Dis Here

~ Release by Cannonball Adderley (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Spontaneous Combustion
#TitleRatingLength
1Spontaneous Combustion
recorded in:
New York, New York, United States (on 1955-07-14)
engineer:
Rudy van Gelder
producer:
Ozzie Cadena
alto saxophone:
Julian “Cannon Ball” Adderley (on 1955-07-14)
cornet:
Nat Adderley (on 1955-07-14)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-14)
drums (drum set):
Kenny Clarke (on 1955-07-14)
piano:
Hank Jones (piano) (on 1955-07-14)
phonographic copyright (℗) by:
SLG, LLC (in 2002, in 2006)
recording of:
Spontaneous Combustion (on 1955-07-14)
composer:
Julian “Cannonball” Adderley
10:09
2Still Talkin’ to Ya
recording of:
Still Talkin’ to Ya
composer:
Julian “Cannonball” Adderley
8:58
3A Little Taste
recording of:
A Little Taste (on 1955-07-14)
composer:
Julian “Cannonball” Adderley
5:08
4Caribbean Cutie
recording of:
Caribbean Cutie (on 1955-07-14)
composer:
Julian “Cannonball” Adderley
7:02
5Flamingo
instrumental recording of:
Flamingo (on 1955-07-14)
lyricist:
Edmund Anderson
composer:
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) and Grouya Publishing Int.
7:01
6The Song Is You
instrumental recording of:
The Song Is You (on 1955-07-21)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
4:12
7Cynthia’s in Love
instrumental recording of:
Cynthia’s in Love (on 1955-07-21)
writer:
Billy Gish, Jack Owens (singer/songwriter "The Cruising Crooner") and Earl White (US songwriter)
3:04
8Cannonball
recording of:
Cannonball (on 1955-07-29)
composer:
Julian “Cannonball” Adderley
4:14
9You’d Be So Nice to Come Home To
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955), HHO Licensing (in 2005, in 2008) and Xelon Productions (in 2010)
instrumental cover recording of:
You’d Be So Nice to Come Home To (on 1955-07-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1955-07-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
3:36
10Street of Dreams
instrumental recording of:
Street of Dreams (on 1955-10-27)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1932)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. and Miller Music Corp.
2:13
11Falling in Love With Love
recorded in:
New York, United States (on 1955-10-27)
alto saxophone:
Cannonball Adderley (on 1955-10-27)
conductor:
Richard Hayman (on 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Falling in Love With Love (on 1955-10-27)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
2:32
12You Are Too Beautiful
instrumental recording of:
You Are Too Beautiful (on 1955-10-27)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
2:54
13Polka Dots and Moonbeams
instrumental recording of:
Polka Dots and Moonbeams (on 1955-10-27)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:03
14The Masquerade Is Over
instrumental recording of:
The Masquerade Is Over (on 1955-10-28)
writer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Chappell & Co., Inc. (USA), Magidson Bernhardt Music and Music Sales Corporation (American copyright holder in both popular and classical music)
3:10
15I’ve Never Been in Love Before
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
I’ve Never Been in Love Before (on 1955-10-28)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
2:19
16Little Girl Blue
alto saxophone:
Julian “Cannonball” Adderley (on 1956-06-08)
baritone saxophone:
Danny Bank (reeds) (on 1956-06-08)
cornet:
Nat Adderley (on 1956-06-08)
double bass:
Keeter Betts (on 1956-06-08)
drums (drum set):
Specs Wright (on 1956-06-08)
flute and tenor saxophone:
Jerome Richardson (on 1956-06-08)
piano:
Junior Mance (on 1956-06-08)
trombone:
Bobby Byrne (on 1956-06-08) and Jimmy Cleveland (US jazz trombonist) (on 1956-06-08)
trumpet:
Ernie Royal (on 1956-06-08)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999) and Monaco Entertainment Corporation (in 2010)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1956-06-08)
instrumental cover recording of:
Little Girl Blue (on 1956-06-08)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
