Tag “opera”
~ Tag
Recordings tagged as “opera”
11,855 recordings found
- 1 - Farnace, RV 711: Atto secundo. Scena 14: Recitativo (Selinda, Aquilio by Gloria Banditelli (mezzo-soprano), Fulvio Bettini (bass vocalist), Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Atto terzo. Scena 1. Aria. Quel candido fiore (Berenice) by Adriana Fernández (soprano), Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Atto terzo. Scena 1. Recitativo (Berenice, Gilade, Aquilio, Pompeo) by Fulvio Bettini (bass vocalist), Adriana Fernández (soprano), Cinzia Forte (soprano), Sonia Prina (alto), Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Atto terzo. Scena 2. Aria. Forse, o caro, in questi accenti (Tamiri) by Sara Mingardo (contralto), Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Atto terzo. Scena 2. Recitativo (Tamiri, Pompeo, Farnace) by Sara Mingardo (contralto), Sonia Prina (alto), Furio Zanasi (baritone), Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Atto terzo. Scena 3. Aria. Quel torrente che s’innalza (Farnace) by Furio Zanasi (baritone), Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Atto terzo. Scena 3. Recitativo (Farnace) by Furio Zanasi (baritone), Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Atto terzo. Scena 4. Aria. Scherza l’aura lusinghiera (Gilade) by Cinzia Forte (soprano), Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Atto terzo. Scena 4. Recitativo (Selinda, Gilade) by Gloria Banditelli (mezzo-soprano), Cinzia Forte (soprano), Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Atto terzo. Scena 5. Aria. Ti vantasti, mio guerriero (Selinda) by Gloria Banditelli (mezzo-soprano), Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Atto terzo. Scena 5. Recitativo (Selinda, Aquilio) by Gloria Banditelli (mezzo-soprano), Fulvio Bettini (bass vocalist), Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Atto terzo. Scena 6. Recitativo (Aquilio, Pompeo, Farnace) by Fulvio Bettini (bass vocalist), Sonia Prina (alto), Furio Zanasi (baritone), Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Atto terzo. Scena 7. Recitativo (Pompeo, Berenice, Farnace) by Adriana Fernández (soprano), Sonia Prina (alto), Furio Zanasi (baritone), Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Atto terzo. Scena 8. Quartetto. Io crudel? Giusto rigore (Berenice, Pompeo, Tamiri, Farnace) by Adriana Fernández (soprano), Sara Mingardo (contralto), Sonia Prina (alto), Furio Zanasi (baritone), Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Atto terzo. Scena 9. Recitativo (Berenice) by Adriana Fernández (soprano), Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Atto terzo. Scena 9. Recitativo (Berenice) by Adriana Fernández (soprano), Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Atto terzo. Scena ultima. Coro. Coronata di gigli e di rose (Coro) by Coro del Teatro de la Zarzuela, Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Atto terzo. Scena ultima. Recitativo (Gilade, Selinda, Berenice, Pompeo, Farnace) by Gloria Banditelli (mezzo-soprano), Adriana Fernández (soprano), Cinzia Forte (soprano), Sonia Prina (alto), Furio Zanasi (baritone), Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Sinfonia. Allegro by Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace, RV 711: Sinfonia. Andante - Allegro by Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace: Act 1: "Ti parli in seno amore" by Vince Yi (countertenor), Armonia Atenea (Greek camerata), George Petrou (Greek conductor)
- 1 - Farnace: Aria. S’arma il cielo di tuoni e di lampi (Farnace) by Antonio Vivaldi (Italian baroque composer and violinist)
- 1 - Farnace: Marcia by Antonio Vivaldi (Italian baroque composer and violinist)
- 1 - Farnace: Prologo: Aria (Risoluto e staccato). Da quel ferro che ha svenato (Berenice) by Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace: Prologo: Marcia by Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace: Prologo: Recitativo. Ma d’onde, o mia Regina (Gilade e Berenice) by Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace: Prologo: Sinfonia: Allegro e piano by Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace: Prologo: Sinfonia: Spiritoso by Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace: Prologo: Sinfonia: Vivo by Le Concert des Nations, Jordi Savall (viol player, conductor and composer)
- 1 - Farnace: Quell'usignolo by Vivica Genaux (mezzo-soprano), Europa Galante (Italian Baroque orchestra), Fabio Biondi (conductor/violinist)
- 1 - Farnace: Ricordati che sei by Vivica Genaux (mezzo-soprano), Europa Galante (Italian Baroque orchestra), Fabio Biondi (conductor/violinist)
