The Cotton Club

~ Release by John Barry (see all versions of this release, 3 available)

Tracklist

1CD
#TitleRatingLength
1The Mooche
assistant recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) and Stanley Wallace
sound engineer:
Tom Jung
producer:
John Barry (English score composer)
additional drums (drum set):
Brian Brake
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess and Chuck Wilson (woodwind)
banjo and guitar:
Mike Peters
baritone saxophone and bass clarinet:
Joe Temperley (Scottish saxophonist & clarinetist)
bass guitar:
John Goldsby
clarinet and soprano saxophone:
Lawrence Feldman (flutist and saxophonist), Frank Wess and Chuck Wilson (woodwind)
gong and temple blocks:
Chuck Riggs
piano:
Mark Shane (engineer)
solo alto saxophone and solo clarinet:
Bob Wilber
solo trumpet:
Dave Brown (Jazz trumpeter)
tenor saxophone:
Lawrence Feldman (flutist and saxophonist) and Frank Wess
trombone:
Dan Barrett (cornetist and trombonist), Joel Helleny and Britt Woodman
trumpet:
Marky Markowitz, Randy Sandke and Lew Soloff
valve trombone:
Dan Barrett (cornetist and trombonist)
conductor:
Bob Wilber
additional instruments arranger:
Randy Sandke
instruments arranger:
Bob Wilber
cover recording of:
The Mooche
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
3:33
2Cotton Club Stomp #2
assistant recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) and Stanley Wallace
sound engineer:
Tom Jung
producer:
John Barry (English score composer)
alto saxophone:
Frank Wess and Chuck Wilson (woodwind)
banjo and guitar:
Mike Peters
bass guitar:
John Goldsby
clarinet:
Lawrence Feldman (flutist and saxophonist), Frank Wess, Bob Wilber and Chuck Wilson (woodwind)
drums (drum set):
Chuck Riggs
piano:
Mark Shane (engineer)
solo baritone saxophone:
Joe Temperley (Scottish saxophonist & clarinetist)
solo trumpet:
Dave Brown (Jazz trumpeter)
soprano saxophone:
Lawrence Feldman (flutist and saxophonist), Frank Wess and Chuck Wilson (woodwind)
tenor saxophone:
Lawrence Feldman (flutist and saxophonist) and Frank Wess
trombone:
Dan Barrett (cornetist and trombonist), Joel Helleny and Britt Woodman
trumpet:
Marky Markowitz, Randy Sandke and Lew Soloff
valve trombone:
Dan Barrett (cornetist and trombonist)
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
vocals arranger:
Joyce Brown
cover recording of:
Cotton Club Stomp #2
lyricist:
Irving Mills and Mitchell Parish
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
2:43
3Drop Me Off in Harlem
assistant recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) and Stanley Wallace
sound engineer:
Tom Jung
producer:
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess and Chuck Wilson (woodwind)
banjo and guitar:
Mike Peters
baritone saxophone and bass clarinet:
Joe Temperley (Scottish saxophonist & clarinetist)
bass guitar:
John Goldsby
clarinet and soprano saxophone:
Lawrence Feldman (flutist and saxophonist), Frank Wess and Chuck Wilson (woodwind)
drums (drum set):
Chuck Riggs
solo clarinet:
Bob Wilber
solo piano:
Mark Shane (engineer)
solo trombone:
Britt Woodman
solo trumpet:
Dave Brown (Jazz trumpeter), Randy Sandke and Lew Soloff
tenor saxophone:
Lawrence Feldman (flutist and saxophonist) and Frank Wess
trombone:
Dan Barrett (cornetist and trombonist) and Joel Helleny
trumpet:
Marky Markowitz
valve trombone:
Dan Barrett (cornetist and trombonist)
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
vocals arranger:
Joyce Brown
