Classique Zen

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Adagio (extrait)
orchestra:
English Chamber Orchestra
conductor:
Ian Watson (conductor and keyboardist)
Tomaso Giovanni Albinoni2:42
2Canon
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel3:42
3Miserere
baritone vocals, bass vocals [Cantor], bass-baritone vocals [cantor] and other vocals [cantor]:
Gerald Finley (bass-baritone)
choir vocals:
Choir of King’s College, Cambridge (in 1984)
treble vocals:
Timothy Beasley-Murray (treble vocalist) (in 1984)
vocals:
Gerald Finley (bass-baritone) (in 1984)
conductor:
Stephen Cleobury (organist, conductor)
chorus master:
Stephen Cleobury (organist, conductor) (in 1984)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
partial recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri5:48
4Concerto pouyr flûte "La notte", Op. 10: Largo (Il sonno)
flute:
Janet See
orchestra:
Taverner Players
conductor:
Andrew Parrott (conductor)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”: V. Largo “Il sonno”
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte”
Antonio Vivaldi1:45
5Les 4 Saisons : Le Printemps : Largo e pianossimo
engineer:
Keith Grant (classical recording engineer)
producer:
Tim Handley (engineer/editor/producer)
violin:
Christopher Warren‐Green (violinist and conductor) (in 1988-12)
orchestra:
London Chamber Orchestra (in 1988-12)
conductor:
Christopher Warren‐Green (violinist and conductor) (in 1988-12)
recorded at:
All Saints Church in Wallington, Sutton, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (in 1988-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:43
6Les 4 Saisons : L'Eté : Adagio
engineer:
Keith Grant (classical recording engineer)
producer:
Tim Handley (engineer/editor/producer)
violin:
Christopher Warren‐Green (violinist and conductor) (in 1988-12)
orchestra:
London Chamber Orchestra (in 1988-12)
conductor:
Christopher Warren‐Green (violinist and conductor) (in 1988-12)
recorded at:
All Saints Church in Wallington, Sutton, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte (in 1988-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:08
7Les 4 Saisons : L'Automne : Adagio
engineer:
Keith Grant (classical recording engineer)
producer:
Tim Handley (engineer/editor/producer)
violin:
Christopher Warren‐Green (violinist and conductor) (in 1988-12)
orchestra:
London Chamber Orchestra (in 1988-12)
conductor:
Christopher Warren‐Green (violinist and conductor) (in 1988-12)
recorded at:
All Saints Church in Wallington, Sutton, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto (in 1988-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:57
8Les 4 Saisons : L'Hiver : Largo
engineer:
Keith Grant (classical recording engineer)
producer:
Tim Handley (engineer/editor/producer)
violin:
Christopher Warren‐Green (violinist and conductor) (in 1988-12)
orchestra:
London Chamber Orchestra (in 1988-12)
conductor:
Christopher Warren‐Green (violinist and conductor) (in 1988-12)
recorded at:
All Saints Church in Wallington, Sutton, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1988-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:29
9Concerto pour mandoline, RV 425 : Largo
engineer, editor and balance engineer:
Alessandra Galleron
executive producer:
Alain Lanceron
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings)
cello:
Maurizio Naddeo (cellist)
harpsichord and organ:
Sergio Ciomei
mandolin and solo mandolin:
Giovanni Scaramuzzino (mandolinist)
theorbo:
Ugo Nastrucci and Giangiacomo Pinardi
viola:
Ernesto Braucher, Stefano Marcocchi and Diego Mecca (violist)
violin:
Fabio Biondi (conductor/violinist), Robert Brown (Classical music violist), Lorenzo Colitto, Luca Giardini (classical violinist), Carla Marotta, Raffaello Negri, Andrea Rognoni and Renata Spotti (Classical violinist)
violone:
Francisco Montero (double bassist)
orchestra:
Europa Galante (Italian Baroque orchestra) (from 2001-10-09 until 2001-10-12, in 2002)
conductor:
Fabio Biondi (conductor/violinist) (from 2001-10-09 until 2001-10-12, in 2002)
performer:
Fabio Bondi (conductor/violinist)
recorded at:
San Giovanni Evangelista in Parma, Parma, Emilia-Romagna, Italy (from 2001-10-09 until 2001-10-12)
recording of:
Concerto for Mandolin in C major, RV 425: II. Largo (from 2001-10-09 until 2001-10-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
recording of:
Concerto for Mandolin in C major, RV 425: II. Largo (in 2002)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi2:56
10Concerto pour clavecin, BWV 1055 : Larghetto
producer:
Simon Woods (producer)
editor:
Paul Baily (audio engineer) and Giles Holland (classical engineer, editor)
cello:
Wouter Möller (cellist) (in 1992-10)
harpsichord:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
viola:
