L'œuvre pour piano

~ Release by Heitor Villa‐Lobos; Anna Stella Schic (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Guia prático: A Maré encheu / Acordei de madrugada / A roseira
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 1, W277, nº 1: Acordei de madrugada (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 1, W277
recording of:
Guia prático nº 1, W277, nº 2: A maré encheu (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 1, W277
part of:
Guia prático nº 1, W277
recording of:
Guia prático nº 1, W277, nº 3: A roseira (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 1, W277
Heitor Villa‐Lobos4:13
2Guia prático: Manquinha / Na corda da viola / Passa, passa gavião
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 1, W277, nº 4: Manquinha (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 1, W277
recording of:
Guia prático nº 1, W277, nº 5: Na corda da viola (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 1, W277
recording of:
Guia prático, W276, nº 89: Passa, passa gavião (Lá na ponte da vinhaça) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
Heitor Villa‐Lobos4:29
3Guia prático: Passarás, não passarás / A cotia / Brinquedo / Machadinha
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 2, W278, nº 1: Brinquedo (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 2, W278
recording of:
Guia prático nº 2, W278, nº 2: Machadinha (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 2, W278
recording of:
Guia prático, nº 11, W473, nº 4: A cotia (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1947)
part of:
Guia prático, nº 11, W473
recording of:
Guia prático, W276, nº 90: Passarás, não passarás (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
Heitor Villa‐Lobos4:30
4Guia prático: Espanha / Garibaldi foi à missa / Samba-lêlê
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 2, W278, nº 3: Espanha (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 2, W278
recording of:
Guia prático nº 2, W278, nº 4: Samba-lêlê (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
is based on:
Sambalelê
part of:
Guia prático nº 2, W278
recording of:
Guia prático nº 3, W279, nº 4: Garibaldi foi à missa (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 3, W279
Heitor Villa‐Lobos4:06
5Guia prático: Senhora Dona Viúva / Na Baía tem / Fui no Itororó (versions 1 et 2)
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 2, W278, nº 5: Senhora Dona Viúva (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 2, W278
recording of:
Guia prático nº 10, W284, nº 4: Fui no Itororó (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
is based on:
Fui no Itororó (Brazilian traditional nursery rhyme)
part of:
Guia prático nº 10, W284
recording of:
Guia prático, W276, nº 12: Na Bahia tem (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
recording of:
Guia prático, W276, nº 55: Fui no Itororó (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
is based on:
Fui no Itororó (Brazilian traditional nursery rhyme)
part of:
Guia prático, W276
Heitor Villa‐Lobos6:37
6Guia prático: Margarida / Rosa amarela / Senhora Dona Sancha
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 4, W280, nº 2: Rosa amarela (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 4, W280
recording of:
Guia prático, W276, nº 77: Margarida (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
recording of:
Guia prático, W276, nº 114: Senhora Dona Sancha (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
Heitor Villa‐Lobos3:32
7Guia prático: No fundo do meu quintal / Pirolito / Ó sim
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 4, W280, nº 5: Ó sim (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 4, W280
recording of:
Guia prático nº 7, W283, nº 1: No fundo do meu quintal (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 7, W283
recording of:
Guia prático, W276, nº 95: Pirolito (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
Heitor Villa‐Lobos4:58
8Guia prático: O bastão (ou Mia gato) / Constante / Condessa
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 5, W281, nº 4: O bastão ou mia gato (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 5, W281
recording of:
Guia prático nº 5, W281, nº 5: A condessa (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 5, W281
recording of:
Guia prático nº 9, W359, nº 5: Constante (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1935)
part of:
Guia prático nº 9, W359
Heitor Villa‐Lobos4:59
9Guia prático: Carneirinho, carneirão / Meninas, ó meninas / Você diz que sabe tudo
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 5, W281, nº 2: Você diz que sabe tudo (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 5, W281
recording of:
Guia prático, W276, nº 31: Carneirinho, carneirão (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
recording of:
Guia prático, W276, nº 79: Meninas, ó meninas (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
Heitor Villa‐Lobos4:51
10Guia prático: Ó pombinhas / Vestidinho branco / Sôdade / Meu benzinho / A mamãe estava doente
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 5, W281, nº 1: Os pombinhos (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 5, W281
recording of:
Guia prático nº 8, W358, nº 7: Vestidinho branco (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1935)
part of:
Guia prático nº 8, W358
recording of:
Guia prático, W276, nº 72: A mamãe estava doente (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
recording of:
Guia prático, W276, nº 80: Meu benzinho (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
recording of:
Guia prático, W276, nº 121: Sôdade (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
Heitor Villa‐Lobos4:46
11Guia prático: Caranguejo / Sonho de uma criança / A pombinha voou / O corcunda
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 6, W282, nº 1: Sonho de uma criança (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 6, W282
recording of:
Guia prático nº 6, W282, nº 2: O corcunda (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 6, W282
recording of:
Guia prático nº 6, W282, nº 3: Caranguejo (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 6, W282
recording of:
Guia prático nº 6, W282, nº 4: A pombinha voou (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 6, W282
Heitor Villa‐Lobos5:15
12Guia prático: Vamos atraz da serra / O pastorzinho / João Cambuete / Vamos Maruca
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 3, W279, nº 1: O pastorzinho (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 3, W279
recording of:
Guia prático nº 3, W279, nº 2: João Cambuête (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 3, W279
recording of:
Guia prático nº 6, W282, nº 5: Vamos atrás da serra, oh! Calunga! (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 6, W282
recording of:
Guia prático nº 7, W283, nº 3: Vamos Maruca (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 7, W283
Heitor Villa‐Lobos5:01
13Guia prático: A freira / Laranjeira pequenina / Pombinha, rolinha / O castelo / Mando tiro, tiro, lá
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 3, W279, nº 3: A freira (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 3, W279
recording of:
Guia prático nº 9, W359, nº 1: Laranjeira pequenina (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1935)
part of:
Guia prático nº 9, W359
recording of:
Guia prático nº 9, W359, nº 2: Pombinha rolinha (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1935)
part of:
Guia prático nº 9, W359
recording of:
Guia prático nº 9, W359, nº 6: O castelo (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1935)
part of:
Guia prático nº 9, W359
recording of:
Guia prático, W276, nº 73: Manda tiro, tiro lá (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
Heitor Villa‐Lobos4:58
14Guia prático: De flor em flor / Meu pai amarrou meus olhos / Quando eu era pequenino / Vem cá siriri / No jardim celestial
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 10, W284, nº 1: De flor em flor (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 10, W284
recording of:
Guia prático nº 10, W284, nº 6: No jardim celestial (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 10, W284
recording of:
Guia prático, W276, nº 81: Meu pai amarrou meus olhos (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
recording of:
Guia prático, W276, nº 105: Quando eu era pequenino (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
recording of:
Guia prático, W276, nº 130: Vem cá, siriri (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
Heitor Villa‐Lobos4:53
15Guia prático: O limão / Mariquita muchacha / Chora, menina, chora / Anda à roda
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 7, W283, nº 5: Anda à roda (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 7, W283
recording of:
Guia prático nº 8, W358, nº 1: O limão (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1935)
part of:
Guia prático nº 8, W358
recording of:
Guia prático nº 10, W284, nº 5: Mariquita Muchacha (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 10, W284
recording of:
Guia prático, W276, nº 34: Chora, menina, chora (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
Heitor Villa‐Lobos5:01
2▼CD
#TitleArtistRatingLength
1Guia prático: Ó pião / Vai abóbora / Ó ciranda, ó cirandinha / A velha que tinha nove filhas
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 3, W279, nº 5: O pião (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 3, W279
recording of:
Guia prático nº 7, W283, nº 2: Vai, abóbora (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 7, W283
recording of:
Guia prático nº 9, W359, nº 3: Ó ciranda, ó cirandinha (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1935)
part of:
Guia prático nº 9, W359
recording of:
Guia prático nº 9, W359, nº 4: A velha que tinha nove filhas (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1935)
part of:
Guia prático nº 9, W359
Heitor Villa‐Lobos4:04
2Guia prático: O anel / Nigue ninhas / Pobre cega
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático, nº 11, W473, nº 1: O anel (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1947)
part of:
Guia prático, nº 11, W473
recording of:
Guia prático, nº 11, W473, nº 2: Nigue ninhas (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1947)
part of:
Guia prático, nº 11, W473
recording of:
Guia prático, nº 11, W473, nº 3: Pobre cega (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1947)
part of:
Guia prático, nº 11, W473
Heitor Villa‐Lobos6:54
3Guia prático: Vida formosa / Viva o carnaval
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático, nº 11, W473, nº 5: Vida formosa (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1947)
part of:
Guia prático, nº 11, W473
recording of:
Guia prático, nº 11, W473, nº 6: Viva o carnaval (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1947)
part of:
Guia prático, nº 11, W473
Heitor Villa‐Lobos4:37
4Guia prático: Carambola / Cachorrinho / Atché... / Bela pastora / Có-có-có
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 5, W281, nº 3: Có-có-có (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 5, W281
recording of:
Guia prático nº 8, W358, nº 2: Carambola (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1935)
part of:
Guia prático nº 8, W358
recording of:
Guia prático nº 10, W284, nº 2: Atché (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 10, W284
recording of:
Guia prático, W276, nº 15: Bela pastora (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
recording of:
Guia prático, W276, nº 18: Cachorrinho (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
Heitor Villa‐Lobos4:18
5Guia prático: Olha o bicho / Pai francisco (2 versions) / Olha o passarinho
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 4, W280, nº 3: Olha o passarinho, domine (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 4, W280
recording of:
Guia prático, W276, nº 84: Olha o bicho (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
recording of:
Guia prático, W276, nº 87: Pai Francisco (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
Heitor Villa‐Lobos3:36
6Guia prático: Ba, be, bi, bo, bu / O cravo / Pobre peregrino / Sinhá Aninha / O pobre e o rico
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Guia prático nº 4, W280, nº 1: O pobre e o rico (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático nº 4, W280
recording of:
Guia prático nº 8, W358, nº 6: Sinh'Aninha (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1935)
part of:
Guia prático nº 8, W358
recording of:
Guia prático, W276, nº 11: Ba, be, bi, bo, bu (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
recording of:
Guia prático, W276, nº 45: O cravo (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
recording of:
Guia prático, W276, nº 99: Pobre peregrino (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Guia prático, W276
Heitor Villa‐Lobos3:52
7Suite infantil nº 1: Bailando
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Suite infantil nº 1, W053: I. Bailando (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1912)
part of:
Suite infantil nº 1, W053
Heitor Villa‐Lobos2:20
8Suite infantil nº 1: Nenê vai dormir
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Suite infantil nº 1, W053: II. Nenê vai dormir (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1912)
part of:
Suite infantil nº 1, W053
Heitor Villa‐Lobos2:51
9Suite infantil nº 1: Artimanhas
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Suite infantil nº 1, W053: III. Artimanhas (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1912)
part of:
Suite infantil nº 1, W053
Heitor Villa‐Lobos2:29
10Suite infantil nº 1: Reflexões
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Suite infantil nº 1, W053: IV. Reflexões (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1912)
part of:
Suite infantil nº 1, W053
Heitor Villa‐Lobos1:57
11Suite infantil nº 1: No balanço
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Suite infantil nº 1, W053: V. No balanço (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1912)
part of:
Suite infantil nº 1, W053
Heitor Villa‐Lobos1:31
12Suite infantil nº 2: Allegro
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Suite infantil nº 2, W067: I. Allegro (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1913)
part of:
Suite infantil nº 2, W067
Heitor Villa‐Lobos1:30
13Suite infantil nº 2: Andantino
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Suite infantil nº 2, W067: II. Andantino (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1913)
part of:
Suite infantil nº 2, W067
Heitor Villa‐Lobos1:24
14Suite infantil nº 2: Allegretto
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Suite infantil nº 2, W067: III. Allegretto (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1913)
part of:
Suite infantil nº 2, W067
Heitor Villa‐Lobos1:25
15Suite infantil nº 2: Allegro non troppo
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Suite infantil nº 2, W067: IV. Allegro non troppo (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1913)
part of:
Suite infantil nº 2, W067
Heitor Villa‐Lobos1:25
16Tristorosa
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Tristorosa, W034
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1910)
part of:
Appleby Catalogue (W) (number: W034)
Heitor Villa‐Lobos5:55
17Petizada: A mão direita tem uma roseira
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Petizada, W048: I. A mão direita tem uma roseira (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1912)
part of:
Petizada, W048
Heitor Villa‐Lobos1:11
18Petizada: Assim ninava mamãe
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Petizada, W048: II. Assim ninava mamã (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1912)
part of:
Petizada, W048
Heitor Villa‐Lobos1:48
19Petizada: A pobrezinha sertaneja
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Petizada, W048: III. A pobrezinha sertaneja (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1912)
part of:
Petizada, W048
Heitor Villa‐Lobos1:47
20Petizada: Vestidinho branco
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Petizada, W048: IV. Vestidinho branco (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1912)
part of:
Petizada, W048
Heitor Villa‐Lobos1:07
21Petizada: Saci
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Petizada, W048: V. Sací (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1912)
part of:
Petizada, W048
Heitor Villa‐Lobos1:28
22Petizada: História da caipirinha
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Petizada, W048: VI. A historia da caipirinha (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1912)
part of:
Petizada, W048
Heitor Villa‐Lobos1:14
23Brinquedo de roda: Tira o seu pezinho...
