The Cotton Club

~ Veröffentlichung von John Barry (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1The Mooche
Assistent recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) und Stanley Wallace
Sound-Engineering:
Tom Jung
Produzent(in):
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess und Chuck Wilson (woodwind)
Banjo und Gitarre:
Mike Peters
baritone saxophone und Bassklarinette:
Joe Temperley (Scottish saxophonist & clarinetist)
Bassgitarre:
John Goldsby
gong und Templeblocks:
Chuck Riggs
Klarinette und Sopransaxophon:
Lawrence Feldman (flutist and saxophonist), Frank Wess und Chuck Wilson (woodwind)
Klavier:
Mark Shane (engineer)
Posaune:
Dan Barrett (cornetist and trombonist), Joel Helleny und Britt Woodman
Solo-alto saxophone und Solo-Klarinette:
Bob Wilber
Solo-Trompete:
Dave Brown (Jazz trumpeter)
Tenorsaxophon:
Lawrence Feldman (flutist and saxophonist) und Frank Wess
Trompete:
Marky Markowitz, Randy Sandke und Lew Soloff
Ventilposaune:
Dan Barrett (cornetist and trombonist)
zusätzlich Schlagzeug:
Brian Brake
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
zusätzlich instruments arranger:
Randy Sandke
cover recording of:
The Mooche
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Irving Mills
3:33
2Cotton Club Stomp #2
Assistent recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) und Stanley Wallace
Sound-Engineering:
Tom Jung
Produzent(in):
John Barry (English score composer)
alto saxophone:
Frank Wess und Chuck Wilson (woodwind)
Banjo und Gitarre:
Mike Peters
Bassgitarre:
John Goldsby
Klarinette:
Lawrence Feldman (flutist and saxophonist), Frank Wess, Bob Wilber und Chuck Wilson (woodwind)
Klavier:
Mark Shane (engineer)
Posaune:
Dan Barrett (cornetist and trombonist), Joel Helleny und Britt Woodman
Schlagzeug:
Chuck Riggs
Solo-baritone saxophone:
Joe Temperley (Scottish saxophonist & clarinetist)
Solo-Trompete:
Dave Brown (Jazz trumpeter)
Sopransaxophon:
Lawrence Feldman (flutist and saxophonist), Frank Wess und Chuck Wilson (woodwind)
Tenorsaxophon:
Lawrence Feldman (flutist and saxophonist) und Frank Wess
Trompete:
Marky Markowitz, Randy Sandke und Lew Soloff
Ventilposaune:
Dan Barrett (cornetist and trombonist)
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
vocals arranger:
Joyce Brown
cover recording of:
Cotton Club Stomp #2
Texter:
Irving Mills und Mitchell Parish
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
2:43
3Drop Me Off in Harlem
Assistent recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) und Stanley Wallace
Sound-Engineering:
Tom Jung
Produzent(in):
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess und Chuck Wilson (woodwind)
Banjo und Gitarre:
Mike Peters
baritone saxophone und Bassklarinette:
Joe Temperley (Scottish saxophonist & clarinetist)
Bassgitarre:
John Goldsby
Klarinette und Sopransaxophon:
Lawrence Feldman (flutist and saxophonist), Frank Wess und Chuck Wilson (woodwind)
Posaune:
Dan Barrett (cornetist and trombonist) und Joel Helleny
Schlagzeug:
Chuck Riggs
Solo-Klarinette:
Bob Wilber
Solo-Klavier:
Mark Shane (engineer)
Solo-Posaune:
Britt Woodman
Solo-Trompete:
Dave Brown (Jazz trumpeter), Randy Sandke und Lew Soloff
Tenorsaxophon:
Lawrence Feldman (flutist and saxophonist) und Frank Wess
Trompete:
Marky Markowitz
Ventilposaune:
Dan Barrett (cornetist and trombonist)
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
vocals arranger:
Joyce Brown
cover recording of:
Drop Me Off in Harlem
Texter:
