Le Mystère Stradivarius

~ Release by Joshua Bell (see all versions of this release, 1 available)

Annotation

Copyright: ℗ 2007 SONY BMG MUSIC ENTERTAINMENT

Annotation last modified on 2025-01-28 16:13 UTC.

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1I. Allegro ben ritmato e deciso from Three Preludes
recording engineer:
Jonathan Allen (engineer) and Shawn Murphy (producer/engineer)
producer:
Shawn Murphy (producer/engineer)
piano:
John Williams (American score composer) (on 1998-03-24, on 1998-03-26, on 1998-03-28)
violin:
Joshua Bell (violinist) (on 1998-03-24, on 1998-03-26, on 1998-03-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1998-03-24, on 1998-03-26, on 1998-03-28)
recording of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (for violin and piano, Heifetz) (on 1998-03-24)
composer:
George Gershwin (composer)
arranger:
Jascha Heifetz (violinist)
arrangement of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano)
part of:
Three Preludes (for violin and piano, Heifetz)
recording of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano)
composer:
George Gershwin (composer) (in 1926)
arrangement of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (for clarinet and string orchestra, Cohn)
part of:
Three Preludes (original for piano)
recording of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (original version for piano)
composer:
George Gershwin (composer) (in 1926)
part of:
Three Preludes (original for piano)
George Gershwin1:40
2Nice Work If You Can Get It
recording engineer:
Jonathan Allen (engineer) and Shawn Murphy (producer/engineer)
producer:
Shawn Murphy (producer/engineer)
violin:
Joshua Bell (violinist) (on 1998-03-24, on 1998-03-26, on 1998-03-28)
orchestra:
London Symphony Orchestra (on 1998-03-24, on 1998-03-26, on 1998-03-28)
conductor:
John Williams (American score composer) (on 1998-03-24, on 1998-03-26, on 1998-03-28)
arranger:
Jonathan Tunick
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1998-03-24, on 1998-03-26, on 1998-03-28)
instrumental recording of:
Nice Work If You Can Get It (on 1998-03-24)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
George Gershwin3:37
3I Got Rhythm (From "Girl Crazy")
recording engineer:
Jonathan Allen (engineer) and Shawn Murphy (producer/engineer)
producer:
Shawn Murphy (producer/engineer)
violin:
Joshua Bell (violinist) (on 1998-03-24, on 1998-03-26, on 1998-03-28)
orchestra:
London Symphony Orchestra (on 1998-03-24, on 1998-03-26, on 1998-03-28)
conductor:
John Williams (American score composer) (on 1998-03-24, on 1998-03-26, on 1998-03-28)
arranger:
William Brohn (American arranger and orchestrator)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1998-03-24, on 1998-03-26, on 1998-03-28)
instrumental recording of:
I Got Rhythm (on 1998-03-24)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
George Gershwin4:17
4Ladies in Lavender
recording engineer and mixer:
Toby Wood
producer:
Nigel Hess (British composer)
editor:
Erik Jordan (engineer)
solo violin:
Joshua Bell (violinist) (from 2004-02 until 2004-06)
orchestra:
Royal Philharmonic Orchestra (from 2004-02 until 2004-06)
conductor:
Nigel Hess (British composer) (from 2004-02 until 2004-06)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008)
recorded at and mixed at:
Phoenix Sound Studios (Wembley) in London (Greater London), England, United Kingdom (from 2004-02 until 2004-06)
recording of:
Ladies in Lavender (theme, Ladies in Lavender) (from 2004-02 until 2004-06)
orchestrator:
Nigel Hess (British composer)
composer:
Nigel Hess (British composer) (, in 2004)
Nigel Hess4:03
5I. Cremona, The Red Violin
recording engineer:
Joel Iwataki (from 1997-12-27 until 1998-01-04)
producer:
Matthias Gohl
mixer:
Joel Iwataki
solo violin:
Joshua Bell (violinist) (from 1997-12-27 until 1998-01-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-12-27 until 1998-01-04)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1997-12-27 until 1998-01-04)
orchestrator:
John Corigliano (American composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1997-12-27 until 1998-01-04)
recording of:
The Red Violin: I. Cremona: The Red Violin (from 1997-12-27 until 1998-01-04)
composer:
John Corigliano (American composer)
part of:
The Red Violin
John Corigliano1:33
6III. Oxford, Pope's Concert
recording engineer:
Joel Iwataki (from 1997-12-27 until 1998-01-04)
producer:
Matthias Gohl
mixer:
Joel Iwataki
solo violin:
Joshua Bell (violinist) (from 1997-12-27 until 1998-01-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1997-12-27 until 1998-01-04)
conductor:
Esa‐Pekka Salonen (conductor and composer) (from 1997-12-27 until 1998-01-04)
orchestrator:
John Corigliano (American composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1997-12-27 until 1998-01-04)
recording of:
The Red Violin: III. Oxford: Pope's Concert (from 1997-12-27 until 1998-01-04)
composer:
John Corigliano (American composer)
part of:
The Red Violin
John Corigliano1:22
7Coitus Musicalis, Victoria's Departure (edited version)
solo violin:
Joshua Bell (violinist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Esa‐Pekka Salonen (conductor and composer)
partial recording of:
The Red Violin: III. Oxford: Coitus Musicalis / Victoria's Departure
composer:
John Corigliano (American composer)
part of:
The Red Violin
John Corigliano2:47
8Make Our Garden Grow (From "Candide") (arr. for violin & orchestra)
violin:
Joshua Bell (violinist) (from 2000-12-18 until 2000-12-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 2000-12-18 until 2000-12-20)
conductor:
David Zinman (conductor) (from 2000-12-18 until 2000-12-20)
arranger:
John Corigliano (American composer)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2000-12-18 until 2000-12-20)
instrumental recording of:
Candide: Act II. Make Our Garden Grow (from 2000-12-18 until 2000-12-20)
lyricist:
Richard Wilbur
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Leonard Bernstein5:28
9Excerpt from West Side Story Suite (excerpt)
solo violin:
Joshua Bell (violinist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
David Zinman (conductor)
partial recording of:
West Side Story Suite (arr. for violin and orchestra, Brohn)
orchestrator:
William David Brohn (American arranger and orchestrator)
composer:
Leonard Bernstein (American conductor, composer, pianist)
violin arranger:
William David Brohn (American arranger and orchestrator)
is based on:
West Side Story
Leonard Bernstein9:12
10New York, New York (From "On the Town") (arr. for violin & orchestra)
violin:
Joshua Bell (violinist) (from 2000-12-18 until 2000-12-20)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 2000-12-18 until 2000-12-20)
conductor:
David Zinman (conductor) (from 2000-12-18 until 2000-12-20)
arranger:
William David Brohn (American arranger and orchestrator)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2000-12-18 until 2000-12-20)
instrumental recording of:
On the Town: New York, New York (from 2000-12-18 until 2000-12-20)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
Leonard Bernstein2:27
11Fantasy for Violin and Orchestra
recording engineer and mixer:
Toby Wood
producer:
Nigel Hess (British composer)
editor:
Erik Jordan (engineer)
solo violin:
Joshua Bell (violinist) (from 2004-02 until 2004-06)
orchestra:
Royal Philharmonic Orchestra (from 2004-02 until 2004-06)
conductor:
Nigel Hess (British composer) (from 2004-02 until 2004-06)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008)
recorded at and mixed at:
Phoenix Sound Studios (Wembley) in London (Greater London), England, United Kingdom (from 2004-02 until 2004-06)
recording of:
Fantasy for Violin and Orchestra (from 2004-02 until 2004-06)
orchestrator and composer:
Nigel Hess (British composer)
Nigel Hess3:39
12Short Trip Home
double bass:
Edgar Meyer (contemporary bassist and composer)
guitar:
Mike Marshall (US mandolinist & multi-instrumentalist)
mandolin:
Sam Bush (bluegrass fiddler/mandolinist)
violin:
Joshua Bell (violinist)
recording of:
Short Trip Home
composer:
Edgar Meyer (contemporary bassist and composer)
Edgar Meyer3:48
13BT
double bass:
Edgar Meyer (contemporary bassist and composer)
mandola:
Mike Marshall (US mandolinist & multi-instrumentalist)
mandolin:
Sam Bush (bluegrass fiddler/mandolinist)
violin:
Joshua Bell (violinist)
recording of:
BT
composer:
Edgar Meyer (contemporary bassist and composer)
Edgar Meyer4:50
14Death by Triple Fiddle
double bass:
Edgar Meyer (contemporary bassist and composer)
violin:
Joshua Bell (violinist), Sam Bush (bluegrass fiddler/mandolinist) and Mike Marshall (US mandolinist & multi-instrumentalist)
recording of:
Death by Triple Fiddle
composer:
Sam Bush (bluegrass fiddler/mandolinist), Mike Marshall (US mandolinist & multi-instrumentalist) and Edgar Meyer (contemporary bassist and composer)
Joshua Bell4:16
15Mazurka in F-sharp minor, op. 6, op. 1
recording engineer:
Jim Janik and Todd Whitelock (engineer)
producer:
Béla Fleck and Edgar Meyer (contemporary bassist and composer)
banjo:
Béla Fleck
guest violin:
Joshua Bell (violinist)
arranger:
Béla Fleck and Edgar Meyer (contemporary bassist and composer)
recorded at:
Avatar Recording Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 2001-03-25 until 2001-03-27)
recording of:
Mazurka no. 1 in F‐sharp minor, op. 6 no. 1
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Mazurkas, op. 6
Frédéric Chopin2:19
16Love Is Here To Stay
recording engineer:
Jonathan Allen (engineer) and Shawn Murphy (producer/engineer)
producer:
Shawn Murphy (producer/engineer)
violin:
Joshua Bell (violinist) (on 1998-03-24, on 1998-03-26, on 1998-03-28)
orchestra:
London Symphony Orchestra (on 1998-03-24, on 1998-03-26, on 1998-03-28)
conductor:
John Williams (American score composer) (on 1998-03-24, on 1998-03-26, on 1998-03-28)
arranger:
William Brohn (American arranger and orchestrator)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1998-03-24, on 1998-03-26, on 1998-03-28)
instrumental recording of:
Love Is Here to Stay (from 1998-03-24 until 1998-03-28)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
George Gershwin3:49