Claudio Abbado & Wiener Philharmoniker: The Complete Deutsche Grammophon Recordings II

~ Release by Claudio Abbado (see all versions of this release, 4 available)

Tracklist

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21▼CD: Bruckner: Symphony no. 9
#TitleArtistRatingLength
1Symphony no. 9 in D minor (ed. Leopold Nowak): 1. Feierlich, misterioso
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhard Lagemann
executive producer:
Christopher Alder (editor/engineer/producer) and Ewald Markl
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1996-11)
conductor:
Claudio Abbado (conductor) (in 1996-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2001)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1996-11)
live recording of:
Symphony no. 9 in D-minor, WAB 109: I. Feierlich, misterioso (1894 version, ed. Nowak 1951) (in 1996-11)
composer:
Anton Bruckner (Austrian composer) (in 1896)
part of:
Symphony no. 9 in D-minor, WAB 109 (Symphony no. 9 in D minor, WAB 109, 1894 version, ed. Nowak 1951)
Anton Bruckner25:05
2Symphony no. 9 in D minor (ed. Leopold Nowak): 2. Scherzo. Bewegt, lebhaft - Trio. Schnell
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhard Lagemann
executive producer:
Christopher Alder (editor/engineer/producer) and Ewald Markl
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1996-11)
conductor:
Claudio Abbado (conductor) (in 1996-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2001)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1996-11)
live recording of:
Symphony no. 9 in D-minor, WAB 109: II. Scherzo: Bewegt, lebhaft (1894 version, ed. Nowak 1951) (in 1996-11)
composer:
Anton Bruckner (Austrian composer) (in 1896)
part of:
Symphony no. 9 in D-minor, WAB 109 (Symphony no. 9 in D minor, WAB 109, 1894 version, ed. Nowak 1951)
Anton Bruckner10:06
3Symphony no. 9 in D minor (ed. Leopold Nowak): 3. Adagio. Langsam, feierlich
engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Reinhard Lagemann
executive producer:
Christopher Alder (editor/engineer/producer) and Ewald Markl
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1996-11)
conductor:
Claudio Abbado (conductor) (in 1996-11)
balance engineer:
Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2001)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1996-11)
live recording of:
Symphony no. 9 in D-minor, WAB 109: III. Adagio. Langsam, feierlich (1894 version, ed. Nowak 1951) (in 1996-11)
composer:
Anton Bruckner (Austrian composer) (in 1896)
part of:
Symphony no. 9 in D-minor, WAB 109 (Symphony no. 9 in D minor, WAB 109, 1894 version, ed. Nowak 1951)
Anton Bruckner25:13
22▼CD: Bruckner: Symphony no. 1
#TitleArtistRatingLength
1Symphony no. 1 in C minor (1866 Linz version): 1. Allegro
producer:
John Mordler (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1969-11-30 until 1969-12-02)
conductor:
Claudio Abbado (conductor) (from 1969-11-30 until 1969-12-02)
balance engineer:
Colin Moorfoot (engineer) (from 1969-11-30 until 1969-12-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1969-11-30 until 1969-12-02)
recording of:
Symphony no. 1 in C-minor, WAB 101: I. Allegro (1877 Linz version, ed Haas 1935) (from 1969-11-20 until 1969-12-02)
composer:
Anton Bruckner (Austrian composer) (in 1877)
part of:
Symphony no. 1 in C-minor, WAB 101 (1877 Linz version, ed Haas 1935)
Anton Bruckner11:52
2Symphony no. 1 in C minor (1866 Linz version): 2. Adagio
producer:
John Mordler (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1969-11-30 until 1969-12-02)
conductor:
Claudio Abbado (conductor) (from 1969-11-30 until 1969-12-02)
balance engineer:
Colin Moorfoot (engineer) (from 1969-11-30 until 1969-12-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1969-11-30 until 1969-12-02)
recording of:
Symphony no. 1 in C-minor, WAB 101: II. Adagio (1877 Linz version, ed Haas 1935) (from 1969-11-20 until 1969-12-02)
composer:
Anton Bruckner (Austrian composer) (in 1877)
part of:
Symphony no. 1 in C-minor, WAB 101 (1877 Linz version, ed Haas 1935)
Anton Bruckner12:40
3Symphony no. 1 in C minor (1866 Linz version): 3. Scherzo. Schnell - Trio. Langsamer
producer:
John Mordler (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1969-11-30 until 1969-12-02)
conductor:
Claudio Abbado (conductor) (from 1969-11-30 until 1969-12)
balance engineer:
Colin Moorfoot (engineer) (from 1969-11-30 until 1969-12-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1969-11-30 until 1969-12-02)
recording of:
Symphony no. 1 in C minor, WAB 101: III. Scherzo: Lebhaft - Trio: Langsam (1877 Linz version, ed Haas 1935) (from 1969-11-20 until 1969-12-02)
