クラシック名曲小品集

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: VOL.1
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1ペルシャの市場
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
recording of:
In a Persian Market
composer:
Albert Ketèlbey (English composer) (in 1920)
ケテルビー6:34
2剣の舞い
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings) (on 1958-05-23)
producer:
Richard Mohr (producer)
orchestra:
Boston Pops Orchestra (on 1958-05-23)
conductor:
Arthur Fiedler (conductor) (on 1958-05-23)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1958-05-23)
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions) (on 1958-05-23)
composer:
Aram Khachaturian (Soviet-Armenian composer) (in 1942)
arrangement of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
ハチャトゥリアン2:26
3火祭りの踊り
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
recording of:
El amor brujo: VIII. Danza ritual del fuego
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
ファリャ3:59
4ハンガリー狂詩曲 第2番 嬰ハ短調
recording engineer:
Lewis Layton (engineer) (on 1960-01-03)
producer:
Richard Mohr (producer)
clarinet:
Pasquale Cardillo (clarinetist) (on 1960-01-03)
orchestra:
Boston Pops Orchestra (on 1960-01-03)
conductor:
Arthur Fiedler (conductor) (on 1960-01-03)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1960-01-03)
recording of:
Hungarian Rhapsody for Orchestra no. 2 in C minor, S. 359/2 (orch. Liszt/Doppler) (on 1960-01-03)
orchestrator:
Franz Doppler and Franz Liszt (Hungarian composer, pianist and conductor)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 12 in C‐sharp minor, S. 244 no. 12
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
リスト9:39
5ワルキューレの騎行
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
ワーグナー4:55
6くまばちは飛ぶ
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings) (on 1958-05-23)
producer:
Richard Mohr (producer)
orchestra:
Boston Pops Orchestra (on 1958-05-30)
conductor:
Arthur Fiedler (conductor) (on 1958-05-30)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1958-05-30)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan) (on 1958-05-30)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
リムスキー=コルサコフ1:25
7ホフマンの舟歌
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
オッフェンバック3:45
8ワルツ「ドナウ川のさざ波」
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
recording of:
Valurile Dunării (The Waves of the Danube)
composer:
Iosif Ivanovici (in 1880)
イヴァノヴィチ7:14
9スケーターズ・ワルツ
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
recording of:
Les Patineurs, op. 183 (The Skaters, op. 183)
composer:
Émile Waldteufel (classical composer) (in 1882)
ワルトトイフェル8:36
10ワルツ「金と銀」
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
recording of:
Gold und Silber-Walzer, op. 79
composer:
Franz Lehár (composer)
レハール6:10
11メリー・ウィドゥ・ワルツ
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
partial recording of:
Die lustige Witwe
composer:
Franz Lehár (composer) (in 1905)
librettist:
Victor Léon (librettist) and Leo Stein
premiered at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (on 1905-12-30)
レハール5:50
12愛の夢
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
orchestrator:
Victor Herbert (American composer)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
recording of:
Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst”, S. 541 Nr. 3 (catch-all for arrangements)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
リスト,ハーバート4:14
13グリーンスリーヴスによる幻想曲
engineer:
James Nichols
producer:
Nathaniel S. Johnson and John Pfeiffer (producer and engineer)
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States
recording of:
Fantasia on “Greensleeves”
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
ヴォーン・ウィリアムズ5:42
14ジェラシー
recording engineer:
Anthony Salvatore (engineer)
producer:
Peter Dellheim (producer for RCA)
solo violin:
Alfred Krips
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
Jalousie “Tango Tzigane” (original orchestral version)
premiered in:
Copenhagen, Capital Region of Denmark, Denmark (on 1925-09-14)
composer:
Jacob Gade (in 1925)
ガーデ3:48
2▼CD: VOL.2
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1G線上のアリア 管弦楽組曲 第3番 第2曲 ニ長調 BWV.1068より
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02, in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1984-02, in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
