Tag “classical”
~ Tag
Recordings tagged as “classical”
142,699 recordings found
- 2 - Apollo: Second Tableau. Variation d'Apollon (Apollon et les Muses) by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 2 - Apollo: Second Tableau. Variation de Calliope (L'Alexandrin) by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 2 - Apollo: Second Tableau. Variation de Polymnie by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 2 - Apollo: Second Tableau. Variation de Tepsichore by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
- 2 - Apollon Musagéte (1947 version): Tableau I. Naissance d'Apollon by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Apollon Musagéte (1947 version): Tableau II. Apotheose by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Apollon Musagéte (1947 version): Tableau II. Coda (Apollon et Musese) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Apollon Musagéte (1947 version): Tableau II. Pas d'action (Apollo et les trois Muses: Calliope-Polymnie et Terpsichore) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Apollon Musagéte (1947 version): Tableau II. Pas de deux (Apollon et Terpsichore) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Apollon Musagéte (1947 version): Tableau II. Variation d'Apollon (Apollen et les Muses) by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Apollon Musagéte (1947 version): Tableau II. Variation de Apollo by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Apollon Musagéte (1947 version): Tableau II. Variation de Galliope by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Apollon Musagéte (1947 version): Tableau II. Variation de Polymnia by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Apollon Musagéte (1947 version): Tableau II. Variation de Terpsichore by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - Apotheosis by Kevin Rix (production music [audiomachine])
- 2 - Appalachia Waltz by Yo‐Yo Ma (cellist), Edgar Meyer (contemporary bassist and composer), Mark O’Connor (US bluegrass, country and classical fiddler/composer)
- 2 - Appalachia Waltz by Yo‐Yo Ma (cellist)
- 2 - Appalachian Grove II by Laurie Spiegel (US composer)
- 2 - Appalachian Grove III by Laurie Spiegel (US composer)
- 2 - Appalachian Round-Up by James Galway (flautist) & Phil Coulter
- 2 - Appalachian Spring (1945 Suite): 3. Moderato: The Bride and her Intended by Los Angeles Philharmonic Orchestra, Zubin Mehta (conductor)
- 2 - Appalachian Spring (1945 Suite): 4. Fast: The Revivalist and his Flock by Los Angeles Philharmonic Orchestra, Zubin Mehta (conductor)
- 2 - Appalachian Spring (1945 Suite): 6. Meno mosso by Los Angeles Philharmonic Orchestra, Zubin Mehta (conductor)
- 2 - Appalachian Spring (extract) by Boston Symphony Orchestra, Aaron Copland (composer)
- 2 - Apparition on the Train by John Williams (American score composer)
- 2 - Approaching Lights by Ben Woods (Piano ambient artist.)
- 2 - Après un rêve by Bruno Canino (composer and pianist), Lynn Harrell (cellist)
- 2 - Après un rêve, op. 7 no. 1 by Jules Eskin (cellist), Boston Symphony Orchestra, Seiji Ozawa (conductor and composer)
- 2 - Aquarela do Brasil by Yo‐Yo Ma (cellist)
- 2 - Aquarelle sur papier by Bruno Sanfilippo
- 2 - Aquarelle sur toile by Bruno Sanfilippo
- 2 - Ar Lan y Môr by Katherine Jenkins (mezzo-soprano)
- 2 - Ara ka Titiro by Kiri Te Kanawa (soprano)
- 2 - Arabesque no. 1 by Branford Marsalis (saxophonist)
- 2 - Arabesque No. 1 by Misha Goldstein (pianist)
- 2 - Arabian Waltz by Yo‐Yo Ma (cellist) & the Silk Road Ensemble
- 2 - Aragonese by Cecilia Bartoli (mezzo‐soprano), James Levine (US conductor and pianist)
- 2 - Arborstone by Jeremy Soule
- 2 - Arcade by Hans Zimmer (German score composer)
- 2 - Arcanum by Ben Houge
- 2 - Architectonics VI by Tallinn Chamber Orchestra (contemporary orchestra, since 1989), Tõnu Kaljuste (conductor)
