Le Mystère Stradivarius

~ Release by Joshua Bell (see all versions of this release, 1 available)

Annotation

Copyright: ℗ 2007 SONY BMG MUSIC ENTERTAINMENT

Annotation last modified on 2025-01-28 16:13 UTC.

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Swan Lake, op. 20a, TH 219: Russian Dance
engineer:
Arne Akselberg
producer:
Andrew Keener (engineer/editor/producer)
violin:
Joshua Bell (violinist) (from 2005-01-27 until 2005-01-31)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2005-01-27 until 2005-01-31)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 2005-01-27 until 2005-01-31)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2005)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2005-01-27 until 2005-01-31)
recording of:
Swan Lake, op. 20: Act III, no. 20A: Danse russe: Moderato: Andante semplice - Allegro vivo (from 2005-01-27 until 2005-01-31)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Swan Lake, op. 20: Act III
Pyotr Ilyich Tchaikovsky4:30
2Concerto in E minor for Violin and Orchestra, op. 64: III. Allegretto non troppo - Allegro molto vivace
recording engineer:
Arne Akselberg (from 2000-11-04 until 2000-11-08)
assistant engineer:
David Clarke (engineer) (from 2000-11-04 until 2000-11-08) and Andrew Granger (sound engineer) (from 2000-11-04 until 2000-11-08)
producer:
Andrew Keener (engineer/editor/producer)
editor:
Matthew Cocker (editor)
instruments:
Camerata Salzburg (Austrian chamber orchestra)
violin:
Joshua Bell (violinist) (from 2000-11-04 until 2000-11-08)
orchestra:
Camerata Salzburg (Austrian chamber orchestra) (from 2000-11-04 until 2000-11-08)
conductor:
Sir Roger Norrington (conductor) (from 2000-11-04 until 2000-11-08)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (from 2000-11-04 until 2000-11-08)
recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace) (from 2000-11-04 until 2000-11-08)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
recording of:
Violinkonzert in e-Moll, op. 64: II. Andante (Concerto for Violin and Orchestra in E minor, op. 64: II. Andante)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn6:26
3Nocturne no. 20 in C-sharp minor, op. posth (arranged for violin & orchestra)
recording engineer:
Charles Harbutt (sound engineer and reissue producer) (from 2003-06-11 until 2003-06-13)
producer:
Craig Leon (musician, arranger, composer and producer) and Grace Row (engineer/producer)
violin:
Joshua Bell (violinist) (from 2003-06-11 until 2003-06-13)
orchestra:
Academy of St Martin in the Fields (from 2003-06-11 until 2003-06-13)
conductor:
Michael Stern (American conductor) (from 2003-06-11 until 2003-06-13)
arranger:
Craig Leon (musician, arranger, composer and producer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2003-06-11 until 2003-06-13)
recording of:
Nocturne no. 20 in C‐sharp minor (catch‐all for arrangements)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
arrangement of:
Nocturne no. 20 in C‐sharp minor “Reminiscence”, op. posth. 1 no. 16, B. 49, KKIVa/16
Frédéric Chopin4:07
4Gianni Schicchi: O mio babbino caro (arr. C. Leon for violin & orchestra)
recording engineer:
Charles Harbutt (sound engineer and reissue producer) (from 2003-06-11 until 2003-06-13)
producer:
Craig Leon (musician, arranger, composer and producer) and Grace Row (engineer/producer)
violin:
Joshua Bell (violinist) (from 2003-06-11 until 2003-06-13)
orchestra:
Academy of St Martin in the Fields (from 2003-06-11 until 2003-06-13)
conductor:
Michael Stern (American conductor) (from 2003-06-11 until 2003-06-13)
arranger:
Craig Leon (musician, arranger, composer and producer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2003-06-11 until 2003-06-13)
recording of:
“O mio babbino caro” (from Gianni Schicchi) (catch‐all for arrangements)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
arrangement of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Giacomo Puccini3:22