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Brinquedo de roda, W045: I. Tira o seu pezinho (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1912)
part of:
Brinquedo de roda, W045
Heitor Villa‐Lobos1:46
24Brinquedo de roda: A moda da carranquinha
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Brinquedo de roda, W045: II. A moda da carranquinha (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1912)
part of:
Brinquedo de roda, W045
Heitor Villa‐Lobos2:31
25Brinquedo de roda: Os três cavalheiros
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Brinquedo de roda, W045: III. Os três cavalheiros (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1912)
part of:
Brinquedo de roda, W045
Heitor Villa‐Lobos1:45
26Brinquedo de roda: Uma, duas angolinhas
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Brinquedo de roda, W045: IV. Uma, duas angolinhas (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1912)
part of:
Brinquedo de roda, W045
Heitor Villa‐Lobos1:46
27Brinquedo de roda: Garibaldi foi à missa
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Brinquedo de roda, W045: V. Garibaldi foi à missa (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1912)
part of:
Brinquedo de roda, W045
Heitor Villa‐Lobos1:43
28Brinquedo de roda: Vamos todos cirandar
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Brinquedo de roda, W045: VI. Vamos todos cirandar (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1912)
part of:
Brinquedo de roda, W045
Heitor Villa‐Lobos1:36
3▼CD
#TitleArtistRatingLength
1Ondulando
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Ondulando, op. 31, W082 (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1914)
part of:
Appleby Catalogue (W) (number: W082)
Heitor Villa‐Lobos4:32
2Ibericarabé
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Ibericarabé, W078 (for piano) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1914)
arranger:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist)
part of:
Appleby Catalogue (W) (number: W078)
version of:
Ibericarabé, W077 (for orchestra)
Heitor Villa‐Lobos6:01
3Danças características africanas: Farrapós
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Danças características africanas, W085: I. Farrapós, op. 47 (for piano) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1914 until 1915)
part of:
Danças características africanas, W085 (for piano)
Heitor Villa‐Lobos3:49
4Danças características africanas: Kankukus
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Danças características africanas, W085: II. Kankukus, op. 57 (for piano) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1914 until 1915)
part of:
Danças características africanas, W085 (for piano)
Heitor Villa‐Lobos3:51
5Danças características africanas: Kankikis
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Danças características africanas, W085: III. Kankikis, op. 65 (for piano) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1914 until 1915)
part of:
Danças características africanas, W085 (for piano)
Heitor Villa‐Lobos2:46
6Suite floral: Idílio na rede
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Suíte floral, op. 97, W117: I. Idílio na rede (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1917 until 1918)
part of:
Suíte floral, op. 97, W117
Heitor Villa‐Lobos3:32
7Suite floral: Uma camponesa cantadeira
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Suíte floral, op. 97, W117: II. Uma camponesa cantadeira (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1917 until 1918)
part of:
Suíte floral, op. 97, W117
Heitor Villa‐Lobos2:30
8Suite floral: Alegria na horta
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Suíte floral, op. 97, W117: III. Alegria na horta (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1917 until 1918)
part of:
Suíte floral, op. 97, W117
Heitor Villa‐Lobos2:21
9Simples coletânea: Valsa mística
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Simples coletânea, W134: I. Valsa mística (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1917 until 1919)
part of:
Simples coletânea, W134
Heitor Villa‐Lobos1:41
10Simples coletânea: Num berço encantado
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Simples coletânea, W134: II. Num berço encantado (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1917 until 1919)
part of:
Simples coletânea, W134
Heitor Villa‐Lobos3:28
11Simples coletânea: Rodante
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Simples coletânea, W134: III. Rodante (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1917 until 1919)
part of:
Simples coletânea, W134
Heitor Villa‐Lobos2:08
12Amazonas (Bailado indígena brasileiro)
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Amazonas, bailado indígena Brasileiro, W119 (for piano) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1917)
arranger:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1932)
part of:
Appleby Catalogue (W) (number: W119)
version of:
Amazonas, W118 (for orchestra)
Heitor Villa‐Lobos14:42
13Carnaval das crianças: O ginete do pierrazinho
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Carnaval das crianças, W157: I. O ginete do Pierrozinho (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1919 until 1920)
part of:
Carnaval das crianças, W157
Heitor Villa‐Lobos1:12
14Carnaval das crianças: O chicote do diabinho
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Carnaval das crianças, W157: II. O chicote do diabinho (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1919 until 1920)
part of:
Carnaval das crianças, W157
Heitor Villa‐Lobos1:43
15Carnaval das crianças: A manha de Pierrette
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Carnaval das crianças, W157: III. A manha da Pierrete (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1919 until 1920)
part of:
Carnaval das crianças, W157
Heitor Villa‐Lobos1:29