- 2 - Arcobaleno by Rondò Veneziano
- 2 - Are You Listening, Clark? by Hans Zimmer (German score composer)
- 2 - Aria by Balanescu Quartet (Romanian string quartet)
- 2 - Aria "Cara la dolce fiamma", K. 293e by Julie Kaufmann (soprano), Münchner Rundfunkorchester (The Munich Radio Orchestra), Jörg‐Peter Weigle (chorus master)
- 2 - Aria 1 by Max Richter (German pianist and score composer), Ben Russel (bass player), Yuki Numata Resnick, Caleb Burhans, Clarice Jensen (cellist) & Brian Snow
- 2 - Aria 2 by Max Richter (German pianist and score composer)
- 2 - Aria buffa for Tenor and Orchestra in C major, K. 210: Allegro assai "Con ossequio, con rispetto" by Claes‐Håkan Ahnsjö (tenor), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
- 2 - Aria for Bass and Orchestra in E-flat major, K. 513: Larghetto - allegro - più allegro "Mentre ti lascio, oh figlia" by Robert Lloyd (operatic bass), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
- 2 - Aria for Bass and Orchestra in E-flat major, K. 621a / KV Anh 245: Adagio "Io ti lascio, oh cara, addio" by Robert Lloyd (operatic bass), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
- 2 - Aria for Bass and Orchestra in F major, K. 416c / KV 433 (Erik Smith completion) "Warnung": "Maenner suchen stets zu naschen" by Robert Lloyd (operatic bass), Academy of St Martin in the Fields, Sir Colin Davis (English conductor)
- 2 - Aria for Soprano & Orchestra in B-flat major, K. 317b/146: "Kommet her, ihr frechen Sünder" by Ann Murray (Irish mezzo-soprano), Radio‐Sinfonieorchester Stuttgart des SWR (Stuttgart Radio Symphony Orchestra), Sir Neville Marriner (conductor)
- 2 - Aria for Soprano & Orchestra in B-flat major, K. 578: "Alma grande e nobil core" by Magdalena Kožená (mezzo-soprano), Orchestra of the Age of Enlightenment, Simon Rattle (conductor)
- 2 - Aria for Soprano & Orchestra in C major, K. 419: "No, che non sei capace" by Edita Gruberová (soprano), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
- 2 - Aria for Soprano & Orchestra in E-flat major, K. 295a/K(2) 486a: "Basta, vincesti… Ah, non lasciarmi" by Lucia Popp (soprano), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
- 2 - Aria for Soprano & Orchestra in E-flat major, K. 583: "Vado, ma dove?" by Magdalena Kožená (mezzo-soprano), Orchestra of the Age of Enlightenment, Simon Rattle (conductor)
- 2 - Aria for Soprano and Orchestra in A major, K. 23: Andante grazioso - allegretto "Conservati fedele" by Hanna Schwarz (mezzo soprano), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
- 2 - Aria for Soprano and Orchestra in C major, K. 383h / KV 440 (E. Reichert completion): "In te spero, oh sposo amato" by Eva Lind (soprano), Dresdner Philharmonie (Dresden Philharmonic Orchestra), Jörg‐Peter Weigle (chorus master)
- 2 - Aria for Soprano and Orchestra in C major, K. 582: Andante "Chi sà, chi sà, qual sia" by Lucia Popp (soprano), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
- 2 - Aria for Soprano and Orchestra in E major, K. 74b / KV deest: Allegro "Non curo l'affetto" by Edita Gruberová (soprano), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
- 2 - Aria for Soprano and Orchestra in E-flat major, K. 73p / KV 83: Adagio - allegretto - tempo primo "Se tutti i mali miei" by Julie Kaufmann (soprano), Klaus von Wildermann (harpsichordist and pianist), Münchner Rundfunkorchester (The Munich Radio Orchestra), Jörg‐Peter Weigle (chorus master)
- 2 - Aria for Soprano and Orchestra in E-flat major, K. Zu 73p / KV Zu 83 (first version): Adagio - allegretto - tempo primo "Se tutti i mali miei" by Edith Mathis (soprano), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
- 2 - Aria for Soprano and Orchestra in G major, K. 217: Andantino grazioso - allegro - primo tempo - allegro - primo tempo - allegro "Voi avete un cor fedele" by Edith Mathis (soprano), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
