Love Over Gold

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Why Must We Wait Until Tonight
recording of:
Why Must We Wait Until Tonight
lyricist and composer:
Robert John “Mutt” Lange (Robert John Lange)
Tina Turner5:30
2Nothing Compares 2 U
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographic copyright (℗) by:
Chrysalis Records Limited (not for release label use! company behind the Chrysalis imprint) (in 1990)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing and Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor3.54:39
3All Woman
recording of:
All Woman
writer:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
Lisa Stansfield4:35
4A Million Love Songs
engineer:
Tim Eames (UK engineer) and Robin Sellars (British recording engineer)
producer:
Billy Griffin and Ian Levine (Hi-NRG music songwriter and producer)
mixer:
Ian Levine (Hi-NRG music songwriter and producer)
lead vocals:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and Robbie Williams
arranger:
Ian Levine (Hi-NRG music songwriter and producer) and Nigel Stock (songwriter, worked with John Davies)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1992) and BMG Records (UK) Limited (1987–1996) (from 1995 to present)
recorded at:
Southlands Studios in London (Greater London), England, United Kingdom
music videos:
A Million Love Songs by Take That
recording of:
A Million Love Songs
lyricist and composer:
Gary Barlow
publisher:
EMI Virgin Music Limited (do not use this as a release label!) and Virgin Music (Publishing) Ltd
Take That3:54
5The Power of Love
engineer:
Stuart Bruce and Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luís Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (member of Frankie Goes to Hollywood)
strings arranger and additional arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
writer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:14
6Thinking About Your Love
Kenny Thomas3:37
7True
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet5:10
8Don’t Know Much
recording engineer and mixer:
George Massenburg
co-producer:
Steve Tyrell (American producer and vocalist)
producer:
Peter Asher
bass guitar [bass]:
Leland Sklar (bassist, session musician)
guest vocals:
Aaron Neville
vocals:
Linda Ronstadt
performer:
Aaron Neville and Linda Ronstadt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
cover recording of:
Don’t Know Much
writer:
Barry Mann, Tom Snow (US keyboardist/songwriter) and Cynthia Weil
publisher:
ATV Music, Brain Tree Music, EMI Blackwood Music Inc., Mann and Weil Songs, Inc., MCA Music Ltd. and Snow Music
Linda Ronstadt & Aaron Neville33:35
9My Baby Just Cares for Me
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
edit of:
My Baby Just Cares for Me (special extended version) by Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone3.853:35
10Could It Be I’m Falling in Love
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
music videos:
Could It Be I’m Falling in Love by David Grant (pop singer) & Jaki Graham
cover recording of:
Could It Be I’m Falling in Love
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
recording of:
Could It Be I’m Falling in Love
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
David Grant & Jaki Graham4.354:18
11Loving You
producer:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) and Stevie Wonder
bass guitar:
Reggie McBride
congas:
Kwasi "Rocki" Dzidzornu
cymbal, drums (drum set), harmonica and piano:
El Toro Negro
drums (drum set) [drum kit]:
Ollie E. Brown (US drummer, session musician & record producer) and El Toro Negro
guitar:
Marlo Henderson and Michael Sembello
background vocals:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) and Yvonne Wright
vocals:
Minnie Riperton
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Lovin’ You
writer:
Minnie Riperton and Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:19
12The Man With the Child in His Eyes
recording of:
The Man With the Child in His Eyes
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush
arranger:
Stefan Lievestro (Dutch jazz bassist)
premiered at:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) (, from 1978 to present) and Kate Bush Music Ltd.
Kate Bush2:40
13Hold Me in Your Arms
recording of:
Hold Me in Your Arms
lyricist and composer:
Rick Astley (English singer, songwriter and radio personality)
publisher:
All Boys Music Ltd.
Rick Astley4:21
14Sweet Love
recording of:
Sweet Love
composer:
Anita Baker, Gary Bias (jazz saxophonist) and Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music (appears also as: Jobete Msc.)
Anita Baker4:23
15Sleeping Satellite
recording of:
Sleeping Satellite
writer:
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) and John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4:28
16Let’s Stay Together
recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Al Green4:24
17I Can’t Go for That (No Can Do)
phonographic copyright (℗) by:
BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1981)
recording of:
I Can’t Go for That (No Can Do)
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Geomantic Music, Hot Cha Music Co., Primary Wave Brian, Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Hall & Oates4.53:44
18The First Cut Is the Deepest
recording of:
The First Cut Is the Deepest
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Duchess Music Corporation (BMI-affiliated), Mushroom Music Pty. Ltd. and Salafa Ltd.
P.P. Arnold3:20
19Fool (If You Think It’s Over)
engineer:
Justin Shirley‐Smith
producer:
Jon Kelly (engineer at Air London Studios) and Chris Rea
phonographic copyright (℗) by:
Magnet Records Ltd. (in 1988)
recorded at:
Sol Mill Studios (The Sol) in Windsor and Maidenhead, England, United Kingdom (in 2007)
recording of:
Fool (If You Think It’s Over) (in 2007)
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea54:00
2▶CD