composer:
Anton Bruckner (Austrian composer) (in 1877)
part of:
Symphony no. 1 in C-minor, WAB 101 (1877 Linz version, ed Haas 1935)
Anton Bruckner8:55
4Symphony no. 1 in C minor (1866 Linz version): 4. Finale. Bewegt, feurig
producer:
John Mordler (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1969-11-30 until 1969-12-02)
conductor:
Claudio Abbado (conductor) (from 1969-11-30 until 1969-12-02)
balance engineer:
Colin Moorfoot (engineer) (from 1969-11-30 until 1969-12-02)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1969-11-30 until 1969-12-02)
recording of:
Symphony no. 1 in C-minor, WAB 101: IV. Finale: Bewegt und feurig (1877 Linz version, ed Haas 1935) (from 1969-11-20 until 1969-12-02)
composer:
Anton Bruckner (Austrian composer) (in 1877)
part of:
Symphony no. 1 in C-minor, WAB 101 (1877 Linz version, ed Haas 1935)
Anton Bruckner12:53
23▼CD: Debussy: Pelléas et Mélisande (Acts I-III beg.)
#TitleArtistRatingLength
1Pelléas et Mélisande: Acte I. « Je ne pourrai plus sortir de cette forêt » (Golaud)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte I, Scène 1: Une forêt (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte I
Claude Debussy3:10
2Pelléas et Mélisande: Acte I. « Pourquoi pleures-tu? » (Golaud, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte I, Scène 1: Une forêt (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte I
Claude Debussy6:21
3Pelléas et Mélisande: Acte I. « Je suis perdu aussi » (Golaud)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte I, Scène 1: Une forêt (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte I
Claude Debussy3:11
4Pelléas et Mélisande: Acte I. « Voici ce qu'il écrit à son frère Pelléas » (Geneviève)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
mezzo-soprano vocals [Geneviève, mère de Golaud et Pelléas]:
Christa Ludwig (mezzo-soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Act I, Scene II. "Voici ce qu'il écrit à son frère Pelléas: 'Un soir, je l'ai trouvée'" (Geneviève) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte I, Scène 2: Un appartement dans le château
Claude Debussy2:07
5Pelléas et Mélisande: Acte I. « Qu'en dites-vous? » (Geneviève, Arkel, Pelléas)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
mezzo-soprano vocals [Geneviève, mère de Golaud et Pelléas]:
Christa Ludwig (mezzo-soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte I, Scène 2: Un appartement dans le château (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte I
Claude Debussy5:23
6Pelléas et Mélisande: Acte I. Interlude
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte I, Scène 2: Un appartement dans le château (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte I
Claude Debussy1:15
7Pelléas et Mélisande: Acte I. « Il fait sombre dans les jardins » (Mélisande, Geneviève, Pelléas)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
mezzo-soprano vocals [Geneviève, mère de Golaud et Pelléas]:
Christa Ludwig (mezzo-soprano) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act I, Scene III. "Il fait sombre dans les jardins" (Mélisande, Geneviève, Pelléas) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte I, Scène 3: Devant le château
Claude Debussy2:39
8Pelléas et Mélisande: Acte I. « Hoé! Hisse Hoé! » (marins, Mélisande, Pelléas, Geneviève)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals [Marins]:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
mezzo-soprano vocals [Geneviève, mère de Golaud et Pelléas]:
Christa Ludwig (mezzo-soprano) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act I, Scene III. "Hoé! Hisse hoé! Hoé! Hoé!" (Chœur, Mélisande, Pelléas, Geneviève) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte I, Scène 3: Devant le château
Claude Debussy3:58
9Pelléas et Mélisande: Acte II. « Vous ne savez pas où je vous ai menée? » (Pelléas, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act II, Scene I. "Vous ne savez pas où je vous ai menée?" (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte II, Scène 1: Une fontaine dans le parc
Claude Debussy3:40
10Pelléas et Mélisande: Acte II. « C'est au bord d'une fontaine » (Pelléas, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act II, Scene I. "C'est au bord d'une fontaine aussi qu'il vous a trouvée?" (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte II, Scène 1: Une fontaine dans le parc
Claude Debussy2:52
11Pelléas et Mélisande: Acte II. Interlude
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte II, Scène 2: Un appartement dans le chateau (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte II