- 2 - Aria for Soprano, 2 Horns, Violin, Viola and Bass, K. deest NMA II/7/1 No. 7: Andante "Cara, se le mie pene" by Edith Mathis (soprano), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
- 2 - Aria for Tenor & Orchestra in E-flat major, K. 420: "Per pietà, non ricercate" by Thomas Moser (tenor), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
- 2 - Aria for Tenor & Orchestra in E-flat major, K. 420: "Per pietà, non ricercate" by Marcel Reijans (tenor), The Chamber Orchestra of Europe, Wilhelm Keitel (conductor)
- 2 - Aria for Tenor and Orchestra in B-flat major, K. 295 (first version): Adagio - allegretto - primo tempo "Se al labbro mio non credi" by Francisco Araiza (tenor), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
- 2 - Aria for Tenor and Orchestra in B-flat major, K. 295: Adagio - allegretto - primo tempo "Se al labbro mio non credi" by Hans Peter Blochwitz (tenor), Dresdner Philharmonie (Dresden Philharmonic Orchestra), Jörg‐Peter Weigle (chorus master)
- 2 - Aria for Tenor and Orchestra in D major, K. 209: Andante - allegro assai - tempo primo "Si mostra la sorte" by Francisco Araiza (tenor), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
- 2 - Aria for Tenor and Orchestra in D major, K. 416b / KV 435 (Erik Smith completion): "Müßt ich auch durch tausend Drachen" by Stuart Burrows (tenor), Academy of St Martin in the Fields, Sir Colin Davis (English conductor)
- 2 - Aria from "Goldberg" Variations, BWV 988 by Yo‐Yo Ma (cellist), Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
- 2 - Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Aria by Andrei Gavrilov (pianist)
- 2 - Aria variata (alla maniera italiana) in A minor BWV 989 by Glenn Gould (pianist)
- 2 - Ariadne auf Naxos: »Es gibt ein Reich, wo alles rein ist« by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Oper. Ach, so versuchet doch ein kleines Lied! [Zerbinetta, Harlekin] by Rita Streich (soprano), Hermann Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Oper. Ach!... Ach!... Wo war ich? [Ariadne, Echo, Harlekin, Zerbinetta, Truffaldin] by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anny Felbermayer (soprano), Hermann Prey (baritone), Rita Streich (soprano), Fritz Ollendorff (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Oper. Bin ich ein Gott, schuf mich ein Gott by Rudolf Schock (tenor), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Oper. Circe, Circe, kannst du mich hören? [Bacchus, Ariadne, Najade, Dryade, Echo] by Rudolf Schock (tenor), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Lisa Otto (soprano), Grace Hoffman (mezzo-soprano), Anny Felbermayer (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Oper. Die Dame gibt mit trübem Sinn [Brighella, Scaramuccio, Harlekin, Truffaldin, Zerbinetta] by Helmut Krebs (tenor), Gerhard Unger (tenor), Hermann Prey (baritone), Fritz Ollendorff (operatic bass), Rita Streich (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Oper. Du schönes Wesen! [Bacchus, Ariadne] by Rudolf Schock (tenor), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Oper. Ein Schönes war, hieß Theseus-Ariadne [Ariadne, Najade, Dryade, Echo, etc] by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Lisa Otto (soprano), Grace Hoffman (mezzo-soprano), Anny Felbermayer (soprano), Hermann Prey (baritone), Rita Streich (soprano), Gerhard Unger (tenor), Fritz Ollendorff (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Oper. Ein schönes Wunder! [Dryade, Najade, Echo] by Grace Hoffman (mezzo-soprano), Lisa Otto (soprano), Anny Felbermayer (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Oper. Gibt es kein Hinüber? [Ariadne, Bacchus, Najade, Dryade, Echo, Zerbinetta] by