Wim ten Have (Classical viola and viol player) (in 1992-10)
violin:
François Fernandez (violinist) (in 1992-10) and Sayuri Yamagata (violinist) (in 1992-10)
violone:
Anthony Woodrow (string player (viola, viol, double bass)) (in 1992-10)
orchestra:
Melante Amsterdam (in 1992-10)
conductor:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (from 1993 to present)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1992-10)
recording of:
Keyboard Concerto no. 4 in A major, BWV 1055: II. Larghetto (in 1992-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 4 in A major, BWV 1055
Johann Sebastian Bach4:56
11Concerto pour clavecin, BWV 1056 : Largo
producer:
Simon Woods (producer)
editor:
Paul Baily (audio engineer) and Giles Holland (classical engineer, editor)
cello:
Wouter Möller (cellist) (in 1992-10)
harpsichord:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
viola:
Wim ten Have (Classical viola and viol player) (in 1992-10)
violin:
François Fernandez (violinist) (in 1992-10) and Sayuri Yamagata (violinist) (in 1992-10)
violone:
Anthony Woodrow (string player (viola, viol, double bass)) (in 1992-10)
orchestra:
Melante Amsterdam (in 1992-10)
conductor:
Bob van Asperen (harpsichordist and organist) (in 1992-10)
performer:
Melante Amsterdam
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (from 1993 to present)
recorded at:
Maria Minor in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands (in 1992-10)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1992-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach2:35
12Concerto pour 2 violons : Largo
producer:
Michael Purton
harpsichord:
Sally Heath (British pianist)
violin:
Jane Murdoch (violinist) and Jonathan Rees
orchestra:
Scottish Ensemble
conductor:
Jonathan Rees
balance engineer:
Tony Faulkner (recording engineer) and Tony Kime
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:53
13Suite No. 1 "Sarabande", BWV 1067
orchestra:
English Chamber Orchestra
conductor:
Philip Ledger
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach3:12
14Suite No. 3 "Air", BWV 1068
orchestra:
English Chamber Orchestra (in 1988-01)
conductor:
Philip Ledger (in 1988-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 1991)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Johann Sebastian Bach4:50
15Suite pour violoncelle No. 5, BWV 1011 : Sarabande
cello:
Ralph Kirshbaum (cellist) (in 1993-01)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (in 1993-01)
recording of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011: IV. Sarabande (Cello Suite No. 5 in C minor, BWV 1011: IV. Sarabande) (in 1993-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)
Johann Sebastian Bach4:20
16Symphonie No. 88 : Largo (extrait)
orchestra:
La Petite Bande (Belgian chamber orchestra)
conductor:
Sigiswald Kuijken
partial recording of:
Symphony no. 88 in G major, Hob. I:88: II. Largo
composer:
Joseph Haydn (composer) (in 1787)
part of:
Symphony no. 88 in G major, Hob. I:88
Joseph Haydn2:34
17Stabat Mater
countertenor vocals:
Gérard Lesne (countertenor)
soprano vocals:
Véronique Gens (soprano)
orchestra:
Il Seminario Musicale (French baroque music ensemble)
conductor:
Gérard Lesne (countertenor)
recorded at:
Couvent de l'Annonciation (aka "Couvent des Dominicains") in Paris, Île-de-France, France (from 1997-02-02 until 1997-02-06)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:46
18Ave verum corpus, K. 618
choir vocals:
Schutz Choir and The Schütz Choir of London (in 1991-09)
orchestra:
London Classical Players (in 1991-09)
conductor:
Roger Norrington (conductor) (in 1991-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1991-09)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (in 1991-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart2:42
19Ombra mai fù (Serse)
countertenor vocals:
David Daniels (American countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Sir Roger Norrington (conductor)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1998)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel3:08
20Solfeggio
choir vocals:
Eesti Filharmoonia Kammerkoor (Estonian Philharmonic Chamber Choir) (from 1996-05-08 until 1996-09-19)
conductor:
Tõnu Kaljuste (conductor) (from 1996-05-08 until 1996-09-19)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-05-08 until 1996-09-19)
recording of:
Solfedžo (Solfeggio, for mixed choir a cappella) (from 1996-05-08 until 1996-09-19)
premiered in:
Tallinn, Harjumaa (Harju County), Estonia (in 1964)
composer:
Arvo Pärt (Estonian composer) (in 1963)
Arvo Pärt4:00
21The Protecting Veil (finale)
cello:
Steven Isserlis (cellist)
orchestra:
London Symphony Orchestra
conductor:
Gennadi Rozhdestvensky (Gennady Rozhdestvensky, conductor)
partial recording of:
The Protecting Veil
composer:
John Tavener (20th century composer) (from 1987 until 1988)
recording of:
The Protecting Veil: VIII. The Protecting Veil
composer:
John Tavener (20th century composer) (from 1987 until 1988)
part of:
The Protecting Veil
John Tavener2:58
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1Concerto pour piano No. 21, K. 467: II. Andante
piano:
Diana Ambache (conductor/pianist) (in 1990-01)
orchestra:
Ambache Chamber Orchestra (in 1990-01)
conductor:
Diana Ambache (conductor/pianist) (in 1990-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1990-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:48
2Concerto pour clarinette en la majeur, K. 622: II. Adagio
clarinet:
Paul Meyer (clarinetist and conductor)
orchestra:
Ensemble orchestral de Paris
conductor:
John Nelson (American conductor)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart6:42
3Concerto pour piano No. 20, K466: II. Romanze (extract)
piano:
Mikhail Pletnev (pianist & conductor)
orchestra:
Deutsche Kammerphilharmonie Bremen
partial recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart4:20
4Sérénade "Eine kleine Nachtmusik", K525: II. Romanze
orchestra:
London Chamber Orchestra
conductor:
Christopher Warren‐Green (violinist and conductor)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:53
5Concerto pour piano No. 22, K482: II. Andante
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Annie Fischer (pianist) (from 1958-02-28 until 1958-03-01)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1958-02-28 until 1958-03-10)
conductor:
Wolfgang Sawallisch (conductor) (from 1958-02-28 until 1958-03-10)
performer:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1958-02-28 until 1958-03-10)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-02-28 until 1958-03-10)
recording of:
Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante (from 1958-02-28 until 1958-03-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785-12)
part of:
Concerto for Piano no. 22 in E-flat major, K. 482
Wolfgang Amadeus Mozart9:44
6Symphonie No. 40 in G minor, K. 550: II. Andante
orchestra:
Sinfonia Varsovia
conductor:
Yehudi Menuhin (violinist)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart7:27
7Concerto pour piano No. 23, K488: II. Adagio
piano:
Mikhail Pletnev (pianist & conductor)
orchestra:
Deutsche Kammerphilharmonie Bremen
conductor:
Christian Tetzlaff (violinist)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
Wolfgang Amadeus Mozart6:18
8Concerto pour piano No. 24, K491: II. Larghetto
piano:
Mikhail Pletnev (pianist & conductor)
orchestra:
Deutsche Kammerphilharmonie Bremen
recording of:
Concerto for Piano no. 24 in C minor, K. 491: II. Larghetto
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1786-03-24)
part of:
Concerto for Piano no. 24 in C minor, K. 491
Wolfgang Amadeus Mozart8:24
9Ode funèbre maçonnique, K477
orchestra:
London Classical Players (in 1991-09)
conductor:
Sir Roger Norrington (conductor) (in 1991-09)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1991-09)
recording of:
Maurerische Trauermusik für Orchester c-Moll, K. 479a/477 (Masonic Funeral Music for Orchestra in C minor, K. 479a/477) (in 1991-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 477), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 477) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 479a)
Wolfgang Amadeus Mozart3:35
10Quintette avec clarinette, K581: II. Larghetto
clarinet:
Sabine Meyer (clarinetist)
strings:
Wiener Streichsextett (Vienna String Sextet)
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart6:30
11Sonate pour piano No. 8, K310: II: Andante Cantabile Con Espressione (extract)
piano:
Jean‐Bernard Pommier (pianist and conductor)
partial recording of:
Sonata for Piano no. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Sonata for Piano no. 8 in A minor, K. 300d/310
Wolfgang Amadeus Mozart2:40
12Concerto pour flûte et harpe, K299: II. Andantino
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (in 1990-11)
producer:
Tim Handley (engineer/editor/producer)
flute:
Samuel Coles (flautist) (in 1990-11)
harp:
Naoko Yoshino (harpist) (in 1990-11)
orchestra:
English Chamber Orchestra (in 1990-11)
conductor:
Yehudi Menuhin (violinist) (in 1990-11)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1992)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1990-11)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
Wolfgang Amadeus Mozart9:14
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1Sonate pour piano No. 14 en do dièse mineur, Op. 27 No. 2 "Clair de lune": I. Adagio sostenuto
piano:
François‐René Duchâble (French pianist)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:15
2Symphonie No. 3 "Héroïque": II. Marche funèbre (extrait)
orchestra:
London Classical Players
conductor:
Sir Roger Norrington (conductor)
partial recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven3:32
3Concerto pour piano No. 4: II. Andante con moto
fortepiano and piano:
Melvyn Tan (pianist) (in 1988-07)
orchestra:
London Classical Players (in 1988-07)
conductor:
Sir Roger Norrington (conductor) (in 1988-07)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto (in 1988-07)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Ludwig van Beethoven4:09
4Sonate pour piano No. 8 en do mineur, Op. 13 "Pathétique": II. Adagio Cantabile
piano:
François‐René Duchâble (French pianist)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven5:02
5Concerto pour piano No. 5 "L'Empereur": II. Adagio un poco mosso
fortepiano and piano:
Melvyn Tan (pianist) (in 1989-01)
orchestra:
London Classical Players (in 1989-01)
conductor:
Sir Roger Norrington (conductor) (in 1989-01)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-01)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso (in 1989-01)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven5:33
6Symphonie No. 3 : III. Poco allegretto
orchestra:
Deutsche Kammerphilharmonie
conductor:
Daniel Harding (conductor)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms5:58
7Concerto pour piano No. 2: III. Andante (extrait)
cello:
Timothy Hugh (cellist)
piano:
Stephen Hough (pianist)
orchestra:
BBC Symphony Orchestra
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
partial recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante – Più adagio
composer:
Johannes Brahms (German composer) (from 1878 until 1881)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83
Johannes Brahms6:17
8Le songe d'une nuit d'été : Nocturne
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Charles Mackerras (Australian conductor)
recording of:
Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:51
9Symphonie No. 8 "Inachevée" : II. Andante Con Moto (extrait)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: II. Andante con moto
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert6:33
10Quatuor No. 14 "La jeune fille et la mort" : Andante (extrait)
strings:
Hungarian Quartet (1935-1972)
partial recording of:
String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: II. Andante con moto
composer:
Franz Schubert (composer)
part of:
String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”
Franz Schubert2:18
11Symphonie No. 9 "La Grande" : Andante con moto (extrait)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Charles Mackerras (Australian conductor)
partial recording of:
Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert2:04
12Trio No. 2 : II. Andante con moto (extrait)
cello:
Gautier Capuçon (cellist)
piano:
Frank Braley (pianist)
violin:
Renaud Capuçon (violinist)
edit of:
Piano Trio no. 2 in E-flat major, D. 929: II. Andante con moto by Frank Braley (pianist), Renaud Capuçon (violinist), Gautier Capuçon (cellist)
partial recording of:
Piano Trio no. 2 in E-flat major, op. 100, D. 929: II. Andante con moto
composer:
Franz Schubert (composer) (in 1827-11)
part of:
Piano Trio no. 2 in E-flat major, op. 100, D. 929
Franz Schubert3:14
13Scènes d'enfants, Op. 15: Rêverie
piano:
Alexis Weissenberg
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann2:11
14Symphonie No. 3 "Rhénane": IV. Feierlich (extrait)
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Christoph Eschenbach (pianist and conductor)
partial recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: IV. Feierlich
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann4:39
15Morgen, Op. 27 No. 4
soprano vocals:
Gundula Janowitz (soprano)
orchestra:
Academy of London
conductor:
Richard Stamp
recording of:
Morgen!, op. 27 no. 4 (for voice and orchestra)
lyricist:
John Henry Mackay (Scottish-German egoist anarchist, thinker and writer)
composer:
Richard Strauss (German composer) (in 1894)
arranger:
Richard Strauss (German composer) (in 1897)
arrangement of:
Morgen!, op. 27 no. 4 (for voice and piano)
Richard Strauss3:49
16Siegfried Idyll (extrait)
orchestra:
Orchestre philharmonique de Radio France
conductor:
Marek Janowski (conductor)
partial recording of:
Siegfried Idyll, WWV 103
composer:
Richard Wagner (composer) (in 1870)
dedicated to:
Cosima Wagner
part of:
Wagner-Werk-Verzeichnis (number: 103)
is based on:
Siegfried Idyll (original version for 13 instruments)
Richard Wagner5:38
17Symphonie No. 5: IV. Adagietto (extrait)
orchestra:
Radion sinfoniaorkesteri (Finnish Radio Symphony Orchestra)
conductor:
Jukka‐Pekka Saraste (conductor)
edit of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (excerpt) by Finnish Radio Symphony Orchestra, Jukka‐Pekka Saraste (conductor)
partial recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler3:43
18Verklarte Nacht: Grave
orchestra:
Nash Ensemble
partial recording of:
Verklärte Nacht, op. 4 (for string orchestra)
composer:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1899)
strings arranger:
Arnold Schönberg (Arnold Schoenberg, composer) (in 1917)
premiered at:
[concert] (1924-12)
arrangement of:
Verklärte Nacht, op. 4 (Transfigured Night, op. 4)
Arnold Schönberg2:55
4▼CD
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1Le Carnaval des animaux : Aquarium
producer:
Martin Compton (producer)
instruments:
Nash Ensemble (in 1988-03)
conductor:
Libor Pešek (conductor)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1988-03)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium, string quartet (violins, viola, cello), two pianos, flute, and glass harmonica) (in 1988-03)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:44
2Le Carnaval des animaux : Le cygne
orchestra:
Nash Ensemble
Camille Saint‐Saëns2:58
3Suite bergamasque : Clair de lune
producer:
Tim Handley (engineer/editor/producer)
piano:
Kun Woo Paik (pianist) (in 1990-01)
balance engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1990-01)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 1990-01)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy5:44
4Préludes, livre 1 : Des pas sur la neige
producer:
Tim Handley (engineer/editor/producer) (in 1990-08)
piano:
Jean‐Bernard Pommier (pianist and conductor) (in 1990-08)
balance engineer:
Sean Lewis (producer/engineer) (in 1990-08: piano)
recorded at:
Abbaye de Fontfroide in Narbonne, Aude, Occitanie (Occitania), France (in 1990-08)
recording of:
Préludes, Livre I, L. 117, CD 125: VI. Des pas sur la neige. Triste et lent (in 1990-08)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert]
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy4:31
5Préludes, livre 1 : La Cathédrale engloutie
producer:
Tim Handley (engineer/editor/producer) (in 1990-08)
piano:
Jean‐Bernard Pommier (pianist and conductor) (in 1990-08)
balance engineer:
Sean Lewis (producer/engineer) (in 1990-08: piano)
recorded at:
Abbaye de Fontfroide in Narbonne, Aude, Occitanie (Occitania), France (in 1990-08)
recording of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme (in 1990-08)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy5:29
6Élégie
cello:
Paul Tortelier (cellist)
orchestra:
English Chamber Orchestra
conductor:
Paul Tortelier (cellist)
recording of:
Élégie, op. 24 (for cello and orchestra)
orchestrator:
Gabriel Fauré (French composer)
composer:
Gabriel Fauré (French composer) (in 1883)
orchestration of:
Élégie pour violoncelle et piano, op. 24
Gabriel Fauré7:31
7Pavane
cello:
Paul Tortelier (cellist)
orchestra:
English Chamber Orchestra
conductor:
Paul Tortelier (cellist)
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré5:33
8Requiem : Introït (extrait)
producer:
Michel Garcin (French producer)
organ:
Philippe Corboz (from 1992-02-14 until 1992-02-16)
choir vocals:
Ensemble Vocal de Lausanne (from 1992-02-14 until 1992-02-16)
orchestra:
Ensemble Instrumental de Lausanne (from 1992-02-14 until 1992-02-16)
conductor:
Michel Corboz (conductor and composer) (from 1992-02-14 until 1992-02-16)
balance engineer:
Joseph Rotzetter (engineer)
recorded at:
Cathédrale de Lausanne in Lausanne, Vaud (Canton of Vaud), Switzerland (from 1992-02-14 until 1992-02-16)
recording of:
Requiem, op. 48: I. Introït et Kyrie (1890, second version) (from 1992-02-14 until 1992-02-16)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré7:16
9Concerto pour 2 pianos : Larghetto
piano:
Jean‐Bernard Pommier (pianist and conductor) (in 1990-12) and Anne Queffélec (pianist) (in 1990-12)
orchestra:
City of London Sinfonia (chamber orchestra) (in 1990-12)
conductor:
Richard Hickox (conductor) (in 1990-12)
recording of:
Concerto for Two Pianos and Orchestra in D minor, FP 61: II. Larghetto (in 1990-12)
composer:
Francis Poulenc (French composer and pianist)
part of:
Concerto for Two Pianos and Orchestra in D minor, FP 61
Francis Poulenc5:53
10Concerto champêtre : Andante
harpsichord:
Maggie Cole (harpsichordist) (in 1988-02)
orchestra:
City of London Sinfonia (chamber orchestra) (in 1988-02)
conductor:
Richard Hickox (conductor) (in 1988-02)
recording of:
Concert champêtre, FP 49 : II. Andante, Mouvement de Sicilienne (for harpsichord) (in 1988-02)
composer:
Francis Poulenc (French composer and pianist) (from 1927 until 1928)
part of:
Concert champêtre, FP 49 (for harpsichord)
Francis Poulenc6:14
11Gnossienne no. 1
piano:
Anne Queffélec (pianist) (in 1988)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 1988)
recording of:
Gnossienne no. 1
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie3:27
12Gymnopédie no. 3
piano:
Anne Queffélec (pianist)
recording of:
Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3)
composer:
Erik Satie (French composer) (in 1888)
part of:
Gymnopédies
Erik Satie2:45
13Concerto en Sol majeur : Adagio (extrait)
piano:
Andrew Litton (conductor)
orchestra:
Bournemouth Symphony Orchestra
conductor:
Andrew Litton (conductor)
partial recording of:
Piano Concerto in G major: II. Adagio assai
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel4:18
14Vocalise en forme de habanera
recording of:
Vocalise-Étude en forme de habanera
composer:
Maurice Ravel (French composer)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 51)
Maurice Ravel3:08
15Ma mère l'oye : Pavane de la Belle au bois dormant
orchestra:
Scottish Chamber Orchestra
conductor:
Jukka‐Pekka Saraste (conductor)
Maurice Ravel1:46
16Ma mère l'oye : Le Jardin féérique
orchestra:
Scottish Chamber Orchestra
conductor:
Jukka‐Pekka Saraste (conductor)
Maurice Ravel3:46
17Pavane pour une infante défunte
orchestra:
Scottish Chamber Orchestra
conductor:
Jukka‐Pekka Saraste (conductor)
Maurice Ravel6:08
5▼CD
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1Jazz Suite No. 2: Valse
assistant engineer:
Franck Berger (from 2002-12-16 until 2003-06-06) and Djaisan Taouss (from 2002-12-16 until 2003-06-06)
producer:
Arnaud Moral (French audio)
editor:
Sylvain Dangoise
orchestra:
Orchestre philharmonique de Radio France (from 2002-12-16 until 2003-06-06)
conductor:
Paavo Järvi (conductor) (from 2002-12-16 until 2003-06-06)
balance engineer:
Joël Soupiron (from 2002-12-16 until 2003-06-06)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2004)
recorded at:
Salle Olivier-Messiaen in Paris, Île-de-France, France (from 2002-12-16 until 2003-06-06)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite) (from 2002-12-16 until 2003-06-06)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
part of:
Suite for Variety Orchestra
Dmitri Shostakovich3:51
2Les contes d'Hoffmann: Barcarolle
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:20
3Symphonie Espagnole: Andante
violin:
Christian Tetzlaff (violinist)
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra)
conductor:
Libor Pešek (conductor)
recording of:
Symphonie espagnole in D minor, op. 21: IV. Andante
composer:
Édouard Lalo (French composer) (in 1874)
part of:
Symphonie espagnole in D minor, op. 21
Édouard Lalo6:26
4Méditation de Thaïs
recording engineer:
Frédéric Briand (engineer)
producer and editor:
Étienne Collard
violin:
Renaud Capuçon (violinist) (from 2000-11-29 until 2000-12-01)
orchestra:
Deutsche Kammerphilharmonie Bremen (from 2000-11-29 until 2000-12-01, in 2001)
conductor:
Daniel Harding (conductor) (from 2000-11-29 until 2000-12-01)
recorded at:
Gut Varrel in Stuhr, Niedersachsen (Lower Saxony), Germany (from 2000-11-29 until 2000-12-01)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 2000-11-29 until 2000-12-01)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet5:21
5Tableaux d'une exposition: Il vecchio castello
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Charles Mackerras (Australian conductor)
recording of:
Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский4:37
6Concerto pour piano No. 2, Op.18: Adagio sostenuto (extrait)
piano:
Jean‐Bernard Pommier (pianist and conductor)
orchestra:
Hallé Orchestra
conductor:
Lawrence Foster (conductor)
partial recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Sergei Rachmaninoff (Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Сергей Васильевич Рахманинов7:24
7Symphonie No. 2 in E minor, Op. 27: III. Adagio (extrait)
orchestra:
Royal Philharmonic Orchestra
conductor:
Andrew Litton (conductor)
recording of:
Symphony no. 2 in E minor, op. 27: III. Adagio
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1906 until 1907)
part of:
Symphony no. 2 in E minor, op. 27
Сергей Васильевич Рахманинов4:12
8Vocalise, Op. 34
soprano vocals:
Natalie Dessay (soprano)
orchestra:
Berliner Sinfonie-Orchester (Konzerthausorchester Berlin, Berliner Sinfonie-Orchester prior to 2006)
conductor:
Michael Schønwandt (Danish conductor)
phonographic copyright (℗) by:
EMI Music France (1994–2013) (from 1998 to present), Parlophone (in 1998) and Warner Music France (in 1998)
recording of:
Vocalise, op. 34 no. 14 (arr. by composer for soprano and orchestra)
orchestrator:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1916)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
orchestration of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Сергей Васильевич Рахманинов5:19
9Pulcinella: Serenata - Larghetto
tenor vocals:
Martyn Hill (tenor)
orchestra:
City of London Sinfonia (chamber orchestra)
conductor:
Richard Hickox (conductor)
Игорь Фёдорович Стравинский3:19
10Nocturne, Op. 15 No. 2
piano:
Михаил Плетнёв (Mikhail Pletnev, pianist & conductor)
Frédéric Chopin3:40
11Nocturne en Ut dièse mineur, Op. posth.
