Tag “classical”

Recordings tagged as “classical”

142,699 recordings found

• 2 - Adagio for Strings by New York Philharmonic, Leonard Bernstein (American conductor, composer, pianist)
• 2 - Adagio for Strings and Organ in G minor: Adagio by Edward Brewer (harpsichordist), Eriko Sato (violinist), Orpheus Chamber Orchestra (US orchestra)
• 2 - Adagio for Strings, op. 11 by Tokyo String Quartet (International string quartet)
• 2 - Adagio for Strings, op. 11 by Capella Istropolitana
• 2 - Adagio for Strings, op. 11 by The Philadelphia Orchestra, Eugene Ormandy (conductor)
• 2 - Adagio for Strings, op. 11 by Turku Philharmonic Orchestra, Petri Sakari (violinist and conductor)
• 2 - Adagio for Strings, op. 11/2 by Los Angeles Philharmonic Orchestra, Leonard Bernstein (American conductor, composer, pianist)
• 2 - Adagio for Strings, op. 11a by London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), David Parry (conductor)
• 2 - Adagio from Divertimento no. 17 in D, K. 334 by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Adagio from Spartacus by Royal Philharmonic Orchestra, Юрий Хатуевич Темирканов (Yuri Temirkanov, conductor)
• 2 - Adagio in B-flat major, KV 411 by Henk de Graaf (clarinetist), Laura Rijsewijk (clarinetist), Diede Brantjes (basset horn player), Jan Jansen (Dutch clarinetist), Romke Jan Wijmenga (horn player)
• 2 - Adagio in E major for Violin and Orchestra, K. 261 by Emmy Verhey (violinist), Concertgebouw Chamber Orchestra, Eduardo Marturet (conductor)
• 2 - Adagio in E major, K. 261 (Cadenza: Julia Fischer) by Julia Fischer (violinist / pianist), Nederlands Kamerorkest (Netherlands Chamber Orchestra), Yakov Kreizberg
• 2 - Adagio in F major, KV 580a by Henk de Graaf (clarinetist), Diede Brantjes (basset horn player), Jan Jansen (Dutch clarinetist),Romke Jan Wijmenga (horn player)
• 2 - Adagio in G minor by Pavel Bogacz (violinist), Capella Istropolitana, Richard Edlinger (conductor and composer)
• 2 - Adagio in G minor by Ian Watson (conductor and keyboardist), City of London Sinfonia (chamber orchestra), Andrew Watkinson (violinist/conductor)
• 2 - Adagio in G minor by Wolfgang Meyer (organist, harpsichordist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Adagio in G minor for Strings and Organ, “Albinoni’s Adagio” by London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), David Parry (conductor)
• 2 - Adagio sognando From 24 Preludes, op. 46 by Daniel Hope (violinist), Jacques Ammon (German-Chilean pianist)
• 2 - Adagio, K. 287 by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Adiemus by Adiemus (Group founded by Karl Jenkins)
• 2 - Adore by Stephan Moccio
• 2 - Adoro by Plácido Domingo (tenor)
• 2 - Adriana Lecouvreur: Atto I. “Ecco: respiro appena” … “Io son l’umile ancella” (mono) by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
• 2 - Adriana Lecouvreur: Atto IV. “Poveri fiori” (Adriana) by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
• 2 - Adriana Lecouvreur: Intermezzo by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Aedeus by Emma Shapplin
• 2 - Ænema by The Section
• 2 - African Melody III (Melodia africana III) by Ludovico Einaudi (Italian composer and pianist)
• 2 - Afro by Yo‐Yo Ma (cellist)
• 2 - Afrolise (Beethoven, Albumblatt für Elise) by Klazz Brothers & Cuba Percussion
• 2 - After the Rain by Kevin Kern (American pianist)
• 2 - After the Rain There Will Always Be the Sun by Fabrizio Paterlini (Italian composer and pianist)
• 2 - After You've Gone by Marion Harris
• 2 - Age of the Dragon by Jeremy Soule
• 2 - Agnus Dei by Jan Garbarek & The Hilliard Ensemble (British male vocal quartet)
• 2 - Agnus Dei by Luciano Pavarotti (tenor)
• 2 - Agnus Dei by Luciano Pavarotti (tenor), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Kurt Herbert Adler (conductor)
• 2 - Agnus Dei "Omnipotens eterne" by Anonymous 4 (vocal quartet specialising in medieval chant and polyphony)
• 2 - Agnus dei: Agnus dei by Jan Dismas Zelenka (composer)
• 2 - Agon: Double Pas de quatre by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: First Pas de trois. Coda by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: First Pas de trois. Gaillarde by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: First Pas de trois. Interlude by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: First Pas de trois. Saraband Step by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Pas de quatre by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Prélude by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Second Pas de trois. Bransle double by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Second Pas de trois. Bransle gay by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Second Pas de trois. Bransle simple by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Second Pas de trois. Coda by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Second Pas de trois. Four Duos by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Second Pas de trois. Four Trios by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Second Pas de trois. Interlude by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Second Pas de trois. Pas de deux by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Agon: Triple Pas de quatre by Los Angeles Festival Symphony Orchestra, Igor Stravinsky (Russian composer)
• 2 - Águas de Março by Yo‐Yo Ma (cellist)