5III. Moderato - Allegretto from Concerto no. 1 in A minor for violin and orchestra, op. 28
assistant engineer:
Andreas Meyer (US sound engineer) (from 1999-05-24 until 1999-05-25)
engineer:
Rob Rapley (engineer) (from 1999-05-24 until 1999-05-25)
producer:
Thomas Frost (classical music producer)
violin:
Joshua Bell (violinist) (from 1999-05-24 until 1999-05-25)
orchestra:
Los Angeles Philharmonic (from 1999-05-24 until 1999-05-25)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1999-05-24 until 1999-05-25)
recorded at:
Dorothy Chandler Pavilion (Los Angeles Music Center) in Los Angeles, California, United States (from 1999-05-24 until 1999-05-25)
recording of:
Violin Concerto no. 1 in A minor, op. 28: III. Moderato - Allegretto (from 1999-05-24 until 1999-05-25)
composer:
Karl Goldmark (composer)
part of:
Violin Concerto no. 1 in A minor, op. 28
Karl Goldmark12:49
6Beau soir, L. 6 (arranged for violin and piano by Jascha Heifetz)
piano:
Frederic Chiu (pianist)
violin:
Joshua Bell (violinist)
recording of:
Beau soir, L. 6, CD 84 (for violin and piano, Heifetz)
composer:
Claude Debussy (French composer) (from 1890 until 1891)
piano and violin arranger:
Jascha Heifetz (violinist)
arrangement of:
Beau soir, L. 6, CD 84 “Lorsque au soleil couchant les rivières sont roses” (for voice and piano)
Claude Debussy2:28
7Introduction and Tarantella, op. 43
recording engineer and mixer:
Toby Wood
producer:
Nigel Hess (British composer)
editor:
Erik Jordan (engineer)
piano:
Simon Mulligan (pianist) (from 2004-02 until 2004-06)
violin:
Joshua Bell (violinist) (from 2004-02 until 2004-06)
orchestra:
Royal Philharmonic Orchestra (from 2004-02 until 2004-06)
conductor:
Nigel Hess (British composer) (from 2004-02 until 2004-06)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008)
recorded at and mixed at:
Phoenix Sound Studios (Wembley) in London (Greater London), England, United Kingdom (from 2004-02 until 2004-06)
recording of:
Introduction et tarantelle, op. 43 (from 2004-02 until 2004-06)
composer:
Pablo de Sarasate (violinist and composer)
part of:
Works of Pablo de Sarasate by opus number (number: op. 43)
Pablo de Sarasate5:16
8Songs without Words, op. 62, no. 1: May Breezes (arranged for violin & orchestra)
violin:
Joshua Bell (violinist)
orchestra:
Orchestra of St. Luke’s
conductor:
Michael Stern (American conductor)
arranger:
Joshua Bell (violinist) and J.A.C. Redford
recording of:
Lied ohne Worte A-Dur, op. 62 Nr. 6 (Song Without Words in A major, Op. 62 No. 6, Frühlingslied / Spring Song; original for piano)
composer:
Felix Mendelssohn (composer) (from 1842 until 1844)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 161)
part of:
Lieder ohne Worte, op. 62 (Songs Without Words, op. 62, for piano)
recording of:
Lied ohne Worte G-Dur, op. 62 Nr. 1 (Song Without Words in G major, Op. 62 No. 1)
composer:
Felix Mendelssohn (composer) (from 1842 until 1844)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 185)
part of:
Lieder ohne Worte, op. 62 (Songs Without Words, op. 62, for piano)
Felix Mendelssohn2:14
9Elegie: O doux printemps d'autrefois
recording engineer:
Charles Harbutt (sound engineer and reissue producer) (from 2003-06-11 until 2003-06-13)
producer:
Craig Leon (musician, arranger, composer and producer) and Grace Row (engineer/producer)
violin:
Joshua Bell (violinist) (from 2003-06-11 until 2003-06-13)
orchestra:
Academy of St Martin in the Fields (from 2003-06-11 until 2003-06-13)
conductor:
Michael Stern (American conductor) (from 2003-06-11 until 2003-06-13)
arranger:
Craig Leon (musician, arranger, composer and producer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 2003-06-11 until 2003-06-13)
instrumental recording of:
Élégie (catch-all for arrangements)
composer:
Jules Massenet (French Romantic composer) (in 1873)
arrangement of:
Élégie (« Ô doux printemps d'autrefois … ») (for voice and piano)