バッハ3:46
2パッヘルベルのカノン
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
organ:
Martin Haselböck (organist, conductor and composer) (in 1982-02)
orchestra:
Stuttgarter Chamber Orchestra (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
arranger:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements) (in 1984-02)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
パッヘルベル5:14
3コラール「来たれ、異教徒の救い主よ」BWV.659
orchestra:
Kammerorchester Pro Arte München
conductor:
Kurt Redel (German flautist and conductor)
arranger:
Kurt Redel (German flautist and conductor)
recording of:
Nun komm’ der Heiden Heiland, BWV 659 (catch-all for arrangements) (on 1996-11-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Nun komm, der Heiden Heiland, BWV 659.2 (Chorale Prelude for organ in G minor, BWV 659 “Nun komm’ der Heiden Heiland”, former BWV 659)
バッハ4:55
4コラール「目を覚ませと呼ぶ声が聞こえ」BWV.645
orchestra:
Kammerorchester Pro Arte München
conductor:
Kurt Redel (German flautist and conductor)
arranger:
Kurt Redel (German flautist and conductor)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (catch-all for arrangements) (on 1996-11-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
バッハ4:36
5アリア
orchestra:
Kammerorchester Pro Arte München
conductor:
Kurt Redel (German flautist and conductor)
テレマン4:08
6アダージョ
orchestra:
Kammerorchester Pro Arte München
conductor:
Kurt Redel (German flautist and conductor)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
アルビノーニ8:26
7組曲「水上の音楽」より「エア」
orchestra:
RCA Victor Symphony Orchestra
conductor:
Leopold Stokowski (conductor)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
ヘンデル2:53
8月の光
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Ernest Ansermet (conductor)
recording of:
Clair de lune from Suite bergamasque (orch. Stokowski)
orchestrator:
Leopold Stokowski (conductor)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
orchestration of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
ドビュッシー4:13
9「白鳥の湖」作品20「情景」(第2幕)
engineer:
James Timms (task: mono) and Roy Wallace (recording engineer) (task: stereo)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1958-10-07 until 1958-11-11)
conductor:
Ernest Ansermet (conductor) (from 1958-10-07 until 1958-11-11)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1958-10-07 until 1958-11-11)
recording of:
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (from 1958-10-07 until 1958-11-11)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act II
part of:
Swan Lake, op. 20: Act II (ed. Drigo)
チャイコフスキー2:39
10「眠りの森の美女」作品66より「序奏とリラの精の踊り」(プロローグ)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Ernest Ansermet (conductor)
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
チャイコフスキー2:26
11組曲「くるみ割り人形」作品71aより「小さい序曲」
engineer:
James Timms (task: mono) and Roy Wallace (recording engineer) (task: stereo)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1956-10-17 until 1956-10-30)
conductor:
Ernest Ansermet (conductor) (from 1956-10-17 until 1956-10-30)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1956-10-17 until 1956-10-30)
recording of:
Щелкунчик, op. 71: Увертюра (The Nutcracker, op. 71: Overture, Nutcracker Overture) (from 1956-10-17 until 1956-10-30)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71 (The Nutcracker, op. 71, The Nutcracker)
チャイコフスキー3:14
12ボレロ
trombone:
Marcel Galiègue (trombonist) (on 1961-11-27)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (on 1961-11-27)
conductor:
André Cluytens (Belgian-born French conductor) (on 1961-11-27)
phonographic copyright (℗) by:
EMI Pathé Marconi S.A. (not for release label use; succeeded by EMI France in the 1990s) (in 1962)
recording of:
Boléro (on 1961-11-27)
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
ラヴェル15:29
13逝ける王女のためのパヴァーヌ
French horn:
Lucien Thévet (from 1962-09-26 until 1962-09-27)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1962-09-26 until 1962-09-27)
conductor:
André Cluytens (Belgian-born French conductor) (from 1962-09-26 until 1962-09-27)
recording of:
Pavane pour une infante défunte (orchestrated version) (from 1962-09-26 until 1962-09-27)
orchestrator:
Maurice Ravel (French composer) (in 1910)
composer:
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
ラヴェル7:00
3▼CD: VOL.3
