Tag “opera”
~ Tag
Recordings tagged as “opera”
11,855 recordings found
- 1 - Fidelio, Act II: III. Nur hurtig fort by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act II: IV. Er erwacht! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act II: IX. Es schlägt der Rache Stunde! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act II: V. Terzett: Euch werde Lohn in besser'n Welten by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act II: VI. Alles ist bereit by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act II: VII. Quartett: Er sterbe! Doch er soll erst wissen by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act II: VIII. Vater Rocco! Vater Rocco! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act II: X. Duett: O namenlose Freude! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act II: XI. Finale: Heil sei dem Tag, heil sei der Stunde by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act II: XII. Du schlossest auf des Edlen Grab by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, op. 72: Act I, no. 1. "Der arme Jaquino dauert mich beinahe" (Marzelline) by Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) by Horst Laubenthal (tenor), Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 2. "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) by José van Dam (Belgian operatic bass-baritone), Helen Donath (soprano), Helga Dernesch (Austrian soprano and mezzo‐soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline) by Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 3. "Höre, Fidelio, wenn ich auch nicht weiß" (Rocco) by José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) by Helen Donath (soprano), Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Horst Laubenthal (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 4. "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) by Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 4. Aria "Hat man nicht auch Gold beineben" (Rocco) by José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) by José van Dam (Belgian operatic bass-baritone), Helga Dernesch (Austrian soprano and mezzo‐soprano), Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 6. "Depeschen?" (Pizarro, Rocco) by Karl Ridderbusch (operatic bass), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 6. March by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 7. "Hauptmann, besteigen Sie den Turm!" (Pizarro, Rocco) by Karl Ridderbusch (operatic bass), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) by Karl Ridderbusch (operatic bass), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) by Karl Ridderbusch (operatic bass), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 9. "Vater Rocco, ich ersuchte Euch schon" (Leonore, Marzelline, Rocco) by Helga Dernesch (Austrian soprano and mezzo‐soprano), Helen Donath (soprano), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore) by Helga Dernesch (Austrian soprano and mezzo‐soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 10. Prisoner’s Chorus “O welche Lust” by Werner Hollweg (tenor), Siegfried Rudolf Frese (German operatic bass-baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 10. Quintet "Ach, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) by Helen Donath (soprano), José van Dam (Belgian operatic bass-baritone), Horst Laubenthal (tenor), Helga Dernesch (Austrian soprano and mezzo‐soprano), Karl Ridderbusch (operatic bass), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, no. 10. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) by Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) by Adolf Dallapozza (tenor), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” (Marzelline) by Lucia Popp (soprano), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) by Adolf Dallapozza (tenor), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben” (Rocco) by Manfred Jungwirth (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline) by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act I, Scene I. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) by Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act I, Scene I. “Höre, Fidelio!” (Rocco, Marzelline) by Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act I, Scene I. “Ihr habt recht, Vater Rocco” (Leonore, Rocco, Marzelline) by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act I, Scene I. “Jaquino!” – “Ja, Meister Rocco?” (Rocco, Jaquino, Marzelline, Leonore) by Adolf Dallapozza (tenor), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act I, Scene II, no. 6. March by Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!” (Pizarro, Chorus) by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act I, Scene II, no. 8. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) by Manfred Jungwirth (operatic bass), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act I, Scene II, no. 9. Recitative “Abscheulicher!” - Aria “Komm, Hoffnung” (Leonore) by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust” by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Karl Terkal (Austrian Tenor), Alfred Šramek (bass-baritone), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative “Nun sprecht, wie ging’s?” (Leonore, Rocco) / no. 10c. Duet “Noch heute! Noch heute!” (Leonore, Rocco) / no. 10d. Duet “Wir müssen gleich zu Werke schreiten” (Rocco, Leonore) / no. 10e. / no. 10f. by Adolf Dallapozza (tenor), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act I, Scene II, no. 10g. “Leb wohl, du warmes Sonnenlicht” (Soloists & Chorus) by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Adolf Dallapozza (tenor), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Lucia Popp (soprano), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act I, Scene II. “Drei Mann Schildwachen auf den Wall” (Pizarro, Rocco) by Manfred Jungwirth (operatic bass), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act I, Scene II. “Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm” (Pizarro, Rocco) by Manfred Jungwirth (operatic bass), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act II, no. 11. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florestan) by Jon Vickers (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act II, no. 12. "Er erwacht" (Leonore, Rocco, Florestan) by Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Jon Vickers (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act II, no. 12. Duet "Nur hurtig fort" (Rocco, Leonore) by José van Dam (Belgian operatic bass-baritone), Helga Dernesch (Austrian soprano and mezzo‐soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act II, no. 12. Melodrama "Wie kalt ist es in diesem unterirdischen Gewölbe!" (Leonore, Rocco) by Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act II, no. 13. "Ist alles bereit?" (Rocco, Leonore, Florestan, Pizarro) by Helga Dernesch (Austrian soprano and mezzo‐soprano), Karl Ridderbusch (operatic bass), Jon Vickers (tenor), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act II, no. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) by Jon Vickers (tenor), José van Dam (Belgian operatic bass-baritone), Helga Dernesch (Austrian soprano and mezzo‐soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act II, no. 14. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) by Helga Dernesch (Austrian soprano and mezzo‐soprano), Jon Vickers (tenor), Karl Ridderbusch (operatic bass), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act II, no. 14. "Vater Rocco! Vater Rocco!" (Jaquino, Rocco) by Horst Laubenthal (tenor), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act II, no. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) by Karl Ridderbusch (operatic bass), Jon Vickers (tenor), Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act II, no. 15. Duet "O namenlose Freude!" (Leonore, Florestan) by Helga Dernesch (Austrian soprano and mezzo‐soprano), Jon Vickers (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act II, no. 16. "Du schlossest auf des Edlen Grab (Don Fernando, Leonore, Florestan, Marzelline, Rocco, Chor, Jaquino) by José van Dam (Belgian operatic bass-baritone), Helga Dernesch (Austrian soprano and mezzo‐soprano), Jon Vickers (tenor), Helen Donath (soprano), José van Dam (Belgian operatic bass-baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Horst Laubenthal (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act II, no. 16. "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Leonore, Marzelline) by Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), José van Dam (Belgian operatic bass-baritone), Karl