Claude Debussy3:19
12Pelléas et Mélisande: Acte II. « Ah! Ah! Tout va bien » (Golaud, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act II, Scene II. "Ah! Ah! Tout va bien, cela ne sera rien" (Golaud, Mélisande) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte II, Scène 2: Un appartement dans le chateau
Claude Debussy7:52
13Pelléas et Mélisande: Acte II. « Voyons, donne-moi ta main » (Golaud, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte II, Scène 2: Un appartement dans le chateau (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte II
Claude Debussy2:53
14Pelléas et Mélisande: Acte II. Interlude
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte II, Scène 3: Devant une grotte (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte II
Claude Debussy2:20
15Pelléas et Mélisande: Acte II. « Oui, c'est ici, nous y sommes » (Pelléas, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals [mendiants]:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Acte II, Scène 3: Devant une grotte (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte II
Claude Debussy4:45
16Pelléas et Mélisande: Acte III. « Mes longs cheveux descendent jusqu'au seuil de la tour » (Mélisande, Pelléas)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act III, Scene I. "Mes longs cheveux descendent" (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château
recording of:
Pelléas et Mélisande: Act III, Scene I. "Oh! Oh! Mes cheveux descendent de la tour!" (Mélisande, Pelléas) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château
Claude Debussy6:00
17Pelléas et Mélisande: Acte III. « Je les tiens dans les mains » (Pelléas, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte III
Claude Debussy4:12
18Pelléas et Mélisande: Acte III. « Que faites-vous ici? » (Golaud, Pelléas)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte III
Claude Debussy3:33
19Pelléas et Mélisande: Acte III. « Prenez garde; par ici, par ici » (Golaud, Pelléas)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Acte III, Scène 2: Les souterrains du château (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte III
Claude Debussy3:04
24▼CD: Debussy: Pelléas et Mélisande (Acts III cont.-V)
#TitleArtistRatingLength
1Pelléas et Mélisande: Acte III. Interlude ... « Ah! Je respire enfin! » (Pelléas, Golaud)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act III, Scene III. "Ah! Je respire enfin!" (Pelléas, Golaud) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 3: Une terrasse au sortir des souterrains
Claude Debussy4:15
2Pelléas et Mélisande: Acte III. Interlude
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte III
Claude Debussy1:07
3Pelléas et Mélisande: Acte III. « Viens, nous allons nous asseoir ici, Yniold » (Golaud, Yniold)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Yniold, fils de Golaud d'un premier mariage]:
Patrizia Pace (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Act III, Scene IV. "Viens, nous allons nous asseoir ici, Yniold" (Golaud, Yniold) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 4: Devant le château
Claude Debussy5:13
4Pelléas et Mélisande: Acte III. « Qu'ils s'embrassent, petit père? » (Yniold, Golaud)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Yniold, fils de Golaud d'un premier mariage]:
Patrizia Pace (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act III, Scene IV. "Ah! Ah! Petite mère a allumé sa lampe" (Yniold, Golaud) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 4: Devant le château
partial recording of:
Pelléas et Mélisande: Act III, Scene IV. "Viens, nous allons nous asseoir ici, Yniold" (Golaud, Yniold) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 4: Devant le château
Claude Debussy4:21
5Pelléas et Mélisande: Acte IV. « Où vas-tu? » (Pelléas, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene I. "Où vas-tu? Il faut que je te parle ce soir" (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 1: Un appartement dans le château
Claude Debussy2:49
6Pelléas et Mélisande: Acte IV. « Maintenant que le père de Pelléas est sauvé » (Arkel, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene II. "Maintenant que le père de Pelléas est sauvé ..." (Arkel, Mélisande) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château
Claude Debussy5:47
7Pelléas et Mélisande: Acte IV. « Pelléas part ce soir » (Golaud, Arkel, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene II. "Pelléas part ce soir" (Golaud, Arkel, Mélisande) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château
Claude Debussy2:54
