Love Over Gold

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Why Must We Wait Until Tonight
registrazione di:
Why Must We Wait Until Tonight
paroliere e compositore:
Robert John “Mutt” Lange (Robert John Lange)
Tina Turner5:30
2Nothing Compares 2 U
voce:
Sinéad O’Connor (Irish singer‐songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records Limited (not for release label use! company behind the Chrysalis imprint) (nel 1990)
registrazione cover di:
Nothing Compares 2 U
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing e Warner Chappell (Warner/Chappell Music, Inc.)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor3.54:39
3All Woman
registrazione di:
All Woman
autore:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) e Lisa Stansfield
Lisa Stansfield4:35
4A Million Love Songs
tecnico:
Tim Eames (UK engineer) e Robin Sellars (British recording engineer)
produttore:
Billy Griffin e Ian Levine (Hi-NRG music songwriter and producer)
tecnico di missaggio:
Ian Levine (Hi-NRG music songwriter and producer)
voce:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) e Robbie Williams
voce principale:
Gary Barlow
arrangiatore:
Ian Levine (Hi-NRG music songwriter and producer) e Nigel Stock (songwriter, worked with John Davies)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1992) e BMG Records (UK) Limited (1987–1996) (dal 1995 a oggi)
registrata presso:
Southlands Studios in London (Greater London), England, Regno Unito
video musicali:
A Million Love Songs di Take That
registrazione di:
A Million Love Songs
paroliere e compositore:
Gary Barlow
editore:
EMI Virgin Music Limited (do not use this as a release label!) e Virgin Music (Publishing) Ltd
Take That3:54
5The Power of Love
tecnico:
Stuart Bruce e Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
percussione ospite :
Luís Jardim
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) e Anne Dudley (English score composer)
voce principale:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) e Paul Rutherford (member of Frankie Goes to Hollywood)
arrangiatore archi e arrangiatore aggiunto:
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrazione di:
The Power of Love
autore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:14
6Thinking About Your Love
Kenny Thomas3:37
7True
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet5:10
8Don’t Know Much
tecnico di registrazione e tecnico di missaggio:
George Massenburg
co-produttore:
Steve Tyrell (American producer and vocalist)
produttore:
Peter Asher
chitarra basso [bass] :
Leland Sklar (bassist, session musician)
voce:
Linda Ronstadt
voce ospite:
Aaron Neville
esecutore:
Aaron Neville e Linda Ronstadt
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
registrazione cover di:
Don’t Know Much
autore:
Barry Mann, Tom Snow (US keyboardist/songwriter) e Cynthia Weil
editore:
ATV Music, Brain Tree Music, EMI Blackwood Music Inc., Mann and Weil Songs, Inc., MCA Music Ltd. e Snow Music
Linda Ronstadt & Aaron Neville33:35
9My Baby Just Cares for Me
batteria :
Albert “Tootie” Heath (nel 1957-12)
contrabbasso :
Jimmy Bond (nel 1957-12)
pianoforte e voce principale:
Nina Simone (nel 1957-12)
diritti fonografici (℗) detenuti da:
Bethlehem Records (US jazz label, active 1950s–) (nel 1958)
registrata presso:
Beltone Studios in New York, New York, Stati Uniti (nel 1957-12)
edit di:
My Baby Just Cares for Me (special extended version) di Nina Simone
registrazione cover di:
My Baby Just Cares for Me (nel 1957-12)
paroliere e compositore:
Walter Donaldson e Gus Kahn
editore:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild e Tobago Music Co.