Jules Massenet4:09
10The Carnival of Venice
recording engineer and mixer:
Toby Wood
producer:
Nigel Hess (British composer)
editor:
Erik Jordan (engineer)
piano:
Simon Mulligan (pianist) (from 2004-02 until 2004-06)
violin:
Joshua Bell (violinist) (from 2004-02 until 2004-06)
orchestra:
Royal Philharmonic Orchestra (from 2004-02 until 2004-06)
conductor:
Nigel Hess (British composer) (from 2004-02 until 2004-06)
recorded at and mixed at:
Phoenix Sound Studios (Wembley) in London (Greater London), England, United Kingdom (from 2004-02 until 2004-06)
recording of:
Il carnevale di Venezia, op. 10, MS 59 (from 2004-02 until 2004-06)
composer:
Niccolò Paganini (Italian composer and violinist)
part of:
Catalogo tematico delle musiche di Niccolò Paganini (number: MS 59)
Niccolò Paganini9:17
11Après un rêve, op. 7, no. 1
piano:
Frederic Chiu (pianist)
violin:
Joshua Bell (violinist)
recording of:
Après un rêve, op. 7 no. 1 (catch-all for arrangements)
composer:
Gabriel Fauré (French composer)
arrangement of:
Après un rêve, op. 7 no. 1 (original; for voice and piano)
Gabriel Fauré2:54
12III. Rondo. Allegro from Concerto in D major for Violin and Orchestra, op. 61
recording engineer:
Arne Akselberg (from 2000-11-04 until 2000-11-08)
assistant engineer:
David Clarke (engineer) (from 2000-11-04 until 2000-11-08) and Andrew Granger (sound engineer) (from 2000-11-04 until 2000-11-08)
producer:
Andrew Keener (engineer/editor/producer)
editor:
Matthew Cocker (editor)
violin:
Joshua Bell (violinist) (from 2000-11-04 until 2000-11-08)
orchestra:
Camerata Salzburg (Austrian chamber orchestra) (from 2000-11-04 until 2000-11-08)
conductor:
Sir Roger Norrington (conductor) (from 2000-11-04 until 2000-11-08)
recorded at:
Mozarteum (foundation) in Salzburg, Salzburg, Austria (from 2000-11-04 until 2000-11-08)
recording of:
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro (from 2000-11-04 until 2000-11-08)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven9:20
2▼Digital Media
#TitleArtistRatingLength
1I. Allegro ben ritmato e deciso from Three Preludes
recording engineer:
Jonathan Allen (engineer) and Shawn Murphy (producer/engineer)
producer:
Shawn Murphy (producer/engineer)
piano:
John Williams (American score composer) (on 1998-03-24, on 1998-03-26, on 1998-03-28)
violin:
Joshua Bell (violinist) (on 1998-03-24, on 1998-03-26, on 1998-03-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1998-03-24, on 1998-03-26, on 1998-03-28)
recording of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (for violin and piano, Heifetz) (on 1998-03-24)
composer:
George Gershwin (composer)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
recording of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano)
composer:
George Gershwin (composer) (in 1926)
arrangement of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (for clarinet and string orchestra, Cohn)
part of:
Three Preludes (original for piano)
recording of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (original version for piano)
composer:
George Gershwin (composer) (in 1926)
part of:
Three Preludes (original for piano)
George Gershwin1:40
2Nice Work If You Can Get It
recording engineer:
Jonathan Allen (engineer) and Shawn Murphy (producer/engineer)
producer:
Shawn Murphy (producer/engineer)
violin:
Joshua Bell (violinist) (on 1998-03-24, on 1998-03-26, on 1998-03-28)
orchestra:
London Symphony Orchestra (on 1998-03-24, on 1998-03-26, on 1998-03-28)
conductor:
John Williams (American score composer) (on 1998-03-24, on 1998-03-26, on 1998-03-28)
arranger:
Jonathan Tunick
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1998-03-24, on 1998-03-26, on 1998-03-28)
instrumental recording of:
Nice Work If You Can Get It (on 1998-03-24)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
George Gershwin3:37
3I Got Rhythm (From "Girl Crazy")
recording engineer:
Jonathan Allen (engineer) and Shawn Murphy (producer/engineer)