instrumental recording of:
Little Girl Blue
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
2:39
17I’m Glad There’s You
recorded in:
New York, New York, United States (on 1956-06-18)
alto saxophone:
Julian “Cannonball” Adderley (on 1956-06-18)
baritone saxophone:
Danny Bank (reeds) (on 1956-06-18)
cornet:
Nat Adderley (on 1956-06-18)
double bass:
Keeter Betts (on 1956-06-18)
drums (drum set):
Specs Wright (on 1956-06-18)
flute and tenor saxophone:
Jerome Richardson (on 1956-06-18)
piano:
Junior Mance (on 1956-06-18)
trombone:
Bobby Byrne (on 1956-06-18) and Jimmy Cleveland (US jazz trombonist) (on 1956-06-18)
trumpet:
Ernie Royal (on 1956-06-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1956-06-18)
instrumental cover recording of:
I’m Glad There Is You (on 1956-06-18)
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
2:32
2▼CD: Jubilation
#TitleRatingLength
1Spectacular
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-06)
cornet:
Nat Adderley (on 1957-02-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-06)
piano:
Junior Mance (on 1957-02-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-06)
recording of:
Spectacular (on 1957-02-06)
composer:
Jim Hall (US jazz guitarist, composer & arranger)
3:53
2Miss Jackie’s Delight
6:14
3Tribute to Brownie
3:29
4Lover Man
phonographic copyright (℗) by:
Gralin Music (in 2012)
recording of:
Lover Man
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
3:56
5A Foggy Day
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-07)
cornet:
Nat Adderley (on 1957-02-07)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-07)
drums (drum set):
Jim Cobb (Jimmy Cobb, US jazz drummer) (on 1957-02-07)
piano:
Julian Mance (on 1957-02-07)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-07)
recording of:
A Foggy Day (in London Town) (on 1957-02-07)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
3:48
6Jeanie
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-08)
cornet:
Nat Adderley (on 1957-02-08)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-08)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-08)
piano:
Junior Mance (on 1957-02-08)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-08)
recording of:
Jeannine
writer:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago) and Duke Pearson
3:25
7The Way You Look Tonight
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-08)
cornet:
Nat Adderley (on 1957-02-08)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-08)
drums (drum set):
Jim Cobb (Jimmy Cobb, US jazz drummer) (on 1957-02-08)
piano:
Julian Mance (on 1957-02-08)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-08)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1957-02-08)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
4:26
8Another Kind of Soul
3:38
9Spring Is Here
recorded in:
New York, New York, United States (on 1957-02-11)
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-11)
cornet:
Nat Adderley (on 1957-02-11)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-11)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1957-02-11)
piano:
Junior Mance (on 1957-02-11)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Spring Is Here (on 1957-02-11)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
instrumental recording of:
Spring Is Here
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
3:44
10That Funky Train
5:51
11Jubilation
recorded in:
New York, New York, United States (on 1958-03-04)
alto saxophone:
Cannonball Adderley (on 1958-03-04)
bass:
Sam Jones (US jazz bassist) (on 1958-03-04)
cornet:
Nat Adderley (on 1958-03-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-04)
piano:
Junior Mance (on 1958-03-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999, in 2001)
recording of:
Jubilation (on 1958-03-04)
composer:
Cannonball Adderley
5:27
12What’s New
alto saxophone:
Cannonball Adderley
bass:
Sam Jones (US jazz bassist)
cornet:
Nat Adderley
drums (drum set):
Jimmy Cobb (US jazz drummer)
piano:
Junior Mance
instrumental recording of:
What’s New?