cover recording of:
Drop Me Off in Harlem
lyricist:
Nick Kenny (in 1933)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1933)
3:06
4Creole Love Call
assistant recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) and Stanley Wallace
sound engineer:
Tom Jung
producer:
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess and Chuck Wilson (woodwind)
banjo and guitar:
Mike Peters
baritone saxophone and bass clarinet:
Joe Temperley (Scottish saxophonist & clarinetist)
bass guitar:
John Goldsby
clarinet and soprano saxophone:
Lawrence Feldman (flutist and saxophonist), Frank Wess and Chuck Wilson (woodwind)
drums (drum set):
Chuck Riggs
piano:
Mark Shane (engineer)
solo clarinet:
Bob Wilber
solo trumpet:
Lew Soloff
tenor saxophone:
Lawrence Feldman (flutist and saxophonist) and Frank Wess
trombone:
Dan Barrett (cornetist and trombonist), Joel Helleny and Britt Woodman
trumpet:
Dave Brown (Jazz trumpeter), Marky Markowitz and Randy Sandke
valve trombone:
Dan Barrett (cornetist and trombonist)
vocals:
Priscilla Baskerville
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
vocals arranger:
Joyce Brown
cover recording of:
Creole Love Call
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:04
5Ring Dem Bells
assistant recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) and Stanley Wallace
sound engineer:
Tom Jung
producer:
John Barry (English score composer)
alto saxophone:
Frank Wess and Chuck Wilson (woodwind)
banjo and guitar:
Mike Peters
bass guitar:
John Goldsby
chimes:
Gordon Gottlieb (American percussionist and conductor)
clarinet and soprano saxophone:
Lawrence Feldman (flutist and saxophonist), Frank Wess and Chuck Wilson (woodwind)
drums (drum set):
Chuck Riggs
piano:
Mark Shane (engineer)
solo alto saxophone and solo clarinet:
Bob Wilber
solo baritone saxophone:
Joe Temperley (Scottish saxophonist & clarinetist)
solo trombone:
Joel Helleny
solo trumpet:
Lew Soloff
tenor saxophone:
Lawrence Feldman (flutist and saxophonist) and Frank Wess
trombone:
Dan Barrett (cornetist and trombonist) and Britt Woodman
trumpet:
Dave Brown (Jazz trumpeter), Marky Markowitz and Randy Sandke
valve trombone:
Dan Barrett (cornetist and trombonist)
vocals:
Dave Brown (Jazz trumpeter)
conductor:
Bob Wilber
additional instruments arranger:
David Berger (trumpet)
instruments arranger:
Bob Wilber
cover recording of:
Ring Dem Bells
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
2:48
6East St. Louis Toodle-O
assistant recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) and Stanley Wallace
sound engineer:
Tom Jung
producer:
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess and Chuck Wilson (woodwind)
banjo and guitar:
Mike Peters
baritone saxophone and bass clarinet:
Joe Temperley (Scottish saxophonist & clarinetist)
bass guitar:
John Goldsby
clarinet and soprano saxophone:
Frank Wess and Chuck Wilson (woodwind)
drums (drum set):
Chuck Riggs
piano:
Mark Shane (engineer)
solo clarinet:
Lawrence Feldman (flutist and saxophonist)
solo trombone:
Joel Helleny
solo trumpet:
Lew Soloff
tenor saxophone:
Frank Wess
trombone:
Dan Barrett (cornetist and trombonist) and Britt Woodman
trumpet:
Dave Brown (Jazz trumpeter), Marky Markowitz and Randy Sandke
valve trombone:
Dan Barrett (cornetist and trombonist)
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
cover recording of:
East St. Louis Toodle‐oo
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Bubber Miley
publisher:
Mills Music, Inc.