• 2 - Ägyptischer Marsch, op. 335 by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Ah se in ciel, benigne stelle, K. 538 by Edita Gruberová (soprano), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
• 2 - Ah, La Paterna Mano by Andrea Bocelli (tenor)
• 2 - Ah, la paterna mano (from "MacBeth") by Andrea Bocelli (tenor)
• 2 - Ah, Look Upon These Eyes by Miranda Sex Garden
• 2 - Aida: “Gloria all’Egitto” by Romano Gandolfi (chorus master and conductor), Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov (operatic bass), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Claudio Abbado (conductor)
• 2 - Aida: “Se quel guerrier io fossi!” … “Celeste Aida” by Plácido Domingo (tenor), Los Angeles Philharmonic, Carlo Maria Giulini (conductor)
• 2 - Aida: Atto I, scena 1. “Ritorna vincitor!” (Aida) by Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 1. “Se quel guerrier io fossi!” … “Celeste Aida” (Radamès) by Carlo Bergonzi (tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 1. Duetto “Quale insolita gioia nel tuo sguardo!” (Amneris, Radamès) / Terzetto: “Vieni, o diletta, appressati” (Amneris, Aida, Radamès) by Carlo Bergonzi (tenor), Renata Tebaldi (soprano), Giulietta Simionato (mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 1. Introduzione e scena “Sì, corre voce che l'Etiope ardisca” (Ramfis, Radamès) by Arnold van Mill (Dutch operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) by Plácido Domingo (tenor), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Riccardo Muti (conductor)
• 2 - Aida: Atto I, scena 1. Scena e pezzo d’assieme: “Alta cagion v’aduna” … “Su! del Nilo al sacro lido” (Il Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani) by Fernando Corena (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 2. “Mortal, diletto ai Numi” (Ramfis) by Arnold van Mill (Dutch operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto I, scena 2. “Possente, possente Fthà … Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 1. “Fu la sorte dell'armi a' tuoi funesta” (Amneris) by Giulietta Simionato (mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 1. “Su! del Nilo al sacro lido” (Coro, Amneris, Aida) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 1. Introduzione – Scena e coro di donne "Chi mai fra gl'inni e i plausi" (Schiave, Amneris) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Che veggo! ... Egli? ... Mio padre!” (Aida) by Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Gloria all'Egitto” (Il re, popolo) by Singverein der Gesellschaft der Musikfreunde Wien, Fernando Corena (operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Gloria all'Egitto” (Popolo) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Ma tu, Re, tu signore possente” (Amonastro) by Cornell MacNeil (American baritone), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “O re: pei sacri numi!” (Radamès, il Re, Amneris, coro, Ramfis) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Quest'assisa ch'io vesto vi dica” (Amonasro) by Cornell MacNeil (American baritone), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Salvator della patria” (Il Re, Radamès, Ramfis, Sacerdoti) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (Popolo) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto II, scena 2. Marcia e ballabile (Grand March & Ballet) by Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “Ciel! mio padre! ... Rivedrai le foreste imbalsamete” (Aida, Amonasro) by Cornell MacNeil (American baritone), Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “Fuggiam gli ardori inospiti” (Aida) by Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “O tu che sei d'Osiride madre immortale” (Sacerdotesse, Sacerdoti) by Eugenia Ratti (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “Pur ti riveggo, mia dolce Aida” (Radamès) by Carlo Bergonzi (tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “Qui Radamès verrà! ... O patria mia” (Aida) by Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto III. “Tu!... Amonasro!... tu!... il Re?” (Radamès) by Carlo Bergonzi (tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 1. “Già i Sacerdoti adunansi” (Amneris) by Carlo Bergonzi (tenor), Giulietta Simionato (mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 1. “L'aborrita rivale a me sfuggia” (Amneris) by Giulietta Simionato (mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 1. “Ohimè!... morir mi sento!” (Amneris) by Giulietta Simionato (mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 1. “Radamès! Radamès! Radamès! Tu rivelasti” (Ramfis) by Arnold van Mill (Dutch operatic bass), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 2. “La fatal pietra sovra me si chiuse” (Radamès, Aida) by Carlo Bergonzi (tenor), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 2. “O terra addio – addio valle di pianti” (Aida, Radamès, coro, Amneris) by Carlo Bergonzi (tenor), Giulietta Simionato (mezzo-soprano), Singverein der Gesellschaft der Musikfreunde Wien, Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Atto IV, scena 2. “Presago il core della tua condanna” (Aida) by Renata Tebaldi (soprano), Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
• 2 - Aida: Grand March (extract) by Boston Pops, Arthur Fiedler (conductor)
• 2 - Aida: Preludio by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - Aida: Tanz der kleinen Mohrensklaven by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)