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
5:03
13If I Love Again
instrumental recording of:
If I Love Again
lyricist:
Jack Murray (US songwriter)
composer:
Ben Oakland
publisher:
Warner Bros., Inc. (Warner Bros. Music Division)
5:26
14I’ll Remember April
alto saxophone:
Julian “Cannonball” Adderley (on 1957-03-06)
cornet:
Nat Adderley (on 1957-03-06)
double bass:
Sam Jones (US jazz bassist) (on 1957-03-06)
drums (drum set):
Jim Cobb (Jimmy Cobb, US jazz drummer) (on 1957-03-06)
piano:
Julian Mance (on 1957-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995, in 2001)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-03-06)
instrumental recording of:
I’ll Remember April (on 1957-03-06)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
5:31
15Fuller Bop Man
recorded in:
New York, New York, United States (on 1958-03-06)
alto saxophone:
Cannonball Adderley (on 1958-03-06)
bass:
Sam Jones (US jazz bassist) (on 1958-03-06)
cornet:
Nat Adderley (on 1958-03-06)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-06)
piano:
Junior Mance (on 1958-03-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Gralin Music (in 2012)
recording of:
Fuller Bop Man (on 1958-03-06)
writer:
Walter “Gil” Fuller (jazz composer & arranger)
3:43
16Stay on It
recording of:
Stay on It
composer:
Tadd Dameron and Dizzy Gillespie
4:38
17Love for Sale
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental cover recording of:
Love for Sale (on 1958-03-09)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
57:05
3▼CD: Blue Funk
#TitleRatingLength
1Autumn Leaves
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999), Mastercorp Pty Ltd (in 2011) and Count Records (in 2013)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental cover recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1958-03-09)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
510:58
2Somethin’ Else
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) and Mastercorp Pty Ltd (in 2011)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
recording of:
Somethin’ Else (on 1958-03-09)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
EMI Unart Catalog Inc.
8:14
3One for Daddy-O
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1997, in 1999, in 2012), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) and Count Records (in 2013)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
recording of:
One for Daddy‐O (on 1958-03-09)
composer:
Nat Adderley
8:25
4Dancing in the Dark
engineer:
Rudy van Gelder
producer:
Alfred Lion
alto saxophone:
Julian “Cannonball” Adderley (on 1958-03-09)
double bass:
Sam Jones (US jazz bassist) (on 1958-03-09)
drums (drum set):
Art Blakey (on 1958-03-09)
piano:
Hank Jones (piano) (on 1958-03-09)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 1999, in 2012) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1958-03-09)
instrumental recording of:
Dancing in the Dark (on 1958-03-09)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
4:04
5Blue Funk
producer:
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Fantasy, Inc. (not for release label use!) (in 1989)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
Blue Funk (on 1958-07-01)
composer:
Sam Jones (US jazz bassist)
5:32
6Minority
producer:
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1989)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
Minority (on 1958-07-01)
composer:
Gigi Gryce
publisher:
Jacogg Publications and Twenty-Eighth Street Music
7:03
7Nardis
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
Nardis (on 1958-07-01)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation, Musical Frontiers and Sony/ATV Music Publishing (UK) Ltd.
5:32
8Straight Life
producer:
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Fantasy, Inc. (not for release label use!) (in 1989), HHO Licensing (in 2005, in 2008) and Xelon Productions (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
Straight Life (on 1958-07-01)
composer:
Art Pepper
5:29
9A Little Taste
producer:
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Fantasy, Inc. (not for release label use!) (in 1989)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
A Little Taste (on 1958-07-01)
composer:
Julian “Cannonball” Adderley
4:38
10Jump for Joy
recorded in:
New York, New York, United States (on 1958-08-20)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1958-08-20)
bass and double bass [bass]:
Milt Hinton (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (pianist) (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (violist) (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
conductor:
William Russo (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 2001)
instrumental recording of:
Jump for Joy (on 1958-08-20)
writer:
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller and Paul Francis Webster