3:22
7Truckin'
assistant recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) and Stanley Wallace
sound engineer:
Tom Jung
producer:
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess and Chuck Wilson (woodwind)
banjo and guitar:
Mike Peters
baritone saxophone and bass clarinet:
Joe Temperley (Scottish saxophonist & clarinetist)
bass guitar:
John Goldsby
clarinet and soprano saxophone:
Frank Wess and Chuck Wilson (woodwind)
drums (drum set):
Chuck Riggs
piano:
Mark Shane (engineer)
solo alto saxophone and solo clarinet:
Bob Wilber
solo tenor saxophone:
Lawrence Feldman (flutist and saxophonist)
solo trumpet:
Lew Soloff
tenor saxophone:
Frank Wess
trombone:
Dan Barrett (cornetist and trombonist), Joel Helleny and Britt Woodman
trumpet:
Dave Brown (Jazz trumpeter), Marky Markowitz and Randy Sandke
valve trombone:
Dan Barrett (cornetist and trombonist)
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
vocals arranger:
Joyce Brown
cover recording of:
Truckin’
lyricist:
Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist)
2:03
8Ill Wind
assistant recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) and Stanley Wallace
sound engineer:
Tom Jung
producer:
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess and Chuck Wilson (woodwind)
banjo and guitar:
Mike Peters
baritone saxophone and bass clarinet:
Joe Temperley (Scottish saxophonist & clarinetist)
bass guitar:
John Goldsby
clarinet and soprano saxophone:
Lawrence Feldman (flutist and saxophonist), Frank Wess and Chuck Wilson (woodwind)
drums (drum set):
Chuck Riggs
piano:
Mark Shane (engineer)
solo trumpet:
Lew Soloff
tenor saxophone:
Lawrence Feldman (flutist and saxophonist) and Frank Wess
trombone:
Dan Barrett (cornetist and trombonist), Joel Helleny and Britt Woodman
trumpet:
Dave Brown (Jazz trumpeter), Marky Markowitz and Randy Sandke
valve trombone:
Dan Barrett (cornetist and trombonist)
vocals:
Lonette McKee
conductor:
Bob Wilber
additional instruments arranger:
Sy Johnson
instruments arranger:
Bob Wilber
vocals arranger:
Joyce Brown
cover recording of:
Ill Wind
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
2:21
9Cotton Club Stomp #1
assistant recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) and Stanley Wallace
sound engineer:
Tom Jung
producer:
John Barry (English score composer)
alto saxophone:
Frank Wess and Chuck Wilson (woodwind)
banjo and guitar:
Mike Peters
bass guitar:
John Goldsby
clarinet and soprano saxophone:
Lawrence Feldman (flutist and saxophonist), Frank Wess and Chuck Wilson (woodwind)
drums (drum set):
Chuck Riggs
piano:
Mark Shane (engineer)
solo alto saxophone and solo clarinet:
Bob Wilber
solo baritone saxophone:
Joe Temperley (Scottish saxophonist & clarinetist)
solo trumpet:
Dave Brown (Jazz trumpeter)
tenor saxophone:
Lawrence Feldman (flutist and saxophonist) and Frank Wess
trombone:
Dan Barrett (cornetist and trombonist), Joel Helleny and Britt Woodman
trumpet:
Marky Markowitz, Randy Sandke and Lew Soloff
valve trombone:
Dan Barrett (cornetist and trombonist)
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
recording of:
Cotton Club Stomp #1
lyricist:
Harry Carney
2:51
10Mood Indigo
assistant recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) and Stanley Wallace
sound engineer:
Tom Jung
producer:
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess and Chuck Wilson (woodwind)
banjo and guitar:
Mike Peters
baritone saxophone and bass clarinet:
Joe Temperley (Scottish saxophonist & clarinetist)
bass guitar:
John Goldsby
clarinet and soprano saxophone:
Lawrence Feldman (flutist and saxophonist), Frank Wess and Chuck Wilson (woodwind)
drums (drum set):
Chuck Riggs
solo clarinet:
Bob Wilber
solo piano:
Mark Shane (engineer)
solo trumpet:
Dave Brown (Jazz trumpeter)
tenor saxophone:
Lawrence Feldman (flutist and saxophonist) and Frank Wess
trombone:
Dan Barrett (cornetist and trombonist), Joel Helleny and Britt Woodman
trumpet:
Marky Markowitz, Randy Sandke and Lew Soloff
valve trombone:
Dan Barrett (cornetist and trombonist)
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
vocals arranger:
Joyce Brown
cover recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
3:38
11Minnie the Moocher
assistant recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) and Stanley Wallace
sound engineer:
Tom Jung
producer:
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess and Chuck Wilson (woodwind)
banjo and guitar:
Mike Peters
baritone saxophone and bass clarinet:
Joe Temperley (Scottish saxophonist & clarinetist)
bass guitar:
John Goldsby
clarinet and soprano saxophone:
Lawrence Feldman (flutist and saxophonist), Frank Wess and Chuck Wilson (woodwind)
drums (drum set):
Chuck Riggs
piano:
Mark Shane (engineer)
solo trumpet:
Lew Soloff
tenor saxophone:
Lawrence Feldman (flutist and saxophonist) and Frank Wess
trombone:
Dan Barrett (cornetist and trombonist), Joel Helleny and Britt Woodman
trumpet:
Dave Brown (Jazz trumpeter), Marky Markowitz and Randy Sandke
valve trombone:
Dan Barrett (cornetist and trombonist)
background vocals:
John Carney, Steve Clayton (Singer in the late 1950s and early 1960s), Benny Diggs, Gary Kahn, Curtis King (American singer and songwriter), Lenny Roberts (producer/engineer), Tom Testor and Alfonso Thorton
vocals:
Larry Marshall
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
vocals arranger:
Joyce Brown
cover recording of:
Minnie the Moocher
lyricist and composer:
Cab Calloway and Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and J. Albert & Son Pty. Ltd.