8Pelléas et Mélisande: Acte IV. « Ne mettez pas ainsi voire main à la gorge » (Golaud, Arkel, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
Claude Debussy3:25
9Pelléas et Mélisande: Acte IV. Interlude
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
Claude Debussy3:55
10Pelléas et Mélisande: Acte IV. « Oh! Cette pierre est lourde » (Yniold, un berger)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Un berger]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Yniold, fils de Golaud d'un premier mariage]:
Patrizia Pace (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Acte IV, Scène 3: Une fontaine dans le parc (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
Claude Debussy4:04
11Pelléas et Mélisande: Acte IV. « C'est le dernier soir » (Pelléas, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "C'est le dernier soir ..." (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
Claude Debussy3:25
12Pelléas et Mélisande: Acte IV. « Nous sommes venus ici il y a bien longtemps » (Mélisande, Pelléas)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
Claude Debussy1:46
13Pelléas et Mélisande: Acte IV. « On dirait que ta voix a passé sur la mer au printemps » (Pelléas, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "On dirait que ta voix a passé sur la mer au printemps!" (Choeur, Mélisande, Pelléas, Geneviève) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
Claude Debussy3:48
14Pelléas et Mélisande: Acte IV. « Quel est ce bruit? » (Pelléas, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "Quel est ce bruit? On ferme les portes" (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
Claude Debussy4:07
15Pelléas et Mélisande: Acte V. « Ce n'est pas de cette petite blessure qu'elle peut mourir » (le médecin, Arkel, Golaud)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Ce n'est pas de cette petite blessure qu'elle peut mourir ..." (Le médecin, Arkel, Golaud) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy2:54
16Pelléas et Mélisande: Acte V. « Attention; je crois qu'elle s'éveille » (le médecin, Mélisande, Arkel, Golaud)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Attention... attention" (Arkel, Le médecin) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy5:18
17Pelléas et Mélisande: Acte V. « Mélisande, as-tu pitié de moi comme j'ai pitié da toi? » (Golaud, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93
Claude Debussy2:40
18Pelléas et Mélisande: Acte V. « Non, non, nous n'avons pas été coupables » (Mélisande, Golaud)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Non, non, nous n'avons pas été coupables" (Mélisande, Golaud) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy1:55
19Pelléas et Mélisande: Acte V. « Qu'avez-vous fait? » (Arkel, Golaud, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Qu'avez-vous fait? Vous allez la tuer" (Arkel, Golaud, Mélisande) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy2:34
20Pelléas et Mélisande: Acte V. « Qu'y a-t-il » (Golaud, le médecin, Arkel)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Qu'y-a-t-il? Qu'est-ce que toutes ces femmes viennent faire ici?" (Golaud, Le médecin, Arkel) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy2:24
21Pelléas et Mélisande: Acte V. « Attention... attention. Il faut parlet à voix basse, maintenant » (Arkel, le médecin, Golaud)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Attention... attention" (Arkel, Le médecin) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy6:42
25▼CD: Mahler: Symphony no. 10: Adagio / Symphony no. 2 “Resurrection” (movt. 1)
#TitleArtistRatingLength
1Symphony no. 10 (unfinished): Adagio: 1. Andante - Adagio
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1985-06)
conductor:
Claudio Abbado (conductor) (in 1985-06)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1985-06)
partial recording of:
Symphony no. 10 in F-sharp major: I. Adagio (original incomplete version) (in 1985-06)
composer:
Gustav Mahler (composer) (in 1910)
part of:
Symphony no. 10 in F-sharp major (original incomplete version)
Gustav Mahler3:29
2Symphony no. 10 (unfinished): Adagio: 2. Andante come prima [bar 40]
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1985-06)
conductor:
Claudio Abbado (conductor) (in 1985-06)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1985-06)
partial recording of:
Symphony no. 10 in F-sharp major: I. Adagio (original incomplete version) (in 1985-06)
composer:
Gustav Mahler (composer) (in 1910)
part of:
Symphony no. 10 in F-sharp major (original incomplete version)
Gustav Mahler5:50
3Symphony no. 10 (unfinished): Adagio: 3. [bar 105]
