Tracklist

21CD: Bruckner: Symphony no. 9
22CD: Bruckner: Symphony no. 1
23CD: Debussy: Pelléas et Mélisande (Acts I-III beg.)
24CD: Debussy: Pelléas et Mélisande (Acts III cont.-V)
#TitleArtistRatingLength
1Pelléas et Mélisande: Acte III. Interlude ... « Ah! Je respire enfin! » (Pelléas, Golaud)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act III, Scene III. "Ah! Je respire enfin!" (Pelléas, Golaud) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 3: Une terrasse au sortir des souterrains
Claude Debussy4:15
2Pelléas et Mélisande: Acte III. Interlude
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte III
Claude Debussy1:07
3Pelléas et Mélisande: Acte III. « Viens, nous allons nous asseoir ici, Yniold » (Golaud, Yniold)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Yniold, fils de Golaud d'un premier mariage]:
Patrizia Pace (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Act III, Scene IV. "Viens, nous allons nous asseoir ici, Yniold" (Golaud, Yniold) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 4: Devant le château
Claude Debussy5:13
4Pelléas et Mélisande: Acte III. « Qu'ils s'embrassent, petit père? » (Yniold, Golaud)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Yniold, fils de Golaud d'un premier mariage]:
Patrizia Pace (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act III, Scene IV. "Ah! Ah! Petite mère a allumé sa lampe" (Yniold, Golaud) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 4: Devant le château
partial recording of:
Pelléas et Mélisande: Act III, Scene IV. "Viens, nous allons nous asseoir ici, Yniold" (Golaud, Yniold) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 4: Devant le château
Claude Debussy4:21
5Pelléas et Mélisande: Acte IV. « Où vas-tu? » (Pelléas, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene I. "Où vas-tu? Il faut que je te parle ce soir" (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 1: Un appartement dans le château
Claude Debussy2:49
6Pelléas et Mélisande: Acte IV. « Maintenant que le père de Pelléas est sauvé » (Arkel, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene II. "Maintenant que le père de Pelléas est sauvé ..." (Arkel, Mélisande) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château
Claude Debussy5:47
7Pelléas et Mélisande: Acte IV. « Pelléas part ce soir » (Golaud, Arkel, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene II. "Pelléas part ce soir" (Golaud, Arkel, Mélisande) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château
Claude Debussy2:54
8Pelléas et Mélisande: Acte IV. « Ne mettez pas ainsi voire main à la gorge » (Golaud, Arkel, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
Claude Debussy3:25
9Pelléas et Mélisande: Acte IV. Interlude
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte IV, Scène 2 : Un appartement dans le château (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
Claude Debussy3:55
10Pelléas et Mélisande: Acte IV. « Oh! Cette pierre est lourde » (Yniold, un berger)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Un berger]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Yniold, fils de Golaud d'un premier mariage]:
Patrizia Pace (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Acte IV, Scène 3: Une fontaine dans le parc (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
Claude Debussy4:04
11Pelléas et Mélisande: Acte IV. « C'est le dernier soir » (Pelléas, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "C'est le dernier soir ..." (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
Claude Debussy3:25
12Pelléas et Mélisande: Acte IV. « Nous sommes venus ici il y a bien longtemps » (Mélisande, Pelléas)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte IV
Claude Debussy1:46
13Pelléas et Mélisande: Acte IV. « On dirait que ta voix a passé sur la mer au printemps » (Pelléas, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "On dirait que ta voix a passé sur la mer au printemps!" (Choeur, Mélisande, Pelléas, Geneviève) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
Claude Debussy3:48
14Pelléas et Mélisande: Acte IV. « Quel est ce bruit? » (Pelléas, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Pelléas, petit-fils d'Arkel]:
François Le Roux (baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act IV, Scene IV. "Quel est ce bruit? On ferme les portes" (Pelléas, Mélisande) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte IV, Scène 4 : le même lieu
Claude Debussy4:07
15Pelléas et Mélisande: Acte V. « Ce n'est pas de cette petite blessure qu'elle peut mourir » (le médecin, Arkel, Golaud)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Ce n'est pas de cette petite blessure qu'elle peut mourir ..." (Le médecin, Arkel, Golaud) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy2:54
16Pelléas et Mélisande: Acte V. « Attention; je crois qu'elle s'éveille » (le médecin, Mélisande, Arkel, Golaud)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Attention... attention" (Arkel, Le médecin) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy5:18
17Pelléas et Mélisande: Acte V. « Mélisande, as-tu pitié de moi comme j'ai pitié da toi? » (Golaud, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
partial recording of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93
Claude Debussy2:40
18Pelléas et Mélisande: Acte V. « Non, non, nous n'avons pas été coupables » (Mélisande, Golaud)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Non, non, nous n'avons pas été coupables" (Mélisande, Golaud) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy1:55
19Pelléas et Mélisande: Acte V. « Qu'avez-vous fait? » (Arkel, Golaud, Mélisande)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
soprano vocals [Mélisande]:
Maria Ewing (soprano) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Qu'avez-vous fait? Vous allez la tuer" (Arkel, Golaud, Mélisande) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy2:34
20Pelléas et Mélisande: Acte V. « Qu'y a-t-il » (Golaud, le médecin, Arkel)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Qu'y-a-t-il? Qu'est-ce que toutes ces femmes viennent faire ici?" (Golaud, Le médecin, Arkel) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy2:24
21Pelléas et Mélisande: Acte V. « Attention... attention. Il faut parlet à voix basse, maintenant » (Arkel, le médecin, Golaud)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Arkel, roi d'Allemonde]:
Jean-Philippe Courtis (French operatic bass) (in 1991-01)
bass vocals [Golaud, demi-frère de Pelléas]:
José van Dam (Belgian operatic bass-baritone) (in 1991-01)
bass vocals [Le médecin]:
Rudolf Mazzola (bass or baritone or something) (in 1991-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1991-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1991-01)
conductor:
Claudio Abbado (conductor) (in 1991-01)
chorus master:
Helmuth Froschauer (conductor and chorus master) (in 1991-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (in 1991-01)
recording of:
Pelléas et Mélisande: Act V. "Attention... attention" (Arkel, Le médecin) (in 1991-01)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
Claude Debussy6:42
25CD: Mahler: Symphony no. 10: Adagio / Symphony no. 2 “Resurrection” (movt. 1)
26CD: Mahler: Symphony no. 2 “Resurrection” (movts. 2-5)
27CD: Mahler: Symphony no. 3 (movts. 1-3)
28CD: Mahler: Symphony no. 3 (movts. 4-6)
29CD: Mahler: Symphony no. 4
30CD: Mahler: Symphony no. 9
31CD: Mozart: Piano Concertos no. 14 & no. 26 “Coronation”
32CD: Mozart: Missa solemnis “Waisenhaus”
33CD: Mozart: Piano Concertos nos. 25 & 27
34CD: Mozart: Piano Concertos nos. 20 & 21
35CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
36CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
37CD: Mozart: Le nozze di Figaro (Act IV)
38CD: Mussorgsky: Khovanshchina (Act I)
39CD: Khovanshchina (Acts II & III)
40CD: Khovanshchina (Acts IV & V)

Credits

Release group

includes:L’italiana in Algeri (1987 studio cast) by Gioachino Rossini (composer); Agnes Baltsa (mezzo-soprano), Ruggero Raimondi (bass-baritone), Enzo Dara (operatic bass), Frank Lopardo (tenor), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)