Ridderbusch (operatic bass), Zoltán Kelemen (operatic bass), Helga Dernesch (Austrian soprano and mezzo‐soprano), Helen Donath (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Act II, Scene I, no. 11. Introduction “Gott! Welch Dunkel hier!” - Aria “In des Lebens Frühlingstagen” by René Kollo (tenor), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act II, Scene I, no. 12. Melodrama “Wie kalt ist es in diesem unterirdischen Gewölbe!” – Duet “Nur hurtig fort, nur frisch gegraben” by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act II, Scene I, no. 13. Trio “Euch werde Lohn in bessem Welten” by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), René Kollo (tenor), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act II, Scene I, no. 14. Quartet “Er sterbe! Doch er soll erst wissen” - “Vater Rocco! Der Herr Minister ist angekommen” - “Es schlägt der Rache Stunder” by Adolf Dallapozza (tenor), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), René Kollo (tenor), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” by Gundula Janowitz (soprano), René Kollo (tenor), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act II, Scene I. “Alles ist bereit” by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), René Kollo (tenor), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act II, Scene I. “Er erwacht” by Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Act II, Scene II, no. 16. Finale “Heil sei dem Tag” – “Bestrafet sei der Bösewicht” – “O Gott! Welch ein Augenblick!” – “Wer ein holdes Weib errungen” by Chor der Wiener Staatsoper (Wiener Staatsoper Choir), Adolf Dallapozza (tenor), Dietrich Fischer‐Dieskau (baritone), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), René Kollo (tenor), Lucia Popp (soprano), Hans Sotin (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Akt I. „O welche Lust“ by Bulgarian National Choir (National Philharmonic Choir “Svetoslav Obretenov”), Sofia Philharmonic Orchestra (Sofia Philharmonic), Georgi Robev (conductor)
- 1 - Fidelio, op. 72: Erster Akt. »Aber Marzelline! Früher, da war ich der gute« (Jaquino, Marzelline, Rocco, Leonore) by Wolfgang Spier (actor, voice actor, dubbing artist), Ruth Hellberg (actress and dubbing speaker), Wilhelm Borchert (actor and dubbing speaker), Anne Kersten (actress)
- 1 - Fidelio, op. 72: Erster Akt. »Guten Tag, Marzelline. Ist Fidelio noch night zurück?« (Rocco, Marzelline, Leonore) by Wilhelm Borchert (actor and dubbing speaker), Ruth Hellberg (actress and dubbing speaker), Anne Kersten (actress)
- 1 - Fidelio, op. 72: Erster Akt. »Hauptmann! Drei Mann Schildwachen auf den Wall« (Pizarro, Rocco) by Walter Franck, Wilhelm Borchert (actor and dubbing speaker)
- 1 - Fidelio, op. 72: Erster Akt. »Hauptmann! Hören Sie!« (Pizarro, Rocco) by Walter Franck, Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. »Höre, Fidelio« (Rocco, Marzelline) by Wilhelm Borchert (actor and dubbing speaker), Ruth Hellberg (actress and dubbing speaker)
- 1 - Fidelio, op. 72: Erster Akt. »Ihr könnt das leicht sagen, Meister Rocco« (Leonore, Rocco, Marzelline) by Anne Kersten (actress), Wilhelm Borchert (actor and dubbing speaker), Ruth Hellberg (actress and dubbing speaker)
- 1 - Fidelio, op. 72: Erster Akt. »Jaquino, Jaquino!« (Rocco, Marzelline, Jaquino) by Wilhelm Borchert (actor and dubbing speaker), Ruth Hellberg (actress and dubbing speaker), Wolfgang Spier (actor, voice actor, dubbing artist)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 1 Duett: »Jetzt, Schätzchen, jetzt sind wir allein« (Jaquino, Marzelline) by Friedrich Lenz (tenor), Irmgard Seefried (soprano), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 2 Arie: »O wär ich schon mit dir vereint« (Marzelline) by Irmgard Seefried (soprano), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 3 Quartett: »Mir ist so wunderbar« (Marzelline, Leonore, Rocco, Jaquino) by Irmgard Seefried (soprano), Leonie Rysanek (soprano), Gottlob Frick (operatic bass), Friedrich Lenz (tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 4 Arie: »Hat man nicht auch Gold beineben« (Rocco) by Gottlob Frick (operatic bass), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 5 Terzett: »Gut, Söhnchen, gut hab immer Mut« (Rocco, Leonore, Marzelline) by Gottlob Frick (operatic bass), Leonie Rysanek (soprano), Irmgard Seefried (soprano), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 6 Marsch by Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 7 Arie & Chor: »Ha! Welch ein Augenblick!