producer:
Shawn Murphy (producer/engineer)
violin:
Joshua Bell (violinist) (on 1998-03-24, on 1998-03-26, on 1998-03-28)
orchestra:
London Symphony Orchestra (on 1998-03-24, on 1998-03-26, on 1998-03-28)
conductor:
John Williams (American score composer) (on 1998-03-24, on 1998-03-26, on 1998-03-28)
arranger:
William Brohn (American arranger and orchestrator)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1998-03-24, on 1998-03-26, on 1998-03-28)
instrumental recording of:
I Got Rhythm (on 1998-03-24)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
George Gershwin4:17
4Ladies in Lavender
recording engineer and mixer:
Toby Wood
producer:
Nigel Hess (British composer)
editor:
Erik Jordan (engineer)
solo violin:
Joshua Bell (violinist) (from 2004-02 until 2004-06)
orchestra:
Royal Philharmonic Orchestra (from 2004-02 until 2004-06)
conductor:
Nigel Hess (British composer) (from 2004-02 until 2004-06)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008)
recorded at and mixed at:
Phoenix Sound Studios (Wembley) in London (Greater London), England, United Kingdom (from 2004-02 until 2004-06)
recording of:
Ladies in Lavender (theme, Ladies in Lavender) (from 2004-02 until 2004-06)
orchestrator:
Nigel Hess (British composer)
composer:
Nigel Hess (British composer) (, in 2004)
Nigel Hess4:03
5I. Cremona, The Red Violin
recording engineer:
Joel Iwataki (from 1997-12-27 until 1998-01-04)
producer:
Matthias Gohl
mixer:
Joel Iwataki
solo violin:
Joshua Bell (violinist) (from 1997-12-27 until 1998-01-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-12-27 until 1998-01-04)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1997-12-27 until 1998-01-04)
orchestrator:
John Corigliano (American composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1997-12-27 until 1998-01-04)
recording of:
The Red Violin: I. Cremona: The Red Violin (from 1997-12-27 until 1998-01-04)
composer:
John Corigliano (American composer)
part of:
The Red Violin
John Corigliano1:33
6III. Oxford, Pope's Concert
recording engineer:
Joel Iwataki (from 1997-12-27 until 1998-01-04)
producer:
Matthias Gohl
mixer:
Joel Iwataki
solo violin:
Joshua Bell (violinist) (from 1997-12-27 until 1998-01-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-12-27 until 1998-01-04)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1997-12-27 until 1998-01-04)
orchestrator:
John Corigliano (American composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1997-12-27 until 1998-01-04)
recording of:
The Red Violin: III. Oxford: Pope's Concert (from 1997-12-27 until 1998-01-04)
composer:
John Corigliano (American composer)
part of:
The Red Violin
John Corigliano1:22
7Coitus Musicalis, Victoria's Departure (edited version)
solo violin:
Joshua Bell (violinist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Esa‐Pekka Salonen (conductor and composer)
partial recording of:
The Red Violin: III. Oxford: Coitus Musicalis / Victoria's Departure
composer:
John Corigliano (American composer)
part of:
The Red Violin
John Corigliano2:47
8Make Our Garden Grow (From "Candide") (arr. for violin & orchestra)
violin:
Joshua Bell (violinist) (from 2000-12-18 until 2000-12-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 2000-12-18 until 2000-12-20)
conductor:
David Zinman (conductor) (from 2000-12-18 until 2000-12-20)
arranger:
John Corigliano (American composer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2000-12-18 until 2000-12-20)
instrumental recording of:
Candide: Act II. Make Our Garden Grow (from 2000-12-18 until 2000-12-20)
lyricist:
Richard Wilbur
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Leonard Bernstein5:28
9Excerpt from West Side Story Suite (excerpt)
solo violin:
Joshua Bell (violinist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
David Zinman (conductor)
partial recording of:
West Side Story Suite (arr. for violin and orchestra, Brohn)
