| # | Title | Rating | Length |
|---|
| 1 | Spontaneous Combustion | | 10:09 |
| 2 | Still Talkin’ to Ya | | 8:58 |
| 3 | A Little Taste | | 5:08 |
| 4 | Caribbean Cutie | | 7:02 |
| 5 | Flamingo | | 7:01 |
| 6 | The Song Is You | | 4:12 |
| 7 | Cynthia’s in Love | | 3:04 |
| 8 | Cannonball | | 4:14 |
| 9 | You’d Be So Nice to Come Home To- recorded in:
- New York, New York, United States (on 1955-07-29)
- alto saxophone:
- Julian “Cannonball” Adderley (on 1955-07-29)
- baritone saxophone:
- Cecil Payne (on 1955-07-29)
- cornet:
- Nat Adderley (on 1955-07-29)
- double bass:
- Paul Chambers (on 1955-07-29)
- drums (drum set):
- Kenny Clarke (on 1955-07-29)
- flute and tenor saxophone:
- Jerome Richardson (on 1955-07-29)
- piano:
- John Williams (on 1955-07-29)
- trombone:
- J. Johnson (on 1955-07-29)
- arranger:
- Quincy Jones
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1955), HHO Licensing (in 2005, in 2008) and Xelon Productions (in 2010)
- instrumental cover recording of:
- You’d Be So Nice to Come Home To (on 1955-07-29)
- lyricist and composer:
- Cole Porter (in 1943)
- publisher:
- Chappell & Co., Chappell & Co., Inc. , Warner Chappell Music Ltd. and Warner/Chappell North America Limited
- part of:
- The 16th Academy Award for Best Original Song (number: 2)
- instrumental recording of:
- You’d Be So Nice to Come Home To (on 1955-07-29)
- lyricist and composer:
- Cole Porter (in 1943)
- publisher:
- Chappell & Co., Chappell & Co., Inc. , Warner Chappell Music Ltd. and Warner/Chappell North America Limited
- part of:
- The 16th Academy Award for Best Original Song (number: 2)
- recording of:
- You’d Be So Nice to Come Home To
- lyricist and composer:
- Cole Porter (in 1943)
- publisher:
- Chappell & Co., Chappell & Co., Inc. , Warner Chappell Music Ltd. and Warner/Chappell North America Limited
- part of:
- The 16th Academy Award for Best Original Song (number: 2)
| | 3:36 |
| 10 | Street of Dreams | | 2:13 |
| 11 | Falling in Love With Love | | 2:32 |
| 12 | You Are Too Beautiful | | 2:54 |
| 13 | Polka Dots and Moonbeams | | 3:03 |
| 14 | The Masquerade Is Over | | 3:10 |
| 15 | I’ve Never Been in Love Before | | 2:19 |
| 16 | Little Girl Blue- alto saxophone:
- Julian “Cannonball” Adderley (on 1956-06-08)
- baritone saxophone:
- Danny Bank (on 1956-06-08)
- cornet:
- Nat Adderley (on 1956-06-08)
- double bass:
- Keeter Betts (on 1956-06-08)
- drums (drum set):
- Specs Wright (on 1956-06-08)
- flute and tenor saxophone:
- Jerome Richardson (on 1956-06-08)
- piano:
- Junior Mance (on 1956-06-08)
- trombone:
- Bobby Byrne (on 1956-06-08) and Jimmy Cleveland (on 1956-06-08)
- trumpet:
- Ernie Royal (on 1956-06-08)
- phonographic copyright (℗) by:
- Verve Music Group (in 1999) and Monaco Entertainment Corporation (in 2010)
- recorded at:
- Capitol Studios in New York, New York, United States (on 1956-06-08)
- instrumental cover recording of:
- Little Girl Blue (on 1956-06-08)
- lyricist:
- Lorenz Hart (in 1935)
- composer:
- Richard Rodgers (in 1935)
- arranger:
- Sarah Latto
- publisher:
- Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. , Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント , ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Jumbo
- instrumental recording of:
- Little Girl Blue
- lyricist:
- Lorenz Hart (in 1935)
- composer:
- Richard Rodgers (in 1935)
- arranger:
- Sarah Latto
- publisher:
- Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. , Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント , ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Jumbo
| | 2:39 |
| 17 | I’m Glad There’s You | | 2:32 |