Nick Kenny (in 1933)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1933)
3:06
4Creole Love Call
Assistent recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) und Stanley Wallace
Sound-Engineering:
Tom Jung
Produzent(in):
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess und Chuck Wilson (woodwind)
Banjo und Gitarre:
Mike Peters
baritone saxophone und Bassklarinette:
Joe Temperley (Scottish saxophonist & clarinetist)
Bassgitarre:
John Goldsby
Klarinette und Sopransaxophon:
Lawrence Feldman (flutist and saxophonist), Frank Wess und Chuck Wilson (woodwind)
Klavier:
Mark Shane (engineer)
Posaune:
Dan Barrett (cornetist and trombonist), Joel Helleny und Britt Woodman
Schlagzeug:
Chuck Riggs
Solo-Klarinette:
Bob Wilber
Solo-Trompete:
Lew Soloff
Tenorsaxophon:
Lawrence Feldman (flutist and saxophonist) und Frank Wess
Trompete:
Dave Brown (Jazz trumpeter), Marky Markowitz und Randy Sandke
Ventilposaune:
Dan Barrett (cornetist and trombonist)
vocals:
Priscilla Baskerville
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
vocals arranger:
Joyce Brown
cover recording of:
Creole Love Call
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
3:04
5Ring Dem Bells
Assistent recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) und Stanley Wallace
Sound-Engineering:
Tom Jung
Produzent(in):
John Barry (English score composer)
alto saxophone:
Frank Wess und Chuck Wilson (woodwind)
Banjo und Gitarre:
Mike Peters
Bassgitarre:
John Goldsby
Chimes:
Gordon Gottlieb (American percussionist and conductor)
Klarinette und Sopransaxophon:
Lawrence Feldman (flutist and saxophonist), Frank Wess und Chuck Wilson (woodwind)
Klavier:
Mark Shane (engineer)
Posaune:
Dan Barrett (cornetist and trombonist) und Britt Woodman
Schlagzeug:
Chuck Riggs
Solo-alto saxophone und Solo-Klarinette:
Bob Wilber
Solo-baritone saxophone:
Joe Temperley (Scottish saxophonist & clarinetist)
Solo-Posaune:
Joel Helleny
Solo-Trompete:
Lew Soloff
Tenorsaxophon:
Lawrence Feldman (flutist and saxophonist) und Frank Wess
Trompete:
Dave Brown (Jazz trumpeter), Marky Markowitz und Randy Sandke
Ventilposaune:
Dan Barrett (cornetist and trombonist)
vocals:
Dave Brown (Jazz trumpeter)
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
zusätzlich instruments arranger:
David Berger (trumpet)
cover recording of:
Ring Dem Bells
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Irving Mills
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
2:48
6East St. Louis Toodle-O
Assistent recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) und Stanley Wallace
Sound-Engineering:
Tom Jung
Produzent(in):
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess und Chuck Wilson (woodwind)
Banjo und Gitarre:
Mike Peters
baritone saxophone und Bassklarinette:
Joe Temperley (Scottish saxophonist & clarinetist)
Bassgitarre:
John Goldsby
Klarinette und Sopransaxophon:
Frank Wess und Chuck Wilson (woodwind)
Klavier:
Mark Shane (engineer)
Posaune:
Dan Barrett (cornetist and trombonist) und Britt Woodman
Schlagzeug:
Chuck Riggs
Solo-Klarinette:
Lawrence Feldman (flutist and saxophonist)
Solo-Posaune:
Joel Helleny
Solo-Trompete:
Lew Soloff
Tenorsaxophon:
Frank Wess
Trompete:
Dave Brown (Jazz trumpeter), Marky Markowitz und Randy Sandke
Ventilposaune:
Dan Barrett (cornetist and trombonist)
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
cover recording of:
East St. Louis Toodle‐oo
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Bubber Miley
publisher:
Mills Music, Inc.
