:
Jerome Richardson (on 1956-06-08)
piano:
Junior Mance (on 1956-06-08)
trombone:
Bobby Byrne (on 1956-06-08) and Jimmy Cleveland (US jazz trombonist) (on 1956-06-08)
trumpet:
Ernie Royal (on 1956-06-08)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999) and Monaco Entertainment Corporation (in 2010)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1956-06-08)
instrumental cover recording of:
Little Girl Blue (on 1956-06-08)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
instrumental recording of:
Little Girl Blue
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
2:39
17I’m Glad There’s You
recorded in:
New York, New York, United States (on 1956-06-18)
alto saxophone:
Julian “Cannonball” Adderley (on 1956-06-18)
baritone saxophone:
Danny Bank (reeds) (on 1956-06-18)
cornet:
Nat Adderley (on 1956-06-18)
double bass:
Keeter Betts (on 1956-06-18)
drums (drum set):
Specs Wright (on 1956-06-18)
flute and tenor saxophone:
Jerome Richardson (on 1956-06-18)
piano:
Junior Mance (on 1956-06-18)
trombone:
Bobby Byrne (on 1956-06-18) and Jimmy Cleveland (US jazz trombonist) (on 1956-06-18)
trumpet:
Ernie Royal (on 1956-06-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1956-06-18)
instrumental cover recording of:
I’m Glad There Is You (on 1956-06-18)
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
2:32
2CD: Jubilation
3CD: Blue Funk
4CD: Hi-Fly