piano:
François‐René Duchâble (French pianist)
recording of:
Nocturne no. 20 in C‐sharp minor “Reminiscence”, op. posth. 1 no. 16, B. 49, KKIVa/16
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
Frédéric Chopin4:14
12Prélude, Op. 28 No. 4
piano:
François‐René Duchâble (French pianist)
recording of:
Prélude no. 4 in E minor, op. 28: Largo
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:29
13Sonate No. 2, Op. 35: Marche funèbre (extrait)
piano:
Leif Ove Andsnes (pianist)
partial recording of:
Sonata for Piano no. 2 in B‐flat minor, op. 35: III. Marche funèbre. Lento
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
part of:
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Frédéric Chopin2:28
14Concerto pour piano No. 1, Op. 23: Andante semplice (extrait)
piano:
Jean‐Bernard Pommier (pianist and conductor)
orchestra:
Hallé Orchestra
conductor:
Lawrence Foster (conductor)
partial recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский3:40
15Concerto pour violon, Op. 35: Canzonetta
violin:
Augustin Dumay (violinist)
orchestra:
London Symphony Orchestra
conductor:
Emil Tchakarov (conductor)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Пётр Ильич Чайковский6:31
16Symphonie No. 6 h-Moll, Op. 74 "Pathétique": Adagio lamentoso
orchestra:
Bournemouth Symphony Orchestra
conductor:
Andrew Litton (conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Пётр Ильич Чайковский10:22
6▼CD
#TitleArtistRatingLength
1Adagio pour cordes
engineer:
Mike Hatch (engineer/editor) (in 1988-11)
piano:
François‐René Duchâble (French pianist)
orchestra:
Scottish Chamber Orchestra (in 1988-11)
conductor:
Jukka‐Pekka Saraste (conductor) (in 1988-11)
recorded at:
City Halls (Glasgow) in Glasgow, Scotland, United Kingdom (in 1988-11)
recording of:
Adagio for Strings (in 1988-11)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber7:13
2Danse slave, Op. 72 No. 2 (extrait)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Lorin Maazel (conductor)
partial recording of:
Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso (for orchestra)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák2:34
3Danse slave, Op. 72 No. 2 (extrait)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Lorin Maazel (conductor)
Antonín Dvořák1:24
4Silent Woods
cello:
Timothy Walden (cellist) (from 1990-12-13 until 1990-12-14)
orchestra:
Royal Liverpool Philharmonic Orchestra (from 1990-12-13 until 1990-12-14)
conductor:
Libor Pešek (conductor) (from 1990-12-13 until 1990-12-14)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom (from 1990-12-13 until 1990-12-14)
recording of:
Klid (Silent Woods) for Cello and Orchestra, op. 68 no. 5 (from 1990-12-13 until 1990-12-14)
composer:
Antonín Dvořák (composer) (on 1893-10-28)
dedicated to:
Hanuš Wihan
premiered at:
[concert] (1894-12-16)
part of:
Works of Antonín Dvořák by opus number (number: op. 65/5) and Antonín Dvořák: Thematický katalog (Antonín Dvořák: Thematic Catalogue, Burghauser [B.]) (number: B. 182)
orchestration of:
Ze Šumavy, op. 68, B. 133: č. 5. Klid (Lento e molto cantabile) (From the Bohemian Forest, op. 68, B. 133: no. 5. Silent Woods (Lento e molto cantabile), for four-hand piano)
Antonín Dvořák5:21
5Peer Gynt: Mort d'Aase
producer and balance engineer:
Maido Maadik
orchestra:
Estonian National Symphony Orchestra (from 2004-09-01 until 2004-09-24)
conductor:
Paavo Järvi (conductor) (from 2004-09-01 until 2004-09-24)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2005)
recorded at:
Estonia kontserdisaal (Estonia Concert Hall) in Tallinn, Harjumaa (Harju County), Estonia (from 2004-09-01 until 2004-09-24)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death) (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
recording of:
Peer Gynt, op. 23: 3. akt: Åses død (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg5:05
6Peer Gynt: Au matin
producer and balance engineer:
Maido Maadik
orchestra:
Orchestre Symphonique National d'Estonie (Estonian National Symphony Orchestra) (from 2004-09-01 until 2004-09-24)
conductor:
Paavo Järvi (conductor) (from 2004-09-01 until 2004-09-24)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2005)
recorded at:
Estonia kontserdisaal (Estonia Concert Hall) in Tallinn, Harjumaa (Harju County), Estonia (from 2004-09-01 until 2004-09-24)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (from 2004-09-01 until 2004-09-24)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg4:10
7Concerto pour piano en la mineur, Op. 16: Adagio
producer:
Tony Harrison (producer and sound engineer for classical music)
piano:
Leif Ove Andsnes (pianist) (in 1990-06)
orchestra:
Bergen Philharmonic Orchestra (in 1990-06)