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1985-06)
conductor:
Claudio Abbado (conductor) (in 1985-06)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1985-06)
partial recording of:
Symphony no. 10 in F-sharp major: I. Adagio (original incomplete version) (in 1985-06)
composer:
Gustav Mahler (composer) (in 1910)
part of:
Symphony no. 10 in F-sharp major (original incomplete version)
Gustav Mahler6:02
4Symphony no. 10 (unfinished): Adagio: 4. [bar 178]
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1985-06)
conductor:
Claudio Abbado (conductor) (in 1985-06)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1985-06)
partial recording of:
Symphony no. 10 in F-sharp major: I. Adagio (original incomplete version) (in 1985-06)
composer:
Gustav Mahler (composer) (in 1910)
part of:
Symphony no. 10 in F-sharp major (original incomplete version)
Gustav Mahler3:27
5Symphony no. 10 (unfinished): Adagio: 5. A tempo [bar 217]
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1985-06)
conductor:
Claudio Abbado (conductor) (in 1985-06)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1985-06)
partial recording of:
Symphony no. 10 in F-sharp major: I. Adagio (original incomplete version) (in 1985-06)
composer:
Gustav Mahler (composer) (in 1910)
part of:
Symphony no. 10 in F-sharp major (original incomplete version)
Gustav Mahler5:50
6Symphony no. 2 “Resurrection”: 1. Allegro maestoso [Totenfeier]. Mit durchaus ernstem und feierlichem Ausdruck
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:59
7Symphony no. 2 “Resurrection”: 1. Sehr mäßig und zurückhaltend [fig. 7]
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:35
8Symphony no. 2 “Resurrection”: 1. Schnell [fig. 15]
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:07
9Symphony no. 2 “Resurrection”: 1. Tempo I [5 bars after fig. 20]
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:27
10Symphony no. 2 “Resurrection”: 1. Tempo sostenuto [fig. 24]
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:17
26▼CD: Mahler: Symphony no. 2 “Resurrection” (movts. 2-5)
#TitleArtistRatingLength
1Symphony no. 2 “Resurrection”: 2. Andante moderato. Sehr gemächlich
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler1:27
2Symphony no. 2 “Resurrection”: 2. Nicht eilen. Sehr gemächlich [1 bar before fig. 3]
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler1:34
3Symphony no. 2 “Resurrection”: 2. In Tempo I zurückkehren [fig. 5]
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler1:43
4Symphony no. 2 “Resurrection”: 2. Energisch bewegt [fig. 6]
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler2:28
5Symphony no. 2 “Resurrection”: 2. Wieder ins Tempo zurückgehen. Tempo I [fig. 12]
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:23
6Symphony no. 2 “Resurrection”: 3. [Scherzo]. In ruhig fließender Bewegung
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:10
7Symphony no. 2 “Resurrection”: 3. Sehr getragen und gesangvoll [fig. 40]
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler1:27
8Symphony no. 2 “Resurrection”: 3. Zum Tempo I zurückkehren [fig. 43]
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:59
9Symphony no. 2 “Resurrection”: 4. »Urlicht«. Sehr feierlich, aber schlicht. »O Röschen rot!« (contralto solo)
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
solo contralto vocals:
Waltraud Meier (mezzo-soprano) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:26
10Symphony no. 2 “Resurrection”: 5. Im Tempo des Scherzos. Wild herausfahrend
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler1:50
11Symphony no. 2 “Resurrection”: 5. Langsam [fig. 3]
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:11
12Symphony no. 2 “Resurrection”: 5. Im Angang sehr zurückgehalten [fig. 7]
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler1:24
13Symphony no. 2 “Resurrection”: 5. Wieder sehr breit [fig. 10]
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:14
14Symphony no. 2 “Resurrection”: 5. Molto ritenuto. Maestoso [3 bars before fig. 14]
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:31
15Symphony no. 2 “Resurrection”: 5. Wieder zurückhaltend [fig. 21]
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:51
16Symphony no. 2 “Resurrection”: 5. Sehr langsam und gedehnt [fig. 29]
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler2:37
17Symphony no. 2 “Resurrection”: 5. Langsam. Misterioso [fig. 31]. »Aufersteh'n, ja aufersteh'n wirst du« (soprano solo, chorus)
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Arnold Schoenberg Chor (in 1992-11)
solo soprano vocals:
Cheryl Studer (soprano) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