« (Pizarro, Chor) by Dietrich Fischer‐Dieskau (baritone), Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 8 Duett: »Jetzt, Alter, jetzt hat es Elle!« (Pizarro, Rocco) by Dietrich Fischer‐Dieskau (baritone), Gottlob Frick (operatic bass), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 9 Rezitativ & Arie: »Abscheulicher! Wo eilst dur hin? … Komm, Hoffnung, lass den letzten Stern« (Leonore) by Leonie Rysanek (soprano), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 10 Finale: »Leb wohl, du warmes Sonnenlicht« (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) by Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera), Irmgard Seefried (soprano), Leonie Rysanek (soprano), Friedrich Lenz (tenor), Dietrich Fischer‐Dieskau (baritone), Gottlob Frick (operatic bass), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 10 Finale: »O welche Lust, in freier Luft den Atem leicht zu heben!« (Chor) by Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Erster Akt. Nr. 10 Finale: [Rezitativ:] »Nun sprecht, wie ging's?« / [Duett:] »Noch heute, noch heute!« (Leonore, Rocco) / [Szene:] »Ach Vater, Vater, eilt!« (Marzelline, Rocco, Pizarro, Jaquino) by Leonie Rysanek (soprano), Gottlob Frick (operatic bass), Irmgard Seefried (soprano), Dietrich Fischer‐Dieskau (baritone), Friedrich Lenz (tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Ouvertüre by Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Overture by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fidelio, op. 72: Overture by Wiener Philharmoniker (Vienna Philharmonic), Leonard Bernstein (American conductor, composer, pianist)
- 1 - Fidelio, op. 72: Zweiter Akt. »Alles ist bereit« (Rocco, Leonore, Florestan, Pizarro) by Wilhelm Borchert (actor and dubbing speaker), Anne Kersten (actress), Siegmar Schneider (actor, voice actor and dubbing speaker), Walter Franck
- 1 - Fidelio, op. 72: Zweiter Akt. »Er erwacht!« (Leonore, Rocco, Florestan) by Anne Kersten (actress), Wilhelm Borchert (actor and dubbing speaker), Siegmar Schneider (actor, voice actor and dubbing speaker)
- 1 - Fidelio, op. 72: Zweiter Akt. »Meine Leonore, was hast du für mich getan!« (Florestan, Leonore) / Nr. 15 Duett: »O namenlose Freude« (Leonore, Florestan) by Ernst Haefliger (tenor), Ernst Haefliger (tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Zweiter Akt. [Rezitativ &] Arie: »Gott! Welch Dunkel hier! … In des Lebens Frühlingstagen« (Florestan) by Ernst Haefliger (tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Zweiter Akt. Nr. 11 Introduktion »« by Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Zweiter Akt. Nr. 12 Melodram & Duett: »Nur hurtig fort, nur frisch gegraben« (Rocco, Leonore) by Gottlob Frick (operatic bass), Leonie Rysanek (soprano), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Zweiter Akt. Nr. 12 Melodram & Duett: »Wie kalt ist es in diesem unterirdischen Gewölbe!« (Leonore, Rocco) by Anne Kersten (actress), Wilhelm Borchert (actor and dubbing speaker), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Zweiter Akt. Nr. 13 Terzett: »Euch werde Lohn in bessern Welten« (Florestan, Rocco, Leonore) by Ernst Haefliger (tenor), Gottlob Frick (operatic bass), Leonie Rysanek (soprano), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Zweiter Akt. Nr. 14 Quartett: »Er sterbe! Doch er soll erst wissen« (Pizarro, Florestan, Leonore, Rocco, Jaquino) / »Vater Rocco, der Herr Minister« (Jaquino, Rocco) / »Es schlägt der Rache Stunde« (Leonore, Florestan, Pizarro, Rocco) by Dietrich Fischer‐Dieskau (baritone), Ernst Haefliger (tenor), Leonie Rysanek (soprano), Gottlob Frick (operatic bass), Friedrich Lenz (tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)
- 1 - Fidelio, op. 72: Zweiter Akt. Nr. 16 Finale: »Des besten Königs Wilk und Wille« (Fernando, Chor, Rocco, Pizarro, Leonore, Marzelline, Florestan) by Kieth Engen (operatic bass), Gottlob Frick (operatic bass), Dietrich Fischer‐Dieskau (baritone), Leonie Rysanek (soprano), Irmgard Seefried (soprano), Ernst Haefliger (tenor), Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Ferenc Fricsay (conductor)