- 1 - Faust : “Il se fait tard, adieu” by Pierrette Alarie (French Canadian coloratura soprano), Léopold Simoneau (tenor), Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Lee Schaenen (conductor)
- 1 - Faust : « Ah je ris de me voir si belle en ce miroir » by Kiri Te Kanawa (soprano), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Sir Colin Davis (English conductor)
- 1 - Faust : « Alerte ! Alerte ! … Anges purs » by Franco Corelli (tenor), Nicolaï Ghiaurov (operatic bass), Joan Sutherland (soprano), London Symphony Orchestra, Richard Bonynge (conductor and pianist)
- 1 - Faust : « Ô dieu! Que de bijoux » … « Ah! Je ris de me voir » by Joan Sutherland (soprano), Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari‐Pradelli (conductor)
- 1 - Faust : Acte III. « Il se fait tard » (Marguerite, Faust) by Angela Gheorghiu (Romanian soprano), Roberto Alagna (tenor), Orchestra of the Royal Opera House, Covent Garden, Richard Armstrong (conductor)
- 1 - Faust : Acte III. « Les grands seigneurs » … « Ah ! je ris » (Jewel Song) by Victoria de los Ángeles (Spanish soprano), Orchestre de l’Opéra National de Paris, André Cluytens (Belgian-born French conductor)
- 1 - Faust : Acte III. « Ô nuit d’amour » (Marguerite, Faust) by Roberto Alagna (tenor), Angela Gheorghiu (Romanian soprano), Orchestra of the Royal Opera House, Covent Garden, Richard Armstrong (conductor)
- 1 - Faust : Acte III. « Un bouquet ! » … « Ah ! Je ris » (Air des bijoux) by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
- 1 - Faust : Acte V. « Alerte, alerte » by Franco Corelli (tenor), Nicolaï Ghiaurov (operatic bass), Joan Sutherland (soprano), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), London Symphony Orchestra, Richard Bonynge (conductor and pianist)
- 1 - Faust : Chœur des soldats « Gloire immortelle de nos aïeux » by Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), London Symphony Orchestra, Richard Bonynge (conductor and pianist)
- 1 - Faust : Déposons les armes (Soldiers’ chorus) by Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Margreta Elkins (mezzo-soprano), Robert Massard (baritone), Monica Sinclair (Operatic contralto), London Symphony Orchestra, Richard Bonynge (conductor and pianist)
- 1 - Faust : Je voudrais bien savoir… Il était un roi de Thule… O dieu! Que de bijoux…ah! Je ris by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
- 1 - Faust : Le Veau d'or by Ezio Pinza (operatic bass)
- 1 - Faust : Vous qui faites l'endormie by Ezio Pinza (operatic bass)
- 1 - Faust: “Il ne revient pas” by Inva Mula (soprano)
- 1 - Faust: « Le veau d’or est toujours debout ! » by Choeurs de l'Opéra Royal de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera), Boris Christoff (Bulgarian bass), Chorus of the Paris Opera (Paris National Opera Chorus), Orchestre de l’Opéra national de Paris, André Cluytens (Belgian-born French conductor)
- 1 - Faust: « Quel trouble inconnu » … « Salut! demeure chaste et pure » by Luciano Pavarotti (tenor), Wiener Volksopernorchester, Leone Magiera (conductor, pianist)
- 1 - Faust: Act II. "Salut! demeure chaste e pure" by Jussi Björling (tenor), Stockholm Symphony Orchestra
- 1 - Faust: Acte III. Cavatine "Quel trouble inconnu me pénètre !" - "Salut, demeure chaste et pure" (Faust) by Rolando Villazón (tenor), Orchestre philharmonique de Radio France, Evelino Pidò (conductor)
- 1 - Faust: Acte III. Scène et air des bijoux "Il était un roi de Thulé... O Dieu ! que de bijoux... Ah ! je ris" by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
- 1 - Faust: Ah! Je ris de me voir si belle (Jewel Song) by Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
- 1 - Faust: Alerte, alerte!... Anges purs, anges radieux by Nicolaï Ghiaurov (operatic bass), Mirella Freni (soprano), Plácido Domingo (tenor), Orchestre de l’Opéra National de Paris & Georges Prêtre (French conductor)
- 1 - Faust: Ballettmusik by Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Sir Colin Davis (English conductor)
- 1 - Faust: O Nacht, verbreite hier Dein schatt'ges Reich by Alexander Kipnis (operatic bass)
- 1 - Faust: Overture by Moscow State Conservatory Student Symphony Orchestra, Gennady Rozhdestvensky (conductor)
- 1 - Faust: Quel trouble inconnu me pénètre?... Salut! demeure chaste et pure by Jonas Kaufmann (tenor), Prague Philharmonic Orchestra, Marco Armiliato (conductor)
- 1 - Faust: Soldatenchor by Chor des Bayerischen Rundfunks (Bavarian Radio Choir), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Sir Colin Davis (English conductor)