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1交響詩 《ツァラトゥストラはかく語りき》 作品30
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
シュトラウス1:42
2セレナード K.525 「アイネ・クライネ・ナハトムジーク」
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Colin Davis (English conductor)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
モーツァルト6:21
3皇帝円舞曲 作品437
producer:
Hans Weber (producer/engineer)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-02-02 until 1961-02-09)
conductor:
Ferenc Fricsay (conductor) (from 1961-02-02 until 1961-02-09)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-02-02 until 1961-02-09)
recording of:
Kaiser‐Walzer, op. 437 (Emperor Waltz, op. 437) (from 1961-02-02 until 1961-02-09)
premiered in:
Berlin, Germany (on 1889-10-21)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1889)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 437)
シュトラウス11:35
4円舞曲 《美しく青きドナウ》 作品314
producer:
Hans Weber (producer/engineer)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-02-02 until 1961-02-09)
conductor:
Ferenc Fricsay (conductor) (from 1961-02-02 until 1961-02-09)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-02-02 until 1961-02-09)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314) (from 1961-02-02 until 1961-02-09)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
シュトラウス9:43
5劇付随音楽 "真夏の夜の夢" 結婚行進曲
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1960-01-28 until 1960-02-18)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1960-01-28 until 1960-02-18)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1960-01-28 until 1960-02-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1960-01-28 until 1960-02-18)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace) (from 1960-01-28 until 1960-02-18)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
メンデルスゾーン5:05
6”ペール・ギュント”の音楽 朝
producer:
Lawrance Collingwood
choir vocals:
Beecham Choral Society
soprano vocals:
Ilse Hollweg (soprano)
orchestra:
Royal Philharmonic Orchestra (from 1956-11-05 until 1957-04-01, in 1957)
conductor:
Sir Thomas Beecham (conductor) (from 1956-11-05 until 1957-04-01, in 1957)
chorus master:
Denis Vaughan
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1956-11) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1956-11-05 until 1957-04-01)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 1956-11-05 until 1957-04-01)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
グリーク54:11
7ソルヴェイグの歌
producer:
Lawrance Collingwood
soprano vocals:
Ilse Hollweg (soprano)
orchestra:
Royal Philharmonic Orchestra (from 1956-11-05 until 1957-04-01)
conductor:
Sir Thomas Beecham (conductor) (from 1956-11-05 until 1957-04-01)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1956-11-05 until 1957-04-01)
recording of:
Peer Gynt, op. 23: 4. akt: Solveigs sang (from 1956-11-05 until 1957-04-01)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
グリーク5:21
8喜歌劇 「軽騎兵」 序曲
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
Leichte Kavallerie: Ouvertüre (Light Cavalry: Overture)
composer:
Franz von Suppé (Franz von Suppè, composer)
part of:
Leichte Kavallerie (Light Cavalry)
スッペ6:41
9喜歌劇 「天国と地獄」 序曲
orchestra:
Boston Pops Orchestra (on 1956-05-24)
conductor:
Arthur Fiedler (conductor) (on 1956-05-24)
recording of:
Orphée aux enfers : Ouverture (Orpheus in the Underworld: Overture) (on 1956-05-24)
additional composer:
Carl Binder (in 1860)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Orphée aux enfers (Orpheus in the Underworld, opéra féerie in four acts, 1874)
part of:
Orphée aux Enfers (Orpheus in the Underworld, opéra bouffe in two acts, 1858)
part of:
Orpheus in der Unterwelt (opéra-féerie in 4 Akten, 1871)
part of:
Orpheus in the Underworld
オッフェンバック9:14
10歌劇《タイス》 タイスの瞑想曲
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
solo violin:
Michel Schwalbé (Polish violinist) (from 1967-09-22 until 1967-09-25)
orchestra:
Berlin Philharmonic Orchestra (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1967-09-22 until 1967-09-25)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
マスネ6:04
11歌劇「フィガロの結婚」 序曲
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Colin Davis (English conductor)
recording of:
Le nozze di Figaro, K. 492: Sinfonia
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
モーツァルト4:14

Credits

Release

ASIN:JP: B00KE74B7C [info]