Elisabeth Schwarzkopf (German-born Austrian/British soprano), Rudolf Schock (tenor), Lisa Otto (soprano), Grace Hoffman (mezzo-soprano), Anny Felbermayer (soprano), Rita Streich (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Oper. Großmächtige Prinzessin, wer verstünde nicht [Zerbinetta] by Rita Streich (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Oper. Hübsch gepredigt! Aber tauben Ohren! [Harlekin, Zerbinetta, Brighella, Scaramuccio, Truffaldin] by Hermann Prey (baritone), Rita Streich (soprano), Helmut Krebs (tenor), Gerhard Unger (tenor), Fritz Ollendorff (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Oper. Ouvertüre by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Oper. Schläft sie? [Najade, Dryade, Echo] by Lisa Otto (soprano), Grace Hoffman (mezzo-soprano), Anny Felbermayer (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Prolog. An Ihre Plätze, meine Damen und Herren! [Musiklehrer, Primadonna, Komponist] by Karl Dönch (light bass-baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Irmgard Seefried (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Prolog. Ariadne auf Naxos, Herr [Komponist, Tanzmeister, Haushofmeister, etc] by Irmgard Seefried (soprano), Hugues Cuénod (Swiss tenor), Alfred Neugebauer, Karl Dönch (light bass-baritone), Rudolf Schock (tenor), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Rita Streich (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Prolog. Das! Für einen Bacchus! [Tenor, Komponist, Perückenmacher] by Rudolf Schock (tenor), Irmgard Seefried (soprano), Erich Strauss, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Prolog. Die Herrschaften stehen vom Tisch auf! [Lakai, Musiklehrer, Haushofmeister, etc] by Otakar Kraus (baritone), Karl Dönch (light bass-baritone), Alfred Neugebauer, Elisabeth Schwarzkopf (German-born Austrian/British soprano), Hugues Cuénod (Swiss tenor), Rudolf Schock (tenor), Rita Streich (soprano), Irmgard Seefried (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Prolog. Erst nach der Oper kommen wir daran [Zerbinetta, Primadonna, Musiklehrer, etc] by Rita Streich (soprano), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Karl Dönch (light bass-baritone), Irmgard Seefried (soprano), Hugues Cuénod (Swiss tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Prolog. Kindskopf! Merkt auf, wir spielen mit in dem Stück [Zerbinetta, Komponist] by Rita Streich (soprano), Irmgard Seefried (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Prolog. Lieber Freund! Verschaffen Sie mir die Geigen [Komponist, Lakai] by Irmgard Seefried (soprano), Otakar Kraus (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Prolog. Mein Herr Haushofmeister! [Musiklehrer, Haushofmeister, Lakai, Offizier] by Karl Dönch (light bass-baritone), Alfred Neugebauer, Otakar Kraus (baritone), Gerhard Unger (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Prolog. Meine Partner! Meine erprobten Freunde! [Zerbinetta, Komponist, Musiklehrer, etc] by Rita Streich (soprano), Irmgard Seefried (soprano), Karl Dönch (light bass-baritone), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Hugues Cuénod (Swiss tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Prolog. Nach meiner Oper? [Komponist, Musiklehrer] by Irmgard Seefried (soprano), Karl Dönch (light bass-baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Prolog. Nein, Herr, so kommt es nicht! [Komponist, Zerbinetta, Musiklehrer] by Irmgard Seefried (soprano), Rita Streich (soprano), Karl Dönch (light bass-baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Prolog. O, ich möcht vieles ändern noch in zwölfter Stund [Komponist] by Irmgard Seefried (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
- 2 - Ariadne auf Naxos: Prolog. Orchestereinleitung by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)