16Carnaval das crianças: Os guizos do dominozinho
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Carnaval das crianças, W157: IV. Os guizos do dominozinho (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1919 until 1920)
part of:
Carnaval das crianças, W157
Heitor Villa‐Lobos1:13
17Carnaval das crianças: As peripécias do trapeirozinho
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Carnaval das crianças, W157: V. As peripécias do trapeirozinho (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1919 until 1920)
part of:
Carnaval das crianças, W157
Heitor Villa‐Lobos1:25
18Carnaval das crianças: As traquinices do mascarado mignon
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Carnaval das crianças, W157: VI. As traquinices do mascarado Mignon (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1919 until 1920)
part of:
Carnaval das crianças, W157
Heitor Villa‐Lobos1:37
19Carnaval das crianças: A gaita de um precoce fantasiado
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Carnaval das crianças, W157: VII. A gaita de um precoce fantasiado (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1919 until 1920)
part of:
Carnaval das crianças, W157
Heitor Villa‐Lobos3:02
20Carnaval das crianças: A folia de um bloco infantil
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Carnaval das crianças, W157: VIII. A folia de um bloco infantil (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1919 until 1920)
part of:
Carnaval das crianças, W157
Heitor Villa‐Lobos3:34
4▼CD
#TitleArtistRatingLength
1A prole do bebê nº 1 "Bonecas": Branquinha, a boneca de louça
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 1, W140, nº 1: Branquinha (A boneca de louça) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos2:32
2A prole do bebê nº 1 "Bonecas": Moreninha, a boneca de massa
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 1, W140, nº 2: Moreninha (A boneca de massa) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos1:41
3A prole do bebê nº 1 "Bonecas": Caboclinha, a boneca de barro
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 1, W140, nº 3: Caboclinha (A boneca de barro) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos2:51
4A prole do bebê nº 1 "Bonecas": Mulatinha, a boneca de borracha
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 1, W140, nº 4: Mulatinha (A boneca de borracha) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos1:41
5A prole do bebê nº 1 "Bonecas": Negrinha, a boneca de pau
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 1, W140, nº 5: Negrinha (A boneca de pau) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos1:20
6A prole do bebê nº 1 "Bonecas": A pobrezinha, a boneca de trapo
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 1, W140, nº 6: A pobrezinha (A boneca de trapo) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos2:14
7A prole do bebê nº 1 "Bonecas": O polichinelo
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 1, W140, nº 7: O polichinelo (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos2:28
8A prole do bebê nº 1 "Bonecas": Bruxa, a boneca de pano
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 1, W140, nº 8: A bruxa (A boneca de pano) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos1:28
9A prole do bebê nº 2 "Os bichinhos": A baratinha de papel
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 1: A baratinha de papel (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos2:25
10A prole do bebê nº 2 "Os bichinhos": A gatinha de papelão
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 2: O gatinho de papelão (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos3:11
11A prole do bebê nº 2 "Os bichinhos": O camundongo de massa
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 3: O camundongo de massa (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos4:05
12A prole do bebê nº 2 "Os bichinhos": O cachorrinho de borracha
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 4: O cachorrinho de borracha (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos2:50
13A prole do bebê nº 2 "Os bichinhos": O cavalinho de pau
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 5: O cavalinho de páu (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos2:56
14A prole do bebê nº 2 "Os bichinhos": O boizinho de chumbo
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 6: O boizinho de chumbo (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos5:26
15A prole do bebê nº 2 "Os bichinhos": O passarinho de pano
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 7: O passarinho de pano (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos3:41
16A prole do bebê nº 2 "Os bichinhos": O ursinho de algodão
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 8: O ursinho de algodão (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos3:20
17A prole do bebê nº 2 "Os bichinhos": O lobozinho de vidro
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Prole do bebê nº 2, W180, nº 9: O lobinho de vidro (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1921)
part of:
Prole do bebê nº 2, W180
Heitor Villa‐Lobos6:07
18A lenda do caboclo
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
A lenda do caboclo, W166 (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1920)
dedicated to:
Arthur Iberê Lemos (Brazilian composer and pianist)
part of:
Appleby Catalogue (W) (number: W166)
Heitor Villa‐Lobos3:42
19A fiandeira
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
A fiandeira, W176 (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1921)
part of:
Appleby Catalogue (W) (number: W176)
Heitor Villa‐Lobos2:59
20Rudepoema
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Rudepoêma, W184 (for piano) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (from 1921 until 1926)
part of:
Appleby Catalogue (W) (number: W184)
Heitor Villa‐Lobos21:32
5▶CD
6▶CD
7▶CD