conductor:
Dmitri Kitaenko (Dmitri Kitayenko, Soviet, Russian conductor b. 1940) (in 1990-06)
balance engineer:
Sean Lewis (producer/engineer) (in 1990-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Grieghallen (Grieg Hall) in Bergen, Hordaland, Norway (in 1990-06)
recording of:
Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio (in 1990-06)
composer:
Edvard Grieg (composer) (in 1868)
part of:
Concerto in A minor for Piano and Orchestra, op. 16
Edvard Grieg6:50
8Suite Au temps de Hoberg: Air
producer and balance engineer:
Maido Maadik
orchestra:
Estonian National Symphony Orchestra (on 2002-09-07)
conductor:
Paavo Järvi (conductor) (on 2002-09-07)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2006)
recorded at:
Estonia Concert Hall in Tallinn, Harjumaa (Harju County), Estonia (on 2002-09-07)
recording of:
Fra Holbergs tid, op. 40: IV. Air (Andante religioso) (for string orchestra) (on 2002-09-07)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg5:51
9Le cygne de Tuonela (extrait)
orchestra:
Kungliga Filharmonikerna (Royal Stockholm Philharmonic Orchestra)
conductor:
Paavo Järvi (conductor)
edit of:
Lemminkäinen Suite, op. 22: II. The Swan of Tuonela by Kungliga Filharmoniska Orkestern (Royal Stockholm Philharmonic Orchestra), Paavo Järvi (conductor)
partial recording of:
Lemminkäis-sarja (Neljä legendaa), op. 22: II. Tuonelan joutsen (Lemminkäinen Suite, op. 22: II. The Swan of Tuonela)
composer:
Jean Sibelius (Finnish composer) (in 1895)
part of:
Lemminkäis-sarja (Neljä legendaa), op. 22 (Lemminkäinen Suite, op. 22)
Jean Sibelius5:10
10Valse triste
producer:
Toomas Vavilov (clarinetist)
orchestra:
Estonian National Symphony Orchestra (from 2001-03-23 until 2001-03-26)
conductor:
Paavo Järvi (conductor) (from 2001-03-23 until 2001-03-26)
balance engineer:
Maido Maadik
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2002)
recorded at:
Estonia kontserdisaal (Estonia Concert Hall) in Tallinn, Harjumaa (Harju County), Estonia (from 2001-03-23 until 2001-03-26)
recording of:
Valse triste, op. 44 no. 1 (for orchestra) (from 2001-03-23 until 2001-03-26)
composer:
Jean Sibelius (Finnish composer) (in 1903)
revised by:
Jean Sibelius (Finnish composer) (in 1904)
premiered at:
Konsertti (1904-04-25)
premiered at:
Svenska Teatern (Swedish Theatre, theatre in Helsinki, Finland) in Helsinki, Uusimaa, Finland (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius4:48
11Consolation No. 3
piano:
François‐René Duchâble (French pianist) (from 1996-10-01 until 1996-10-03)
recorded at:
La Chartreuse (Villeneuve-lès-Avignon) in Villeneuve-lès-Avignon, Gard, Occitanie (Occitania), France (from 1996-10-01 until 1996-10-03)
recording of:
Consolation in D‐flat major, S. 172 no. 3: Lento placido (from 1996-10-01 until 1996-10-03)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Consolations, S. 172
Franz Liszt3:52
12Rêve d'amour No. 3
piano:
François‐René Duchâble (French pianist)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
piano arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt4:01
13Fantaisie sur "Greensleeves"
orchestra:
London Chamber Orchestra
conductor:
Christopher Warren‐Green (violinist and conductor)
arranger:
Ralph Greaves (in 1934)
recording of:
Fantasia on “Greensleeves”
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:15
14Bachianas Brasileiras No. 5 : Aria (Cantilena)
producer and balance engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s)
cello and solo cello:
Eldon Fox (cellist)
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
8 cellos of the Royal Philharmonic Orchestra (Royal Philharmonic Orchestra)
conductor:
Enrique Bátiz (conductor and pianist)
additionally recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1986)
recorded at:
St James’s Church, Clerkenwell in London (Greater London), England, United Kingdom (in 1985)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
Heitor Villa‐Lobos6:05
15Sentimental Melody
classical guitar and guitar:
Sharon Isbin (classical guitarist)
recording of:
Floresta do Amazonas: Melodia sentimental
lyricist:
Dora Vasconcellos
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1958)
part of:
Floresta do Amazonas, W551
Heitor Villa‐Lobos3:58
16Concerto d'Aranjuez: Adagio (extrait)
guitar:
Sharon Isbin (classical guitarist)
orchestra:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra)
conductor:
Lawrence Foster (conductor)
partial recording of:
Concierto de Aranjuez: II. Adagio
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
part of:
Concierto de Aranjuez
Joaquín Rodrigo3:03

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ASIN:FR: B0017YZJ1I [info]