Nina Simone3.853:35
10Could It Be I’m Falling in Love
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1985)
video musicali:
Could It Be I’m Falling in Love di David Grant (pop singer) & Jaki Graham
registrazione cover di:
Could It Be I’m Falling in Love
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
registrazione di:
Could It Be I’m Falling in Love
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
David Grant & Jaki Graham4.354:18
11Loving You
produttore:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) e Stevie Wonder
armonica (a bocca) , batteria , pianoforte e piatti :
El Toro Negro
batteria [drum kit] :
Ollie E. Brown (US drummer, session musician & record producer) e El Toro Negro
chitarra :
Marlo Henderson e Michael Sembello
chitarra basso :
Reggie McBride
congas :
Kwasi "Rocki" Dzidzornu
voce:
Minnie Riperton
voce di accompagnamento:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) e Yvonne Wright
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1993)
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:19
12The Man With the Child in His Eyes
registrazione di:
The Man With the Child in His Eyes
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush
arrangiatore:
Stefan Lievestro (Dutch jazz bassist)
eseguita per la prima volta presso:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) (, dal 1978 a oggi) e Kate Bush Music Ltd.
Kate Bush2:40
13Hold Me in Your Arms
registrazione di:
Hold Me in Your Arms
paroliere e compositore:
Rick Astley (English singer, songwriter and radio personality)
editore:
All Boys Music Ltd.
Rick Astley4:21
14Sweet Love
registrazione di:
Sweet Love
compositore:
Anita Baker, Gary Bias (jazz saxophonist) e Louis A. Johnson
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
Anita Baker4:23
15Sleeping Satellite
registrazione di:
Sleeping Satellite
autore:
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) e John Hughes (Writer, Producer, Musician)
editore:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4:28
16Let’s Stay Together
registrazione di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
Al Green4:24
17I Can’t Go for That (No Can Do)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1981) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1981)
registrazione di:
I Can’t Go for That (No Can Do)
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Geomantic Music, Hot Cha Music Co., Primary Wave Brian, Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Hall & Oates4.53:44
18The First Cut Is the Deepest
registrazione di:
The First Cut Is the Deepest
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Duchess Music Corporation (BMI-affiliated), Mushroom Music Pty. Ltd. e Salafa Ltd.
P.P. Arnold3:20
19Fool (If You Think It’s Over)
tecnico:
Justin Shirley‐Smith
produttore:
Jon Kelly (engineer at Air London Studios) e Chris Rea
diritti fonografici (℗) detenuti da:
Magnet Records Ltd. (nel 1988)
registrata presso:
Sol Mill Studios (The Sol) in Windsor and Maidenhead, England, Regno Unito (nel 2007)
registrazione di:
Fool (If You Think It’s Over) (nel 2007)
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea54:00
2▼CD
#TitoloArtistaValutazioneDurata
1Missing You
produttore:
Gary Gersh, David Thoener e John Waite
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1984) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1984)
edit di:
Missing You di John Waite
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite3.653:31
2Miss You Like Crazy
registrazione di:
Miss You Like Crazy
autore:
Preston Glass, Gerry Goffin e Michael Masser
editore:
Gemia Music, Irving Music, Inc., Lauren Wesley Music (BMI-affiliated) e Prince Street Music (Also known as "Prince St. Music")
Natalie Cole3:55
3Suddenly
registrazione di:
Suddenly
autore:
Keith Diamond e Billy Ocean
editore:
Musicpiece Publ., Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean33:51
4Midnight Train to Georgia
registrazione di:
Midnight Train to Georgia
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4:18
5Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1986)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:58
6When a Man Loves a Woman
registrazione di:
When a Man Loves a Woman
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge2:50
7I Say a Little Prayer
tecnico di registrazione:
Tom Dowd (il 1968-04-17)
produttore:
Jerry Wexler
basso :
Jerry Jemmott (il 1968-04-17)
batteria :
Roger Hawkins (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 117)
registrazione cover di:
I Say a Little Prayer (il 1968-04-17)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:30
8Would I Lie to You
esecutore:
Charles & Eddie
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1992)
registrazione di:
Would I Lie to You?