3:22
7Truckin'
Assistent recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) und Stanley Wallace
Sound-Engineering:
Tom Jung
Produzent(in):
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess und Chuck Wilson (woodwind)
Banjo und Gitarre:
Mike Peters
baritone saxophone und Bassklarinette:
Joe Temperley (Scottish saxophonist & clarinetist)
Bassgitarre:
John Goldsby
Klarinette und Sopransaxophon:
Frank Wess und Chuck Wilson (woodwind)
Klavier:
Mark Shane (engineer)
Posaune:
Dan Barrett (cornetist and trombonist), Joel Helleny und Britt Woodman
Schlagzeug:
Chuck Riggs
Solo-alto saxophone und Solo-Klarinette:
Bob Wilber
Solo-Tenorsaxophon:
Lawrence Feldman (flutist and saxophonist)
Solo-Trompete:
Lew Soloff
Tenorsaxophon:
Frank Wess
Trompete:
Dave Brown (Jazz trumpeter), Marky Markowitz und Randy Sandke
Ventilposaune:
Dan Barrett (cornetist and trombonist)
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
vocals arranger:
Joyce Brown
cover recording of:
Truckin’
Texter:
Ted Koehler
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist)
2:03
8Ill Wind
Assistent recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) und Stanley Wallace
Sound-Engineering:
Tom Jung
Produzent(in):
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess und Chuck Wilson (woodwind)
Banjo und Gitarre:
Mike Peters
baritone saxophone und Bassklarinette:
Joe Temperley (Scottish saxophonist & clarinetist)
Bassgitarre:
John Goldsby
Klarinette und Sopransaxophon:
Lawrence Feldman (flutist and saxophonist), Frank Wess und Chuck Wilson (woodwind)
Klavier:
Mark Shane (engineer)
Posaune:
Dan Barrett (cornetist and trombonist), Joel Helleny und Britt Woodman
Schlagzeug:
Chuck Riggs
Solo-Trompete:
Lew Soloff
Tenorsaxophon:
Lawrence Feldman (flutist and saxophonist) und Frank Wess
Trompete:
Dave Brown (Jazz trumpeter), Marky Markowitz und Randy Sandke
Ventilposaune:
Dan Barrett (cornetist and trombonist)
vocals:
Lonette McKee
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
zusätzlich instruments arranger:
Sy Johnson
vocals arranger:
Joyce Brown
cover recording of:
Ill Wind
Texter:
Ted Koehler (in 1934)
Komponist(in):
Harold Arlen (in 1934)
2:21
9Cotton Club Stomp #1
Assistent recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) und Stanley Wallace
Sound-Engineering:
Tom Jung
Produzent(in):
John Barry (English score composer)
alto saxophone:
Frank Wess und Chuck Wilson (woodwind)
Banjo und Gitarre:
Mike Peters
Bassgitarre:
John Goldsby
Klarinette und Sopransaxophon:
Lawrence Feldman (flutist and saxophonist), Frank Wess und Chuck Wilson (woodwind)
Klavier:
Mark Shane (engineer)
Posaune:
Dan Barrett (cornetist and trombonist), Joel Helleny und Britt Woodman
Schlagzeug:
Chuck Riggs
Solo-alto saxophone und Solo-Klarinette:
Bob Wilber
Solo-baritone saxophone:
Joe Temperley (Scottish saxophonist & clarinetist)
Solo-Trompete:
Dave Brown (Jazz trumpeter)
Tenorsaxophon:
Lawrence Feldman (flutist and saxophonist) und Frank Wess
Trompete:
Marky Markowitz, Randy Sandke und Lew Soloff
Ventilposaune:
Dan Barrett (cornetist and trombonist)
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
recording of:
Cotton Club Stomp #1
Texter:
Harry Carney
2:51
10Mood Indigo
Assistent recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) und Stanley Wallace
Sound-Engineering:
Tom Jung
Produzent(in):
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess und Chuck Wilson (woodwind)
Banjo und Gitarre:
Mike Peters
baritone saxophone und Bassklarinette:
Joe Temperley (Scottish saxophonist & clarinetist)
Bassgitarre:
John Goldsby
Klarinette und Sopransaxophon:
Lawrence Feldman (flutist and saxophonist), Frank Wess und Chuck Wilson (woodwind)
Posaune:
Dan Barrett (cornetist and trombonist), Joel Helleny und Britt Woodman
Schlagzeug:
Chuck Riggs
Solo-Klarinette:
Bob Wilber
Solo-Klavier:
Mark Shane (engineer)
Solo-Trompete:
Dave Brown (Jazz trumpeter)
Tenorsaxophon:
Lawrence Feldman (flutist and saxophonist) und Frank Wess
Trompete:
Marky Markowitz, Randy Sandke und Lew Soloff
Ventilposaune:
Dan Barrett (cornetist and trombonist)
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
vocals arranger:
Joyce Brown
cover recording of:
Mood Indigo (1930 jazz composition and song)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
3:38
11Minnie the Moocher
Assistent recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) und Stanley Wallace
Sound-Engineering:
Tom Jung
Produzent(in):
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess und Chuck Wilson (woodwind)
Banjo und Gitarre:
Mike Peters
baritone saxophone und Bassklarinette:
Joe Temperley (Scottish saxophonist & clarinetist)
Bassgitarre:
John Goldsby
Klarinette und Sopransaxophon:
Lawrence Feldman (flutist and saxophonist), Frank Wess und Chuck Wilson (woodwind)
Klavier:
Mark Shane (engineer)
Posaune:
Dan Barrett (cornetist and trombonist), Joel Helleny und Britt Woodman
Schlagzeug:
Chuck Riggs
Solo-Trompete:
Lew Soloff
Tenorsaxophon:
Lawrence Feldman (flutist and saxophonist) und Frank Wess
Trompete:
Dave Brown (Jazz trumpeter), Marky Markowitz und Randy Sandke
Ventilposaune:
Dan Barrett (cornetist and trombonist)
Hintergrundgesang:
John Carney, Steve Clayton (Singer in the late 1950s and early 1960s), Benny Diggs, Gary Kahn, Curtis King (American singer and songwriter), Lenny Roberts (producer/engineer), Tom Testor und Alfonso Thorton
vocals:
Larry Marshall
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
vocals arranger:
Joyce Brown
cover recording of:
Minnie the Moocher
Texter und Komponist(in):
Cab Calloway und Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und J. Albert & Son Pty. Ltd.
