L'œuvre pour piano

~ Release by Heitor Villa‐Lobos; Anna Stella Schic (see all versions of this release, 1 available)

Tracklist

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1Cirandas: Terezinha de Jesus
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandas, W220, nº 1: Terezinha de Jesus (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos2:16
2Cirandas: A condessa
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandas, W220, nº 2: A condessa (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos2:42
3Cirandas: Senhora Dona Sancha
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandas, W220, nº 3: Senhora Dona Sancha (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos1:46
4Cirandas: O cravo brigou com a rosa
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandas, W220, nº 4: O cravo brigou com a rosa (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos2:00
5Cirandas: Pobre cego
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandas, W220, nº 5: Pobre cega (Toada de rede) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos1:39
6Cirandas: Passa, passa, gavião
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandas, W220, nº 6: Passa, passa gavião (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos1:31
7Cirandas: Xô, xô, passarinho
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandas, W220, nº 7: Xô, xô, passarinho (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos2:43
8Cirandas: Vamos atrás da serra, Calunga
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandas, W220, nº 8: Vamos atrás da serra, Calunga (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos3:20
9Cirandas: Fui no Tororó
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandas, W220, nº 9: Fui no Itororó (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
is based on:
Fui no Itororó (Brazilian traditional nursery rhyme)
part of:
Cirandas, W220
Heitor Villa‐Lobos2:20
10Cirandas: O pintor de Canaí
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandas, W220, nº 10: O pintor de Canahy (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos2:10
11Cirandas: Nesta rua, nesta rua
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandas, W220, nº 11: Nesta rua, nesta rua (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos3:01
12Cirandas: Olha o passarinho
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandas, W220, nº 12: Olha o passarinho domine (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos3:02
13Cirandas: À procura de uma agulha
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandas, W220, nº 13: À procura de uma agulha (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos3:00
14Cirandas: A canoa virou
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandas, W220, nº 14: A canoa virou (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos3:24
15Cirandas: Que lindos olhos
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandas, W220, nº 15: Que lindos olhos (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos4:46
16Cirandas: Có, có, có
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Cirandas, W220, nº 16: Có, có, có (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos2:37
17Poema singelo
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Poema singelo, W434 (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1942)
part of:
Appleby Catalogue (W) (number: W434)
Heitor Villa‐Lobos6:47
18Bachianas brasileiras nº 4: Prelúdio (Introdução)
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Bachianas Brasileiras nº 4, W264: I. Prelúdio (Introdução) (for piano) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1941)
dedicated to:
Tomás Terán (Spanish-Brazilian pianist)
publisher:
Irmãos Vitale
part of:
Bachianas Brasileiras nº 4, W264 (for piano)
Heitor Villa‐Lobos3:06
19Bachianas brasileiras nº 4: Ária (Cantiga)
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Bachianas Brasileiras nº 4, W264: III. Ária (Cantiga) (for piano) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1935)
dedicated to:
Sylvio Salema (Brazilian singer and songwriter)
publisher:
Irmãos Vitale
part of:
Bachianas Brasileiras nº 4, W264 (for piano)
Heitor Villa‐Lobos5:07
20Bachianas brasileiras nº 4: Coral (Canto do sertão)
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Bachianas Brasileiras nº 4, W264: II. Coral (Canto do sertão) (for piano) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1941)
dedicated to:
José Vieira Brandão (Brazilian composer)
publisher:
Irmãos Vitale
part of:
Bachianas Brasileiras nº 4, W264 (for piano)
Heitor Villa‐Lobos5:05
21Bachianas brasileiras nº 4: Dança (Miudinho)
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Bachianas Brasileiras nº 4, W264: IV. Dança (Miudinho) (for piano) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1930)
dedicated to:
Antonieta Rudge (Brazilian pianist)
publisher:
Irmãos Vitale
part of:
Bachianas Brasileiras nº 4, W264 (for piano)
Heitor Villa‐Lobos3:21
22New York Skyline Melody
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
New York Skyline Melody, W407 (for piano) (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1939)
part of:
Appleby Catalogue (W) (number: W407)
Heitor Villa‐Lobos2:49
23Hommage a Chopin: Nocturne / Ballade
sound engineer:
Serge Rémy and Paul Vavasseur (engineer)
art direction:
Gréco Casadesus
piano:
Anna Stella Schic (from 1976 until 1977)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1976 until 1977)
recording of:
Homenagem a Chopin, W474 (from 1976 until 1977)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1947)
part of:
Appleby Catalogue (W) (number: W474)
Heitor Villa‐Lobos8:36
7▶CD