- 1 - Faust: Soldiers' Chorus by Chorus of the Rhine Opera (Rhine Opera Chorus), Orchestre philharmonique de Strasbourg (Strasbourg Philharmonic Orchestra), Alain Lombard (conductor)
- 1 - Favola breve by Emma Shapplin
- 1 - Favor Friends by Oh Land
- 1 - Fear of Falling by Katherine Jenkins (mezzo-soprano)
- 1 - February Song by Josh Groban
- 1 - Fedora: "Amor ti vieta" by Andrea Bocelli (tenor), Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda (conductor)
- 1 - Fedora: “Amor ti vieta” by Jussi Björling (tenor), Orchestra del Maggio Musicale Fiorentino, Alberto Erede (conductor)
- 1 - Fedora: “Amor ti vieta” by Plácido Domingo (tenor), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Nello Santi (conductor)
- 1 - Fedora: Act 2. Intermezzo by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 1 - Fedora: Act II. "Amor ti vieta" by Jussi Björling (tenor), Stockholm Symphony Orchestra
- 1 - Fedora: Act II. “Amor ti vieta” (Loris) by Luciano Pavarotti (tenor), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Oliviero de Fabritiis (conductor and composer), Nicola Rescigno (conductor)
- 1 - Fedora: Act II. Amor ti vieta di non amar by Roberto Alagna (tenor), Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder (conductor)
- 1 - Fedra: Preludio by Robert-Schumann-Philharmonie, Oleg Caetani (conductor)
- 1 - Fera ventura by Emma Shapplin
- 1 - Fera ventura by Emma Shapplin
- 1 - Fera ventura by Emma Shapplin
- 1 - Fera ventura by Emma Shapplin
- 1 - Fernando, Re di Castilia: Atto III, Scena IV. Aria "Sincero affetto" by Il Complesso Barocco, Alan Curtis (harpsichordist, musicologist, and conductor)
- 1 - Fernando, Re di Castilia: Atto III, Scena V - VII. Aria "M'opporrò da generoso" by Lawrence Zazzo (countertenor), Il Complesso Barocco, Alan Curtis (harpsichordist, musicologist, and conductor)
- 1 - Festive Overture, op. 96 by Boston Pops Orchestra, John Williams (American score composer)
- 1 - Feuilles Mortes by Krystian Zimerman (pianist)
- 1 - Feux dʼartifice by Krystian Zimerman (pianist)
- 1 - Fidelio op. 72, Act 1: "Mir ist so wunderbar" by Hildegard Behrens (soprano), Sona Ghazarian (soprano), David Kuebler (tenor), Hans Sotin (operatic bass), Chicago Symphony Orchestra, Sir Georg Solti (conductor)
- 1 - Fidelio op. 72, Act 2 "O namenlose Freude" by Hildegard Behrens (soprano), Peter Hofmann (German tenor/rock singer), Chicago Symphony Orchestra, Sir Georg Solti (conductor)
- 1 - Fidelio op.72 / Act 1 - "O welche Lust, in freier Luft den Atem leicht zu heben!" by Robert Johnson (tenor), Philip Kraus (baritone), Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti (conductor)
- 1 - Fidelio, Act I, No. 1: Duett: Der arme Jaquino dauert mich beinahe by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act I, No. 1: Duett: Jetzt, Schätzchen, jetzt sind wir allein by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act I, No. 2: Arie: Guten Tag, Marzelline, Ist Fidelio noch nicht zurück? by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act I, No. 3: Quartett: Höre, Fidelio, weißt du, was ich tue? by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act I, No. 4: Arie: Hat man nicht auch Gold beineben by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act I, No. 4: Arie: Ihr könnt das leicht sagen, Meister Rocco by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act I, No. 5: Terzett: Gut, Söhnchen, gut, hab' immer Mut by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act I, No. 6: Marsch: Wo sind die Depeschen by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act I, No. 7: Arie mit chor: Ha! Welch ein Augenblick! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act I, No. 7: Arie mit chor: Hauptmann, besteigen Sie mit einem Tompeter sogleich den Turm by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act I, No. 8: Duett: Jetzt, Alter, jetzt hat es Eile! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act I, No. 9: Rezitativ und Arie: Rocco, Ihr verspracht mir so oft by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act I, No. 10: Finale: Ach! Vater, eilt! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act I, No. 10: Finale: Nun sprecht, wie ging's? by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act I, No. 10: Finale: O welche Lust! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act II: I. Introduktion und Arie: Gott! Welch Dunkel hier! by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)
- 1 - Fidelio, Act II: II. Melodram und Duett: Wie kalt ist es in diesem unterirdischen Gewölbe by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Otto Klemperer (German-born conductor and composer)