chorus master:
Erwin Ortner (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:35
18Symphony no. 2 “Resurrection”: 5. Langsam ppp. Nicht schleppen [fig. 35]. »Wieder aufzublühn, wirst du gesät« (soprano solo, chorus)
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Arnold Schoenberg Chor (in 1992-11)
soprano vocals:
Cheryl Studer (soprano) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
chorus master:
Erwin Ortner (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:23
19Symphony no. 2 “Resurrection”: 5. Etwas bewegter [fig. 39]. »O glaube, mein Herz, o glaube« (contralto solo, soprano solo, chorus)
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Arnold Schoenberg Chor (in 1992-11)
solo contralto vocals:
Waltraud Meier (mezzo-soprano) (in 1992-11)
solo soprano vocals:
Cheryl Studer (soprano) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
chorus master:
Erwin Ortner (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler3:32
20Symphony no. 2 “Resurrection”: 5. Mit Aufschwung, aber nicht eilen [fig. 44]. »O Schmerz! Du Alldurchdringer« (contralto solo, soprano solo, chorus)
associate producer:
Ewald Markl and Pål Christian Moe
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Arnold Schoenberg Chor (in 1992-11)
solo contralto vocals:
Waltraud Meier (mezzo-soprano) (in 1992-11)
solo soprano vocals:
Cheryl Studer (soprano) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
Claudio Abbado (conductor) (in 1992-11)
chorus master:
Erwin Ortner (in 1992-11)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1992-11)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler4:58
27▼CD: Mahler: Symphony no. 3 (movts. 1-3)
#TitleArtistRatingLength
1Symphony no. 3: Part I. 1. Kräftig. Entschieden
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler7:02
2Symphony no. 3: Part I. 1. Langsam. Schwer [fig. 13]
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:40
3Symphony no. 3: Part I. 1. Tempo I [fig. 18]
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler5:03
4Symphony no. 3: Part I. 1. A tempo [fig. 29]
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler6:09
5Symphony no. 3: Part I. 1. Immer dasselbe Tempo (Marsch) [fig. 43]
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:16
6Symphony no. 3: Part I. 1. (Allegro moderato) [3 bars after fig. 54]
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler5:10
7Symphony no. 3: Part I. 1. Tempo I [fig. 62]
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler5:06
8Symphony no. 3: Part II. 2. Tempo di menuetto. Sehr mäßig
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:05
9Symphony no. 3: Part II. 2. A tempo [fig. 6]
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:32
10Symphony no. 3: Part II. 2. Ganz plötzlich gemächlich. Tempo di menuetto [fig. 14]
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:51
11Symphony no. 3: Part II. 3. Comodo. Scherzando. Ohne Hast
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:34
12Symphony no. 3: Part II. 3. Wieder sehr gemächlich, wie zu Anfang [fig. 6]
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:05
13Symphony no. 3: Part II. 3. Sehr gemächlich (Posthorn) [fig. 14]
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler4:28
14Symphony no. 3: Part II. 3. Tempo I [2 bars before fig. 17]
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler2:59
15Symphony no. 3: Part II. 3. Wieder sehr gemächlich, beinahe langsam [fig. 27]
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1980-09)
conductor:
Claudio Abbado (conductor) (in 1980-09)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1980-09)
partial recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1980-09)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler3:51
28▶CD: Mahler: Symphony no. 3 (movts. 4-6)
29▶CD: Mahler: Symphony no. 4
30▶CD: Mahler: Symphony no. 9
31▶CD: Mozart: Piano Concertos no. 14 & no. 26 “Coronation”
32▶CD: Mozart: Missa solemnis “Waisenhaus”
33▶CD: Mozart: Piano Concertos nos. 25 & 27
34▶CD: Mozart: Piano Concertos nos. 20 & 21
35▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
36▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
37▶CD: Mozart: Le nozze di Figaro (Act IV)
38▶CD: Mussorgsky: Khovanshchina (Act I)
39▶CD: Khovanshchina (Acts II & III)
40▶CD: Khovanshchina (Acts IV & V)

Credits

Release group

includes:L’italiana in Algeri (1987 studio cast) by Gioachino Rossini (composer); Agnes Baltsa (mezzo-soprano), Ruggero Raimondi (bass-baritone), Enzo Dara (operatic bass), Frank Lopardo (tenor), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)