is based on:
Willie the Weeper
3:10
12Copper Colored Gal
assistant recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) and Stanley Wallace
sound engineer:
Tom Jung
producer:
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess and Chuck Wilson (woodwind)
banjo and guitar:
Mike Peters
baritone saxophone and bass clarinet:
Joe Temperley (Scottish saxophonist & clarinetist)
bass guitar:
John Goldsby
clarinet and soprano saxophone:
Lawrence Feldman (flutist and saxophonist), Frank Wess and Chuck Wilson (woodwind)
drums (drum set):
Chuck Riggs
piano:
Mark Shane (engineer)
tenor saxophone:
Lawrence Feldman (flutist and saxophonist) and Frank Wess
trombone:
Dan Barrett (cornetist and trombonist), Joel Helleny and Britt Woodman
trumpet:
Dave Brown (Jazz trumpeter), Marky Markowitz, Randy Sandke and Lew Soloff
valve trombone:
Dan Barrett (cornetist and trombonist)
vocals:
Gregory Hines
conductor:
Bob Wilber
additional instruments arranger:
Sy Johnson
instruments arranger:
Bob Wilber
vocals arranger:
Joyce Brown
cover recording of:
Copper Colored Gal
lyricist:
Benny Davis (US vaudeville performer and songwriter)
composer:
J. Fred Coots
1:19
13Dixie Kidnaps Vera
assistant recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) and Stanley Wallace
sound engineer:
Tom Jung
producer:
John Barry (English score composer)
conductor:
John Barry (English score composer)
orchestrator:
Al Woodbury
recording of:
Dixie Kidnaps Vera
composer:
John Barry (English score composer)
2:40
14The Depression Hits / Best Beats Sandman
assistant recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) and Stanley Wallace
sound engineer:
Tom Jung
producer:
John Barry (English score composer)
conductor:
John Barry (English score composer)
orchestrator:
Al Woodbury and John Barry (English score composer)
recording of:
The Depression Hits / Best Beats Sandman
composer:
John Barry (English score composer)
2:47
15Daybreak Express Medley
assistant recording engineer:
Fred Bova, Rebecca Everett, Jimmy Preziosi, Alan Silverman (producer, engineer) and Stanley Wallace
sound engineer:
Tom Jung
producer:
John Barry (English score composer)
alto saxophone:
Joe Temperley (Scottish saxophonist & clarinetist), Frank Wess and Chuck Wilson (woodwind)
banjo and guitar:
Mike Peters
baritone saxophone and bass clarinet:
Joe Temperley (Scottish saxophonist & clarinetist)
bass guitar:
John Goldsby
chimes:
Daniel Druckman
clarinet and soprano saxophone:
Lawrence Feldman (flutist and saxophonist), Frank Wess and Chuck Wilson (woodwind)
drums (drum set):
Brian Brake
piano:
Mark Shane (engineer)
solo alto saxophone and solo clarinet:
Bob Wilber
solo trumpet:
Lew Soloff
tenor saxophone:
Lawrence Feldman (flutist and saxophonist) and Frank Wess
trombone:
Dan Barrett (cornetist and trombonist), Joel Helleny and Britt Woodman
trumpet:
Dave Brown (Jazz trumpeter), Marky Markowitz and Randy Sandke
valve trombone:
Dan Barrett (cornetist and trombonist)
conductor:
Bob Wilber
instruments arranger:
Bob Wilber
medley including a partial cover recording of:
High Life
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
medley including a partial cover recording of:
Slippery Horn
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
medley including a partial cover recording of:
Wal Street Wall
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:43

Credits

Release

art direction and graphic design:Steve Gerdes (graphic designer and musician)
photography:Adger W. Cowans
mastering:Bob Ludwig (mastering engineer)
Discogs:https://www.discogs.com/release/2956201 [info]
ASIN:FR: B000000OXV [info]