orchestrator:
William David Brohn (American arranger and orchestrator)
composer:
Leonard Bernstein (American conductor, composer, pianist)
violin arranger:
William David Brohn (American arranger and orchestrator)
is based on:
West Side Story
Leonard Bernstein9:12
10New York, New York (From "On the Town") (arr. for violin & orchestra)
violin:
Joshua Bell (violinist) (from 2000-12-18 until 2000-12-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 2000-12-18 until 2000-12-20)
conductor:
David Zinman (conductor) (from 2000-12-18 until 2000-12-20)
arranger:
William David Brohn (American arranger and orchestrator)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2000-12-18 until 2000-12-20)
instrumental recording of:
On the Town: New York, New York (from 2000-12-18 until 2000-12-20)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
Leonard Bernstein2:27
11Fantasy for Violin and Orchestra
recording engineer and mixer:
Toby Wood
producer:
Nigel Hess (British composer)
editor:
Erik Jordan (engineer)
solo violin:
Joshua Bell (violinist) (from 2004-02 until 2004-06)
orchestra:
Royal Philharmonic Orchestra (from 2004-02 until 2004-06)
conductor:
Nigel Hess (British composer) (from 2004-02 until 2004-06)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008)
recorded at and mixed at:
Phoenix Sound Studios (Wembley) in London (Greater London), England, United Kingdom (from 2004-02 until 2004-06)
recording of:
Fantasy for Violin and Orchestra (from 2004-02 until 2004-06)
orchestrator and composer:
Nigel Hess (British composer)
Nigel Hess3:39
12Short Trip Home
double bass:
Edgar Meyer (contemporary bassist and composer)
guitar:
Mike Marshall (US mandolinist & multi-instrumentalist)
mandolin:
Sam Bush (bluegrass fiddler/mandolinist)
violin:
Joshua Bell (violinist)
recording of:
Short Trip Home
composer:
Edgar Meyer (contemporary bassist and composer)
Edgar Meyer3:48
13BT
double bass:
Edgar Meyer (contemporary bassist and composer)
mandola:
Mike Marshall (US mandolinist & multi-instrumentalist)
mandolin:
Sam Bush (bluegrass fiddler/mandolinist)
violin:
Joshua Bell (violinist)
recording of:
BT
composer:
Edgar Meyer (contemporary bassist and composer)
Edgar Meyer4:50
14Death by Triple Fiddle
double bass:
Edgar Meyer (contemporary bassist and composer)
violin:
Joshua Bell (violinist), Sam Bush (bluegrass fiddler/mandolinist) and Mike Marshall (US mandolinist & multi-instrumentalist)
recording of:
Death by Triple Fiddle
composer:
Sam Bush (bluegrass fiddler/mandolinist), Mike Marshall (US mandolinist & multi-instrumentalist) and Edgar Meyer (contemporary bassist and composer)
Joshua Bell4:16
15Mazurka in F-sharp minor, op. 6, op. 1
recording engineer:
Jim Janik and Todd Whitelock (engineer)
producer:
Béla Fleck and Edgar Meyer (contemporary bassist and composer)
banjo:
Béla Fleck
guest violin:
Joshua Bell (violinist)
arranger:
Béla Fleck and Edgar Meyer (contemporary bassist and composer)
recorded at:
Avatar Recording Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2001-03-25 until 2001-03-27)
recording of:
Mazurka no. 1 in F‐sharp minor, op. 6 no. 1
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 6
Frédéric Chopin2:19
16Love Is Here To Stay
recording engineer:
Jonathan Allen (engineer) and Shawn Murphy (producer/engineer)
producer:
Shawn Murphy (producer/engineer)
violin:
Joshua Bell (violinist) (on 1998-03-24, on 1998-03-26, on 1998-03-28)
orchestra:
London Symphony Orchestra (on 1998-03-24, on 1998-03-26, on 1998-03-28)
conductor:
John Williams (American score composer) (on 1998-03-24, on 1998-03-26, on 1998-03-28)
arranger:
William Brohn (American arranger and orchestrator)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1998-03-24, on 1998-03-26, on 1998-03-28)
instrumental recording of:
Love Is Here to Stay (from 1998-03-24 until 1998-03-28)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
George Gershwin3:49