cover recording of:
Jump for Joy (on 1958-08-20)
writer:
Duke Ellington (US composer, pianist & jazz bandleader), Sid Kuller and Paul Francis Webster
3:20
11Blues Oriental
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
recording of:
Blues Oriental (on 1958-10-28)
composer:
Milt Jackson
4:58
12Serves Me Right
phonographic copyright (℗) by:
Kendal (in 2014)
recording of:
Serves Me Right
composer:
Buddy Johnson
4:46
13Groovin’ High
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009, in 2013) and Kendal (in 2014)
recording of:
Groovin’ High (on 1958-10-28)
composer:
Dizzy Gillespie, Frank Paparelli and Charlie Parker (aka “Bird”, jazz alto saxophonist)
5:21
4▼CD: Hi-Fly
#TitleRatingLength
1Things Are Getting Better
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2012, in 2013) and Kendal (in 2014)
recording of:
Things Are Getting Better (on 1958-10-28)
writer:
Dory Langdon (Folk singer, songwriter, lyricist and poet) and Julian Adderley
7:12
2The Sidewalks of New York
phonographic copyright (℗) by:
Kendal (in 2014)
instrumental recording of:
The Sidewalks of New York
lyricist:
James W. Blake
composer:
Charles B. Lawlor
6:59
3Sounds for Sid
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
recording of:
Sounds for Sid (on 1958-10-28)
composer:
Julian Adderley
6:26
4Just One of Those Things
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
instrumental recording of:
Just One of Those Things (on 1958-10-28)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
6:48
5I’ve Told Ev’ry Little Star
recorded in:
New York, New York, United States (on 1959-04-12)
alto saxophone:
Cannonball Adderley (on 1959-04-12)
double bass:
Paul Chambers (US jazz bassist) (on 1959-04-12)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-04-12)
piano:
Wynton Kelly (on 1959-04-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002), Count Records (in 2013) and Swanley (in 2014)
instrumental recording of:
I’ve Told Ev’ry Little Star (on 1959-04-12)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
part of:
Music in the Air
3:37
6Cannonball’s Introduction - This Here
alto saxophone:
Cannonball Adderley
cornet:
Nat Adderley
double bass:
Sam Jones (US jazz bassist)
drums (drum set):
Louis Hayes
piano:
Bobby Timmons
recorded at:
The Jazz Workshop in San Francisco, California, United States (on 1959-10-18, on 1959-10-20)
recording of:
This Here
composer:
Stefano Di Battista and Bobby Timmons
12:30
7Spontaneous Combustion
engineer:
Reice Hamel (in 1959-10)
producer:
Orrin Keepnews (in 1959-10)
alto saxophone:
Cannonball Adderley (in 1959-10)
cornet:
Nat Adderley (in 1959-10)
double bass:
Sam Jones (US jazz bassist) (in 1959-10)
drums (drum set):
Louis Hayes (in 1959-10)
piano:
Bobby Timmons (in 1959-10)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1989) and Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2007)
recorded at:
The Jazz Workshop in San Francisco, California, United States (on 1959-10-18, on 1959-10-20)
recording of:
Spontaneous Combustion (in 1959-10)
composer:
Julian “Cannonball” Adderley
11:53
8Hi-Fly
engineer:
Reice Hamel (in 1959-10)
producer:
Orrin Keepnews (in 1959-10)
alto saxophone:
Cannonball Adderley (in 1959-10)
cornet:
Nat Adderley (in 1959-10)
double bass:
Sam Jones (US jazz bassist) (in 1959-10)
drums (drum set):
Louis Hayes (in 1959-10)
piano:
Bobby Timmons (in 1959-10)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1989) and Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2007)
recorded at:
The Jazz Workshop in San Francisco, California, United States (on 1959-10-18, on 1959-10-20)
recording of:
Hi Fly (in 1959-10)
composer:
Randy Weston
11:03
9You Got It!
engineer:
Reice Hamel (in 1959-10)
producer:
Orrin Keepnews (in 1959-10)
alto saxophone:
Cannonball Adderley (from 1959-10-18 until 1959-10-20)
cornet:
Nat Adderley (from 1959-10-18 until 1959-10-20)
double bass:
Sam Jones (US jazz bassist) (from 1959-10-18 until 1959-10-20)
drums (drum set):
Louis Hayes (from 1959-10-18 until 1959-10-20)
piano:
Bobby Timmons (from 1959-10-18 until 1959-10-20)
phonographic copyright (℗) by:
Kendal (in 2014)
recorded at:
The Jazz Workshop in San Francisco, California, United States (from 1959-10-18 until 1959-10-20)
5:05
10Bohemia After Dark
engineer:
Reice Hamel (in 1959-10)
producer:
Orrin Keepnews (in 1959-10)
alto saxophone:
Cannonball Adderley (in 1959-10)
cornet:
Nat Adderley (in 1959-10)
double bass:
Sam Jones (US jazz bassist) (in 1959-10)
drums (drum set):
Louis Hayes (in 1959-10)
piano:
Bobby Timmons (in 1959-10)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1989) and Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2007)
recorded at:
The Jazz Workshop in San Francisco, California, United States (on 1959-10-18, on 1959-10-20)
recording of:
Bohemia After Dark (in 1959-10)
composer:
Oscar Pettiford (in 1955)
8:03