basiert auf:
Willie the Weeper
3:10
12Copper Colored Gal
Assistent recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) und Stanley Wallace
Sound-Engineering:
Tom Jung
Produzent(in):
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess und Chuck Wilson (woodwind)
Banjo und Gitarre:
Mike Peters
baritone saxophone und Bassklarinette:
Joe Temperley (Scottish saxophonist & clarinetist)
Bassgitarre:
John Goldsby
Klarinette und Sopransaxophon:
Lawrence Feldman (flutist and saxophonist), Frank Wess und Chuck Wilson (woodwind)
Klavier:
Mark Shane (engineer)
Posaune:
Dan Barrett (cornetist and trombonist), Joel Helleny und Britt Woodman
Schlagzeug:
Chuck Riggs
Tenorsaxophon:
Lawrence Feldman (flutist and saxophonist) und Frank Wess
Trompete:
Dave Brown (Jazz trumpeter), Marky Markowitz, Randy Sandke und Lew Soloff
Ventilposaune:
Dan Barrett (cornetist and trombonist)
vocals:
Gregory Hines
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
zusätzlich instruments arranger:
Sy Johnson
vocals arranger:
Joyce Brown
cover recording of:
Copper Colored Gal
Texter:
Benny Davis (US vaudeville performer and songwriter)
Komponist(in):
J. Fred Coots
1:19
13Dixie Kidnaps Vera
Assistent recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) und Stanley Wallace
Sound-Engineering:
Tom Jung
Produzent(in):
John Barry (English score composer)
conductor:
John Barry (English score composer)
Orchestrator(in):
Al Woodbury
recording of:
Dixie Kidnaps Vera
Komponist(in):
John Barry (English score composer)
2:40
14The Depression Hits / Best Beats Sandman
Assistent recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) und Stanley Wallace
Sound-Engineering:
Tom Jung
Produzent(in):
John Barry (English score composer)
conductor:
John Barry (English score composer)
Orchestrator(in):
Al Woodbury und John Barry (English score composer)
recording of:
The Depression Hits / Best Beats Sandman
Komponist(in):
John Barry (English score composer)
2:47
15Daybreak Express Medley
Assistent recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) und Stanley Wallace
Sound-Engineering:
Tom Jung
Produzent(in):
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess und Chuck Wilson (woodwind)
Banjo und Gitarre:
Mike Peters
baritone saxophone und Bassklarinette:
Joe Temperley (Scottish saxophonist & clarinetist)
Bassgitarre:
John Goldsby
Chimes:
Daniel Druckman
Klarinette und Sopransaxophon:
Lawrence Feldman (flutist and saxophonist), Frank Wess und Chuck Wilson (woodwind)
Klavier:
Mark Shane (engineer)
Posaune:
Dan Barrett (cornetist and trombonist), Joel Helleny und Britt Woodman
Schlagzeug:
Brian Brake
Solo-alto saxophone und Solo-Klarinette:
Bob Wilber
Solo-Trompete:
Lew Soloff
Tenorsaxophon:
Lawrence Feldman (flutist and saxophonist) und Frank Wess
Trompete:
Dave Brown (Jazz trumpeter), Marky Markowitz und Randy Sandke
Ventilposaune:
Dan Barrett (cornetist and trombonist)
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
medley including a teilweise cover recording of:
High Life
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
medley including a teilweise cover recording of:
Slippery Horn
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
medley including a teilweise cover recording of:
Wal Street Wall
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
3:43

Nennungen

Veröffentlichung

art direction und Grafikdesign:Steve Gerdes (graphic designer and musician)
Fotografie:Adger W. Cowans
mastering:Bob Ludwig (mastering engineer)
Discogs:https://www.discogs.com/release/2956201 [Info]
ASIN:FR: B000000OXV [Info]