autore:
Michael Leeson e Peter Vale (writer/arranger)
editore:
EMI Virgin Music Publishing Australia P/L e BMG VM Music Ltd. (dal 2013-05-16 a oggi)
Charles & Eddie4.254:39
9Vincent
tecnico:
Tom Flye
produttore:
Ed Freeman (producer, arranger, musician, and photographer)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1971-05 al 1971-06)
registrazione di:
Vincent (Starry Starry Night)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) e Universal/MCA Music Ltd. (not for release label use!)
versione tradotta di:
Wim
Don McLean4.44:00
10Go Now
registrazione cover di:
Go Now
autore:
Larry Banks e Milton Bennett
editore:
Belinda Music e Trio Music Company
The Moody Blues3:11
11The Air That I Breathe
tecnico:
Mike Jarratt (Recording, mixing and lacquer cutting engineer) e Alan Parsons (of The Alan Parsons Project)
produttore:
The Hollies e Ron Richards
voce:
Allan Clarke (of The Hollies) (dal 1973-11-15 al 1973-11-22), Tony Hicks (dal 1973-11-15 al 1973-11-22) e Terry Sylvester (dal 1973-11-15 al 1973-11-22)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1973), The Hollies Ltd. (nel 1973, nel 1974, nel 2008) e Polydor International GmbH (not for release label use!) (nel 1974)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1973-11-15 al 1973-11-22)
registrazione cover di:
The Air That I Breathe (dal 1973-11-15 al 1973-11-22)
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
registrazione di:
The Air That I Breathe
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.54:02
12Something’s Gotten Hold of My Heart
registrazione cover di:
Something’s Gotten Hold of My Heart
paroliere e compositore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing
Marc Almond & Gene Pitney4:42
13I Wonder Whay
registrazione di:
I Wonder Why
autore:
Glen Ballard e Curtis Stigers
editore:
Aerostation Corporation, Arlovol Music, C. Montrose’s Music, Inc., MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony Music Publishing (worldwide except Japan, ended 1995) e Sony Tunes, Inc.
Curtis Stigers3:57
14Broken Wings
registrazione di:
Broken Wings
autore:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister4:50
15Without You
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
batteria :
Jim Keltner (nel 1971-06)
chitarra acustica :
John Uribe (nel 1971-06)
chitarra basso :
Klaus Voormann (nel 1971-06)
pianoforte :
Gary Wright (US singer/keyboardist) (nel 1971-06)
voce:
Harry Nilsson (US singer-songwriter) (nel 1971-06)
direttore d'orchestra:
Paul Buckmaster (nel 1971-06)
arrangiatore ottoni e archi :
Paul Buckmaster
diritti fonografici (℗) detenuti da:
BMG Music (nel 1971, nel 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1972) e RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1989)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 496)
registrazione cover di:
Without You (nel 1971-06)
autore:
Tom Evans (UK guitarist for Badfinger) e W. Peter Ham
editore:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, dal 1970 a oggi), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Harry Nilsson4.33:15
16Everyday Hurts
registrazione di:
Every Day Hurts
autore:
Vic Emerson (English keyboardist, synthesizer, arranger and songwriter), John Stimpson e Paul Young (Sad Café, Mike + The Mechanics)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e St. Anne’s Music Ltd.
Sad Café3:57
17Always & Forever
registrazione di:
Always and Forever
paroliere e compositore:
Rod Temperton
editore:
Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave & Courtney Pine4:10
18Songbird
registrazione di:
Songbird
compositore:
Kenny G (saxophonist)
editore:
EMI Blackwood Music Inc., High Tech Music, Kenny G Music e Kuzu Music (publisher)
Kenny G4:10
19You to Me Are Everything
registrazione di:
You to Me Are Everything
autore:
Michael Denne e Ken Gold
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Screen Gems–EMI Music Ltd.
The Real Thing3:21
20When Will I See You Again
Sheila Ferguson3:03
21Tonight I Celebrate My Love
registrazione di:
Tonight, I Celebrate My Love
paroliere:
Gerry Goffin
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-editore:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Roberta Flack & Peabo Bryson3:30

Accreditamenti